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Importance of relationships in literature
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Through An-mei and Rose’s complementary passive natures in the first two chapters and the exposure of their development in the last two. Amy Tan uses the structure of the Hsu family storyline to demonstrate the correlation between An-mei and Rose, proving that their mutual weaknesses assist in the personal growth of the mother- daughter duo.
Topic Sentence #1:
As a child, An-mei was passive in her opinions about her mother, which seems to have translated over to Rose and how she deals with her brother’s accident.
Context/Integration/Quote #1/Citation:
An-mei’s mother is seen as a disgrace to the family, due to her remarrying after her first husband’s death. When An-mei’s mother came to the house begging for forgiveness, conflict breaks out and a boiling pot of soup spills on An-mei’s neck. This creates a scar which An-mei describes “My
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scar became pale and shiny and I had no memory of my mother. That is the way it is with a wound. The wound begins to close in on itself, to protect what is hurting so much. And once it is closed, you no longer see what is underneath, what started the pain ” (Tan 47). Quote #1 Analysis: Zoom In: The use of the word “pale” and saying that “the wound begins to close”, presents the idea that her connection with her mom is fading. Later she says she wants to scratch off the scar, which represents her desire to learn about her mom. Zoom Out: Unfortunately out of loyalty to Popo, she does not learn about her mom, or even have her own opinions about her. This is because she learns to stifle her own desires, out of respect for Popo’s hatred of her mother. This fading connection is a result of Popo’s bitterness towards An-mei’s mother, as she influences An-mei to think ill of her as well. Context/Integration/Quote #2/Citation: When Rose is at the beach with her family, she is expected to watch after her brother Bing. Her reaction to her brother falling in the water is, “ I sank to my knees watching the spot where he disappeared, not moving, not saying anything. I couldn't make sense of it. I was thinking, Should I run to the water and try and pull him out? Should I shout to my father? Can I rise on my legs fast enough?” (126). Quote #2 Analysis: Zoom In: The description of her sinking to her knees represents her lack of action, which in turn causes her brother to drown. This is caused by her insecurity of making decisions, which is shown by her lack of response and instead her questioning. Zoom Out: Therefore, as a result of her reluctance to make decisions a horrible tragedy occurred. So consequently, the accident is used to represent her relinquishment of the responsibility to make the decision to save her brother, as a result of her fear and passive nature. Concluding Sentence: As a result of An-mei’s environment, with her grandma's influence, she learns to conform to what will please the people around her. This surrendering of decision- making is also indicated by Rose’s lack of action, for example when Bing drowns. This passive nature that both An-mei and Rose present turns out to be extremely detrimental. Topic Sentence #2: An-mei’s demonstration of strength is reflected by Rose’s newfound will of independence. Context/Integration/Quote #1/Citation: After days of Rose being paralyzed with pain after finding out about her husband Ted has filed for a divorce, she receives an inspiring phone call from her mom. Ted calls confronting her about why she has not signed the divorce papers. Rose then tells Ted to come over to the house, as they are standing in their seemingly lifeless garden, she states, “You can't just pull me out of your life and throw me away” (Tan 196). Quote #1 Analysis: Zoom In: In the beginning of Rose’s and Ted’s seemingly faultless marriage, Ted has a garden. This garden was perfectly cultivated by Ted, every aspect of it controlled by him. This garden symbolizes Rose and the way that Ted dominates her and every aspect of their marriage. With the betrayal of Ted’s affair the garden appears to be falling apart, all the flowers dying, once again representing Rose and her initial denial of their collapsing marriage. If you inspect the garden closely you will notice weeds, which initially Rose thinks is one of the causes of deterioration for the garden. However, these weeds are resilient, which is demonstrated by Rose after her mother's phone call. Zoom Out: This is when she finally establishes her new strength and trust in herself. By saying she won't be pulled out or controlled, Rose is finally dictating what she wants from the divorce. She has taken root in her choices, which she finally trusts herself to do. This is a refreshing change from previously when she did not have confidence in her decisions, so she allowed Ted make them. Context/Integration/Quote #2/Citation: An-mei defies her grandma and leaves with her mother when she ends up realizing that her mom is a concubine. After being oppressed in a disgraceful marriage, An-mei’s mother kills herself. This act gives An-mei the power to stand up to the second wife “And on that day, I showed Second wife the fake pearl necklace she had given me and crushed it under my foot” (240). Quote #2 Analysis: Zoom In: The second wife gave An-mei a pearl necklace, which originally she took as a valuable gift.
Although this was when she was passive and unaware of the intent of the second wife. This gift was one of manipulation from the second wife, just as the second wife manipulated An-mei’s mother into the marriage. The crushing of the fake pearl necklace represents not only An-mei’s newfound clarity but also her independence. This was given to her by her mom’s death. The use of the word “crushing” means to violently subdue, which can be assumed to represent her rebellion against being apathetic in her life.
Zoom Out: An-mei’s mother is treated as though she has no value at all, for example, she has no identity, not even being given a name. An-mei’s mother is powerless, she is forced into a marriage as a result of manipulation. To inspire a change in An-mei she kills herself. Which in turn gives An-mei the strength to stand up to the second woman, and evokes a lasting stand of independence in her. The death of An-mei’s mother serves as a wake-up call for An-mei to develop and become
self-sufficient. Concluding Sentence: The evolution of both An-mei and Rose is displayed by Rose’s establishment of her will regarding her divorce. Along with An-mei’s assertion of independence, as a result of her mother's death.
Richard Russo's "Dog" and Amy Tan's "Two Kinds" are stories that illustrate the negative impacts parents sometimes have on their children and the unintended consequences that occur as a result of their parenting. In "Dog," Henry Devereaux grows into an adult who has difficulty connecting emotionally with others, a man who is not easy, and though entertaining, is not comforting. In "Two Kinds," Jing-mei was a failure many times over in her mother's eyes, finally dropping out of college and only accepting of herself later in life.
Rose Mary is a selfish woman and decides not to go to school some mornings because she does not feel up to it. Jeannette takes the initiative in making sure that her mother is prepared for school each morning because she knows how much her family needs money. Even though Rose Mary starts to go to school every day, she does not do her job properly and thus the family suffers financially again. When Maureen’s birthday approaches, Jeannette takes it upon herself to find a gift for her because she does not think their parents will be able to provide her with one. Jeannette says, “at times I felt like I was failing Maureen, like I wasn’t keeping my promise that I’d protect her - the promise I’d made to her when I held her on the way home from the hospital after she’d been born. I couldn’t get her what she needed most- hot
“Royal Beatings” begins in the imperfect tense with Rose telling us what her life was like. Her attitude and her circumstances are immediately revealed. Her mother had died when she was still a baby, and so she grew up with “only Flo for a mother.” Her father was not readily available and somewhat scared Rose. Rose loves her family but is not like them; she is clumsy instead of clever and had a need to “pursue absurdities.” Characters are revealed and emotions are discovered but the story does not become about action until nine pages into the story. Then, the reader is thrust into present tense action. Rose vividly describes a Saturday of which she and Flo argue and irritate one another. Rose’s father is called in from his shed by Flo and so he gives Rose what the r...
The language between a mother and a daughter can create a huge brick wall in their relationship because they have different views on life, and how they should handle it. In the book "The Joy Luck Club," by Amy Tan, a story is told of An-Mei Hus and her daughter Rose Hsu Jordan, who is going though a divorce. An- Mei wants her daughter, Rose, to try and save her marriage. But Rose knows it’s pointless to try and upon that she decides to learn to stick up for her self, get a lawyer, and fight her soon to be ex-husband for the house. The relationship between An-Mei Hsu and Rose Hsu Jordan shows that language is a brick wall, because they don’t understand why wants what they want. Rose doesn’t care to save her marriage; she only wants to get the house. When her mother, An-Mei, wants Rose to fight to save her marriage, because it’s the Chinese way, and how the only way to keep her honor among her family.
Jing-Mei was forced to take piano lessons; this only further upset her as she felt that she was a constant disappointment. Her mother was mad at her on a regular basis because Jing-Mei stood up for herself and explained to her that she didn’t want to be a child prodigy.
... her own person and wanting only to be accepted for who she is and not who she could be. Even though the argument was never discussed it still haunted Jing-mei. That is why Jing-mei was surprised when her mother offered her the piano for her thirtieth birthday, she took it as a sign of forgiveness.
Our mothers have played very valuable roles in making us who we are and what we have become of ourselves. They have been the shoulder we can lean on when there is no one else to turn to. They have been the ones we can count on when there is no one else. They have been the ones who love us for who we are and forgive us when no one else wouldn’t. In Amy Tan’s “Two Kinds,” the character Jing-mei experiences being raised by a mother who has overwhelming expectations for her daughter, which causes Jing-mei to struggle with who she wants to be.
Eventually, David and Carolyn are able to relinquish the triadic relationship with their daughter, Claudia. This restructuring in the family essentially alleviates many of the problems that were the cause for the family to seek therapy in the first place. Claudia is able to break free from the well worn routines of arguing with her mother and her unwanted behaviors diminish. After removing the pressure placed on Claudia to be their source of intense emotion, David and Carolyn are left to face the daunting task of exploring and eventually reorganizing their relationship with one
In her short story "Two Kinds," Amy Tan utilizes the daughter's point of view to share a mother's attempts to control her daughter's hopes and dreams, providing a further understanding of how their relationship sours. The daughter has grown into a young woman and is telling the story of her coming of age in a family that had emigrated from China. In particular, she tells that her mother's attempted parental guidance was dominated by foolish hopes and dreams. This double perspective allows both the naivety of a young girl trying to identify herself and the hindsight and judgment of a mature woman.
In the story, we see Popo (the grandmother) has taken care of An-mei and her younger sibling. They seem to be a really close family, sadly An-mei father passed away and her mother fled to the north. Years go on by and we see the mother have came back to take An-mei with her, but the grandmother rejected. As the narrator says “this dark boiling soup spilled forward and spilled”.
In the genre of Christian novels where ‘Left Behind’ and the like could be considered fast-food, Mr. O’Brien offers connoisseurs of literature Five-Star dining.
This courage is evident in her dedication to her family, even in the face of Troy’s affair and his crass dismissal of the importance of her happiness. It is further exemplified in her selfless care for the illegitimate daughter and her ability to continue on regardless of these things. If the reader is to take anything from Wilson’s play, they should recognize and apply the courage that carried Rose through life and allowed her to find happiness in the most unlikely of places, an invaluable quality that should be striven for by
Woo’s journey involves a reunion with her distant family and results in her finding out what happened to her long lost sisters; she wakes up and hears her father talking to his Aunt about the incident in which her sisters were abandoned (189-191). After hearing this story, Woo understands the importance of her family ties and feels a stronger sense of place with her sisters. Following, Woo anticipates meeting her sisters, but dreads telling them the news of their mother’s death. However, when she arrives, there is an immediate love and connection between the three as they all say “‘mama, mama,’” and share a series of emotions (195). This connection makes it easier for Woo to discuss their mother and as a result, she finds her sense of place through her
Mother-Daughter Relationships in Amy Tan’s Joy Luck Club In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised.
Rose throws herself further into her woes of anorexia to spite her mother, stating “hating [Dolly] is the best part of being alive” Rose does not appreciate her state of suffering, she detests it, later describing it as the “rob[bing]” of her “c...