Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Descriptive essay about death
Thesis on thomas hardy as pessimistic novelist
The going thomas hardy essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Descriptive essay about death
Ah, Are You Digging on My Grave? Essay
Love and affection are praise to be immortal; yet once death come, they’re far too frail to fight back. In “Ah, Are You Digging on My Grave?”, Thomas Hardy signifies the consequence of death is being separate from the living world, and being forgotten, even by an individual’s closest persons; till one will desperately hope for any attention and affection. This piece is written with satire and irony, all glued together with a humorous aspect, to show Hardy’s interpretation of death.
Hardy establishes the character as an isolated woman, who is separates from the living world, since she is no longer alive. In her grave, the speaker wonders if someone is “digging on my grave?”(1). Being burry underneath the ground, under the current living world, without being able to join nor interact with is the distraught that a dead person has to deal with. The speaker repeats frequently, asking who is “digging” so she can feel the connection to the living world, however she realizes that she is detach from the livelihood. Later on, she questions if it’s her dear loved one is digging and “planting rue”(2) upon her grave, but it is not him. By using the symbolism of “planting rue”, the speaker refers to if her loved one is feeling sorrows and bitter from her
…show more content…
“Ah, Are You Digging on My Grave” is the title as well as the question that the speaker repeatedly ask. In the title, the readers can hear her hopes of believing that someone is still remember and care for her. Consequently, love and affection can’t follow one to their grave, and discontinue as death come. The structure of the poem as a dialogue spices up the curiosity of the digger’s identity, as the poem led the readers through a series of downfalls. This satirical piece ironically portrays death in a negative aspect of being segregated and forgotten from the
More than death itself, Harwood’s poetry shows how many people fail to accept death. Their belief in immortality and fear of the end is also potrayed in Nightfall. Although when the subject of the poem is death, the words describe life, as if reluctant to face up to reality. The images are of suburbs, lights, birds and trees. Even with so many experiences, many of us will forever be ignorant seems to be the truth ringing perpetually though Harwood’s verses.
This blues poem discusses an incredibly sensitive topic: the death of Trethewey’s mother, who was murdered by her ex-husband when Trethewey was nineteen. Many of her poetry was inspired by the emotions following this event, and recounting memories made thereafter. “Graveyard Blues” details the funeral for Trethewey’s mother, a somber scene. The flowing words and repetition in the poem allow the reader to move quickly, the three-line stanzas grouping together moments. The poem begins with heavy lament, and the immediate movement of the dead away from the living, “Death stops the body’s work, the soul’s a journeyman [author emphasis]” (Tretheway 8, line 6). Like the epitaph from Wayfaring Stranger, Trethewey indicates that the dead depart the world of the living to some place mysterious, undefined. The living remain, and undertake a different journey, “The road going home was pocked with holes,/ That home-going road’s always full of holes” (Trethewey 8, line 10-11). Trethewey indicates that the mourning is incredibly difficult or “full of holes”, as she leaves the funeral and her mother to return home. ‘Home’ in this poem has become indicative of that which is not Trethewey’s mother, or that which is familiar and comfortable, in vast contrast to the definition of home implied in the
The constant process of life and death, driven by an indestructible progression of time, explains the attitude of carpe diem expressed in three poems focused on human love being a fickle matter. Within the poems “To His Coy Mistress” by Andrew Marvell, “To the Virgins, to Make Much of Time” by Robert Herrick, and “Youth’s the Season Made for Joys” by John Gay, the concept of how a shy attitude towards the inevitable end of all life is exposed as an inherently useless view. Nevertheless, though their primary themes and ideas of this constant procession of time are obviously expressed, the manner in which they do this, through figurative language and imagery, is the main point in which each of these three poems can be contrasted and examined
The idea of graves serving memory is introduced in Part I of the collection within the poem
The writing style of Edgar Allan Poe shows the writer to be of a dark nature. In this story, he focuses on his fascination of being buried alive. He quotes, “To be buried alive is, beyond question, the most terrific of these [ghastly] extremes which has ever fallen to the lot of mere mortality.” page 58 paragraph 3. The dark nature is reflected in this quote, showing the supernatural side of Poe which is reflected in his writing and is also a characteristic of Romanticism. Poe uses much detail, as shown in this passage, “The face assumed the usual pinched and sunken outline. The lips were of the usual marble pallor. The eyes were lusterless. There was no warmth. Pulsation had ceased. For three days the body was preserved unburied, during which it had acquired a stony rigidity.” page 59 paragraph 2. The descriptive nature of this writing paints a vivid picture that intrigues the reader to use their imagination and visualize the scene presented in the text. This use of imagery ties with aspects of Romanticism because of the nature of the descriptions Poe uses. Describing the physical features of one who seems dead is a horrifying perspective as not many people thing about the aspects of death.
In Smith’s fiction, ‘petite mort’ is a more complex motif than the French metaphor for sexual climax. In her stories the trope of love and death does not refer only to the erotic sphere of love. In fact, because of its close relationship to liminality, the traditional topic acquires a more metaphysical twist throughout Smith’s fiction. The coexistence of love and death questions the boundaries between life and death, overcomes the threshold of the physical world to reach beyond this limit, and explores all the possibilities in between. In fact, death often seems to be a paradoxical vehicle through which life and love are manifested and asserted. The notion that death may overcome the borders between life and afterlife suggests a deeper analysis of the concept of liminality.
At a glance, the poem seems simplistic – a detailed observance of nature followed by an invitation to wash a “dear friend’s” hair. Yet this short poem highlights Bishop’s best poetic qualities, including her deliberate choice in diction, and her emotional restraint. Bishop progresses along with the reader to unfold the feelings of both sadness and joy involved in loving a person that will eventually age and pass away. The poem focuses on the intersection of love and death, an intersection that goes beyond gender and sexuality to make a far-reaching statement about the nature of being
Who does not cower in fear upon the thought of death? Almost everybody does! However, people have differing views on the abstract idea of dying. In examining the poem "Because I Could Not Stop For Death? by Emily Dickinson and "Do Not Go Gentle Into That Good Night? by Dylan Thomas, it is evident that the poets use contrasting and comparative techniques in their unique presentations of the concept of death. In the poem "Because I Could Not Stop For Death? Emily Dickinson presents the idea of acceptance of death, whereas in the poem "Do Not Go Gentle Into That Good Night? Dylan Thomas presents the idea of refusal and opposition to death. Despite the differences in theme, these two poets both use similar figurative language devices, such as metaphors, personification and alliteration as they explore their contrasting ideas pertaining to the concept of death. Through the use of their same literacy techniques, both of the authors have presented two very different perceptions on death: Dickinson's message is acceptance whereas Thomas?is rejection.
At a glance, the poem seems simplistic – a detailed observance of nature followed by an invitation to wash a “dear friend’s” hair. Yet this short poem highlights Bishop’s best poetic qualities, including her deliberate choice in diction, and her emotional restraint. Bishop progresses along with the reader to unfold the feelings of both sadness and joy involved in loving a person that will eventually age and pass away. The poem focuses on the intersection of love and death, an intersection that goes beyond gender and sexuality to make a far-reaching statement about the nature of being
Death can both be a painful and serious topic, but in the hands of the right poet it can be so natural and eloquently put together. This is the case in The Sleeper by Edgar Allan Poe, as tackles the topic of death in an uncanny way. This poem is important, because it may be about the poet’s feelings towards his mother’s death, as well as a person who is coming to terms with a loved ones passing. In the poem, Poe presents a speaker who uses various literary devices such as couplet, end-stopped line, alliteration, image, consonance, and apostrophe to dramatize coming to terms with the death of a loved one.
First of all, the speaker starts her poem personifying death as a kind gentleman who comes to pick her up for her death journey. It is obvious if the reader looks at “He kindly stopped for me” (2). T...
In Emily Dickinson’s “Because I Could Not Stop for Death,” she uses the structure of her poem and rhetoric as concrete representation of her abstract beliefs about death to comfort and encourage readers into accepting Death when He comes. The underlying theme that can be extracted from this poem is that death is just a new beginning. Dickinson deftly reassures her readers of this with innovative organization and management, life-like rhyme and rhythm, subtle but meaningful use of symbolism, and ironic metaphors.
Death is a controversial and sensitive subject. When discussing death, several questions come to mind about what happens in our afterlife, such as: where do you go and what do you see? Emily Dickinson is a poet who explores her curiosity of death and the afterlife through her creative writing ability. She displays different views on death by writing two contrasting poems: one of a softer side and another of a more ridged and scary side. When looking at dissimilar observations of death it can be seen how private and special it is; it is also understood that death is inevitable so coping with it can be taken in different ways. Emily Dickinson’s poems “Because I Could Not Stop for Death” and “I Heard A Fly Buzz When I Died” show both parallel and opposing views on death.
In “Home Burial,” Robert Frost uses language and imagery to show how differently a man and a women deal with grief. The poem not only describes the grief the two feel for the loss of their child but also the impending death of a marriage. Frost shows this by using a dramatic style set in New England.
The poem under analysis is called Ah, Are you Digging on My Grace? and it is written by the novelist and poet Thomas Hardy. There are two main speakers in the poem, although other characters were referred to as well. The first main speaker is a deceased woman, who is trying to identify the visitor of her grave. The second main speaker is her living feline companion, which responds to her questions. The dog quotes other characters whom presence is questioned by the woman. The referred-to characters are her lover, family members, and enemy. The poem is essentially a dialog between the woman and her dog. She is astounded to sense that someone is “digging” on her grave, and is disappointed every time she provides an anxious guess. The woman’s first guess is her lover, and asks if he is planting rue on her grave. Her feline companion (who she does not know is talking to her) informs her of her lover’s marriage to a wealthy woman, which she presumably cannot be hurt by anymore considering her death. She guesses again, and it lands on “kin”, who is a family member. She is notified by the dog of their acknowledgment that mourning will not be of benefit as she will not come back to life. The woman gives a final guess, and asks if it is her enemy. She learns the opposite, that her enemy has concluded the woman’s unworthiness after death. Desperately, she asks once more; and her dog, who is concerned of being bothersome, finally announces his identity. The woman appreciates her dog’s devotion and loyally, which she later learns is not so. Her grave became a random spot for the dog to burry its bone in. The poem’s time elapse is based on the start and end of a brief dialog between the woman and the dog. Presumably, it is set in a graveyard, o...