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The use of comedy in hamlet
The use of comedy in hamlet
Role of the fool in king lear
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An Examination of the Significance of the Fool in King Lear
A Fool is used in plays as a professional jester or clown whose
function it was to amuse the king and his followers by his jokes and
witty remarks. The Fool enjoyed the freedom to speak on any subject
and to comment on persons and events without any restraint. The Fool’s
function was purely to provide entertainment and to amuse people.
Shakespeare’s objective in introducing the fool in King Lear is to
provide comic relief in the play where the events are very tragic and
oppressing.
The jokes of the Fool serve to lighten the gloom and to relieve the
tension and the stress which are generated by the cruel treatment
delivered to Lear by his own daughters and by the storm, fury and
violence which he faces of which are too great to bear by the aged
king. The Fool only speaks to Lear himself, and his words are
generally of a nature to ‘rub in’ the mistakes of Lear. The sarcastic
remarks of the Fool intensify the sufferings of Lear and actually
become a contributory cause of his madness. The Fool is essential to
Lear’s character development. The Fool represents the conscience of
Lear, maybe a reason why there is no more of the Fool when Lear loses
his mind.
The significance and the role of the Fool is not confined to just one
objective. Shakespeare uses the Fool for a number of reasons. I will
examine the Fool’s various significances in the play, King Lear.
The Fool has a strong attachment to Cordelia, one of the daughters of
the king. The first mention of the Fool comes when Lear, who is
spending his first month giving away his entire kingdom to his two
daughters, ask...
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play and the audience of the play.
As Lear suffers tremendously during Act three, his ‘injuries’ are
beyond the Fool’s power to alleviate, and ceases to be necessary to
the scheme of the play. No words of his are needed to emphasise its
self-evident tragedy, the king’s madness is emphasis enough, and
nothing can relieve its sheer affliction. So, the Fool is no longer
needed in the play and drops out of the action.
The Fool in King Lear does not make use laugh audibly, but his witty
comments do indeed relieve the tension, which might otherwise become
unbearable. Beyond this, he serves to highlight vividly the king’s
folly. The Fool is like a mirror, striving to show Lear his true
image. When Lear is able to realise his mistakes the Fool becomes his
master’s helper. With Lear’s madness, the Fool’s role ends.
Thou shall honour thy father and thy mother, is not only one of ten powerful commandments but is also the foundation for King Lear's perception of himself and his overwhelming situation in Shakespeare's masterpiece King Lear. After a recent life-altering decision, Lear's seemingly stable and comfortable world has been thrown into upheaval through the disobedience and lies told by not only his two daughters but also by his servants! Thus, after being dishonoured by his family and attendants, Lear forms an accurate perception of his situation, that he is "a man / More sinned against than sinning" (Act III scene ii lines 60 - 61).
In Shakespeare’s King Lear, the Fool is a source of chaos and disruption in King Lear’s tumultuous life. The Fool causes the King distress by insulting him, making light of his problems, and telling him the truth. On the road to Regan’s, the Fool says “If thou wert my Fool, nuncle, I’d have thee / beaten for being old before thy time.” (1.5.40-41). He denies the king the respect due to him as an aged King, causing the King to wonder at his worthiness. The fool also makes light of Lear’s qualms making snide remarks in response to Lear’s ruminations. When Lear asks Edgar cryptically, “wouldst thou give ‘em all?” the Fool responds, “Nay, he reserved a blanket, else we had been all shamed” (3.4.69-72). The Fool’s snide remarks do little to maintain Lear’s fragile control of his faculties. However, the Fool speaks to the king candidly, a rare occasion in Lear’s life. Even Kent acknowledges the truth of the Fool’s statements, saying, “This is not altogether fool, my lord” (1.4.155).
Shakespeare's King Lear is a play which shows the consequences of one man's decisions. The audience follows the main character, Lear, as he makes decisions that disrupt order in his Kingdom. When Lear surrenders all his power and land to his daughters as a reward for their demonstration of love towards him, the breakdown on order in evident. Lear's first mistake is to divide his Kingdom into three parts. A Kingdom is run best under one ruler as only one decision is made without contradiction. Another indication that order is disrupted is the separation of Lear's family. Lear's inability to control his anger causes him to banish his youngest daughter, Cordelia, and loyal servant, Kent. This foolish act causes Lear to become vulnerable to his other two daughters as they conspire against him. Lastly, the transfer of power from Lear to his eldest and middle daughter, Goneril and Regan, reveals disorder as a result of the division of the Kingdom. A Kingdom without order is a Kingdom in chaos. When order is disrupted in King Lear, the audience witnesses chaotic events that Lear endures, eventually learning who truly loves him.
In The Tragedy of King Lear, particularly in the first half of the play, Lear continually swears to the gods. He invokes them for mercies and begs them for destruction; he binds both his oaths and his curses with their names. The older characters—Lear and Gloucester—tend view their world as strictly within the moral framework of the pagan religion. As Lear expresses it, the central core of his religion lies in the idea of earthly justice. In II.4.14-15, Lear expresses his disbelief that Regan and Albany would have put the disguised Kent, his messenger, in stocks. He at first attempts to deny the rather obvious fact in front of him, objecting “No” twice before swearing it. By the time Lear invokes the king of the pagan gods, his refusal to believe has become willful and almost absurd. Kent replies, not without sarcasm, by affixing the name of the queen of the gods to a contradictory statement. The formula is turned into nonsense by its repetition. In contradicting Lear’s oath as well as the assertion with which it is coupled, Kent is subtly challenging Lear’s conception of the universe as controlled by just gods. He is also and perhaps more importantly, challenging Lear’s relationship with the gods. It is Kent who most lucidly and repeatedly opposes the ideas put forth by Lear; his actions as well as his statements undermine Lear’s hypotheses about divine order. Lear does not find his foil in youth but in middle age; not in the opposite excess of his own—Edmund’s calculation, say—but in Kent’s comparative moderation. Likewise the viable alternative to his relationship to divine justice is not shown by Edmund with his ...
Lear is estranged from his kingdom and friends, causing his loss of sanity. In the midst of Lear's self-pity he is discovered by the fool. Fittingly enough the fool is the one able to lead Lear back to the normal world. He is made to appreciate the people who truly cared about him from the beginning. He sees that they were right all along, and repents from his foolish decision, though it's too late to do him any good.
Authors show their purpose in a story to make it interesting, but sometimes the purpose is hidden. This could be the reason that people believe that Shakespeare wrote a satire about King James I, or were the similarities between the real and the fictional king just a coincidence? This is a popular debate topic between many people when they reflect on King Lear. I will be researching to explain why people may feel like it is a satire or not a satire. I will conclude this paper with my own opinion.
Feste, the fool character in Twelfth Night, in many ways represents a playwright figure, and embodies the reach and tools of the theater. He criticizes, manipulates and entertains the other characters while causing them to reflect on their life situations, which is similar to the way a playwright such as Shakespeare interacts with his audience. Furthermore, more so than the other characters in the play he accomplishes this in a highly performative way, involving song and clever wordplay that must be decoded, and is thus particularly reflective of the mechanisms at the command of the playwright. Feste is a representation of the medieval fool figure, who is empowered by his low status and able to speak the truth of the kingdom. A playwright speaks the truth by using actors and fictional characters, who are in a parallel low status in comparison to the audience, as they lack the dimensionality of real people. Thus, the role Feste plays in the lives of the characters in the play resembles the role the play itself plays in the lives of the audience watching the performance. This essay will explore this comparison first by analyzing similarities between the way in which Feste interacts with other characters and the way the playwright interact with the audience, and then focus on the similarities between the aims and content of these interactions.
King Lear as a Tragedy Caused by Arrogance, Rash Decisions and Poor Judgement of Character
King Lear is the protagonist within the play, he wears the label of a successful
father, King Lear. This becomes the center of the play and also leads to the
he is weak, scared, and a confused old man. At the end of the play Lear has
The Role of the Fool in Twelfth Night by William Shakespeare In English Literature, a fool is a person professionally counterfeits. folly for the entertainment of others. They are always regarded as comic figures, which provide mediation under tensional circumstances. As Twelfth Night is an atypical romantic comedy, the jester is not the.
...world has been turned upside-down, his master has now slipped into absolute madness and is beyond the fool’s help. He no longer serves a purpose to the king, and predicts both his, and - as he has shared his fate to this point - Lear’s death with his final line in the play:
In the play King Lear by William Shakespeare the characters in the play show many different symptoms and forms of madness. Madness is the state of being mentally ill, examples of madness are insanity, foolishness, idiocy and many more. Three characters in King Lear show symptoms of some madness; King Lear portrays true insanity, Edmund 's madness allows evil and manipulation, while the Fools form of madness is used to hide truths that need to be told.
King Lear is a play about a tragic hero, by the name of King Lear, whose flaws get the best of him. A tragic hero must possess three qualities. The first is they must have power, in other words, a leader. King Lear has the highest rank of any leader. He is a king. The next quality is they must have a tragic flaw, and King Lear has several of those. Finally, they must experience a downfall. Lear's realization of his mistakes is more than a downfall. It is a tragedy. Lear is a tragic hero because he has those three qualities. His flaws are his arrogance, his ignorance, and his misjudgments, each contributing to the other.