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Here is some advice to my younger Asian American self, growing up in a media filled industry focused on physical attraction, accept the things that cannot be changed, especially your own race. Unless going under the knife was ever an option you cannot change the way your facial features are arranged that identifies and distinguishes you as being Asian. This problem you and many other people of color have, arise from media images published in mediums such as magazines that predominately represent the Caucasian race and Caucasian features as being the most beautiful and most accepted. Because of this, Susan Bordo from the Empire of Images explains that these images, “speak to the young people not just about how to be beautiful but about how to become what the dominant culture admires” (21). This admiration of Caucasian features over other racial features explains the media bias that directly contributes to the lack of diversity seen in magazines.
Lack of Color: The Photo Series – The Process and Inspiration
The inspiration for this photo series came from the article, “Diversity Re...
What if metamorphosis could cause a revolution? In her radical short story Reeling for the Empire, Karen Russell describes a world where women’s rights, independence, and identity are stripped from them and are converted into monsters. The women of nowhere mill are transformed into silkworms, locked away in the mill to spin for the rest of their lives. However an uprising begins as the women begin to reestablish themselves and overtake their oppressors. In Reeling for the Empire, Russell uses the motif of metamorphosis to reveal the dawn of feminism in society.
“A hidden weight seemed to attach itself to simple objects—a teacup, a doorknob, a glass—hardly noticeable at first, beyond the sense that every move required a slightly greater exertion of energy”(187). In Nicole Krauss’ short story, “The Young Painters”, Krauss brings across the idea of guilt swallowing the narrator because of her decision to steal a frightening story told to her by a dancer and recreate the story and publish it as her own work. In the first scene, the author encounters a captivating painter in the dancer’s home which she later discovers has a intense backstory. She later publishes the story as her own but adds a happy twist to deemphasize the horror of the original story. In the second scene, after an odd encounter with
Elizabeth Ammon’s “The Myth of Imperial Whiteness” and Kenneth Bernard’s “Imagery and Symbolism in Ethan Frome” both have two vastly different perspectives on the same work of literature. Ammons goes into extensive detail to support the concept of racism that exists in Ethan Frome. Through the rich usage of symbolism, dynamic and static characters as well as imagery, Bormand offers his analysis on the characterization of Ethan Frome as well. Through the comparison of each critical work’s beginning, or introduction and conclusion, the variations in style and approach are quickly perceived.
Since she could not own, much less lose a realm, the speaker seems to be
The Resurrection was made by Francesco Buoneri, known as Cecco del Caravaggio around 1619-20. The oil on canvas painting was commission by a Tuscan ambassador. Its new permeant home is in the Art Institute in Chicago. I chose to look at this painting for many different reason. The Resurrection is an amazing painting that through basic size, composition, and theme that captured my attention.
Have you ever seen an advertisement for a product and could immediately relate to the subject or the product in that advertisement? Companies that sell products are always trying to find new and interesting ways to get buyers and get people’s attention. It has become a part of our society today to always have products being shown to them. As claimed in Elizabeth Thoman’s essay Rise of the Image Culture: Re-Imagining the American Dream, “…advertising offered instructions on how to dress, how to behave, how to appear to others in order to gain approval and avoid rejection”. This statement is true because most of the time buyers are persuaded by ads for certain products.
Colorism in the United States is a result of the history of people being discriminated based upon one’s skin tone. For many years, the European standard of beauty has been set forth and pushed upon mainly young men and women of many backgrounds
The artwork I chose for the art criticism project was ‘The Survivors’ by Kathe Kollwitz. The piece was created in 1923 in Berlin, Germany, where she resided with her husband. She and her husband resided in a poorer area, and it is believed to have contributed too much of her artwork style. ‘The Survivors’ is currently displayed in two museums, the MoMA and the Kathe Kollwitz Museum. In the piece there is a woman directly in the middle, with sunken in cheek bones is draped in a black cloak. Her arms are around three small children, who look very frightened. On each side of her body there are an additional four small children who convey sadness upon their innocent faces. Also, they are outstretching their arms as if they are begging for her to give them something. In the background, on the top left side, there are two elderly men with their heads down, looking as if they are very sad and
Imagine pondering into a reconstruction of reality through only the visual sense. Without tasting, smelling, touching, or hearing, it may be hard to find oneself in an alternate universe through a piece of art work, which was the artist’s intended purpose. The eyes serve a much higher purpose than to view an object, the absorptions of electromagnetic waves allows for one to endeavor on a journey and enter a world of no limitation. During the 15th century, specifically the Early Renaissance, Flemish altarpieces swept Europe with their strong attention to details. Works of altarpieces were able to encompass significant details that the audience may typically only pay a cursory glance. The size of altarpieces was its most obvious feat but also its most important. Artists, such as Jan van Eyck, Melchior Broederlam, and Robert Campin, contributed to the vast growth of the Early Renaissance by enhancing visual effects with the use of pious symbols. Jan van Eyck embodied the “rebirth” later labeled as the Renaissance by employing his method of oils at such a level that he was once credited for being the inventor of oil painting. Although van Eyck, Broederlam, and Campin each contributed to the rise of the Early Renaissance, van Eyck’s altarpiece Adoration of the Mystic Lamb epitomized the artworks produced during this time period by vividly incorporating symbols to reconstruct the teachings of Christianity.
Often in my life I have felt trapped by the boundaries and expectations that those around me have set for how I ought to behave, think, and feel. Here in suburban America, these boundaries are often set by peers and family, as well as by the media and celebrity figures. The expectations that they have set often dictate ideas that, deep down, I greatly disagree with. One of the most prominent of the ideas is that my worth is reflected in my outward physical appearance. In this world which has declared war on th...
In the poem “One Art” the thesis statement declared in the first stanza, on the first line as “The art of losing isn’t hard to master” also repeating it again in line 6 and 12. The statement is better interpreted as “The skill of losing is not hard to attain”. Bishop speaks in the poem as if she has successfully mastered the skill of losing. She also goes around in circles admitting that the art of losing is not hard to master as if that is what she is making herself believe is true. She is also helping the reader create a habit as the reader reads and repeats the refrain of “The art of losing isn’t hard to master” not to mention the line 4 where she tells the reader to make it a habit to, “Lose something every day”.
First, one must ponder a couple of questions: who defines beauty in today’s culture and society? Does the mass media industry define beauty? Everywhere one turns in advertisements, commercials, TV shows, movies, magazines, etc. someone is telling us what “beauty” is. The allure of celebrities and the beauty they exude, definitely influences the beauty those in the Western culture strive to be and are attracted too. Television, movies, magazines, advertisements that come from the Western culture have influenced cultures around the world. Due to the high i...
Throughout history there have been many claims about what is beautiful and what is not on the face and body. America’s idea of beauty in the past changed many times from the fragileness of the Steel-engraving lady to the voluptuousness of the Greek slave. The ideal beauty in America is not so different from the ideal beauty of cultures around the world and follows many of the traditions practiced throughout history. The widespread of advertisement and technology is something that’s said to be the contributing problem to the ideal women phenomenon, but I believe history and trend plays the bigger role.
The influence of present day mass media over the perception of beauty is increasing with the expanding industry of facial cosmetic production and the advancement in medical beauty enhancement. However, mass media advertisements appear to be predominantly dictated by "Western beauty" as they promote the desire for fair skin and "Occidental" facial features worldwide. In this paper, I will explore the consequential effects on Asian women as mass media continues to globally perpetuate the communities ' culturally and racially established perceptions of beauty.
There are over seven billion people on earth and every single one looks different. No matter how much people say that being different is unique, they are wrong. Society has set a beauty standard, with the help of the media and celebrities, that makes people question their looks. This standard is just a definition of what society considers being “beautiful.” This idea is one that mostly everyone knows about and can relate to. No one on this planet is exactly the same, but people still feel the need to meet this standard. Everyone has two sides to them; there is the one that says “you are perfect just the way you are”, while the other side puts you down and you tell yourself “I have to change, I have to fit in.” There is always going to be that side that cares and the one that doesn’t.