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Humor in society essay
The importance of comedy in society
Humor in society
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American Comedy and Issues of Social Class in America Issues of the social class have been an important element of American film comedies. Since the silent era until the current day, comedy films tend to focus on many contemporary common social class issues in America. During the silent era of film, the three well known comedians, Charles Chaplin, Buster Keaton and Harold Lloyd. Throughout his films, Chaplin's character is portrayed as a lower-class man, who is trying to climb the social ladder and better his position in society. His dress reflects his attempt to give the appearance of higher social status. His costume has all the elements of a gentleman, however his appearance is ridiculous because the pieces of his suit do not fit together. He wears a bowler hat, and carries a cane, as gentlemen do, but his coat is too tight, his pants are too large, and his shoes are too large - like a clown's. His mustache also gives the impression of an upper-class man, in modern style, but the sophisticated look differs from the long beards of the older, wealthy elite. In his hit film "immigrant" Chaplin plays the role of a European immigrant to America. Chaplin attempts to obtain a new life for himself by coming to America. He is a poor immigrant, but tries to appear to be of a higher class in order to impress a woman on board the ship. First he gambles to get more money, intending to keep it for himself, but he ends by giving it to the woman, thus giving her the impression that he is a man of means. Later in the film, they meet again in a restaurant, where he attempts to imitate the manners of a gentleman. He uses his silverware, but he u... ... middle of paper ... ... Therefore, from the characters of Chico and Harpo to Groucho to Rudolpho, all class classes are displaced in this film. Also, the film shows how each of the classes influence and affect one another. Patterns between the films: * In each of the films, the male character is of a lower class than the female that he is trying to impress. (Groucho/Mrs.Claypool; Peter Warne/Ellen Andrews; Charlie Chaplin/Mrs. Moneybags) * Conflict between lovers and other characters is motivated by issues involving class differences. * Chaplin and It Happened One Night shows people of an even lower class than the hero, making the hero of a superior status at specific points throughout the film. (Chaplin stealing food for starving street woman, Peter Warne giving money to the boy on the bus)
that Fiona is willing to reach into a bin amongst the past few days of
American Psycho (2000) offers a devastating social satire of the 1980s materialistic and hedonistic high society. Ironically, the film's monsters-in-hiding become increasingly evident even as the cinematography attempts to obscure most of the victims of Patrick Bateman (Christian Bale) with the dark hues of the nighttime. Additionally, the point-of-view (P.O.V.) editing in relation to Patrick Bateman illustrates his frustrations to the audience and shows his struggle to not only become the best in his society, but also prevent others that are either not fit for his society or those with particularly annoying idiosyncrasies from being a part of that society. The character study depicts the daily activities of Patrick Bateman, a young New York stockbroker working for Pierce and Pierce, as he hides the murder of Paul Allen (Jared Leto) from Detective Donald Kimball (Willem Dafoe). As the film progresses, Patrick's mask of sanity slowly slips as he finds out that he is not the idea of Patrick Bateman that he reflects himself of being throughout the film and realizes the disconnection that he has from the world around him.
The most important events of this film all revolve around the female characters. While there are some male charac...
In the classical Western and Noir films, narrative is driven by the action of a male protagonist towards a clearly defined, relatable goal. Any lack of motivation or action on the part of the protagonist problematizes the classical association between masculinity and action. Due to inherent genre expectations, this crisis of action is equivalent to a crisis of masculinity. Because these genres are structured around male action, the crises of action and masculinity impose a crisis of genre. In the absence of traditional narrative elements and character tropes, these films can only identify as members of their genres through saturation with otherwise empty genre symbols. The equivalency between the crises of genre and masculinity frames this symbol saturation as a sort of compensatory masculine posturing.
The Impact of African-American Sitcoms on America's Culture Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded.
Bridesmaid is a movie about the competition between the maid of honor Annie and Helen another bridesmaid, over who is the bride Lillian’s best friend. The film reflects how class, gender and sexuality intersect in the real life. As the Rolling stone critics the film “ dudes always fear movies that might shrivel their sexual standing when women prioritize. Man up and see Bridesmaid. You just might learn something.”
movies are about men’s lives, and the few movies about women’s lives, at their core, still
Robin Williams was a standup comedian and actor, who was in films such as Mrs. Doubtfire, Aladdin, and Dead Poets Society. Ben Stiller in an interview with Rolling Stone says: “He made many, many film crews laugh out loud before the audiences ever saw it. He made such a big impact on the world. So there is the man, and his talent and I think in his case both were extraordinary” (Montgomery). Robin Williams comedy was groundbreaking and influential.
Jerry Seinfeld's television sitcom, "Seinfeld," which went off the air in 1999, is still one of the most culturally pertinent shows today. The show dealt with little nuances of American society. A puffy shirt, for example, could be the main subject for an entire show. This show, which was derived from Jerry Seinfeld's observational humor, was voted as the "Greatest Show of All Time" by TV Guide in 2002. According to the show's official website, the ratings for the syndicated version of Seinfeld are ahead of many of the current primetime comedies ("Seinfeld" 2/5).
Social stratification as defined by Brinkerhoff et al. is “an institutionalized pattern of inequality in which social statuses are ranked on the basis of their access to scarce resources” (Brinkerhoff et al. 152). By scarce resources, many people have to deal with poverty and having a lack of money to buy the things they need in their lives. Social class is defined as “a category of people who share roughly the same class, status, and power and who have a sense of identification with each other” (Brinkerhoff et al. 155). Your social class has to do with your socioeconomic status along with the power and connections you have. Social mobility on the other hand is “the process of changing one’s social class” (Brinkerhoff et al. 153).
It may not be a 1960s sexual revolution but Americans' attitudes toward sex have certainly taken a dramatic turn toward sexual irreverence. American culture has lost all sense of discretion. We have no boundaries or sense of anything being a private matter. After we cruised through the conservative 50’s; we chanted and swayed through the sexual revolution of the 60’s. But we didn’t stop there. Now we’re riding the fiber optic wave of immediate and impersonal self-gratification. American culture is getting more accepting of provocative messages and behavior with each passing decade. What caused the drastic shift in attitudes from the 1950s to the 1960s? Do we owe today’s epidemic of casual sex to any one thing?
and many more. These films have shaped the behaviors and characters of both the feminine and masculine species in the society.
Even though Stanley Kubrick’s Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb screened in the midst of the sobering Cold War, critics were keen on praising the film for its mastery of humor applied to such a sensitive matter. The film is exceedingly loaded with metaphors, innuendos, and allusions that nothing can be left undissected or taken for face value; the resulting effect is understood to be part of Kubrick’s multifarious theme. Kubrick has stated that what began as a “the basis for a serious film about accidental war ” eventually birthed an absurd and farcical classic comedy. The director fuses together irony, satire, and black humor to create a waggish piece but most of all the situation of the times and its gravity is the essence of what the audience finds so hilarious . Using caricatures rather than characters, exaggerated script, and sexual undertones, Kubrick manifests to the audience their own predicament and just how ridiculous it is to even consider brinksmanship as a means to preserve the American lifestyle.
In the United States, there are certain inalienable rights granted to all. As the Declaration of Independence of the original thirteen colonies states, "among these are Life, Liberty and the pursuit of Happiness."(Jefferson, 1787, Declaration of Ind., Pg. 1) These rights are not "special rights." While the U.S. government cannot hold back upon these rights, it does have the power to ratify and enforce laws that will enable or restrict its citizens' use of them.
The novel, American Tragedy, was written by Theodore Dreiser in 1925. Dreiser presents the story in omniscient, third-person point of view. It is the story of a young man, Clyde Griffiths who is born into poverty, and soon after begins to seek success and wealth. The society that is illustrated in An American Tragedy appears extremely materialistic. It is clear that many of the aspects that are important in this society, are material wealth and social status. Since Clyde does not want to follow and no longer believes in his parents’ religious values, the main and only reason he stays in Kansas City is to try to earn a great amount of money. Which, according to Clyde, will make him successful in life. His materialistic values are apparent from