Thomas Cole was one of the greatest American landscape artists who ever lived. There is a certain essence in Cole’s work that other painters in his time couldn’t quite capture when it came to the great American wilderness. His audience caught on quickly to his depiction of the great outdoors and soon other artists were inspired to be as great as him. Cole’s work reflects a message of how awe-inspiring and alluring America’s landscape truly is. His works also reflects a time of great exploration. Through his paintings, he has also conveyed a realistic truth behind the beauty of this country called America. Cole’s painting’s ultimately set a higher standard for landscape painting which can be seen in every piece of his artwork. One of the messages that Cole was trying to portray in his artwork is how awe-inspiring and alluring America is. You can tell by the immaculate detail Cole put into his paintings that he was trying to show the good this country had to offer. He somehow captured the grandeur of the places he visited and turned that into spectacular paintings. When you look at his …show more content…
The reason for this is because some of the landscapes he painted looks to be vast in the way he is focusing more on the things closer to the viewer. His artwork gives his audience a sense of what early American explorers looked at when traveling through this monumental land. The works also convey a realistic truth of the outdoors for his viewers. They sense that there must be some sort of higher power that must be behind the grandeur of this land. This ideology is showed by the simple fact that some of his painting include people who are subordinates to the scenery. Most of his paintings show that the wilderness of America can be perplexing but also beautiful. His viewers can’t help but fall in love with this land that has so much potential at the time to be vastly
Stephen W. Sears’ Landscape Turned Red is an account of political and military plans. Especially General Robert E. Lee’s Maryland Campaign as well as the Battle of Antietam. Sears frames his work around the pending support of Great Britain and France to the Confederate cause due to cotton. Landscape Turned Red covers the battle of Antietam. It offers a vivid account of both armies, the soldiers and officers, and the bloody campaign. It analyzes the impact of Antietam on the Civil War as a whole. Sears' use of diaries, dispatches, and letters recreate the Battle of Antietam. You experience the battle not only from its leaders but also by its soldiers, both Union and Confederate. Sears attempts to examine the tactical moves of both Lee and General George McClellan. He also talks about the foolish decisions that troubled both the Federal and Confederate forces. Sears' use of traits, political pursuits, and tactical preferences, explain the thoughts of many. Some of these include President Lincoln, General Halleck and General McClellan, and their subordinates. Stephen Ward Sears is an American historian specializing in the American Civil War. He is a graduate of Oberlin College and an attendant to a journalism seminar at Radcliffe-Harvard. As an author he has concentrated on the military history of the American Civil War. Such as the battles and leaders of the Army of the Potomac. He was an editor for the Educational Department at American Heritage Publishing Company. American Heritage Publishing two of his ten books.
Art has always been used to portray a message, American art is no different. Throughout the years American art has been created for many different reasons, including parody and satire. One such example is the painting The Surrender by Joseph Griffith. Although it contains jumbled imagery and may convey a mixed message, The Surrender's main message is that American culture is idolized by the youth of today and that American as a whole is waging war on cultures and religions it doesn’t understand.
In the era where Thomas Cole first established the Hudson River School, other artist that is not from the United State such as John Constable, has the same taste in nature and outdoors. John Constable who is from England, created many painting from the surrounding area from his backyard to the countryside. For Cole’s painting, his work of art has been throughout the Hudson River, therefore, his painting consist of vast amount of forest, river, and mountains. He also travels in many locations in America and even done some painting in Europe. Both painter love nature, for this example, landscape will be the primary focus.
Frederic Edwin Church was clearly an epic and defining figure among the Hudson River School painters, particularly in his collaborative efforts in developing a sense of national identity for America, but also in fostering tourism through landscape painting, political influence, and entrepreneurialism. By answering the national call for artists and writers to define American landscape, Church took the first steps towards becoming, not only one of America’s greatest painters, but also a successful entrepreneur when it came to selling his own work to make a living. Church was dedicated to preserving “scientific accuracy” in his interpretations of nature and beauty, which were stimulated by the scientific writings of geographer and explorer Alexander von Humboldt.1
Thomas Cole was “America's leading landscape painter during the first half of the nineteenth century...” (Thomas Cole). He lived from 1801 to 1848. He was born in England, and in eighteen moved to America with his family before this he “... served as an engraver's assistant and as an apprentice to a designer of calico prints.” He began drawing nature from nature in eighteen twenty-three and started with trees and branches to become the great landscape painter he is recorded as today. Worthington Whittredge was born in 1820, and lived until 1910. He was born and lived in America his entire life. He was part of the Hudson River School. He was “...a highly regarded artist of his time, and was friends with several leading Hudson River School artists including Albert Bierstadt and Sanford Robinson Gifford.” ( Thomas Worthington)He traveled much of his life and mastered landscape painting.
This work shows impeccably drawn beech and basswood trees. It was painted for a New York collector by the name of Abraham M. Cozzens who was then a member of the executive committee of the American Art-Union. The painting shows a new trend in the work of the Hudson River School. It depicts a scene showing a tranquil mood. Durand was influenced by the work of the English landscape painter John Constable, whose vertical formats and truth to nature he absorbed while visiting England in 1840.
The nature in which we live is truly beautiful and something to preserve and treasure. When the Europeans first came to North America, they were immediately in love with the views they encountered. They were interested in wanting to know more about the land, the animals that peeked around, and the people who called it home. Artists such as, John White had heard the tales of what Christopher Columbus had described during his time in North America, which led to them wanting to make their own discoveries (Pohl 140). Everyone had their own opinions and views of the world, but artists were able to capture the natural images and the feeling they had through their paintings (Pohl 140).
Giorgione "loved to paint landscapes." Especially in "The Adoration of the shepherds" you can see how much effort he invested in painting a detailed background in form of a piece of coast and part of a village. When isolated this part takes on a life of its own (If concentrating you can see tiny details such as two persons standing at the edge of the coast.
Landscape painting was extremely important during the middle of the nineteenth century. One of the leading practitioners of landscape painters in America was Thomas Cole. He visited many places seeking the “natural” world to which he might utilize his direct observations to convey the untainted nature by man to his audience. His works resolved to find goodness in American land and to help Americans take pride in their unique geological features created by God. Thomas Cole inspired many with his brilliant works by offering satisfaction to those seeking the “truth” (realism) through the works of others.
This places the reader in recognisable landscape which is brought to life and to some extent made clearer to us by the use of powerful, though by no means overly literary adjectives. Machado is concerned with presenting a picture of the Spanish landscape which is both recognisable and powerful in evoking the simple joys which it represents. Furthermore, Machado relies on what Arthur Terry describes as an `interplay between reality and meditation' in his description of landscape. The existence of reality in the text is created by the use of geographical terms and the use of real names and places such as SOrai and the Duero, while the meditation is found in...
Grant Wood’s American Gothic is one of the most famous paintings in the history of American art. The painting brought Wood almost instant fame after being exhibited for the first time at the Art Institute of Chicago in 1930. It is probably the most reproduced and parodied works of art, and has become a staple within American pop-culture. The portrait of what appears to be a couple, standing solemnly in front of their mid-western home seems to be a simplistic representation of rural America. As simple as it sounds, when looking deeper into this image, it reveals something much more complex.
Thomas would be in the category of romantic art for the theme of his artwork. He has based it on the beauty of nature and the fact that most of his major works were done in the period that romanticism took place, most of the 19th century and the beginning of the 20th century. Thomas Moran had attended the Hudson Valley River School, where many landscape artists had attended, too. He painted the Hudson Valley with the attraction, beauty, and scenery of the valley.(www.ency). He also was attracted to the awesomely romantic images of American wilderness and the open west, where he did most of his paintings. (www.art) Thomas was fascinated with Yellowstone and wanting to be associated with it painted the wilderness and scenery of it. (Vol.15) With the paintings he had done of Yellowstone Congress was fascinated with them, that they bought The Chasm and The Grand Canon of the Yellowstone Thomas had painted.
Heffernan, James A. W. The Re-Creation of Landscape: A Study of Wordsworth, Coleridge, Constable, and Turner. Hanover: UP of New England, 1985.
While several scholars have accurately discerned the role of history painting in this rectification, fewer have asserted the predominant role of landscape in the communication of these ideas. “A contextualization of landscape conventions—more specifically, the history of the picturesque in Mexico—will amplify the centrality of art in the visual articulation of the nation” (Ortega, 1). Helguera’s decision to incorporate landscape elements in his work, such as the depiction of the volcanoes in the background, aligns with the broader cultural shift towards emphasizing Mexico’s unique landscape and
“Allison, no I haven’t seen her since we were all talking earlier. Colleen, you look pale, are you sure everything is alright?” Max put his hand on her shoulder, lightly, in an attempt to slow her down as she peered into the dining room. There was no flash of red hair or sound of a baby cooing.