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Symbolism in a yellow river raft
Symbolism in a yellow river raft
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People don’t always deal with the same issues in the same way. In the novel, A Yellow Raft in Blue Water, author Michael Dorris explores the perspectives of three women whose stories are tangled together through a history of secrets and lies. Rayona, Christine, and Ida all deal with their own share of hardships throughout the course of the novel. As each new perspective is revealed, it becomes clear that our three protagonists face issues with self discovery, a desire to fit in, and personal growth. Despite that though, each one deals with those problems in different ways. Apologetic, aggressive, and distant--Dorris’s effective use of word choice enables the reader to tap into the mindsets of each of these characters, allowing us to see …show more content…
things through their eyes, and to better grasp each of their refreshingly unique voices as they navigate through similar struggles. Rayona makes it clear throughout her portion of the novel that she believes she is a burden to other people. Her feelings are revealed to the reader in the third chapter, after Christine leaves her at Ida’s house. “Mom’s the one that’s eating at her, and I’m just the unwelcome reminder, a bad news list stuck under a Happy Face on her refrigerator… [Aunt Ida] begrudges me for the space I take...” (37). By saying she is an “unwelcome reminder” and likening herself to the “bad news list” on the refrigerator, it becomes clear that Rayona feels like she is unwanted by Ida--she doesn’t feel welcome. It’s a simple fact that nobody likes bad news and nobody wants to be a reminder of something negative, but nevertheless Rayona finds herself feeling that way here. This part of Rayona’s story almost parallels Christine’s, only rather than act out against Ida, she stays out of her way and keeps quiet so as not to inconvenience her further. “FIND A QUOTE.” Christine prefers the aggressive approach for nearly all of her struggles. Much unlike her daughter, throughout the novel she adopts a defensive tone that almost dares people to find fault with her. As she remembers the events of her life, Christine makes sure everyone knows how hard she had it, especially when she tells us about her life on the reservation. “You try to put together cute outfits from the secondhand trash at the charity store. You try to have fun when there’s nowhere to go and you might be related to every other boy in town” (141). Here, her tone is almost accusatory. Christine does ( FIX & TALK ABOUT HER ACTING OUT AGAINST IDA. ) Rather than being open about what she is going through, Ida has learned to distance herself from those around her to avoid being hurt.
One example of this is when she tells the reader about her time mothering Christine. She explains her reasoning for making Christine call her aunt Ida, saying, “and every time she said it, the feelings for her that I couldn’t help… got flaked away. That was as I intended. Someday Clara would arrive at the door and might steal Christine back” (325). Rather than be the best mother she could be, Ida felt she needed to distance herself from Christine so as to save herself the heartbreak. She doesn’t consider the effects it might have on Christine, however, and is instead so focused on preserving her own feelings that she fails to give her “daughter” the nurturing she needs and deserves. By using the word “steal” in the quote, the author is able to effectively show the reader that even though Christine is not really Ida’s child, she still cares for her in the same way, and the possibility that she might lose her is frightening. In the very next paragraph, Ida exhibits these same behaviors with Father Hurlburt. “I didn’t want to need those evenings--their regularity was irritating to me because I was sure that as soon as I expected Father Hurlburt, he would cease to come--so I remained aloof” (325). In this passage, Ida explicitly tells the reader that she believes???
EXPAND. Despite the similarity between the struggles of our antagonists, their situations remain separate and unique from one another due to their differing perspectives and mindsets. EXPAND.
As the subject of the first section of Doris' novel, A Yellow Raft In Blue Water, Rayona faces many problems that are unique to someone her age. Ray's mixed race heritage makes her a target of discrimination on the reservation. Problems in her family life (or lack thereof), give Rayona a reversed role in which she is the mother taking care of Christine. In dealing with these issues, Rayona learns a lot about herself and others.
The novel, The Color of Water follows the author and narrator James McBride, and his mother Ruth’s life. It explores their childhood—when they were both embarrassed by their mothers—through the part of their lives where they began to accept themselves for who they are. Moreover, this memoir is quite distinctive as McBride cleverly parallels his story to his mother, Ruth’s story using dual narration. This technique further helps contribute to the theme of self-identity. Throughout the novel, McBride searches for identity and a sense of belonging that derives from his multiracial family. By using two different narrations, McBride gradually establishes his identity and by integrating both narratives at the end, McBride also shows that although both narrators at the beginning had different upbringings, in the end they came together, and understood each other’s perspective.
...perceived. Therefore, she uses her writing to give women a voice and to speak out against the unfairness they endure. As a result, Cisneros’ story “Woman Hollering Creek” demonstrates a distinction between the life women dream of and the life they often have in reality.
Within every story or poem, there is always an interpretation made by the reader, whether right or wrong. In doing so, one must thoughtfully analyze all aspects of the story in order to make the most accurate assessment based on the literary elements the author has used. Compared and contrasted within the two short stories, “Girl” by Jamaica Kincaid, and John Updike’s “A&P,” the literary elements character and theme are made evident. These two elements are prominent in each of the differing stories yet similarities are found through each by studying the elements. The girls’ innocence and naivety as characters act as passages to show something superior, oppression in society shown towards women that is not equally shown towards men.
In The Color of Water, author James McBride writes both his autobiography and a tribute to the life of his mother, Ruth McBride. In the memoirs of the author’s mother and of himself, they constantly face discrimination from their race in certain neighborhoods and of their religious beliefs. The trials and tribulations faced by these two characters have taught readers universally that everyone faces difficulties in life, but they can all be surmounted.
Danielle Evans’ second story “Snakes” from the collection of short stories, Before You Suffocate Your Own Fool Self depict a biracial girl who has been pressured due to her grandmother’s urge to dominate her. The story pictures her suffering with remarkable plot twist in the end of the story. Evans utilize a profound approach on how to bring readers to closely examine racism implicitly, to make readers recognize the actions may lead to social discrimination and its consequences that are often encountered in our daily life.
Towards the middle of the memoir, the theme is shown through the irony of Jeannette’s mother’s situation as well as Jeannette’s feelings towards
Women have traditionally been known as the less dominant sex. Through history women have fought for equal rights and freedom. They have been stereotyped as being housewives, and bearers and nurturers of the children. Only recently with the push of the Equal Rights Amendment have women had a strong hold on the workplace alongside men. Many interesting characters in literature are conceived from the tension women have faced with men. This tension is derived from men; society, in general; and within a woman herself. Two interesting short stories, “The Yellow Wall-paper and “The Story of an Hour, “ focus on a woman’s plight near the turn of the 19th century. This era is especially interesting because it is a time in modern society when women were still treated as second class citizens. The two main characters in these stories show similarities, but they are also remarkably different in the ways they deal with their problems and life in general. These two characters will be examined to note the commonalities and differences. Although the two characters are similar in some ways, it will be shown that the woman in the “The Story of an Hour” is a stronger character based on the two important criteria of rationality and freedom.
The first encounter with Helga Crane, Nella Larsen’s protagonist in the novel Quicksand, introduces the heroine unwinding after a day of work in a dimly lit room. She is alone. And while no one else is present in the room, Helga is accompanied by her own thoughts, feelings, and her worrisome perceptions of the world around her. Throughout the novel, it becomes clear that most of Helga’s concerns revolve around two issues- race and sex. Even though there are many human character antagonists that play a significant role in the novel and in the story of Helga Crane, such as her friends, coworkers, relatives, and ultimately even her own children, her race and her sexuality become Helga’s biggest challenges. These two taxing antagonists appear throughout the novel in many subtle forms. It becomes obvious that racial confusion and sexual repression are a substantial source of Helga’s apprehensions and eventually lead to her tragic demise.
In “Hills Like White Elephants” and “The Story of an Hour”, the woman in each story imprisons in the domestic sphere. In “Hills Like White Elephants”, the woman in this story conflicts between keeping the baby or getting abortion although the relationship with her boyfriend would not improve as he said. In “The Story of an Hour”, even though Louise Mallard, an intelligent, independent woman understands that she should grieve for Brently, her husband and worry for her future, she cannot help herself from rejoice at her newfound freedom. The author of this story, Kate Chopin suggests that even with a happy marriage, the loss of freedom and the restraint are the results that cannot be avoid.
Restraints are set by parents on their children to aid with the developmental process and help with the maturity level. Restrictions and the ability to control exist in our society and our lives. We encounter restraints daily: job, doors, people, and the most frequently used and arduous become intangible. In the following stories tangible and intangible scenarios are presented. Autonomy, desires, and talents spurned by the husbands in John Steinbeck’s “The Chrysanthemums and Charlotte Gilman’s “The Yellow Wallpaper.” The authors share views regarding a similar theme of male domination and imprisonment. “The Yellow Wallpaper” involves the treatment of a depressed woman who is driven insane in a male imposed detention in her own room. On the other hand, Elisa Allen in the “The Chrysanthemums” struggles internally to find her place in a fully male dominated society with definite gender roles. The mirror-like situations bring upon a different reaction for both the women in different ways. The importance of symbolism, control from their husbands, and the lack of a healthy marriage will be discussed in this paper in two stories.
In the story, the narrator is forced to tell her story through a secret correspondence with the reader since her husband forbids her to write and would “meet [her] with heavy opposition” should he find her doing so (390). The woman’s secret correspondence with the reader is yet another example of the limited viewpoint, for no one else is ever around to comment or give their thoughts on what is occurring. The limited perspective the reader sees through her narration plays an essential role in helping the reader understand the theme by showing the woman’s place in the world. At ...
The central characters in both “The Yellow Wallpaper” and A Doll’s House are fully aware of their niche in society. In “The Yellow Wallpaper”, the narrator’s husband believes her illness to be a slight depression, and although she states "personally, I disagree with their ideas,” she knows she must acquiesce their requests anyway (Gilman 1). She says, “What is one to do?” (Gilman 1) The narrator continues to follow her husband’s ideals, although she knows them to be incorrect. She feels trapped in her relationship with her husband, as she has no free will and must stay in the nursery all day. She projects these feelings of entrapment onto the yellow wallpaper. She sees a complex and frustrating pattern, and hidden in the pattern are herself and othe...
William Faulkner's “A Rose for Emily” and Charlotte Perkins Gilman's “The Yellow Wallpaper” are two short stories which incorporate many similarities, both stories are about the emotional and psychological experiences of two women living in a reclusive environment. The women presented in both of the stories experience moments of insanity, loneliness, feelings of being controlled by others, and of loss of psychological self-control. In both of the stories, each of the women experience similar situations, in a complete different environment, and while one is practically force to refrain for outside stimulation, the other voluntarily avoids them.
In the story “Two Kinds”, the author, Amy Tan, intends to make reader think of the meaning behind the story. She doesn’t speak out as an analyzer to illustrate what is the real problem between her and her mother. Instead, she uses her own point of view as a narrator to state what she has experienced and what she feels in her mind all along the story. She has not judged what is right or wrong based on her opinion. Instead of giving instruction of how to solve a family issue, the author chooses to write a narrative diary containing her true feeling toward events during her childhood, which offers reader not only a clear account, but insight on how the narrator feels frustrated due to failing her mother’s expectations which leads to a large conflict between the narrator and her mother.