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Fight club themes and analysis
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Philosophy can be found everywhere. Like math, it is used to solve problems, or at least used to begin to understand those problems. Most individuals expect to heighten their philosophical knowledge through readings or by reading a professors notes. One may even consult their own mind to help them grasp a concept of a philosophy. Attainting philosophical guidance by the sources above is common yet it is also quite common to see philosophical themes in movies and novels. A movie with a philosophical message is “Fight Club”. The movie “Fight Club” examines an idealistic question known as “What is Real?” though the main character. The movie examines three idealistic statements: One cannot trust appearances to determine what is real, one sees and feels only what their subconscious mind allows them to see and feel, and finally, ones mind determines what is personally real.
Primarily, one must understand that the answer to “What is Real?” is solely based on their personal view of reality. The question of “What is Real?” may seem to be categorized as having an answer that is subjective but it also has qualities that make it an objective idea as well. The cause of this is based on the fact that appearances may be deceptive. In an article written by Donald Simanek of Lockhaven University, Donald speaks of reality and how nature can be misleading. Donald speaks of Ernst Mach as well as his philosophies. Mach, who is an Austrian philosopher and physicist, believed that, “the only real things were those that we could see, feel, hear, and touch – things accessible to our unaided senses”(Simanek). This idea is not only true in real life but it is exactly what the narrator in “Fight Club” is experiencing. The narrator strongly believes appear...
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... very often in the movie “Fight Club” as the main character struggles with “What is Real?”. The main character shapes his thoughts unconsciously so that he believes in something that is real to him but not the world. In other words, our minds determine what is personally real.
Many movies are created without the notion of conveying any sort of message. The movie “Fight Club” relates the problems faced by the main character to philosophy but more specifically, to Idealism. It is both frightening and intriguing to know that ones mind can control ones perceptions of reality and whether or not what they are seeing is real. In summary, idealism offers the idea that ones mind determines what is real based on their perceptions of the physical world. With perceptions being completely different from one individual to the next, determining what is real may be indefinable.
In the Allegory of the cave, Plato stated "what he had seen before was a cheat and an illusion, but that now, being near to reality and turned toward more real things, he saw more truley." It appeals to me because he's basically inferring what if what we are seeing or what we believe are just our figments of our imagination. A lie that we dwell on, because we are blinded from the truth. Plato statement is something we can all relate. For instance children from our younger years our parents disguise parts of reality to prevent them to live a life of fear. Fear of evil and fear from being hurt. But we as grow older we learn, that there is hate and evil in the world. We learn that not every corner has a rainbow glistening in the sky. And for that
“You’re not your job. You’re not how much money you have in the bank. You’re not the car you drive. You’re not the contents of your wallet. You’re not your fucking khakis. You are the all-singing, all-dancing crap of the world.” This is the underlying message in Fincher’s Fight Club (1999), which satirically analyzes and critiques consumerism. The films characters vividly depict society’s immersion in materialism and presents viewers with the harsh reality regarding the irrelevance of material possessions.
The film Total Recall from 1990, directed by Paul Verhoeven, and starring Arnold Schwarzenegger is a good example of a film that illustrates philosophical issues through cinema. The film was loosely based on the short story We Can Remember It for You Wholesale, written by Philip K. Dick, who also wrote the novel Do Androids Dream of Electric Sheep?, on which the film Blade Runner is based on.
“In philosophy, or religion, or ethics, or politics, two and two might make five, but when one was designing a gun or an aeroplane they had to make four” (Orwell 250). Winston lives in a time where a set of rules preventing him to be free are imposed on him – the Party defines what freedom is and is not. “Freedom is the freedom to say that two plus two make four. If that is granted, all else follows (Orwell 103)”. Winston expresses his views on The Party within his diary even though he knows it is not accepted by The Party or the Thought Police. The narrator in Fight Club uses fighting as a form of escapism from his anti-consumerist ideologies revealed by his alter-ego, Tyler Durden. “Fuck off with your sofa units and strine green stripe patterns. I say never be complete, I say stop being perfect, I say let’s evolve—let the chips fall where they may. (Fight Club)” Tyler urges the narrator to stop conforming to consumerist-imposed views of perfection and break barriers to evolve. Tyler and the narrator create a medium for people in similar positions to escape from societal bound norms; it is aptly named “Fight Club”. In comparison, both Tyler Durden and the narrator from Fight Club and Winston Smith from 1984 share
Philosophy is at the center of human thinking and everyday life, whether one is consciously recognizing it or not. Philosophy fosters critical thinking and provides a structure so one can think and answer basic questions about life on their own accord. The Departed uses several different philosophical theories throughout the film to develop the characters and the plot. These philosophies include Authenticity versus Bad faith, Nietzche’s doctrine of The Will to Power, and Martin Heidegger’s Being-Toward-Death.
The Matrix, directed by the Wachowski sisters, is a film that discusses free will, artificial intelligence and poses a question: ‘How do we know that our world is real?’ This question is covered in the philosophical branch of epistemology. Epistemology is a component of philosophy that is concerned with the theory of knowledge. The exploration of reality is referenced in the film when Neo discovers he has been living in an artificial world called ‘The Matrix’. He is shocked to learn that the world in which he grew up is a computer program that simulates reality. The questioning of knowledge and its irreversibility provoked by The Matrix invites the audience to wonder whether their own world is an imitation of true reality, thus making it a
Sometimes, what we see and remember is not always accurate or real. For instance, Gould talked about a trip that he took to the Devils tower when he was fifteen, he remember that he can see the Devils tower from afar and as he approaches it, it rises and gets bigger. However, about thirty years later, Gould went back to see the Devils tower with his family, he wanted to show them the awesome view of the Devils tower when it rises as they approach closer to it, but when they got there everything was different from what he remembered. Then he found out that the Devils tower that he saw when he was younger wasn’t really...
I’m convinced that we all have choices and what we choose to visualise and see, in time, creates our reality. We can choose to live in routine mediocrity, or create through thought and our beliefs—which are merely repeated thoughts, our dream worlds.
How do we know the things we are seeing or experiencing is actually real and not a figment of our imagination? This is a very important question, especially, when we are taking something that can affect or distort our reality. Drugs and alcohol are something that can distort our reality and have us struggle with trying to separate what is real and what is a figment of our imagination. In the novella The Invention of Morel by Adolfo Bioy Casares, the narrator is struggling to tell what is real and what is not, thus making him an unreliable character. Many elements of fiction makes this person a unreliable character, from the POV of the narrator, the setting of the island, and the characterization of the narrator, all within in the plot of the
Stimulating deep philosophical thought, The Matrix depicts a world in which all human brains are programmed to believe a fabricated reality. Some humans, like the protagonist of the film, Neo, were recused from this mirage and shown the truth about their perceived reality. Some found great discomfort and refused to live with the truth and they returned to live in the illusion. Others however, chose truth over comfort and happiness. After watching this film I soon began to question many aspects of my own life. Is it possible that the world I deem real is a fabricated dream? What if everything around me was designed and that my actuality is simply a perception? These looped questions consume my though and lead me to realize that my reality to
One’s identity is established at birth when given a name. Often times, one’s identity can change throughout one’s lifetime. During adolescence, identity can be linked to playing a sport, an instrument, being involved in art, acting, singing, or some other hobby. As adulthood approaches, identity can be described as, but not limited to, the career path someone has chosen, or the family they may or may not have. In the novel Fight Club, written by Chuck Palahniuk, the narrator has a difficult time finding his true identity. In the novel the theme identity is discussed as the narrator discovers the truth about himself and who the real Tyler Durden is.
Although there were many concepts that were present within the movie, I choose to focus on two that I thought to be most important. The first is the realistic conflict theory. Our textbook defines this as, “the view that prejudice...
Psychological disorders are widely represented in films, as well as in other media texts such as novels, television shows, etc. One film that portrays more than one example of a psychological disorder is Fight Club, a Twentieth Century Fox movie released with an R rating in 1999. Directed by David Fincher; and produced by Art Linson, Cean Chaffin, and Ross Grayson Bell, the movie mainly introduces Dissociative Identity Disorders (also known as Multiple Personality Disorders), but also hints at insomnia and depression. The movie is adapted from the book Fight Club written by Chuck Palahniuk. Fox marketed the movie using a “myriad of merchandise, including posters, the soundtrack, and even email addresses (yourname@fightclub.com)” (CNN). The movie’s production budget was set at $63,000,000 with the movie grossing $37,030,102 (Daily Box Office). The characters of the movie refer to themselves as the “middle children of history” with the feelings of having no purpose or place in life. They convey that they have no history-making events or real set goals and/or destiny to look forward to. They were brought up by society to believe that one-day they would be rich, famous and loved just as those depicted on television. This is symbolic of society during the surrounding time of the movie’s release. It is prevalent in modern society to strive to become someone/something that one sees in the media. The movie is directed towards Generation-X, but the “…hope was that the film would demonstrate the themes of the story to a larger audience. It would offer more people the idea that they could create their own lives outside the existing blueprint for happiness offered by society” (Palahniuk). This message was one that demanded that its viewers put all that drives them aside, and rethink what they had been taught from childhood. After the film’s release, instead of delivering the message that was intended, it was met with criticism and misunderstanding. This was due partly to the fact that it was scheduled for release shortly after the Columbine shootings. The movie became an easy target for those upset by the blatant violence which surrounded the Columbine incident. Although Fight Club is a film full of violence it is in reality one that promotes anti-violence, and points out to the audience the human impulses that cause violent behavior. Ironically, despite all of the med...
The knowledge that individuals make reference in the sphere of everyday life is dominated by a kind of thinking ( natural attitude ) capable of suspending the doubt that this reality is something different from what you see .
Thus, in our search to understand that which is intangible, we come to realize that the definitions that we seek are further than meets the eye. For although many may say they understand what is and is not real, they often rely on a surface level of understanding. Yet when the curious seek out a deeper grasp of the words real, surreal, and reality, many would discover that they are, in fact, unsolvable. Thus we will never know the ultimate truth, we only can get closer and closer to