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Left Out
In the Article “It Ain’t Easy Being Bisexual on TV” by Amy Zimmerman, Zimmerman does a good job getting the point across that there are too few bisexuals in the television industry. The few bisexuals on television are put into one of two clichés, a man’s fantasy or an experiment, and this story does a great job documenting this with evidence throughout the article. However this article seems outdated, with facts like, there have only been two shows in the recent years with bisexuals, and this seems like an unbelievable statistic, only two in all of television. In today’s society that statistic is changing, what this article leaves out is the point that the world of television is working to make changes. With time there will be more and more bisexuals in modern television and they will be
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represented very well.
An example the author gives is movie Dodgeball which is a relatively older movie and at that time, the bisexual community was not as open as much to speaking their mind and demanding respect, so the fact that a comedy like this may show some sort of disrespect toward the bisexual is no surprise. The surprise is, is that the author would use such an outdated example and one that is not completely relevant. The reality is, even the LGBT characters are getting more and more roles in television today and not always as a fancy cliché for example the show Modern Family, the gay couple on the show are not portrayed as a very flamboyant couple they are portrayed as a normal couple. The author blames the world of television too much and maybe one degree to high, saying the writers and producers lack creativity. Today people are still fighting for a change in a lot of areas, areas like gender equality, and sexual orientation rights a lot of this new respect is coming for the LGBT community, who did not have respect before. The world around us is constantly changing and the television networks are now at this time in a learning
process. It’s not easy to just cast your first ever bisexual part in a show and do an amazing job of representing the bisexual community on your first try, it is going to take some time until the bisexual community is going to be portrayed as respectfully as they deserve. There are going to be a lot of shows that try to introduce this type of character and fit him or her into the mold of either, a man’s fantasy or a man or woman experimenting but eventually going back to heterosexual ways. That is all just part of the learning process and the author really lacks the ability to show that society is changing all around us and so are the major industries and that this change is going to take time. That is why this article is outdated and does not give the television industry any credit of trying to adapt bisexual people into films. What the author does not seem to give us information about is the steps to get to a place where all people are represented fairly in the world of television, and how to make these changes. This article was very outdated and showed no appreciation for the change that is going on behind the scenes and how some television series are working to adapt to today’s world. So one day all people can be respected and represented fairly in the world of movies and television. Some things take time to change I know that one day all members of the LGBT community will be well represented in television.
Sex and Gender was the subject of the two movies Dreamworlds 3 and Further Off The Straight & Narrow. In Dreamworlds 3 Sex is portrayed as a status of life and happiness in the media. This media displays people as objects that can be manipulated for sexual pleasure. As the media is populated with sex it tiptoes around gender, specifically that of gays or lesbians. The film Further Off The Straight & Narrow emphasized the movement through media gay and lesbian topics. This text analyzes iconic television programs and how they reflect the societal stance during that time. As a member of a generation that has had the topic of these issues prominent I believe they are important but are banal. In this reflection I will be responding to two questions, what would woman driven Dreamworlds look like? And Do you agree with the statement that if you are not on television you don’t exist?
When Mary Zimmerman adapts a play from an ancient text her directing process and the way she engages with text are woven together, both dependent on the other. She writes these adaptations from nondramatic text, writing each evening while working through the pre-production rehearsals and improvisations during the day with the cast. The rehearsal process influences the text, and the text enriches the rehearsal process, so that one cannot exist without the other. Every rehearsal is structured the same but each production is unique because as Zimmerman states in “The Archaeology of Performance”, she is always “open to the possibilities”. The piece is open to everything happening in the world and to the people involved, so the possibilities are honest and endless.
Susan Smith could have been a normal woman. If you passed her on the streets you wouldn’t know that she would turn out to be a killer. Susan had a secret though, a deadly secret. Susan Smith was a cold, calculating killer, capable of murder in cold blood. I believe Susan had many factors contributing to the state of mind she had before the murder of her two sons, like her traumatizing childhood and the many dysfunctional relationships she had.
... homosexual being felt in the world around the 1970’s and 1980’s. The time period in which this play was written was one of great dissonance to the LGBT movement. For Harvey Fierstein to be so bold and public with his own lifestyle was truly admirable and brave. Fierstein shows us that ignorance can destroy a life because of what is unknown.
You can see immediately why Hollywood took this film to their heart. Hey, it's about ISSUES! But in typical Hollywood fashion, they can't resist the temptation to dumb the issue down to make it easier to sell. It's a difficult thing sometimes, criticising a film like 'Philadelphia' as it leaves the critic open to accusations of homophobia themselves, but 'Philadelphia' patronises the homosexual community so much, it's like an instruction video for schoolkids "Listen kids - gays are people too, you know?".
Amy Beach was a very famous and influential composer and pianist from New Hampshire, United States. She fought long and hard to get to where she got in her lifetime. Back in the late 1800’s, it was hard for women to get noticed because they believe that their role in society was to stay at home and take care of the family. Amy Beach defeated all the odds of a female gender role in her lifetime. She became a role model for young girls wanting to become a composer or becoming anything they wanted to be, as long as they fought for it. She has made an enormous impact on music in America. The following paper will discuss Beach’s life, her struggles, her musical training, how her music was shaped by the society she lived in and famous compositions
In 1942, Margaret Walker won the Yale Series of Younger Poets Award for her poem For My People. This accomplishment heralded the beginning of Margaret Walker’s literary career which spanned from the brink of the Harlem Renaissance of the 1930s to the cusp of the Black Arts Movement of the 1960s (Gates and McKay 1619). Through her fiction and poetry, Walker became a prominent voice in the African-American community. Her writing, especially her signature novel, Jubilee, exposes her readers to the plight of her race by accounting the struggles of African Americans from the pre-Civil War period to the present and ultimately keeps this awareness relevant to contemporary American society.
Amy Tan was born February 19, 1952 in Oakland California. Her family lived in several communities in Northern California, both parents are Chinese immigrants. Her father named John Tan was an electrical engineer, he also had a second job as a Baptist minister. He came to America to escape the turmoil of the Chinese Civil War. Amy’s mother is named Daisy who inspires her book The Kitchen God’s Wife. Her mother divorces her first husband who abused her, but had custody of her three daughters. She escapes on the last boat to leave Shanghai before the communist took over. Moving to the United States, she marries John Tan in which they produced three children, Amy and her two brothers. In Amy’s teenage years she experiences the loss of her father and older brother due to brain tumors in 1966, which Amy soon finds out she has two half sisters who lives in China from her mothers first marriage. Later on Amy, her mother and younger brother move to Europe, her mother tries to carry on their Chinese traditions, but Amy longed to be Americanized.
Amy Zimmerman, the author of It Ain’t Easy Being Bisexual on TV, successfully conveys her point that the media falsely portrays bisexuals on television. This article targets TV watchers in order to inform them that what they watching is false. The author wants readers to stop believing everything they see on TV. Zimmerman is effective at persuading her readers that bisexuals and bisexuality is portrayed incorrectly in the media through her use of examples from TV shows.
Amy Beach is a favored women’s musician and composer and was known as a child prodigy. She was one of few women who pursued music in her period. Amy was mostly known for her solo performances and continued to amaze the world with her impenetrable style of music. Amy was a very successful artist with the help of her parents and family members. Her mother and father put her in musical training when she was six, and her career took off from there. She was famously known for being a pianist and a composer with over twenty musical pieces.
The depiction of transgender women characters in mainstream television has been offensive, insulting and derogatory. An article from GLADD called “Victims or Villains: Examining Ten Years of Transgender Images on Television”, examines 102 episodes and storylines on mainstream television that contained transgender characters since 2002. Of these, more than half were characterized as containing negative representations of transgender. In 2007 only 1% of television series had a recurring transgender character, which has slowly increased to 4% in 2013. Negative portrayal of transgender TV characters.
A large portion of Americans will hear the phrase “the gay cowboy story” and automatically associate it with “Brokeback Mountain.” Even my lesbian parents praise the original story and its popular film adaptation for being controversial for their time. Indeed, during the time of the creation of both the story and the film, there was very little representation of queerness in any form, thus making “Brokeback” especially controversial. However, since my parent’s generation, LGBTQ+ representation in media and literature has made numerous advancements. In the time of my parents (roughly the past fifty years), having any non-straight characters (“non-straight” at this time defined as mostly white cisgender
The 1990s saw a surge of gay characters in both television and movies. From Ellen Degeneres and her character Ellen Morgan coming out under much scrutiny on the TV show ‘Ellen,’ to Julia Roberts and Rupert Everett comedically playing off each other in the motion picture ‘My Best Friend’s Wedding.’ Sure, gays and lesbians have been around forever, especially in Hollywood. But never has there been a time to be more out. With the popularity of shows like Will and Grace, which feature leading gay characters, as well as Dawson’s Creek
...dual changes are closely related to the media because the actors carry out the roles and thus the members of the society play out those roles in their daily life style. “Homosexuality exists in different societies and cultures and with some minor exceptions it is considered abnormal and disdained. It affects social order, invades personal privacy and rights, and leads to criminal behaviour. As a result, homosexuals are more likely to encounter and be penalized administratively and criminally” (Likosky, 1992, pp. 38)
Media portrayal of the LGBT community is varying. It may be very positive and a “good” portrayal or negative and instead focuses on the stereotypical aspects of the LGBT community. One definition of a good LGBT television portrayal is one that depicts an LGBT character without over glaringly obviousness of their sexual orientation, or without adding many LGBT stereotypes that are all too often added.