An Ounce of Cure
An Ounce of Problems
Problems, we think they all disappear when we try to live life as though they never happen. In the fictional story of “An Ounce of Cure”, her teenage crises of the undying love for her boyfriend was persistent even after she was “dropped”. This mid-teenage problem, to her, was the end of her pre-destined life. Teenagers often exaggerate their tragedies, which result in sometimes life threatening situations. The theme of this story is even though we feel like our whole life has flipped over it will get better and our problems will die out. The narrator in this story expresses her point of view as she lives through this horrible stage in her teenage life. The characters that Alice Munro uses in the story are common and very realistic.
The narrator never gives her name. She is the major character in the story and conveys this in first person. She is considered the reliable character since she is telling of a stage in her own life. I think she in insecure do to her parents already “hoping for a lesser rather than a greater disaster—an elopement, say, with a boy who could never earn his living, rather than an abduction into the White Slave trade.”(451) She has been given this pre-conceived destiny, which also contributes to her instability and by her boyfriend leaving her.
Here in the story the character could be considered a dynamic character. The fact that her drinking and her attempt at suicide are spread throughout the whole town places a cloud of remorse and shame over her. She paid a great deal for her mistakes and learned from them. I think her mom could be considered a static-flat character. Here her daughter is trying to grow up and get a boyfriend, going to high school, and babysitting on the side and her mother still does not want to see her daughter as “gentleman material.” She has this fixed idea that her daughter will marry some person who cant make a living. By the end of the story, the narrator gets over him and goes on with her life, which I’m sure her mother is appalled.
...manic depressive state which leads her to her suicide. She no longer has a will to repress any untold secrets from the past or perhaps the past. Since she has strayed far from her Christian beliefs, she has given in to the evil that has worked to overcome her. She believes she is finally achieving her freedom when she is only confining herself to one single choice, death. In taking her own life, she for the last time falls into an extremely low mood, disregards anyone but herself, and disobeys the church.
Ashleigh is a flat character, and she appears to be one dimensional, but the author includes enough detail to allow the reader to understand the personality of Ashleigh. Although Ashleigh’s flat personality makes the reader question the choices she would and would not make, the reader can tell that
The theme that has been attached to this story is directly relevant to it as depicted by the anonymous letters which the main character is busy writing secretly based on gossip and distributing them to the different houses. Considering that people have an impression of her being a good woman who is quiet and peaceful, it becomes completely unbecoming that she instead engages in very abnormal behavior. What makes it even more terrible is the fact that she uses gossip as the premise for her to propagate her hate messages not only in a single household but across the many different households in the estate where she stays.
...e relationship with men, as nothing but tools she can sharpen and destroy, lives through lust and an uncanny ability to blend into any social class makes her unique. Her character is proven as an unreliable narrator as she exaggerates parts of the story and tries to explain that she is in fact not guilty of being a mistress, but a person caught in a crossfire between two others.
In my opinion from what I have understood from the text she is a tempestuous character. She is initially perceived as being wild bright and proud. Her character then develops a macabre quality that becomes a precocious influence over everybody in the village of Salem. She abuses this 'ability' to turn things to her advantage and others demise.
The book is narrated from the first person perspectives of three women: Skeeter,Aibleen and Minny.The twenty two year old Eugenia “Skeeter” Phelan is the daughter of a prominent white family who has just graduated and wants to pursure her career as a writer but it’s 1960s and her mother will not be happy if she doesn’t have a ring on her finger. She has been brought up by black maids since she was young, and longs to find out why her much-loved maid, Constantine, has disappeared.Aibleen is a black,wise maid who is raising her seventeenth white child.She dedicates all her work time to Miss.Leeflot,while trying to heal the scars left by her own son’s death.Minny,Aibleen’s best frend is short,fat and the sassiest women in Mississippi.She is the best cook but she cannot mind her tongue resulting having being fired from nineteen jobs. Stockett’s characters are strong, sometimes bold, yet sometimes silent. She adds humor and fun, as well as danger and intrigue in the novel. She has done a great job writing from the point of view of numerous characters. All three of them had their own chapter.Every character has a personality, goals, and a backstory.
Characterization: Most of the characterization is indirect. We learn about these characters mostly by their action and their dialogue. However, there is some direct characterization when the narrator tells us of what has shaped the mother into what she is today.
Alice Munro's creation of an unnamed and therefore undignified, female protagonist proposes that the narrator is without identity or the prospect of power. Unlike the narrator, the young brother Laird is named – a name that means "lord" – and implies that he, by virtue of his gender alone, is invested with identity and is to become a master. This stereotyping in names alone seems to suggest that gender does play an important role in the initiation of young children into adults. Growing up, the narrator loves to help her father outside with the foxes, rather than to aid her mother with "dreary and peculiarly depressing" work done in the kitchen (425). In this escape from her predestined duties, the narrator looks upon her mother's assigned tasks to be "endless," while she views the work of her father as "ritualistically important" (425). This view illustrates her happy childhood, filled with dreams and fantasy. Her contrast between the work of her father and the chores of her mother, illustrate an arising struggle between what the narrator is expected to do and what she wants to do. Work done by her father is viewed as being real, while that done by her mother was considered boring. Conflicting views of what was fun and what was expected lead the narrator to her initiation into adulthood.
There are two prominent female roles in this story, Sian and Charles's wife, Harriet. Sian's eyes "are nearly navy, with flecks of gold" (89) her skin is pale, and "there are wrinkles in the corners of her eyes and below them, her forehead unlined-high and white." "She dresses in black, all the time, simple and straight, because then everything goes with everything. Her voice is deeper than she expected and she speaks slowly. She removes them from their case, clear glasses with thin wire frames, and puts them on. He did not know she wore glasses."(90) "Her neck is long and white, there are small discoloration's, like freckles but not, on the backs of her hands and inside the neckline of her blouse. Her nails are cut short, unpainted."(92) "Her hair is loose and wavy; he remembers it as kind of pale bronze"(23) Sian is a professor and a poet, she has a few books out, this last one consisting of some thirty poems in a slim volume with a paper cover in a matte finish. She is married to a man named Stephen, and has only one child, a daughter Lilly, who is three years old. She, at one time had a son, "His name was Brian and was killed in a car accident six years ago when he was nine."(97)
Innocence, happiness, success, and optimism, are all characteristics of human kind. A cure for cancer is superior to the elimination of physical abuse and suicidal death’s. A result to have all people treated equally appreciated and loved. Is it a possible gesture? It may not happen in our lifetime, but if powerful and caring individuals join forces, it is possible to draw conclusions. To live the dreams and allusions each identity performs and has a reality to people and society. Within the three novels, Ellen Foster, A Virtuous Woman, and A Cure for Dreams, all written by the author Kaye Gibbons, each character from different novels struggles to face reality and find the correct path that will lead them to the right direction in life. While coping with the endless pain, Ellen, Jack, and Betty have only hope to lead them into the direction they encounter to approach. A fate in their lives can change forever. In addition, keep their “depressing days” only a memory so that they will become successful. All characters are determined to overcome their obstacles and misery through hope, courage, and inspiration.
Ellen Dean ~ Ellen is one of the main narrators. She has been a servant for the Linton’s and Earnshaw’s all her life. She knows all of them better than any one else. People that are close to her call her Nelly.
As the story begins you see that her father had perhaps set her up to expect too high of standards, as no suitor had been good enough for her until after her father’s death. The fact that for most of her life the Negro man, who had been her manservant, was the only person she had contact with and he shows the secretive life that she had lived. As literature and common society outlook gives society distaste for loners, it automatically gives people suspicion of them. Rich, gentle old maid or not.
The title character, Alice, is a young girl around pre-teen age. In the real world, the adult characters always look down on her because of her complete nonsense. She is considered the average everyday immature child, but when she is placed in the world of "Wonderland," the roles seem to switch. The adult characters within Wonderland are full of the nonsense and Alice is now the mature person. Thus creating the theme of growing up'. "...Alice, along with every other little girl is on an inevitable progress toward adulthood herself"(Heydt 62).
The young narrator is not rescued by another male figure, but by her mother instead. Carter signifies that woman can be strong and independent: “Now, without a moment’s hesitation, she raised my father’s gun, took aim and put a single, irreproachable bullet through my husband’s head” (Carter 45). The narrator’s mother shows how she is independent and did not rely on a man to save her daughter; thus, embracing how Carter breaks the gender norm. The mother’s qualities are found in the narrator, as the narrator learns to become a woman like her mother: “Although Carter does not explicitly mention curiosity as a trait the mother has and might have modeled, the mother’s active, devil-may-care life indicates she may possess this trait” (Manley 76). The narrator is very curious, and her curiosity helps her towards becoming a woman. The narrator is curious about the locked door, but also about the femininity she posses about marriage and sex. The narrator searches for an identity in the transition of becoming a married woman. The narrator experiences being a true woman by losing her virginity to the Marquis, as she partakes in sex for the first time. The narrator learns how to appease her husband as she learns how to utilize the act of sex to her advantage. As seen later in the short story, when the keys to the chambers are given to her by the Marquis, she is able to explore the forbidden room where she
In Alice Munro’s “Boys and Girls,” there is a time line in a young girl’s life when she leaves childhood and its freedoms behind to become a woman. The story depicts hardships in which the protagonist and her younger brother, Laird, experience in order to find their own rite of passage. The main character, who is nameless, faces difficulties and implications on her way to womanhood because of gender stereotyping. Initially, she tries to prevent her initiation into womanhood by resisting her parent’s efforts to make her more “lady-like”. The story ends with the girl socially positioned and accepted as a girl, which she accepts with some unease.