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Music, the language of Love in Vikram Seth’s An Equal Music
J. GiftlinIyadurai
Assistant Professor of English
Nesamony Memorial Christian College
Mathandam
Email: giftliniyadurai@gmail.com
Abstract:Music is thestrongest element in Vikram Seth’s An Equal Music. It acts like a glue holding the story and characters together, and Seth offers the readers a peek in to the works of Beethoven, Bach, Mozart and Hayden, offering a unique glimpse into the world of chamber music. The interpersonal dynamics of the Quartet that influence their performance their approach and method of rehearsing. Throughout the novel we find the novelist sharing an intimacy with music and identifying himself with the characters. Music and Love co – exist in the novel. The protagonist’s dilemma in choosing one over the other is portrayed. Loneliness as the only companion the the life of a music composer has
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Seth’s novel examines the impact of western classical music on the lives and hopes and fears and final, desperate choices of its European protagonists. Music has been presented in this novel as a noble addiction. Seth highlights the problem of being a professional musician. The problems highlighted in the book are those that are faced in real life- the cost of instruments, the irregular income, the creative tensions of playing in a group and the diminishing likelihood that anyone from a poorer background will ever be able to train as a musician with all the expenses involved. The love, love regained and love lost in the novel also affects the emotion of the individual. Michael was desperately in love with Julia, but unfortunately he had to leave her and loneliness become his only companion. This is evident in the words of Michael, “Life settles into bearable aloneness”
Michael is lonely and sad. his parents died and his Aunt Esther has to take him in (74). Cause of Michael’s parents being dead he is lonely. aunt Esther and Michael do not get along. That causes them to be even more lonely.
Daniel Felsenfeld reveals a positive, impactful significance — one that has completely changed his life — in his literacy narrative “Rebel Music” by drawing upon what his early adolescent years of music were like before his shift into a new taste for music, how this new taste of music precisely, yet strangely appealed to him, and what this new music inspired him to ultimately become. Near the beginning of his narrative, Felsenfeld described his primal time with music in Orange County, Calif. He had developed his musical skills enough to jumpstart a career around music — working in piano bars and in community theater orchestra pits. However, Felsenfeld stated that the music he worked with “... was dull, or at least had a dulling effect on me — it didn’t sparkle, or ask questions,” and that “I [he] took a lot of gigs, but at 17 I was already pretty detached” (pg. 625). Felsenfeld easily
1. Music is a strictly local expression, rich in variety since each culture expresses affective differences through art, 2. Music is a poetic process--complex, vague, and irrational--based upon borrowed traditional musical materials (melodies, rhythms, forms, etc.), 3. Music is for a religious, elitist-class performer who can understand and appreciate its mysterious nature and power, 4. Music is played softly in intimate gatherings, 5. Music making is the activity of Everyman, exacting the talents of variously trained amateurs who, with industry and practice, decorate their recreation and leisure in moments of social intercourse.
...ing identity to the point where it no longer exists. This identity can be lost through extreme devotion, new experience, and immense tragedy. Relationships with the most meaningful companions impact both main characters, Elie and Frederic. Due to the events they must encounter alongside loved ones, Elie and Frederic change completely, losing the identity that once existed. The most impactful events of any life are those that involve struggle and tragedy. Any tragic event that one encounters can significantly alter the purpose of life forever. Tragic events such as taking away what one may hold dearest, such as a loved one in the cases of Elie and Frederic. This type of loss can create a saddened, purposeless life in all humans.
In the novel, The Cellist of Sarajevo, the author Steven Galloway explores the power of music and its ability to provide people with an escape from reality during the Siege of Sarajevo. A cellist plays Albinoni’s Adagio for twenty-two consecutive days to commemorate the deaths of twenty-two citizens who were killed by the mortar attacks on the Sarajevo Opera Hall while waiting to buy bread. Albinoni’s Adagio represents that something can be almost obliterated from existence, but be recreated into something beautiful, since it was recreated from four bars of a sonata’s bass line found in the rubble of the firebombed Dresden Music Library in Germany in 1945. The Sarajevans listening to the cellist are given respite from the brutal reality
The purpose of the composer exploring the concept of belonging is to show that certain groups that people belong to differ over the course of their life. The aspects of belonging that the novel deals with are family, community and country. There is also a heavy political aspect in the novel as an individual’s sense of belonging can be influence by the indoctrination and suppression of that individual.
For almost half a century, the musical world was defined by order and esteemed the form of music more highly than the emotion that lay behind it. However, at the turn of the 19th century, romantic music began to rise in popularity. Lasting nearly a century, romantic music rejected the ideas of the classical era and instead encouraged composers to embrace the idea of emotionally driven music. Music was centered around extreme emotions and fantastical stories that rejected the idea of reason. This was the world that Clara Wieck (who would later marry the famous composer, Robert Schumann) was born into. Most well known for being a famous concert pianist, and secondly for being a romantic composer, Clara intimately knew the workings of romantic music which would not only influence Clara but would later become influenced by her progressive compositions and performances, as asserted by Bertita Harding, author of Concerto: The Glowing Story of Clara Schumann (Harding, 14). Clara’s musical career is an excellent example of how romantic music changed from virtuosic pieces composed to inspire awe at a performer’s talent, to more serious and nuanced pieces of music that valued the emotion of the listener above all else.
Beethoven’s early life was one out of a sad story book. For being one of the most well-known musicians one would think that sometime during Beethovens childhood he was influenced and inspired to play music; This was not the case. His father was indeed a musician but he was more interested in drinking than he was playing music. When his father saw the smallest sliver of music interest in Beethoven he immediately put him into vigorous musical training in hopes he would be the next Mozart; his training included organ, viola, and piano. This tainted how young Beethoven saw music and the memories that music brought. Nevertheless Beethoven continued to do what he knew and by thirteen he was composing his own music and assisting his teacher, Christian Neefe. Connections began to form during this time with different aristocrats and families who stuck with him and became lifelong friends. At 17 Beethoven, with the help of his friends, traveled to Vienna, the music capitol of the world, to further his knowledge and connection...
John Warrack, author of 6 Great Composers, stated, “Any study of a composer, however brief, must have as its only purpose encouragement of the reader to greater enjoyment of the music” (Warrack, p.2). The composers and musicians of the Renaissance period need to be discussed and studied so that listeners, performers, and readers can appreciate and understand the beginnings of music theory and form. The reader can also understand the driving force of the composer, whether sacred or secular, popularity or religious growth. To begin understanding music composition one must begin at the birth, or rebirth of music and the composers who created the great change.
The events in the novel are predicated upon the death of Joel's mother. The account of his mother's death and the upheaval it caused for him (p 10 ) is more poignant to a reader who has experienced the untimely death of a parent than to one who has not. The reader who has experienced the loss can identify with everyone “always smiling” and with the unexplainable changes in one's own behavior toward others as one adjusts to the emptiness.
The theme of this book is that the human capacity to adapt to and find happiness in the most difficult circumstances. Each character in the novel shows this in their way. For instance, their family is randomly taken from their home and forced to work but they still remain a close nit family. In addition, they even manage to stick together after being separated for one of their own. These show how even in the darkest time they still manage to find a glimmer of hope and they pursued on.
Toni Morrison's novel, Beloved, reveals the effects of human emotion and its power to cast an individual into a struggle against him or herself. In the beginning of the novel, the reader sees the main character, Sethe, as a woman who is resigned to her desolate life and isolates herself from all those around her. Yet, she was once a woman full of feeling: she had loved her husband Halle, loved her four young children, and loved the days of the Clearing. And thus, Sethe was jaded when she began her life at 124 Bluestone Road-- she had loved too much. After failing to 'save' her children from the schoolteacher, Sethe suffered forever with guilt and regret. Guilt for having killed her "crawling already?" baby daughter, and then regret for not having succeeded in her task. It later becomes apparent that Sethe's tragic past, her chokecherry tree, was the reason why she lived a life of isolation. Beloved, who shares with Seths that one fatal moment, reacts to it in a completely different way; because of her obsessive and vengeful love, she haunts Sethe's house and fights the forces of death, only to come back in an attempt to take her mother's life. Through her usage of symbolism, Morrison exposes the internal conflicts that encumber her characters. By contrasting those individuals, she shows tragedy in the human condition. Both Sethe and Beloved suffer the devastating emotional effects of that one fateful event: while the guilty mother who lived refuses to passionately love again, the daughter who was betrayed fights heaven and hell- in the name of love- just to live again.
It is clear that Beethoven’s stands as being significant in development of the string quartet to a massive extent in creativity and innovation. His early quartets show great influence of those from the Classical period and with his own, has influenced his contemporaries and later composers. The quartets published later in his life show even greater imagination and use of expression. It is also through similar uses of texture, harmony, rhythm and counterpoint that composers of the Romantic period and the 20th century wrote their own string quartets. Beethoven’s however prove a huge advancement in how string quartets are written and the intensity of emotions that they portray.
Music is an expression of inner feelings through tones (swar) and rhythm (taal). These swars and taals are combined so that they are pleasing to the ear. Music is sound created from the ideas and emotions of man. When these ideas are expressed through the voice in a rhythmic and appealing sound, music is born. Music in its true form controls human activity and is thus the source of attaining pleasure and salvation. At the base of Indian Classical music lies an appreciation for, and an emphasis on creating sound with aesthetic appeal. This is achieved through Raga or melody. In Brihaddeshi, Matang defines raga as “that attractive combination of notes which pleases the mind”. That this sound be attractive and pleasing is of extreme importance. Because music is so closely linked to human emotion, it is important that it is written and performed so as to truly interpret and convey the emotion and beauty of the melody. To ensure that this is done successfully, there are some guidelines for Indian Classical musicians to follow to ensure an effective interpretation and display of their art. The system of raga in Hindusthani Classical music is both complex and sophisticated, using particular elements within strict guidelines to attain a pleasing and beautiful sound.
As the narrator, Michael is particularly hard to sympathize with. The way he guides the story eschews emotional attachment. He himself feels detached from almost everything: "....I felt nothing: my feelings were numbed." His detachment transfers to the readers. None of his traits, or any of the situations he comes up against, makes one feel particularly sorry for him. Nothing makes one want to understand what he's going through or where he's coming from. He is simply there, dictating the story, telling us about his feelings without us getting involved. Further alienating is his tendency to fall into tangents which don't relate to the main narrative. These tangents are even harder to muster interest in than the true point of the book and don't serve any discernible purpose, in the end causing us to separate even further from the story.