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Shakespeare hamlet character analysis
Shakespeare hamlet character analysis
Shakespeare hamlet character analysis
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The dictionary defines personal ambition as “An earnest desire for some type of achievement or distinction, as power, honour, fame, or wealth and the willingness to strive for its attainment”. (Dictionary.com) One could argue that too much ambition can be a negative trait. By placing such an emphasis on personal ambition it causes some to push their loved ones away in order to achieve what they want. Within most people, unhappiness is a common feeling and in extreme results, it leads to death. In the texts Fifth Business by Robertson Davies and William Shakespeare’s Hamlet, it is evident when the strongest characters place power and ambition above all else they crumble.
There is a saying that goes, “We ignore the ones who love us, and love the ones that ignore us”. This phrase fits perfectly with the character Hamlet from Hamlet. Hamlet suffocates himself with a great deal of ambition because his veins are filled with revenge. In order for his plan to succeed he needs to go insane and thus, pushes everyone who cares about him away. Two characters, Ophelia and Gertrude receive the shortest ends of sticks when it comes to Hamlet pushing them away. In act 3.1 Hamlet and Ophelia have a very heated argument and Hamlet tells Ophelia:
Get thee to a nunnery; why wouldst thou be a breeder of sinners? I am myself indifferent honest, buy yet I could accuse me of such things that it were better my mother had not borne me: I am very proud, revengeful, ambitious, with more offences at my beck than I have thoughts to put them in, imagination to give them shape, or time to act them in. What should such fellows as I do crawling between earth and heaven? We are arrant knaves, believe none of us; go thy ways to a nunnery. Where’s your father? (3.1...
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...hing those you love away to strive to the top. One realizes that they are constantly unhappy when filled with their own ambition and in the most severe cases, personal ambition leads to death. It is unmistakable when the strongest characters in the texts Fifth Business by Robertson Davies and William Shakespeare’s Hamlet, place power and ambition above all else they crumble. It has been said that there is a method to our madness, and the method is placing too power on ambition above all else.
Works Cited
"Ambition." Dictionary.com. Dictionary.com, n.d. Web. 12 Apr. 2014.
Davies, Robertson. Fifth Business. Toronto: Penguin, 1996. Print.
Half, Robert. "Thoughts On The Business Of Life." Thesis. N.d. Thoughts and Quotes on Death. Web. 13 Apr. 2014.
Shakespeare, William, and Betty Bealey. Hamlet. Mississauga, Ont.: Canadian School Book Exchange, 1996. Print.
Many humans desire to be at the top of social and economic ladders, in order to feel a sense of success and accomplishment. Individuals who wish to be at the top, are impelled by ambition and the hunger for power to help reach their goals. However, too much ambition and need for power blinds the individual from the world around them, and causes them to neglect the moralities of their actions. Whether they do certain things with intent or not, they usually manipulate or walk over others to get what they need. In both Hamlet and Fifth Business the theme of ambition and power is explored similarly. In Hamlet, Shakespeare shows how the intentional actions that are driven by greed, ambition and yearning for power can effect the individual. By contrast,
In the play of “Macbeth”, Shakespeare gradually and effectively deepens our understanding of the themes and most importantly the relationship between Macbeth and Lady Macbeth. The main theme of Macbeth is ambition, and how it compels the main characters to pursue it. The antagonists of the play are the three witches, who symbolise the theme appearance and reality. Macbeth and Lady Macbeth’s relation is an irony throughout the play, as most of their relation is based on greed and power. This is different from most of Shakespeare’s other plays, which are mostly based on romance and trust. There is also guilt that leads Macbeth and Lady Macbeth to the final consequences of the play. As the progresses, the constant changes in Macbeth and Lady Macbeth are exposed.
In the play Macbeth written by William Shakespeare, there is a deep relation to ambition. Macbeth's ambition started after the witches told him that he was going to be king after Duncan died, so then Macbeth and Lady Macbeth just decided to kill Duncan. After this first murder he then decided that he would do anything to keep his crown, since he was so hungry for power. Guilt soon got the best of him which then led to his demise.
Custer’s Last Stand. The Battle of Stalingrad. Napoleon’s Russian Campaign. The introduction of the Pontiac Aztek. All epic failures, yes, but moreover, all epic failures caused by arrogance on behalf of the aggressor. Custer’s rampant jingoism caused him to assault those Native Americans with only a meager squad of troops. Napoleon’s Napoleon complex pushed him to drive his troops thousands of miles across Eurasia only to face the Red Army in winter. GM’s bravado at an upswing in the market cycle led it to release a hideous crossover with no true target audience. Whether it is some raging lust that blinds us to our faults or an innate flaw that leads us to secretly desire carnage and disorder, pomposity is often the cause of the pockmarks and events that define the timeline of human existence; that is, the defeats that go down in the history books are the ones induced by the attacker’s sense of self-importance. Shakespeare ensures that conceit will once again wreak havoc on the lives of the unsuspecting in Hamlet with two seemingly harmless words: “Buzz, buzz” (II, ii, 417). This, Hamlet’s pretentious dismissal of a loyal friend by comparing his news to the drone of idle conversation, makes it clear that hubris and the blindness that accompanies it, whether intentional or not, are the ultimate source of tragedy in Hamlet.
In William Shakespeare’s tragic drama Hamlet, the hero, Hamlet, appears to be guilty of hubris, an overstepping of the bounds of both his and humanity’s destinies, which ultimately leads to his downfall. Reading the play with a consideration as to how Hamlet’s hubris manifests itself sheds light on why he performs certain actions, and simultaneously enlightens the reader to the dangers of attempting to overstep the confines of humanity. In this essay, I will prove that Hamlet has extreme pride, and is therefore guilty of hubris; in accordance with Harold Skulsky’s assertion in his article, ““I Know My Course”: Hamlet’s Confidence,” Hamlet is hubristic because while he believes that his own soul is impenetrable based on his external facade, he feels that he possesses the supernatural ability of knowing the internal truths of others based on their external appearances. I will illustrate how Hamlet’s pride grows throughout the play as he progressively draws more drastic conclusions about others’ inner natures based on their external actions, and how his pride ultimately leads him to make crucial mistakes that contribute to, but do not cause, his downfall.
At first, Hamlet is successful, and society is convinced Ophelia is the reason for his madness, thus granting Hamlet more time to plot Claudius’s murder. This is achieved in Hamlet’s “to be or not to be speech” [3,1,57] when Claudius and Polonius spy on the conversation between Hamlet and Ophelia. During the Act, Ophelia displays traits of dishonesty and Hamlet uses this to his benefit and appears to go insane to convince Ophelia, Claudius and Polonius that Ophelia is responsible for his madness. Hamlet insists his madness is an “antic disposition” [1,5,179] and that “Thou this be madness, yet there is method in it”. [2,2,204] In the play, Hamlet uses his “antic disposition” [1,5,179] to refuse Ophelia’s affections, which is powerfully portrayed when he exclaims to her “get thee to a nunnery.” [3,1,138] By denying Ophelia’s love, Hamlet’s power in the relationship is effectively demonstrated, and it is shown he is in control of their relationship. In addition, this is reflected in Ophelia’s self-destruction, as she has no purpose to live a life without Hamlet or a man. Overall, Hamlet is successful in using his power over Ophelia for the sake of his
Ambition can be a positive thing or a negative thing. It is a positive thing when it helps you reach a certain goal and strive for something that is good. It is a negative thing when you let it take over, and you lose track of your original goal, and forget about your morals and about everyone around you. The only thing you care about is what you want, and you will do anything in your power to get it. This happens frequently in our world.
Just like any of us, Macbeth’s ambition caused him to be easily influenced. Based on the text, the witches say to Macbeth and Banquo, “All hail, Macbeth! Hail to thee, Thane of Glamis!” “All hail, Macbeth! Hail to thee Thane of Cawdor!” “All hail, Macbeth! Hail to thee, that shalt be king hereafter!” After the witches speak his prophecy, Macbeth with great interest and desire then asks to here more about what the witches have to say. Soon after Macbeth was given the name Thane of Cawdor, he believed what the witches said had some truth to it causing his ambition to be influenced by the wicked weird sisters. When Macbeth tells his wife, Lady Macbeth about the prophecy, Macbeth’s ambition then faces Lady Macbeth’s influence. According to the
Hamlet has long-been associated with the name of William Shakespeare as a masterful work of literary art. It is one of the most debated, celebrated and studied pieces of all time; a marvel of showmanship from one of the most famous authors to ever pick up the elegant pen of words. Those who have read the drama often marvel at the complexity of Hamlet himself, and debate his hesitancy of action throughout the tragedy-namely, the supposed murder of Claudius which he ‘must’ commit. While many scholars agree on Hamlet’s reasons for delay, critics have yet to narrow their thoughts on Hamlet’s overlying motive: why does behave the way he does? More importantly, what were Shakespeare’s motives in portraying Hamlet the way he ultimately does? Hamlet’s hesitation is not the most convoluted and interesting of the subjects; his rationale of purpose is what drives the entire work to be the complex enigma that it still is, to this day.
Lord Action’s words, “Power tends to corrupt, and absolute power corrupts absolutely,” undoubtedly would have William Shakespeare in agreement. Based upon Shakespeare’s play, Hamlet, one sees the correspondence between Lord Action’s quote and the plot of the play. The play, in its entirety, is centered around the corruptness of the royal court of Denmark. The king, Claudius, and queen, Gertrude, evidently have absolute power over the entire country; yet, the actions of Claudius spread corruptness throughout the royal court, as if a ramped virus spreads across the nation. In the midst of the chaos is Hamlet. The means by which Claudius is willing to discover Hamlet’s true intentions proves his scheming skills. The corruption of the royal court
To understand a play, you must first understand the fundamentals for the play: protagonist, antagonist, exposition, rising action, crisis, climax and resolution. I will examine Hamlet by William Shakespeare. This is a great example for the purpose of this paper it provides a clear and great examples.
William Shakespere 's tragedy of Hamlet is a story of revenge and distress involving Hamlet Jr, the prince of Denmark. The plot of the play focuses on Hamlet 's quest to avenge his father 's death. Hamlet learns that his father did not die accidentally, as the public believed, and that his Uncle Claudius is the one who murdered his father. Claudius then hastily married Hamlet 's mother and became king. Hamlet is an archetypical example of a tragic hero. He starts out as a noble and virtuous character and then confronts challenges that expose his tragic flaws which lead to his downfall. Hamlet 's tragic flaws are making rash decisions as well as being overly contemplative.
Hamlet: one of the most analyzed tragic heroes in all of literature. Hamlet, the main character in William Shakespeare’s Hamlet, is conflicted throughout the whole play. He obsesses over avenging his father’s death, and this leads to rash, irresponsible actions that cause others to suffer, as well. He plans to kill Claudius, his uncle, for murdering his father and then marrying his mother. In an act of outrage, Hamlet unknowingly kills Polonius, the King’s assistant, instead. This creates even more problems because now someone else’s father is dead. Hamlet is somewhat of an inconsistent character; he’s different almost every time we see him. Hamlet displays characteristics of depression, irony, timidity, and being hurt.
In writing Hamlet, William Shakespeare plumbed the depths of the mind of the protagonist, Prince Hamlet, to such an extent that this play can rightfully be considered a psychological drama.
When considering Hamlet’s generally isolationist and lonesome nature, it is possible to conclude that Hamlet suffers from a mental disorder. Throughout the course of the play, Hamlet tends not to share his inner feelings with others and does not have many close friends. One notable exception is Horatio, Hamlet’s closest and most loyal friend. Horatio is the only character to whom Hamlet expresses his true feelings, and Hamlet welcomes Horatio’s calm level-headedness, providing an insight into the kind of person Hamlet appreciates: “Give me that man / That is not passion’s slave, and I will wear him / In my heart’s core, ay, in my heart of heart, / As I do thee” (3.2, 64–67). If Hamlet’s idea of a friend is any indication as to why he strays away from shar...