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The role of music in movies
The role of music in movies
The role of music in movies
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An Analysis of Deep Blue Sea
I am doing an essay on the opening sequence of the film Deep Blue Sea,
I will be analyzing the way the director creates atmosphere and
suspense. The film is about killer sharks and is in the same genre as
Jaws. The opening scene starts of with four people on a boat, there is
hardly any dialogue in this scene as the audience does not need to
know who the characters are, as they are only there to introduce the
shark and play no further part in the film. Also in the opening scene,
there is lots of editing, and each shot is only a few seconds long
giving a feeling of disorientation. All the shots in the water are
shot from the perspective of something moving towards the boat using a
distorted lens, and there is not a shot of the creature in the water
until the very end of the scene. The director has filmed this scene at
night and used a long line of moonlight, this is because darkness is
associated with fear and I think if this scene was filmed in the day
it would be a lot less atmospheric.
The first shot starts of with a long distance aerial shot straight
down at the sea, at this point the sea looks almost black and
menacing, the camera slowly zooms in until a large sailing boat is
visible, there is very similar music to the jaws film with a
repetitive sequence played repeatedly, this gives a feeling of
uneasiness. The shot then skips past the boat and has an underwater
shot looking up at the boat this gives the sense that there is
something under the water and starts to prepare you for what is going
to happen later, the music then gets louder and ends with a dramatic
chord carrying on the feeling of uneasiness.
The next shot is on the boat, it has regular pop music and pans across
four young adults having fun. The shot then goes to another underwater
shot with dramatic music from the shark’s perspective which starts
Sad music accompanies certain scenes in Blackfish to influence the reader’s emotions regarding what they are shown. The documentary opens with audio from the original Dawn Brancheau accident 911 calls. Underneath this audio, mournful music plays. Even before the viewer
The camera view makes the audience feel as if they are in the fish's body. Nemo looks around the community he lives in, the reef. In this moment, the audience gets caught up into the movie and feels as if they are a fish looking around the ocean. Throughout the entire film, the director brings bright colors, amazing movements, and real life feelings. One specific example is towards the middle of the movie when Nemo is in the aquarium at the dentist office.
In Blackfish, one person shows a whole different side to their job and brings out all his emotions. This person would be John Crowe, a diver whose job was to capture orcas. He would do his job everyday capturing the whales and taking the babies from their mothers. Crowe says, “you understand then what you're doing, I lost it, I started crying, I didn’t stop working, I couldn’t handle, its like kidnapping a little kid away from it’s mother” (Blackfish). Crowe is explaining that while they were capturing these baby whales and hearing them cry for their mothers is when they you finally realize what you're doing to them. Cowperthwaite does a good job picking Crowe to be interviewed. Looking at Crowe the viewer would not expect him to get emotional; he looks like a very rough person with a long beard and tattoos. When the viewer starts to see him get emotional and cry they begin to feel emotional too. This director uses the strategy of emotional interviews to get emotion from the audience. This creates a picture in the viewer’s mind of the crying whales, which is purposely done by the director to get emotion out of the audience. Another thing the director does is...
People don’t always deal with the same issues in the same way. In the novel, A Yellow Raft in Blue Water, author Michael Dorris explores the perspectives of three women whose stories are tangled together through a history of secrets and lies. Rayona, Christine, and Ida all deal with their own share of hardships throughout the course of the novel. As each new perspective is revealed, it becomes clear that our three protagonists face issues with self discovery, a desire to fit in, and personal growth. Despite that though, each one deals with those problems in different ways. Apologetic, aggressive, and distant--Dorris’s effective use of word choice enables the reader to tap into the mindsets of each of these characters, allowing us to see
to the film early on but makes the viewer want to make sense of what
Starting in the very beginning, the four man crew is faced with a tragic shipwreck. After the disaster had struck, Crane goes into a long great detail about the knew vessel the crew must
The opening scene (0:45 – 12:30) starts with sinister looking claw hands creating a doll that looks exactly like Coraline; insinuating that control will play a large role in the film. The film then progresses to the establishing shot; of the
Throughout the story the ocean represented Edna's constant struggle for self-realization and independence. From her first flow of emotion on the beach to her last breath of life in the sea, the ocean beckons her. The voice of the sea lures her onward in her journey toward liberation and empowerment.
We’re given short or no descriptions of the crewmembers. All we know is that the cook has fat forearms and the captain is injured. These descriptions leave it up to the reader to create these characters in their mind, in doing so they are creating a personal connection. In many ways the reader can relate to the crewmembers. The correspondent (also the narrator) says," If I am going to be drowned, why…was I allowed to come thus far...” Its descriptive and forceful and relatable so its makes people start thinking about their own situations. People usually try their best but they don’t always succeed. If anything we do is never going to be good enough, then why try? At this point people begin to claim and demand an explanation from whatever god they worship. Current situations often trigger thoughts of our past. The correspondent relates this to his childhood when he saw a dying soldier and felt as if it was not important but now when he’s in the situation he realizes how “stern, mournful, and fine” it really was. The only thing that is given specific descriptions constantly is the boat and the water. Crane personifies non-living things and gives them more importance than the main characters! The crewmember’s perspective/descriptions of the boat and water change throughout the story. The water is chaotic, bumpy, and dangerously high in the beginning but as the men begin to loose hope and challenge the gods, the water is no longer mentioned and if it is its calm. Also, the seagulls are flying around and the weather does not change regardless of the men’s situation. Therefore enforcing the idea that nature is indifferent to man. The crewmembers desperately use confirmation bias, the tendency to search for or
The painting Ocean Awe by Joan Nix in the Holly Buddy Center represents a calming and peaceful place to be. Through the uses of Nix’s type of painting, elements, and principles of art, he is able to bring out positive emotions and past memories in his artwork.
The most beneficial place to set our deep sea mining site is directly off the sea of PNG in the Bismarck Sea because there are ports and docks to ship the minerals to and from. We are running out! We have no time, no option, and no choice. The world’s population is increasing by 228 000 each day. We have around 14 500 days left so only 40 years till the end of oil, 165 years of gas left and 415 years left of coal. We are using these minerals at a phenomenal rate. We need to start to deep sea mine off the coast of PNG. We need state of the art technology, structures and materials, one mistake can be the destruction of an entire habitat.
In the title sequence the music starts of very quiet and slow and as the music speeds up it builds anxiety within the audience because they want to know what going to happen. It also builds a horrific tension within the audience; also it shows the camera from the shark’s point of view in the sea which is an effective way to build tension because the audience...
music that was played on the beach at the start of the film to show
Right from the bike sequence, it was cut straight of to a scene of a medium shot, which had the door, and we could see Jim and Catherine in the frame through the triangle of the curtains. Jim opens the door to step out and slightly turns to touch Catherine’s cheek. As they step out she describes to him how their love is like a newborn and that they should let it grow on it own to see where it goes. It zooms out as Jim then leaves the doorway and steps down onto the porch with Catherine following him. The background sound has a subtle romantic touch of instruments to it. It is tracked following the couple’s medium shot walking left to right towards the edge of the house.
Every second growing closer and closer to the destruction captivates your attention showing you what minor details created a ripple effect and sinking the ship. From the heart warming goodbyes when they set sail to the icy agonizing waters at the end. The movie really went into detail about the disaster and wanted people to know that it really happened and how devastating it is.