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Gods grandeur poem essay
Poem structure of god's grandeur
How nature influenced literature
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When writing an explication on “God's Grandeur” by Gerard Manley Hopkins, you know you are in for a pretty complex writing. When taking a close look at this poem, you notice it has fourteen lines, making it a sonnet. A sonnet is separated into an octave and sestet. These two are put in different places for the argument in the sonnet. When looking at Hopkins, he usually writes in sprung rhythm, which he is famous for, that is slightly different from the meter of a regular sonnet. In the fourth line, Hopkins goes with a pattern of stressed syllables leading up to the line “ Crushed. Why do men then now reck his rod?”(Hopkins). In similarity, the rhythm of the next line seems to go down, “ Generations have trod, have trod, have trod,” gives us the sense of marching or footsteps.
In the beginning of this sonnet, the first eight lines tells us of a world very natural the the influence of God. God's presence streams in the way an electrical current does. It briefly is seen in sparks and flashes, like when you crumple foil in light. Imposingly, God's influence is a thick oil, a kind of sap if you would say that puddles up “to a greatness”(Hopkins) when used with a unique kind of calm, pressure. The evidence of God is blatantly presented to a world where the question asks how humans fail to “reck”(Hopkins) the authority and will of God, “his rod”(Hopkins).
In the octave, the second quatrain explains the easy, patient human-the absent repetitiveness of dirtiness, and human labor, “toil”(Hopkins) and “trade”(Hopkins). The natural state of the landscape reflects on the creator, God. The constant importance on the economy and industrialization rather than spiritual aspects greatly changed and morphed the landscape. This made humans move...
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...ement of God is in his creation of nature and the world. Hopkins wants us to just take a minute and give everything a closer look. Forget the discoveries of science of the modern day. Look at the greatness and beauty in the earth. That is the real discovery. Hopkins gives us evidence of the magnificence of God, rather than disagreeing and challenging it. Hopkins's interest and amazement in the gold-leaf foil shows and tells us how the power of a man-made object is intriguing. This type of foil is usually used in recent scientific experiments. Olive oil has been around for a very long time. Olive oil was used in so many ways including cooking food, providing light in lamps, medicinal and religious purposes and many others. When looking at all aspects of life olive oil seems to be there, just like how God is everywhere because ehe did create everything.
Therefore, the
This essay is anchored on the goal of looking closer and scrutinizing the said poem. It is divided into subheadings for the discussion of the analysis of each of the poem’s stanzas.
In his book, An Imperfect God, Henry Wiencek argues in favor of Washington being the first true president to set the precedent for the emancipation of African-American slaves. Wiencek delves into the evil paradox of how a nation conceived on the principles of liberty and dedicated to the statement that all men are created equal was in a state that still preserved slavery for over seven decades following the construction of the nation. Washington’s grandeur estate at Mount Vernon at its peak had the upkeep of over 300 slaves 126 of which were owned by Washington. First, it must be understood that Washington was raised on slavery receiving ownership of 10 slaves at the age of 11 years old and that Washington was a man of his time. However, it must also be understood that Washington’s business with slavery was in the context of a constrained social and political environment. Weincek maintains that this does not exonerate the fact that Washington maintained slavery however; it does help to quantify the moral shortcoming by which Washington carried until his last year of life.
The voice which speaks concerns represents the general people who also have fears and are insecure about their future. By having the voice speak these concerns, the attachment increases to the poem. With the one word addendum of the “echo” rhyming with the last word of each line, the poet gives an immediate answer to the question, leading to another which creates a conversation, as well as a rhythm. In the first quatrain, the voice asks general questions of how to start blank/from nothing. The title which suggests that the sonnet is created by an echo which answers “To an Empty Page” , where the “Empty Page” is a metaphor for the “voice” which is the man who is trembling on his future. The strong one word answer to the questions lead to more and more. For example, the answer to the first question “How from emptiness can I make a start” is “start”, emphasizing that no matter what, the first thing to do is to “start” and take the first step. After this question the author juxtaposes the two words “joy” and “grief” and the echo responds with “grief” saying he must master this starting. In the next two lines, the author adds that “art” and “leaf” are the cure for this “consolation” and “relief” which brings up nature and
Poetry is an expression of a writer 's inner thoughts and underlying affection. Composing a sonnet is all about expressing your inner empathy and challenging your readers to dig deeper into the true meaning of writing. How a poet grows up and the experience he or she has faced in their lifetime is the foundation of their poetry. Benjamin Alire Saenz grew up in New Mexico and was a priest for a few years in his life. His poem To the Desert, has a deeper meaning than what is actually being portrayed. Some readers may assume that it is only about living in the desert and adapting to the environment itself. However, that is not quite the case with this solid piece of writing. Throughout the composition of the poem, metaphors, allusions, theme,
The student paper written by Delys Waite titled, Imagery, Meter, and Sound in Donne’s Holy Sonnet 7, takes a formalist approach to critiquing the poem. Waite focuses only on a few literary devices to look at how those devices influence the form of the poem. Waite goes into detail describing sound by showing how groups of words have similar sounds that makes the reader say the words slower with more pauses. He addresses these words and how they sound to help emphasize different ideas the poet is trying to get across. Waite does this in a detailed manner by using accents over the letters that create these sounds and by deeply explaining the sound in each word. In the paper, he also discusses imagery and how the images that the poet is creating show how the poet feels about God.
Based on a line of 14 words, by simply taking all possible combinations of the words, there are over 87 billion combinations. Certainly, most of these combinations would not make any sense at all, but surely there are more than 14 that would make some sort of sense. This means the author did not just take 14 lines that make little sense and compose a random poem. Instead, each line builds upon the previous line and leads into the next one. Similar to most English sonnets, this poem explains a problem or dilemma in the first 12 lines. The last two lines (or final couplet) solve the problem and shed light on the rest of the poem. The paradox in this sonnet is that, even though saying (or creating) poetry is nothing in and of itself, through producing poetry as a reader or, even more importantly, as an author, we can gain meaning from the poetry, and only then can we make it a part of us.
I believe that there can be seen a progressive deepening of depression throughout Hopkins' so-called terrible sonnets. The poems I intend to look at will show this, starting with "To seem the Stranger lies my Lot", "I wake and Feel the Fell of Dark", "Carrion Comfort", "No Worst, there is None", and finally "My own Heart let me more have Pity on". The first of the above poems shows the beginning of Hopkins' descent into depression. This is followed by "I wake and Feel ...", illustrating Hopkins descending further into depression. The depths to which Hopkins sank are shown in "Carrion Comfort" and in "No Worst, there is None". Following this, "My own Heart ..." represents the beginnings of an ascent out of depression, and into a more stable frame of mind. Although the order of the poems are set by the editors of various collections, I think that the above order is the order in which they were written, based on their content.
...e speaker admits she is worried and confused when she says, “The sonnet is the story of a woman’s struggle to make choices regarding love.” (14) Her mind is disturbed from the trials of love.
This record from Edward Taylor is extremely confounded and beginning off from the main stanza I was somewhat befuddled attempting to make sense of the importance or motivation behind it being composed. I sort of got the wasp divide it's a production of the Lord. Moreover, I think the writer utilized the wasp as a path from the perusers' could gain from the wasp on how it is experiencing its life essentially on what the Lord composed it to do or looking for what the ruler needs for it. All through the whole ballad are indications of metaphorical dialect methodologies so you truly need to understand every line as you read along. I trust the sonnet has an understanding of perhaps confidence and God and conceivably utilizes bugs, creatures, and
The consistent pattern of metrical stresses in this stanza, along with the orderly rhyme scheme, and standard verse structure, reflect the mood of serenity, of humankind in harmony with Nature. It is a fine, hot day, `clear as fire', when the speaker comes to drink at the creek. Birdsong punctuates the still air, like the tinkling of broken glass. However, the term `frail' also suggests vulnerability in the presence of danger, and there are other intimations in this stanza of the drama that is about to unfold. Slithery sibilants, as in the words `glass', `grass' and `moss', hint at the existence of a Serpent in the Garden of Eden. As in a Greek tragedy, the intensity of expression in the poem invokes a proleptic tenseness, as yet unexplained.
The poetic conventions used by this poet include two half-lines in each verse, separated by a caesura or pause. The half-lines are joined by the oral stressing of alliterative words in the half-lines, both consonants and vowels (Tharaud 34). “At least one of the two stressed words in the first half-line, and usually both of them, begin with the same sound as the first stressed word of the second half-line” (Donaldson 67). When a word was stressed in the first half-line, its alliterative counterpart was stressed in the following half-line; the words could either complement each other, like holy/heaven or sin/enemy, or they could contrast each other like happy/wretched or warm/winter.
This Shakespearean sonnet consisting of 14 lines can be subdivided into 3 parts. In each part, the poet uses a different voice. He uses 1st person in the first part, 3rd person in the 2nd part and 2nd person in the last part. Each section of the poem has a different theme that contributes to the whole theme of the poem.
This was one of the most complex Christian doctrines for people to comprehend, the Church of England often referred to it as “original sin”. As the sonnet continues to develop, he asks God if he will forgive him for causing “others to sin” (ln. 8). At this point in the poem, the reader can sense that Donne is starting to become desperate for forgiveness. He is starting to realize the evil he has been a part of in the past and understands that he is in great need of God’s amazing grace. In the third stanza John Donne begins to express the true fear he has of God, venting that he is on “[his last thread], [and] shall perish on the shore” (ln. 14) if not forgiven. He is using a metaphor to compare running out of life to running out of thread while spinning yarn; which was common in the 16th century English culture. In the closing lines of the sonnet Donne writes that “at [his] death thy Son / Shall shine as he shines now and heretofore; / And, having done that, thou hast done, / I fear no more [ln. 15-18]. This is the turning point in the poem when he goes from having tremendous fear, to having none at all. John Donne
"'The Windhover' is one of the most discussed, and it would seem least understood, poems of modern English literature." These opening words of a Hopkins' critic forewarn the reader of Hopkins' "The Windhover" that few critics agree on the meaning of this sonnet. Most critics do concur, however, that Hopkins' central theme is based on the paradoxical Christian principle of profit through sacrifice. Although most critics eventually focus on this pivotal concept, each one approaches the poem from a different analytical perspective. The various critics of Hopkins' "The Windhover" find woven throughout its diverse levels expressions of Hopkins' central theme: all toil and painful things work together for good to those who sacrificially love God.
In the sestet he tells us of his personal responses to the scene. The poem uses an alternate line rhyming to create the effect of order. It is written in a sonnet using iambic pentameter. This device brings attention and emphasizes the meanings of the words. Wordsworth's shows his feelings for London in a figurative way.