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Edgar allan poe analysis writing
The raven edgar allan poe analysis
Analyzing Poe's writing style
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When trying to decode “Edgar Allen Poe’s” work you must realize his background is puzzling and that his work is intimate with many facets and niches in his life. The story I chose was “Edgar Allen Poe’s” “The Cask of Amontillado”, I chose it because I have extended exposure to “Edgar Allen Poe’s” work and do not know the others as well as him. Interpretation is what gives a person’s work meaning and staying power, “Edgar Allen Poe’s” work is best to be described as literary Rorschach tests in where many people have different interpretations but they are not wrong. Plot has many ways to write and approach, the three-act structure, the Freytag’s pyramid, even the natural writing process is getting attention in today’s entertainment environment. …show more content…
There are two locations Italy during a carnival and an underground catacomb, these locations are stark enough to make sure they are fitting for each character for example Fortunato is active during the carnival scenery with an upper hand in the conversation and Montresor is quiet and content in the catacombs, these easily enhance the characters and give you visual leaning towards them. There is an interesting piece of dialogue when you hear about how there is cramped space in the catacombs leaning to where they are slowly losing their freedom and life. "These vaults," he said, "are extensive. (Poe 47) " And "Ugh! ugh! ugh! --ugh! ugh! ugh! --ugh! ugh! ugh! --ugh! ugh! ugh! --ugh! ugh! ugh! (Poe 31-32) " are words that symbolize how slowly Fortunato is losing his life. Montresor is our narrator so he is our default point of view, what makes this more interesting is that this narrator has conflicting viewpoints and actions with his story. With lines like how the names might be fake with the lines, “"The Montresor’s," I replied, "were a great and numerous family.” (Poe line 67)” it implies that this is a fake name and the narrator is hiding his identity through a believable lie. He’s an unreliable character and is also unsympathetic since he has killed a person over something pity and chosen to be proud of …show more content…
I interpret this story as a tale of a guy who took things too far and is way too happy with the results of his actions. With how Montresor is too eager to send a man deep into the catacombs and kill a man, and the short path from point a to point b. With the last line of the story “In pace requiescat! (Poe 97)” that is how “Edgar Allen Poe wanted to end his story, with the narrator telling the audience that Fortunato rested in peace with no body to disturb his resting
Fortunato is a man with stature who is “rich, respected, admired” (Baym). Yet, Fortunato decides to wear a “tight- fitting parti-striped dress, and his head [is] surmounted by the conical cap and bells” for the carnival season (Baym ). In comparison, Montresor is darkly dressed as if a priest giving a funeral
In "Cask of Amontillado", Montresor is the narrator. "The thousand of injuries of Fortunato he has borne as he best could; but when he ventures upon insult, Montresor vows revenge" (Poe 528). As the story unfolds, "Montresor's idea of perfect revenge" is "characteristically precise and logical in detail" as to how he commits his crime (Delaney 1).
Russ,RJ.” Symbolism In edgar Allan Poe’s ‘ The Cask Of Amontillado’.” Yahoo Voices.Yahoo, Inc.,28 April 2008. Web.17 March 2014.
1. What can the reader infer about Montresor’s social position and character from hints in the text? What evidence does the text provide that Montresor is an unreliable narrator? We learned from paragraph 23 to 24 that Montresor owns a Palazzo and also has lot of retainers based on that evidence, the reader can infer that Montresor is a very wealthy and successful man. About his character, the reader can imply that Montresor is a heartless, cold blooded, sneaky, manipulative, and untrustworthy man, as well as a man who hold on to grudges. Moreover, Montresor is an unreliable narrator, because he reveals in the first paragraph that he intends to have a revenge on Fortunato, but he did not indicate or clearly prove to the readers how Fortunato
In his article, he mainly wanted to answer two questions; 1) What could have been Montresor’s motive to kill Fortunato? And 2) Why did he wait fifty years to tell the story? As I finished DiSanza’s article, neither of those questions were actually answered. I guess that’s because no one but Poe himself could really tell us readers why. Bales, Kent and Gargano were DiSanza’s most used sources and even those authors couldn’t answer his main questions, which he based his article around. I found that while reading “On Memory, Forgetting, and Complicity in “The Cask of Amontillado”” by Raymond DiSanza, Edgar Allan Poe’s short story causes the reader to ask many questions. In which, those questions interconnect more frequently than you’d think. DiSanza makes you realize Poe never mentions Montresor’s motive because he knew exactly how the readers would react. A great tactic Poe brilliantly uses, purposefully leaving out information in order to create suspense and mystery; causing the reader to wonder. Poe wanted us to overanalyze and try to figure out the many possibilities behind these questions, he wanted us to think in a way we wouldn’t have. He is able to avoid giving examples of what these injuries Fortunato put upon Montresor were. Poe 's problem in writing this story include keeping the reader somewhat sympathetic for a man who was able to bury another man
The setting of a story sets the tone for the entire piece. Without the appropriate setting, what the author is trying to express is lost. In “The Cask of Amontillado”, Edgar Allan Poe uses the setting as a way to set the stage for the events that will come. Poe’s settings make his stories interesting, as well as easy to understand because of his descriptiveness and writing techniques. His use of vivid details and symbols in his settings intrigue the readers and set a particular tone. Each and every setting has a direct meaning and reason attached to that of the story and time.
... carnival, so that the narrator would not consult another supposed wine connoisseur about the cask of amontillado, the reader must identify with the dark parts of their character and learn from the mistakes of the characters in this story. Like Montresor, all people have faults and by illustrating this extremely flawed character, Poe allows the reader a glimpse at the flaws in their own. Even Montresor recognizes that he must hares his crime, whether to confess or brag, the story could not die with him. Montresor is a vehicle that allows the reader to identify with their own shortcomings. He was consumed by a thirst for revenge, driven by pride, aided by intelligence, and suffering from a sense of inadequacy which created jealousy. Montresor demonstrates that vengeance and pride are impure motivators that lead to sinister thoughts and actions unfit for judgement day.
Because Montresor narrates the story in the first person, the reader is able to perceive his thoughts and understand his motivations and justifications for his ruthless murder in a manner which a third person point of view would not allow. Montresor’s personal narration of the events of the story does not justify his crime in the audience’s eyes, but it does offer a unique opportunity for the audience to view a murder from the perspective of a madman killer. It is Poe’s usage of this unique angle that causes the story to be so captivating and gruesomely fascinating. As the story opens, Montresor explains why it is necessary that he “not only punish but punish with impunity” to avenge for Fortunado’s insult to him. This justification for his crime is a piece of information that the audience is able to learn only because they are permitted inside the mind of the protagonist. In the final scene, when Montresor is carrying out his murder pl...
Humans have always struggled against confinement and toward freedom. However, they choose not to recognize that history has proved time and again that too much freedom incites anarchy and too much confinement invites tyranny. It’s the nature of all animals to desire freedom and resist confinement. Many times the animal struggles so blindly it does not recognize it is destroying itself or condemning itself to further confinement. In “The Cask of Amontillado” Fortunato and Montresor are symbols of how human nature manifests differently in different people in varying combinations of psychological and physical freedom and confinement.
Fortunato “takes possession” of Montresor’s arm, for which he suffers (716) in order to carry out his plan. Poe’s use of possession and suffer give the impression that Montresor is being afflicted again by Fortunato. Once Montresor reveals this meeting at this evening is no coincidence by divulging he made sure none of his attendants would be home. By giving the direct orders to be home. Poe shows us that Montresor was not respected or feared by his servants’ actions. The servants’ leaving after being given a direct order to stay does give credence to the fact that Montresor must be very methodical and unyielding to his schedule. Only once Fortunato to the catacombs does he betray his own premise. Montresor refers to Fortunato as his “poor friend” (716). At this point Poe has depicted this instigator of a “thousand injuries” as a drunken jester that can barely catch his breath at this point in the story. Now Montresor is showing some sympathy towards him. At this point the transition is complete. Where the two men stopped at the entrance to Fortunato’s tomb, this is the moment that leaves no doubt that Montresor is the villain and Fortunato is the
Within the story, Montresor is really losing his mind by showing that he wants to kill Fortunato but we the readers don’t know why he wants to kill him. In this passage, “ The thousand injuries of Fortunato I had borne as best I could; but when
He took his time getting his revenge, he studied Fortunato, he thought everything out perfectly, he planned everything out, and then sought out to get his revenge. He knew how he could attract Fortunato, Fortunato loved wine. They went back to Montresor’s house, to taste some wine, but beforehand Montresor has made sure there “were no attendants at home… I had told them that I should not return until the morning, and had given them explicit orders not to stir from the house. These orders were sufficient, I well knew, to insure their immediate disappearance, one and all, as soon as my back was turned” (Poe 63). It is absolutely astonishing how intelligent and thought-out Montresor’s revenge was. He knew that by giving his maids orders to stay watching over his house while he was out, they would immediately leave as soon as he did. Not only that but also he knew that Fortunato could not resist wine tasting, which is why he used it as bait. Not everyone will take the time to think every step through and be intelligent about every move they make, but Montresor did, which comes to show how serious he is about his revenge, how intelligent yet insane he is, and headstrong he is about not wanting to forgive
The story opens up during carnival season, which is a time of happiness and fun. Even as the story progresses, the reader is amused because of the costumes and because of Fortunato’s drunken state, but the mood begins to change as Montresor leads him further into the catacombs. The “flambeaux” (169) depicts that the catacombs are dark, while the “foulness of the air” (169) is sickening, affecting the reader’s senses of sight and smell and setting the tone as more eerie than humerus. The human remains scattered inside the crypt furthers the dark mood, and that mood turns to horror as Montresor chains Fortunato and begins to surround him with a brick wall. A glimpse of hope and humor is erected as Fortunato cries out “A very good joke, indeed. An excellent jest.” (170) For a moment, the possibility that it all is a joke lingers, until the torch is thrust “through the remaining aperture.”
In the "Cask Of Amontillado" there are three main symbols that are crucial to the storyline. There are the Catacombs which while obviously representing death as it is a eerie place that is full of dead bodies, it also shows the isolation of Fortunato to the outside world; While also foreshadowing his impending fate.
The main reasons for Montresor’s traits are his family arms and family motto. He mentions his family arms as, “[a] huge human foot d’or, in a field of azure; the foot crushes a serpent rampant whose fangs are imbedded in the heel” (Poe). This quote, to me, means as, “[a] ...