Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Against love by laura kipnis analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Against love by laura kipnis analysis
Love poems are usually what one thinks about when it comes to poetry. Usually the gushy, mushy, and all together very sappy kind. But what happens when the roses and violets wither and love ends? Many people do not dare think about life after love, because, for many, it is a painful thought. For some love fades slowly like a sunset and others end as quickly as lightning flashes. The topic of love and its flight from people’s lives is written in Sara Teasdale’s “After Love” and William Butler Yeats’ “Ephemera.” One thing is agreed, that all good things must come to an end, but how you take this ending reflects not only who you are as a character, but also the dynamic of your past relationship.
Though, both poems are about endings, we must start at the beginning. The title. Teasdale’s
…show more content…
When love ends another can begin. This cycle is referenced in “After Love” when Teasdale compares herself, in lines 5-8, to the sea and tidal pools. The rise and fall of the sea creates the pools. Like the sea, the rise and fall of her love has made her like the pool, “listless” (Line 3). These pools are stationary, meaning she can do nothing to stop her love from ending; as well it shows that their is no emotion moving through her. The cycle of tides is like that of the cycle of seasons which is referred to in “Ephemera” The cycle of seasons, however, is much longer compared to the daily cycle of tides.The season mentioned, in line 22, is Autumn. Autumn is a symbol of harvest, reaping what one has sown. The couple is indeed reaping, looking nostalgically at their past love. The woman is shown to have “thrust dead leaves gathered in silence, dewy as her eyes, in bosom and hair” (lines 24-27). The leaves are memories that she is storing in her head and heart. She does not want her love to end. This is furthered by the poem’s structure as one continual paragraph. Where as in Teasdale’s her stanza’s are short and abrupt just like how her love has
The speaker’s rocky encounter with her ex-lover is captured through personification, diction, and tone. Overall, the poem recaps the inner conflicts that the speak endures while speaking to her ex-lover. She ponders through stages of the past and present. Memories of how they were together and the present and how she feels about him. Never once did she broadcast her emotions towards him, demonstrating the strong facade on the outside, but the crumbling structure on the inside.
Time is equated with constant decay throughout the entire poem, which is primarily shown in the speaker’s comparison of the concept of eternity to a desert. Love, and other concepts felt in life, are subject to this negative force of deconstruction over time, and are vanquished in death; this idea can be seen in the witty commentary at the end of the second stanza, “the grave’s a fine and private place, but none I think do there embrace”
When young and experimental, everyone remembers their first love and what it meant to them and how it shaped them. They are often fond memories of purity or naivety, however, sometimes, those experiences are haunting and leave permanent scars in people's hearts. “Coleman (1993)” tells the tragic love story of a female speaker and her lover. They appear to live out happy lives while keeping to themselves however, are separated later in the poem by a group of white boys who decide to murder her lover on a whim. Her interactions and thoughts about Coleman shape the fundamentals of the poem to the point that he is the driving force of this poem. His being is the purpose of Mary Karr’s piece of writing and her time with him and without
Love can come at unexpected times, through current situations or through memories, and they will always have that permanent effect on us, just like a tattoo. Because of strange stanza breaks, unusual imagery, and elongated punctuation, the reader can determine the deeper meaning of the poem. The two-lined stanzas signify short-lived loves, and the stanza breaks depict the break-ups and passing of loved ones. The imagery of skulls and the metaphor that love is a tattoo shows that love never deteriorates. And lastly, the poem is only two sentences long, so this shows the fluidity and never ending power of love. Too often people take advantage of love, but what they aren’t aware of is that their experiences with each and every person they have loved tattoo their mind to make them into who they are, much like a tattoo permanently inks one’s skin to commemorate a
Part II: Explication The title of the poem “Love is Not All” asserts the impression that suggests the unimportant of love to its reader at first. However, the ending of the poem reveals the ironic truth that love is worthwhile. Millay’s intention is not to confuse readers by using a title that forcefully disrespects love. However, she projects the title of the poem to ascertain the grounds for her argument that love is important.
Throughout the lives of most people on the planet, there comes a time when there may be a loss of love, hope or remembrance in our lives. These troublesome times in our lives can be the hardest things we go through. Without love or hope, what is there to live for? Some see that the loss of hope and love means the end, these people being pessimistic, while others can see that even though they feel at a loss of love and hope that one day again they will feel love and have that sense of hope, these people are optimistic. These feelings that all of us had, have been around since the dawn of many. Throughout the centuries, the expression of these feelings has made their ways into literature, novels, plays, poems, and recently movies. The qualities of love, hope, and remembrance can be seen in Emily Bronte’s and Thomas Hardy’s poems of “Remembrance” “Darkling Thrush” and “Ah, Are you Digging on my Grave?”
Loss and isolation are easy, yet difficult to write about. They are easy because every human being can empathize with loneliness. If someone denies this, they are lying because loneliness is a common feeling, anyone can relate. It’s hard because we don’t discuss loneliness or loss publicly very often, and when we do, we forget about it quickly. These poems contrast each other by speaking of the different types of loneliness and isolation, distinguishing between the ones of loss, and isolation in a positive perspective.
The speaker seems to divide his thoughts into three parts: what she knows about their relationship, what would happen if she left him, and what would happen if she were to continue to love him. While the language used in the poem is very romantic with magnificent imagery of autumn leaves, ocean shores, and blooming flowers, the meaning conveyed is not romantic. Instead of expressing a love that would last even unrequited, the speaker explains the reality and selfishness of love. If she forgot him, he would have already forgotten her first.
At a glance, the poem seems simplistic – a detailed observance of nature followed by an invitation to wash a “dear friend’s” hair. Yet this short poem highlights Bishop’s best poetic qualities, including her deliberate choice in diction, and her emotional restraint. Bishop progresses along with the reader to unfold the feelings of both sadness and joy involved in loving a person that will eventually age and pass away. The poem focuses on the intersection of love and death, an intersection that goes beyond gender and sexuality to make a far-reaching statement about the nature of being
At a glance, the poem seems simplistic – a detailed observance of nature followed by an invitation to wash a “dear friend’s” hair. Yet this short poem highlights Bishop’s best poetic qualities, including her deliberate choice in diction, and her emotional restraint. Bishop progresses along with the reader to unfold the feelings of both sadness and joy involved in loving a person that will eventually age and pass away. The poem focuses on the intersection of love and death, an intersection that goes beyond gender and sexuality to make a far-reaching statement about the nature of being
Edgar Allan Poe's life can be summed up in just a few words: death, love, loss, sorrow, and mystery. What better way to express this than through a poem? Poe did exactly this in "Annabel Lee," made famous by its smooth flow and rhyme. The poem details a relationship between two young lovers. Annabel Lee, is killed by the envious high angels of heaven in order to destroy the love between herself and the narrator. However, this setback was evidently minor because their love still existed, and even thoug...
The notion of love is nothing but a shadow that covers the truth of ones’ own struggles and the improbable triumph of love over isolation is nearly impossible in his eyes. By complicating his poem through the filter of the maid and the frame of traditional love poetry, Clare’s portrait of isolation and social death becomes even more moving, for it is just as obvious to the reader as it is to Clare that such an “eternity” is unlikely to be
Authors use poetry to creatively present attitudes and opinions. “A Man’s Requirements,” by Elizabeth Barrett Browning, and “A Letter to Her Husband, Absent upon Public Employment” are two poems with distinct attitudes about love that contain different literary approaches. In both of the poems, love is addressed from a different perspective, producing the difference in expectation and presentation, but both suggest the women are subservient in the relationships.
Death is a natural and inevitable part of life. Everyone will experience death, whether it is of a loved one or oneself. In W.H. Auden’s poem “Funeral Blues” (1003), he describes such a catastrophic event and the drastic effect that it has on his life. It is interesting how people choose to accept this permanent and expected event, death. Similarly, Emily Dickinson has written many poems about death, such as “The last Night that She lived” (843), which describes a family waiting for a woman or girl to die and the dreary and depressed mood that exists within the household. Mourning is considered a perfectly healthy reaction when someone who is deeply loved and cared about passes on, and this is illustrated in “The Memory of Elena” (1070-71) by Carolyn Forche. She writes about the events following a funeral and also flashes back to the actual moment that a wife has watched her husband die. W.H Auden’s “Funeral Blues,” Carolyn Forche’s “The Memory of Elena,” and Emily Dickinson’s “The last Night that She lived” are all poems which share death as their subject matter, but differ in the fact that they discuss death in a unique style with a variety of literary devices to make them more effective.
Love defies the test of time and endures when all things suggest its demise. Against odds, lovers meet, and in line with fate, lovers fall apart. The levels of love, and the numerous reactions to those relationships, help determine if and when the relationship will end. Though factors tear two people apart, the love does not always die. These ideas appear time and again, such as in Boccaccio’s The Decameron (the fourth day, first tale) or Virgil’s The Aeneid. Ideals of love and admiration also appear in Sappho’s poetry. Love ties people together, both literally and figuratively. These three works show that complexities of opinion and circumstance threaten to tear lovers apart, but love may still endure in the most unlikely ways.