Hardcover: 384 pages Publisher: Random House (May 13, 2014) Language: English ISBN-10: 1400062128 ISBN-13: 978-1400062126 Lost and Found Peter Birkenhead We see them on the news, holding photos of daughters who never came down for breakfast. Or huddled in airports, waiting for information about planes that have mysteriously disappeared. We catch glimpses of them napping on cramped couches in Intensive Care units, or rocking back and forth on courtroom benches — wondering what they did to deserve being cast adrift, within sight but not reach of land; wondering how it’s possible for time to neither continue nor mercifully end, but simply pause. In Brett Anthony Johnston’s quietly devastating novel, Remember Me Like This, “they” are Laura and Eric Campbell, whose son Justin Campbell, 11 at the time of his disappearance, has been missing from his Southport, Texas home for four years. They are still posting fliers in shop windows around town and the neighboring Corpus Christie, still searching missing children websites, still celebrating Justin’s birthday and buying him Christmas presents. But they’re barely hanging on. Their connections to each other are fraying, being eaten away by fatigue, guilt, and corrosive hope. They speak in clipped phrases that barely hint at the cacophony of their inner lives. Laura channels a hyper-attentive, almost frenetic energy into monitoring a sick dolphin at an animal rescue lab. She rides the ferry back and forth across the bay late at night. She steals bottles of nail polish, slashes at her palms and wrists with seashells, and throws sweet tea in the face of a stranger who tells her “I’m still just so broken up about your boy.” Eric, a high school history teacher, has been, in the words of a n... ... middle of paper ... ... there until night fell and he could descend the ladder in the dark. [...] She wanted to slap him across the face to wake him up, for he seemed to have dreamed himself into a life that didn’t exist. And yet she couldn’t remember a time when she loved him more. That’s the kind of love that can, eventually, win the day. Hard fought-for, clear-sighted, humane. The love of people who see each other, and who deserve to be more visible in our literature. Remember Me Like This closes with an epilogue that unites the Campbell’s fulsome, post-storm voices in a tentative series of unanswerable questions, a perfect grace-note that evokes the book’s most arresting and indelible image: of four terrified and broken creatures seated around a kitchen table, moved by an impulse beyond their comprehension to reach for each other’s hands, close their eyes, and bow their heads.
I had only to close my eyes to hear the rumbling of the wagons in the dark, and to be again overcome by that obliterating strangeness. The feelings of that night were so near that I could reach out and touch them with my hand… Whatever we had missed, we possessed together the precious, the incommunicable past. (170)
However, the easily overlooked similarity is the concept of love. This emotion is merely overlooked. Through this similarity, it becomes evident that love not only is something yearned for by humanity, but also a temptation so strong it can blind us to reality. This blindness can cause the pain of death. Love can cause people to do crazy things, and if you are Lieutenant Cross, even make you treat a pebble as if it were a tongue. Frank’s love for Mary Ann, as innocent as it may seem, exists as a love for a married woman. Love and lust are dangerous beasts, ones that we as readers must be weary of, for if we are not, we may find ourselves sharing the same fate as Frank, death by
The interpretations of what comes after death may vary greatly across literature, but one component remains constant: there will always be movement. In her collection Native Guard, Natasha Trethewey discusses the significance, permanence and meaning of death often. The topic is intimate and personal in her life, and inescapable in the general human experience. Part I of Native Guard hosts many of the most personal poems in the collection, and those very closely related to the death of Trethewey’s mother, and the exit of her mother’s presence from her life. In “Graveyard Blues”, Trethewey examines the definition of “home” as a place of lament, in contrast to the comforting meaning in the epitaph beginning Part I, and the significance
Death and Reality in "Where Are You Going, Where Have You Been?" by Joyce Carol Oates
Although their love has endured through many years, it has come to an end in the story. All throughout the story the couple is reminiscing about their life and while they are there are some odd details that are strewn throughout.
...ight, and when it became daylight the next day, her imagination played games with her. She imagined the walls laughing at her now. It’s almost like they were laughing that she attempted and even thought that it was possible to escape.
Gaitskill’s “Tiny, Smiling Daddy” focuses on the father and his downward spiral of feeling further disconnected with his family, especially his lesbian daughter, whose article on father-daughter relationships stands as the catalyst for the father’s realization that he’d wronged his daughter and destroyed their relationship. Carver’s “What We Talk About When We Talk About Love” focuses on Mel and his attempt to define, compare, and contrast romantic love, while leaving him drunk and confused as he was before. While both of my stories explore how afflicted love traumatizes the psyche and seem to agree that love poses the greatest dilemma in life, and at the same time that it’s the most valued prospect of life, the two stories differ in that frustrated familial love causes Gaitskill's protagonist to become understandable and consequently evokes sympathy from the reader, but on the other hand frustrated romantic love does nothing for Carver's Protagonist, except keep him disconnected from his wife and leaving him unchanged, remaining static as a character and overall unlikable. In comparing “Tiny, Smiling Daddy” and “What We Talk About When We Talk About Love”, together they suggest that familial love is more important than romantic love, which we relentlessly strive to achieve often forgetting that we’ll forever feel alone without familial love, arguably the origin of love itself.
The world they live in demonstrates the worst parts of humanity, forcing their relationship to be that of two survivors, not of a family. In times of distress and danger, it is not uncommon for the relationships between people to change,
Cottino-Jones sums up love and the community in this story in her book. She says, "the lovers in this books are constantly faced with violence, death and isolation when their affairs come into conflict with society’s rigid behavior codes "(Cottino-Jones, 79). Lack of communication and social factors made everyone in the story unhappy or dead.
Love cannot be defined in one sentence or even a paragraph. Every human has his or her own definition of love because people usually define love based on their cultures, backgrounds, social classes, educations, and their societies. In this essay, the main point will be the different kinds of love that Carver illustrates in his story “What We Talk about When We Talk about Love.” In Carver’s story, there are some points that I can relate to my personal experience. There are a few characteristics and symbols in the story that are really important to understand in order to define what a real love is and find the intention thrown out the story. These characteristics includes, Mel, Terri and Ed and Terri’s relationship. Furthermore, symbols such as ”sunlight” and “dark room”,” cardiologist” and “silence” at the end of the story can have a specific intention thrown out of the story.
There exists no power as inexplicable as that of love. Love cannot be described in a traditional fashion; it is something that must be experienced in order for one to truly grasp its full enormity. It is the one emotion that can lead human beings to perform acts they are not usually capable of and to make sacrifices with no thought of the outcome or repercussions. Though love is full of unanswered questions and indescribable emotions, one of the most mystifying aspects of love is its timeless nature. Love is the one emotion, unlike superficial sentiments such as lust or jealousy, which can survive for years, or even generations. In the novel The Gargoyle, the author, Andrew Davidson, explores the idea of eternal love between two people, a union that spans over centuries spent both together and apart. Davidson, through the use of flashbacks, intricate plot development and foreshadowing, and dynamic characterization, creates a story that challenges the reader’s preconceived notions regarding whether eternal love can survive even when time’s inevitable grasp separates the individuals in question.
Cummings theme of how strong someones love can be appeals to readers minds, because everyone wants that connection with their partner, That undying love for one another. Some people long for a love...
“The story employs a dramatic point of view that emphasizes the fragility of human relationships. It shows understanding and agreemen...
The hikers never knew the two indigenous people, except for what they wore that night, what booze they drank, and what side they slept on. And those simple details were just enough to make the dead bodies Human: capable of joking, singing, fighting, and eating. So the sudden termination of these lives confused the hikers, for they weren’t sure what they should feel about the death of two strangers. The hikers stared and stared at the bodies, perhaps feeling sadness for the friends, parents, and lovers of these men, but feeling only emptiness for the men themselves. They were just two more anonymous faces, frozen in their final dreams and nothing more than dead.
Laura, our fragile daughter-figure, finds herself escaping life at every turn. She induces sickness in her typing class and even as the Gentleman Caller awaits her in the livingroom. Unable to deal with those difficulties, Laura goes to the zoo and walks aimlessly around the city to waste time. Frightened of interacting with people, she looks to her collection of glass animals as a place of secure acceptance. Laura clings to the fear that she is strange and crippled though she herself exacerbates the reality of that. Magnifying ...