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Years and history
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"Among School Children" is a poem used by Yeats to determine an upcoming generation with the underlying concept that no possible life can be fulfilled. The philosophy controlling this work suggests that perhaps life 'prepares us for what never happens'. Consistent with Yeatsean philosophy, it follows the dogma which states that wistlessness brings about innocence, whereas knowledge brings us ballyhoo. Within the realms of acquired wisdom, consciousness produces an anarchic state within the individual, causing conflict to be the degradation of the soul and mind. Understanding these forms of consciousness, inscape and instress, as Tenyson has termed them, causes a heightened awareness towards understanding the human spirit and the universe. According to Yeats, this understanding creates confusion and consciousness becomes conflict.Consciousness is limited to the realms of experience.
Within this experience we may understand individualities of love, death, beauty and spiritual essence. Consciousness is the awareness of one's surroundings and identity; the awareness of universal concepts and the relation this plays upon the individual. Yeats believed that throughout an individuals life there were certain icons and memories which remained constant, turning in what he classified as a gyre, an ever increasing spiral of life veering towards a state of anarchy. This form of consciousness is classified within Western cosmologies as knowledge or wisdom.
If one chooses to neglect this knowledge, one has not been enlightened and therefor remains much like the school children Yeats views in the poem. If one grasps these memories within the eternal wheel one is considered a knowledgeable man. He has an understanding of his own relativity within the realms of spirituality held between himself and others, as if his subconscious has been awakened and now lies within his own consciousness. He has reached a new plateau of consciousness and therefor becomes susceptible to both his own and the relativity of other individuals relativity. This may be considered as a form of enlightenment. The question which is aroused by this topic is whether this awareness of consciousness and enlightenment is beneficial.
Yeats believed that within the enlightened individual there remains an anarchic state; confusion, which leads to conflict. It is apparent that among the school c...
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...self-born makers of man's enterprise'(ln56) become the conscious individual. He continues by declaring labour to be part of this divine dance, where pleasure of the soul becomes greater than pleasure of the body. He gives us the example of birth once again, where beauty is not born out of despair of its own lack. Essentially, this innocence is the beauty and the dance which God wishes us to follow.
Wisdom becomes bleary, much like peering through 'midnight oil'(ln60), and confusion has been loosed through knowledge.With wisdom creating bleary vision, Yeats concludes that we have no way of knowing the 'dancer from the dance'(ln64). We have no capacity for understanding how to fulfill this dance as it cannot even be determined by the conscious individual. The dance may only be completed by what Carl Jung has termed 'the collective unconscious'. If one's consciousness has reached a new parallel in the continual turning gyre, one's awareness may be considered one thread closer towards confusion and anarchy. Each step taken into further consciousness may be considered a step in the direction towards confusion as the gyre is turning away from innocence. Conflict will be the resultant.
Our knowledge is a key to our success and happiness in our life to give us personal satisfaction. Knowledge is power but not always. Sometimes our self-awareness and growth as an individual gives us negative thoughts that make us want to go back to undo it. Everyone wants to unlearn a part in our life that brought us pain and problems. Good or bad experiences brought by true wisdom can be used for our self-acceptance, self-fulfillment and these experiences would make us stronger as we walk to the road of our so called “life”, but Douglas’s and my experience about knowledge confirmed his belief that “Knowledge is a curse”. Both of us felt frustrated and sad from learning knowledge.
... him due to our own biases. Instead, we should contribute more time and effort to observe carefully before judging someone. Moreover, it also applies to the secondary school’s education system that students only learn through repeatedly memorizing by heart, without thorough understanding. In fact, this poem sheds some light on how we see things; thus, interpret things, introducing the importance of experience.” (Yau)
"The blood-dimmed tied is loosed, and everywhere the ceremony of innocence is drowned". As many currently see our society today, Yeats was in fear of what the future had in store, and felt it necessary to warn society of their abominable behavior. All of the good in the society has been taken over and overwhelmed by the horrible actions. No longer do ceremonies, or acts of kindness, take place, which Yeats believes is a direct effect of the loss of youth and innocence. "That twenty centuries of stony sleep were vexed to nightmare by a rocking cradle". This quote from "The Second Coming" informs the society that if they do not begin to correct their transgressions against one another as a whole they will awake the anti-Christ. The anti-Christ will come to claim his Jesus and correct the predicament that they have gotten themselves in to.
Mary Shelley brings about both the positive and negative aspects of knowledge through her characters in Frankenstein. The use of knowledge usually has many benefits, but here Shelley illustrates how seeking knowledge beyond its limits takes away from the natural pleasures of known knowledge. She suggests that knowledge without mortality and uncontrolled passions will lead to destruction. Victor and his monster experience this destruction following their desires and losing self control. Walton, on the other hand, becomes of aware of the consequences and is able to turn back before it’s too late. Shelley also suggests that without enjoying the natural pleasures of life, pursuing knowledge is limited, but how can knowledge be limited if it is infinite?
Ralph Waldo Emerson, nineteenth century poet and writer, expresses a philosophy of life, based on our inner self and the presence of the soul. Emerson regarded and learned from the great minds of the past, he says repeatedly that each person should live according to his own thinking. I will try to explain Emerson’s philosophy, according to what I think he is the central theme in all his works.
For example, in the first line is him contemplating his fear that he may never live to share all of his knowledge. It is a strange fact that we, as humans, believe that we will not die; we think this until there is that one point in life that we first see death. For many, a sense of mortality does not hit until a loved one’s light suddenly goes out and all that is left is a stream of hazy memories of that person. Keats knew his flame was flickering, so he wrote down his feelings and thoughts with vigor. When people of his time read what he put down on paper, they were not ready to accept the inevitable because they only saw a man belligerent about his life. Is has been said that, “the generally conservative reviewers of the day attacked his work, with malicious zeal, as mawkish and bad-mannered, as the work of an upstart." (The Poetry Foundation) After his death at such a young age, people began to see why he was contemplating such a dark concept. Basically, Keats gives the example that although the words of today can sometimes be ignored, there may be a time in the future when those words mean the world to
Through the se of metaphor, imagery, form, and rhyme scheme, John Keats crafts a message in this poem for all to hear, both young and old. To those who dread the aging onslaught of the coming years, he says to remember autumn. To those wishing again for the good old days of childhood, and feeling dissatisfied with their old age, he says to remember autumn. Age brings fruitfulness, stability, leisure, and harmony. It should be embraced for the natural and wonderful part of life that it is.
lose. This opinion of Yeats’ is what this poem is based on and it is
In William Butler Yeats' poem, "An Irish Airman Foresees His Death," he focuses on man's inner nature. He touches on the many jumbled thoughts that must race through one's mind at the point when they realize that their death is inevitable. In this poem, these thoughts include the airman's believed destination after leaving Earth, his feelings about his enemies and his supporters, his memories of home, his personal reasons for being in the war and, finally, his view of how he has spent his life. Through telling the airman's possible final thoughts, Yeats shows that there is a great deal more to war than the political disputes between two opposing forces and that it causes men to question everything they have ever known and believed.
Yeats views the world and civilization as a cycle: the world revolves on a two thousand year period, and restarts every two thousand years ("Twenty centuries . . . come round at last"). Yeats' view may lead to an initial response of the inescapableness of the world's end, and therefore no need for concern, but his pessimistic outlook results from society's...
It is uncertain what mysteries the Second Coming will entail. Through the use of symbolism and allusion, Yeats has described how one world meets its horrid demise. However, the birth of the new world's fate will also bring dark repression and havoc. In Yeats' eyes, history well repeats itself, which is evident of the looping spires of the gyre. In addition, the "ceremony of innocence is drowned," indicates that faith, like the act of communion, no longer exists. Although life is full of hopes and dreams for a better world, Yeats makes us speculate if that could ever be possible. It is evident that Yeats' pessimistic view on the Second Coming shows that he is fearful of change as well as the uncertainties of the future. However, one must go on believing and living one's dreams, or one too, will see life as Yeats so boldly foretells.
Keats differentiates himself from the “wordsworthian” poetic identity, establishing that he writes poetry of impersonality that “records the writer’s receptivity to the uncertainties of experience” (Greenblatt 942n9), rather than “poetry that is evidently shaped by the writer’s personal interests and beliefs” (Greenblatt 942n9). Keats defines this concept as “Negative Capability, further elaborating on its ideas in an 1817 letter to George and Thomas Keats. In order for a poet to understand reality, he must be open minded and be able to dwell on or with “uncertainties, Mysteries, [and] doubts, without any irritable reaching after fact & reason” (Keats 1817). Beauty overcomes the need to find definitive answers in the questions raised by poems, and two contradictory ideas can be held in the readers mind simultaneously (Greenblatt 942n9). Keats’ journey into his identity as a poet of “Negative Capability”, can be seen in his poetic works, a prime exa...
Just as animals feel entrapped by the circus, there is much evidence to suggest that Yeats was entrapped by his passion that of poetry. In his poem, ‘The Choice’ (Yeats 1933) he muses that, ‘The intellect of man is forced to choose perfection of the life, or of the work’(Yeats1933:1+2), which bearing in mind his constant seeking for higher ideals within his art form this is a clear indication that he is directly conveying a frustration with poetry. This notion is reinforced by the line, ‘Players and painted stage took all my love,’ (Yeats 1939: 22) which informs the reader of Yeats complete immersion in his
In the poetry of William Blake and William Wordsworth, this difference between children and adults and their respective states of mind is articulated and developed. As a person ages, they move undeniably from childhood to adulthood, and their mentality moves with them. On the backs of Blake and Wordsworth, the reader is taken along this journey.
To live, to err, to fall, to triumph, to recreate life out of life!”(123) Recreate life, there lies the true nature of an artist, to recreate life for others to see through the eyes of another. The women that Stephen comes across in his journey in becoming an artist define him and change him by nurturing him, fascinating him, and inspiring him. Stephen was forever changed by his mother, the Virgin Mary, Eileen, the prostitute, and the seaside woman. The object of the artist is to create the object of the beautiful, I argue that it was the beauty in the women of A Portrait of the Artist as a Young Man, which created the artist in the end.