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Art in different cultures
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In 1930, an artist by the name of Grant Wood painted American Gothic. The painting consists of a man and woman who happened to be brother and sister in real life. Two modes of analysis are used to compose this art analysis. A biographical analysis is used because the artist, Grant Wood, grew up and lived on a farm for most of his life in Iowa. By painting the background to look as if it were set on a farm, Grant Wood references the setting back to the time of living on the farm in Iowa. A contextual analysis was also used to write this analysis. In 1930, the Great Depression was occurring and people in the United States were suffering greatly. The Great Depression made people’s lives stressful and unhappy. The painting depicts a woman and man with very grim faces which can be inferred to the hard times people faced during the Great Depression. …show more content…
The painting American Gothic depicts two people that are middle aged on a farm.
One person is a female, and the other person is a male. The female has blonde colored hair, and it is put up off her neck behind her head. She has light colored eyes that are squinty. Her skin is more on the scale of being fair than dark. Her clothing is of dull colors. She wears a black top that has a white collar with a brown patterned vest on top of the shirt. The male is taller than the female in the painting. He does not have much hair on his head. He is wearing grey glasses, and his clothes are dull colored as well. He is wearing a striped white shirt with blue overalls and a black jacket on top. His skin is pail similar to the woman’s skin color. In his right hand, he is holding a farming tool called a pitch fork. In the background of the painting, there is a house that is painted an off-white color. There is also a dark red building with a brown roof that is in the background. In the back behind the red building, there are green trees that make up the rest of the
background. American Gothic is a painting that was painted on beaverboard, and the medium used to paint the painting was oil. The liquid medium, oil, is pigment that is mixed with lint seed oil with a certain type of vehicle, usually turpentine. The style of this artwork is representational art because one can easily tell what is laid out in front of us. The painting is considered a portrait. Elements of art are used to make the painting what it looks like. Lines are identifiable paths created by a point that is moving in space. Actual lines are used in American Gothic to create the houses in the background, the circular lens on the man’s glasses, and the pitch fork. Curving lines are used to create the trees in the background, and a sharp, jagged line is used to make the trim around the woman’s vest that she wears over her shirt. Shapes can be of a geometric form or of an organic form. The windows on the house are made of geometric shapes like rectangles. The pin on the woman’s collar is a circle which is also a geometric shape. Organic shapes are the people because they are not painted with straight lines to make a geometric shape. There are principles of design that are used to compose the painting. Patterns are used in the window of the house, the woman’s vest, and on the man’s shirt. In the window on the house, there are white polka dots that form a pattern. On the vest, there is a pattern made out of white circles, and on the man’s shirt, there are stripes that make up a pattern. Balance is used in the siding on the house. The lines are symmetrically balanced on each side of the top floor siding. Atmospheric perspective is implied in the background. The buildings in the background and the trees at to the atmospheric perspective.
Grant Wood was a Regionalist artist who continually endeavored to capture the idyllic beauty of America’s farmlands. In 1930 he had been roaming through his hometown in Iowa searching for inspiration when he stumbled upon a house that left him spellbound. From this encounter came America’s iconic American Gothic. Not long after Wood’s masterpiece was complete the once ideal countryside and the people who tended to it were overcome by despair and suffering as the Great Depression came to be. It was a time of economic distress that affected nearly every nation. America’s stock market crashed in 1929 and by 1933 millions of Americans were found without work and consequently without adequate food, shelter, and other necessities. In 1935, things took a turn for the worst as severe winds and dust storms destroyed the southern Great Plains in the event that became known as the Dust Bowl. Farmers, who had been able to fall back on their crops during past depressions, were hit especially hard. With no work or way or other source of income, many farms were foreclosed, leaving countless families hungry and homeless. Ben Shahn, a Lithuanian-born man who had a deep passion for social injustice, captures the well-known hopelessness of the Great Depression through his photograph Rural Rehabilitation Client. Shahn and Wood use their art to depict the desperation of everyday farmers in America due to the terrors and adverse repercussions that the Great Depression incited.
The visual elements in this painting are shape, color and light. The shapes and contours of the mother and child are life like.
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
Various authors develop their stories using gothic themes and characterizations of this type to lay the foundation for their desired reader response. Although Edgar Allan Poe’s “The Fall of the House of Usher” and Peter Taylor’s “Venus, Cupid, Folly and Time” are two completely different narratives, both of these stories share a commonality of gothic text representations. The stories take slightly different paths, with Poe’s signifying traditional gothic literature and Taylor approaching his story in a more contemporary manner.
Kathy Prendergast, further contends, that it is this convergence of the Gothic art style and Romantic genre which was quintessential of the nineteenth century era. Both collided to spotlight terror, valuelessness emotion and vulnerability. Both collided to perpetrate a sense of wonderment in the reader/viewer, a sense of helplessness in the face of some superior force. The Gothic architecture with its peculiarity, mystery and imperilment; the Gothic architecture with its a...
The major structures in the painting consist of an umber colored cross and three ladders. Starting from the top of the image, there is an old man with a scraggly, white beard holding onto and leaning over the top beam of the cross. He is set off by color, wearing a bright red gown and azure head wrap. The majority of his body rests atop the cross while he stands on the ladder that is leaning on the back of the cross.
Romance by Thomas Hart Benton is made with mediums of tempera and oil varnish glazes on gesso panel on board and is 45 1/4 inches by 33 1/4 inches. In this essay, I am going to discuss Benton’s use of composition, color, and texture to create a tranquil mood. When I first looked at this painting I pictured it taking place during the civil rights era, because of the clothing that the people in this painting are wearing. To me, this painting tells the story of a man and a woman taking a casual walk at the end of a work day. The man looks as if he just got out of work and decided to take off his shoes, roll up his sleeves and the bottom of his jeans, and unbutton the top button of his shirt and take a walk with his wife through the grass to talk
They say imitation is the most sincere form of flattery. If that is true, I would have to say that many people praise American Gothic every day. It is parodied in the political cartoons of the newspapers around the country and on television as well. Almost anyone could recognize the solemn couple from having been printed on everything from coffee mugs to mousepads. Grant Wood’s classic tale of a farming family in rural Iowa has truly
This piece is acrylic, oilstick, and spray paint on wood panel that is 186.1 centimeters in height and 125.1 centimeters in width. This piece features a human-like figure in the center that is mostly half red and half black. This figure has a gray head with one yellow eye and one light gray eye and above its head is a black halo. The background consists of patches of various colors such as light blue, black, dark red, light green, beige, turquoise, pink, and yellow. On the bottle left corner there is a figure drawn that looks like a fish and has a strip of mustard yellow painted through it. Also towards the bottom right of the artwork, there is some drawn on letters that almost look like words but are messily painted over with a desert sand color. This piece is my favorite because I find it aesthetically pleasing. There is a lot going on in this piece that makes looking at it genuinely interesting. The colors that Basquiat choses for the background go very well together and overall compliment the figure in the center. I like how incredibly expressive this piece is and it makes me want to buy a canvas and start painting that I desire. I also like how the human-like figure is drawn. One could see what looks like an outlined ribcage on the figure, which makes me believe that the head is actually a skull. Upon further research I learned that Basquiat was
The first painting analyzed was North Country Idyll by Arthur Bowen Davis. The focal point was the white naked woman. The white was used to bring her out and focus on the four actual colored males surrounding her. The woman appears to be blowing a kiss. There is use of stumato along with atmospheric perspective. There is excellent use of color for the setting. It is almost a life like painting. This painting has smooth brush strokes. The sailing ship is the focal point because of the bright blue with extravagant large sails. The painting is a dry textured flat paint. The painting is evenly balanced. When I look at this painting, it reminds me of settlers coming to a new world that is be founded by its beauty. It seems as if they swam from the ship.
The term ‘Gothic’ conjures a range of possible meanings, definitions and associations. It explicitly denotes certain historical and cultural phenomena. Gothicism was part of the Romantic Movement that started in the eighteenth century and lasted about three decades into the nineteenth century. For this essay, the definition of Gothic that is applicable is: An 18th century literary style characterized by gloom and the supernatural. In the Gothic novel Frankenstein by Mary Shelley, a wide range of issues are explored. Frankenstein represents an entirely new vision of the female Gothic, along with many other traditional themes such as religion, science, colonialism and myth.
3 p.. Ebook http://en.wikipedia.org/wiki/Southern_Gothic. Image and Ideology in Modern/Postmodern Discourse - Google Books." Google Books.
There is not a linguistic message in the “American Gothic”. The non-coded iconic I see in the portrait painting are representational two-dimensional humans standing side by side. The elements of this artwork include geometric shapes in the background of a triangle, square, and trapezoid. Behind the shapes are green half circles, and behind that is blue. The focal point is in the front and center of the painting. It is a human who
The composition of the painting takes place with the square of the canvas. The square is approximately 5' x 5'. A black frame surrounding the painting protrudes approximately 4" off the canvas. There is a 1" inlay between the canvas and frame. From this square, Reinhardt breaks the composition into six equal squares in three even rows. Texture is no where to be found in the painting. No visual indication of the artist's brush stroke is present. No varnished glare is given off by the piece. The entire work, including the frame, is completely matte. The squares take up the entire canvas in a checkerboard type arrangement. Each square is a slightly different shade of blue-black. It almost becomes impossible to see the difference between each square. The middle squares in the top and bottom rows shift more towards blue than the rest of the squares. The division of these middle squares become more obvious than the others. When the painting is looked at from a distance, it is almost impossible to see any of the squares at all. When looking from a far, all a viewer can see is a blackish blue canvas. As you stare longer into the painting, a halo begins to form around the corners of the canvas, creating a circle inside the square. Once you look away from the canvas, the circle is gone. With this observation in mind, we could say that the painting most definitely relies on the viewer. A viewer is required to look at the piece for its full affect. We could say that the squares in the painting are self-contained.
The painting was of a river flowing from a lake, surrounded by very tall grass. On each side of the river there are people standing. What was interesting is they were painted all black. They looked like shaded figures. They were all shaped differently but you can tell they were all men. On the top left side of the river there were five men. On the right bottom side of the river there were four men. On each side it looked as though the men were trying to cross over to the other side. They looked tired and scared. It looked as though they were hiding, and getting across the river was the only way to get to that safe haven.