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Kindred octavia butler academic paper
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What does it mean to be in love? In Octavia Butler's Kindred the protagonist, Dana, explores what it really means to be in love, or be loved. She travels back to the past where she meets Rufus, her ancestor, who has connections with both Dana and Alice, another one of Dana’s ancestors. Rufus has abusive relationships with Dana and Alice and merely wants to possess them. Ultimately, Butler is suggesting that people become the figures of their time, and cannot change.
Rufus does not love Alice, he only wants to possess her. Rufus abuses her because he wants her, yet she doesn’t want him. “You gentle him for me. He hardly hits me at all when you're here.” (Butler, 228) In this passage, there are two important things. One, Rufus hits Alice on
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a normal basis and abuses her, as she does not love him back. However, even if she did love him back, he would still hit her, as later on in the book, Dana makes the observation that he needs a person to take out his anger on. That means that Rufus will never have the same respect for Alice then he would if she were white. The other observation is that when Dana is in the Antebellum, Rufus is more kind towards Alice. This could be because he has someone else to take out his anger on. Or, Rufus could be more kind to Alice because the empty space in his life is filled. He needs a person to take care of him, and that position is filled with Dana. Rufus does not love Dana, he only wants to possess her. Just like Alice, Rufus takes out his pent-up aggression on Dana. He does not realize that she has a conditional familian love for him, and that he needs, and wants her to stay with him. “‘You’re not leaving!’ He shouted. He sort of crouched around the gun, clearly on the verge of firing. “Damn you, you're not leaving me!’” (Butler, 187) Rufus, when faced with Kevin about to take Dana away, refuses to let her go. He threatens her with a gun, tells her that she can’t leave him, and almost shoots her. If he really loved her, then he wouldn’t threaten her with death. The quotation “You’re not leaving” when taken out of context is not something that people who love each other would say. “You’re not leaving” makes sense in the context of an abusive relationship. This especially proves that he only wants to possess Dana, and doesn’t want to make her happy. It is in these parts of the book that we can really see the truth in Rufus’ relationships with Dana and Alice, however, there are some parts that make it more complicated. Despite parts of the book that suggest that Rufus really loves Alice, and the feeling is mutual, there are connotations that suggest otherwise.
In one part of the book, Alice smiles after giving birth to Hagar. “It was the first and only time I saw her smile-- a real smile… It silenced him for several seconds. If Alice and Rufus were going to make peace, finally, neither of us wanted to break their mood.” (Butler, 233) Although this passage seems to suggest that Alice is finally coming around to love Rufus, we can actually interpret her happiness in three different ways. She could be happy to finally give birth to a baby that looks like her, or she could be happy to escape from the Weylin plantation, as she told Dana she would after the baby was born. Lastly, she could just be happy because of the excess of hormones in her body after giving birth. Especially due to the fact that she eventually kills herself over Rufus’ actions, it is very unlikely that she really does love Rufus. This proves that no matter what Rufus does, Alice will never love him back. This will only anger him, as he doesn’t want to lose her, which will cause him to hurt her even more. Rufus does not realize that if he truly loves something, sometimes he has to let it …show more content…
go. Rufus has no respect for Alice and Dana.
Because of the many similarities between them, Rufus thinks of Dana and Alice as the same person. “‘You really are only one woman. Did you know that?’... ‘I know what he means. He likes me in bed, and you out of bed, and you and I look like if you can believe what other people say… we’re two halves of the same woman, at least in his crazy head’” (Butler, 228) From this passage, we find that in Rufus’ head, Alice and Dana are one person. This means that whenever he hits Alice, he is also hitting Dana, and whatever feelings he has for Alice, he also has for Dana. This is proven in two ways. Near the end of the book, after Alice dies, Rufus tries to rape Dana. This is because he feels the same way about her as he felt about Alice, and her refusal to love him in that way only further solidifies these similarities in his mind. Also, due to the evidence above, we find that if Rufus has an abusive relationship with Alice, that carries over to his relationship with Dana. Thus, as his relationship is abusive with Alice, he also has an abusive relationship with
Dana. Rufus takes advantage of Alice’s and Dana’s kindness, while wanting them to stay with him forever. Octavia Butler also proposes that people are reflections of their society, and cannot be changed. The quotations presented in this essay, and the combined interpretations prove that Rufus just wants to possess Alice and Dana. As Rufus feels as though he can take advantage of Alice and Dana, perhaps because they are African American. This reflects on the societal conditions of the 1960s and how black people protested, like Dana protesting Rufus’ advancements on her, the white people taking advantage of them.
The book Blind, written by Rachel DeWoskin, is about a highschool sophomore named Emma, who went blind after being struck in the face with a firework. When she first lost her sight, Emma was placed in a hospital for over 2 months, and once she was released, she could finally go home again. DeWoskin uses the characterization of Emma throughout the beginning of the text to help the reader understand the character’s struggle more. Especially in the first few chapters, it was difficult for Emma to adapt to a world without sight. For instance, DeWoskin writes, “And sat down, numb, on our gold couch. And tried to open my eyes, rocked, counted my legs and arms and fingers. I didn’t cry. Or talk” (DeWoskin 44). As a result of losing a very important scent, she’s started to act differently from a person with sight.
The Power of an Author Authors have the ability justify the worst actions. Authors have a way of romanticizing certain situations in order to convey a specific message. A good author has power to influence the reader into believing whatever it is the author wants. When it comes to the story of Hannah Dustan, authors such as John Greenleaf Whittier have romanticized her captivity story along with the actions she took throughout her journey. Introducing a character that will be seen in the story is one of the most vital parts when creating a piece of literature.
In the novel In the Time of the Butterflies by Julia Alvarez, is a story of three girls who develop from being innocent girls to being part of a revolutionary to stop Trujillo a Dominican dictator. Throughout the story we see each of the sisters go through hard moments in their life. However the sister that has developed the most though is Minerva. She goes from being just a girl with a dream to be a lawyer too a woman willing to sacrifice anything to support the revolution and stop Trujillo.
Initially, because she underestimates her own courage, which has never been properly tested, Dana doubts that she has sufficient fortitude to survive in the nineteenth century. As Kindred unfolds, it becomes clear that she does, indeed, have abundant courage and stamina. Butler effectively utilizes a common technique in fiction whereby an individual becomes heroic by transcending his or her base humanity by drawing on hidden inner resources. Dana is tested in her second trip to the past when she is nearly raped by a white man who is part of a patrol—the forerunner to the Ku Klux Klan. Never before having experienced physical abuse, initially Dana is reluctant to act. She fails to disable him by gouging his eyes, thereby losing her only chance
Butler alludes to the significance of the problem by choosing the adjective kindred as a title for her work. Throughout this novel, familial bonds are built up, and at the very end get a perverse form because of gender and racial mistreatments. Throughout time, Dana witnesses families clinging to each other while they are treated unjustly. The veracity of this assertion is confirmed by examining scenes where the heroes stick together with their family because they are put in circumstances where it is impossible to escape racial violation. An example of such a case is the incident between the slave called Tess and Dana. After Weilyn sells the man for attempting to flirt with Dana, other slaves try their best to not displease their masters because they do not want to be separated from their family. This scene suggests that racial violation was so horrifying that African Americans could not even choose to live with their family, and it made them even more dependent on each
A large message Kindred sends to the reader is how one individual with a large amount of power can destroy other people's lives solely on their own whim. Rufus is the character who exemplifies this theme the most, especially with Alice. When Rufus begins to pester Dana to speak with Alice, she begins to worry that Rufus will exhibit his power on her: “I had thought that eventually, he would just rape her again” (Butler 110). The most disturbing part of this sentence is the casual tone used towards it. Dana already knows the type of power Rufus takes against Alice, which is constantly sexually violating her. Since he already put her through the abuse once, Dana knows he will do it again. In Dana’s last time travel, she begins to truly reflect
Alice and Kevin have an interesting start to their relationship. Initially, it appears that Dana is not interested in Kevin, as she tries to reject communication and his advances through buying her lunch. This distance on Dana’s part allows readers to contemplate whether Dana is put off by Kevin’s obtrusive attitude because he is a man, because he is white, or a combination of the two. As the novel advances, Butler continues to focus Kevin’s faults in his marriage because of his identity as a white man.
In the featured article, “Beside Oneself: On the Limits of Sexual Autonomy,” the author, Judith Butler, writes about her views on what it means to be considered human in society. Butler describes to us the importance of connecting with others helps us obtain the faculties to feel, and become intimate through our will to become vulnerable. Butler contends that with the power of vulnerability, the rolls pertaining to humanity, grief, and violence, are what allows us to be acknowledged as worthy.
The first novel, Kindred involves the main character Dana, a young black woman, travelling through time to explore the antebellum south in the 1800’s. The author uses this novel to reveal the horrific events and discrimination correlated with the slaves of the south at the time. Dana, who is a black woman of modern day, has both slave and white ancestry, and she develops a strong connection to her ancestor Rufus, who was a slave owner at the time. This connection to Rufus indirectly causes Dana to travel into the past where she helps many people suffering in the time period. Butler effectively uses this novel to portray the harshness of slavery in history, and the impa...
The book follows Dana who is thrown back in time to live in a plantation during the height of slavery. The story in part explores slavery through the eye of an observer. Dana and even Kevin may have been living in the past, but they were not active members. Initially, they were just strangers who seemed to have just landed in to an ongoing play. As Dana puts it, they "were observers watching a show. We were watching history happen around us. And we were actors." (Page 98). The author creates a scenario where a woman from modern times finds herself thrust into slavery by account of her being in a period where blacks could never be anything else but slaves. The author draws a picture of two parallel times. From this parallel setting based on what Dana goes through as a slave and her experiences in the present times, readers can be able to make comparison between the two times. The reader can be able to trace how far perceptions towards women, blacks and family relations have come. The book therefore shows that even as time goes by, mankind still faces the same challenges, but takes on a reflection based on the prevailing period.
battle her conscious mainly because she doesn’t know if she is morally bound to let Rufus live or die. Dana begins to slowly understand her life relies on Rufus’s actions after she has been put into several situations in which she has had to save his life. She starts to ponder and make the conclusion that if Rufus survives, she will also survive and make it back to California. Dana continues to go along with this mindset for a while, but eventually she starts to second-guess it, and therefore fights her conscious.
In the documentary Crime After Crime, Deborah Peagler suffered abuse from her intimate partner through her life. The abuse started in High School. When her mother introduced her to Oliver Wilson, his charming personality fooled everyone. Oliver forced her into prostitution to make money for him. When she refused, he beat her until she promised to sell herself. The beating gradationally evolved to bull whipping. In addition, all of this occurred during her junior and senior year in high school. Oliver felt it was his right to have ultimate control over Deborah, this fact is generally accepted in the society (Belknap 247). The male dominance, male authority over women is something taught to young children. It is sought to be the place of women to wait for the husband by the door when he comes home. The male masculinity fact kicked in and it drove him to force his dominance over Deborah into physical abuse. When Deborah refused to do his bidding, he felt it was necessary for him to show her who is in control by beating her. This is the message sent to young boys of past generations and a bit less for the current one through media and entertainment.
Universal statement: People truly shouldn't get into a very committed relationship especially a marriage early in a relation because there is a chance that that person might not be the one for you. Thesis statement: In the story “The Other Wife” by Colette, Alice and Marc see the Woman in white, his ex wife, at a restaurant, as they are leaving Alice realizes that Marc is very aggressive towards her and that she is very similar to Marc’s ex which eventually makes her question why she is married to him. Topic Statement #1: The way that Marc grabs Alice's arm when he’s nervous reveals that Marc is very aggressive. Body Support
...common and rarely reported. Memories of these experiences often become suppressed because of the personal humiliation and shame women feel about the situation. Notice that, in the movie, Laura never seeks legal retribution for Martin's abuse, all she wants to do is escape. Sexual abuse and spousal abuse are psychologically devastating for women because these are acts that inflict feelings of guilt upon the victim. It is too often that a female rape victim will do nothing because she feels responsible. In the beginning of the movie, when Laura was subjected to daily abuse from her husband, she probably started to feel like she deserved the treatment because her husband constantly beat her down emotionally and made her feel like nothing. When someone is beaten down for long enough they start to believe that they are worthless. Finally, Laura escapes her oppressor forever when she kills him. Not all women are so fortunate to be able to start their lives over, though. Many women die from domestic violence, and most men do not suffer consequences for their actions. This movie shows the triumph of a woman over her oppressor because she goes to any length to gain her freedom and respect.
In the story, evidence claims that Alice is rejecting and opposing to the religion. In reality, religion can be overwhelming to a lot of people, and Alice is no exception to this. Alice has her own way of thinking and throughout the book there are several examples where the other characters get angry, offended, or become afraid of Alice. Alice does attempt to offend fewer characters as the story progresses, but doesn’t fully accept their way of thinking. Throughout the story, Alice is rejected by the Mouse, the Duchess, the Mad Hatter and the March Hare, and the Queen and King of hearts. This line of rejections continues to build up in Alice, and she gets frustrated. Finally at the courtroom scene in the “Alice’s Evidence” chapter, she continues to build up this frustration until it gets to the point where she grows in size uncontrollably, (the only time where she can’t physically control her growth,) and unleashes that anger on the Queen of hearts by saying “Who cares for you? You’re nothing but a pack of cards!) (Carroll 95.) When Alice experiences this outburst, she finally completely rejects their “religion” or their way of