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Hip hop and race relations in America
How rap culture changed activism and black politics
Hip hop and race relations in America
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Wasalu Muhammad Jaco, or better know as Lupe Fiasco, is a Chicago born American rapper. Fiasco was first recognized when he debuted his first album in 2006 called Food & Liquor. Shortly after its release, the album made its way to Billboard’s Top 10 albums. “Critics hailed the rapper as the savior of the genre on the strength of tracks…” (Rolling Stone) and gave him great reviews for his sensible subject matter and compelling story telling. This album earned the rapper three Grammy nominations including Best Rap Album.
Gaining recognition through Food & Liquor, Fiasco’s popularity has grown tremendously. Much of the reason was due to his approach to rap. While he does rap about mainstream themes such as sex, money, and drugs, Fiasco also shares his concerns about the American government and politics, foreign affairs, and racism in our culture, capturing a more mature audience’s attention. Through his music, Lupe Fiasco represents the voice of Modern America by informing his listeners about the modern corrupt practices in the United States and asserting his opinions on them through his music. In his song “Bitch Bad”, Fiasco describes how the vulgar word “bitch” is used throughout American society carelessly and in ways it shouldn’t be due it's degrading denotation. His song “Strange Fruition” reiterates the message in Billie Holiday’s largely popular song “Strange Fruit” and incorporates the modern take on racism in the United States. The messages in both these songs portray the depravity in present American culture.
Along with rapping about his strong opinions about a corrupt America, Fiasco also speaks about them in various interviews. A particular interview on CBS’ “What’s Trending” caught the attention of many when he calle...
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...udience into creating a better society. In “Bitch Bad”, Fiasco spreads a message about the use of the vulgar word “bitch” and in “Strange Fruition”, he spreads a message on the practice of modern racism in our country. These are only two of the many songs where Fiasco is using his words to get a point across. With the strong messages he sends to his audience, Fiasco adequately represents the voice of Modern America.
Works Cited
Greene, Jayson. "Lupe Fiasco: Food & Liquor II: The Great American Rap Album Pt. 1."
Pitchfork. N.p., 27 Sept. 2012. Web. 23 May 2014.
"Lupe Fiasco Biography." Rolling Stone. N.p., n.d. Web. 23 May 2014.
Ramirez, Erika. "Lupe Fiasco on Calling Obama a Terrorist: 'I've Got Nothing to Clarify'" Billboard. N.p., 9 June 2011. Web. 23 May 2014.
Raz, Guy. "Lupe Fiasco: Two Sides To Everything." NPR. NPR, 11 Mar. 2011. Web. 23 May 2014.
The song is not only expressing his love for girls, it’s also a metaphor for his love Hip-Hop. This is another example of Lupe’s Fiasco lyrical skills.
In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.
Signing with Def Jams in 1984, LL Cool J gave hip-hop a new component which is love. As Guestlist explain his type of rapping as “LL cool J’s song adopted a ‘soft’ style which bred
Rapper Trina’s March 2000 single “Da baddest b*tch”, proclaimed her as the Queen of Hip hop. “Da baddest b*tch” was a controversial song that made way for many criticisms. The rapper’s song endorsed the idea of women referring to themselves as “bad b*tches”, promoted promiscuous behavior and encouraged females both young and old to use men for money.
Perry, Imani. 2004. Prophets of the hood: politics and poetics in hip hop. Durham: Duke University Press.
Throughout “Love Sosa”—and in many of Chief Keef’s other songs—Keef refers to himself as Sosa. This nickname is based off of Scarface character Alejandro Sosa who is an international drug lord in the film. Those who listen to rap would find that several rappers (i.e., Nas, Future, Rich Homie Quan) typically compare themselves to Scarface’s main character
The song is set around Chief keef being on the phone and talking to a woman, he refers to the woman on the song as a bitch, hoe, and thottie. The word thottie is derived from the word thot, which is an acronym for “that hoe over there”. The song states “You wanna Glo up, baby, Keef got you/You's a gold bottle, these hoes pink Moscato/Baby I'm the owner, you can be my castle”. This line right here compares the woman to other women by saying she is a better bottle of liquor than other women and calls her his property when he says you can be my castle. Then he goes on to say in the song “ Baby cause I like you/Only reason I text you and why I Skype you/I just wanna fuck on you, I don't wanna wife you/But you gotta brush your teeth and do what I say though/(Hello?)/Bitch can you hear me?/Keep your pussy in park, no 360... I don't wanna smell you/Cause I'ma cut/you off, quicker than I met you/I'ma swipe your name up off my schedule/And if smoke this blunt, girl, I'm gon' forget you”. The lyrics basically says the women is just there for his sexual pressure and he does not plan on making her more than that; he also tells the women that he has to be the one in control if she wants to continue this relationship; then he tells her, he will completely stop communicating/seeing her, if she does not do what he wants her to do and she can be
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The Song “American Idiot” by Green Day uses techniques to engage the audience to interoperate the issues. Green day through their style of music convey issues such as the medias over powering effect on society, greed and the division of the United States of American over political issues. Green Day’s negative stance on the issues through these techniques conveys the audience to agree with the main issues being focused.
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Jeffries, M. P. (2011). Thug Life: Race, Gender, and the Meaning of Hip-hop. Chicago: University of Chicago Press.
4. Foreman, (2002). The Hood Comes First: Race, Space, and Place in Rap and Hip hop. Middletown, Conn.: Wesleyan University Press.
Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .
Rap Genius. N.p., n.d. Web. The Web. The Web. 01 May 2014.