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Recommended: Social convention in Romeo and Juliet
Ambiguity of Juliet's Character in William Shakespeare's Romeo and Juliet
William Shakespeare’s tragic play, Romeo and Juliet, is a story of
hatred wounds reopened through the love of between rival families,
where only death will bring a finale. This story of these town
teenagers is set in the 1500s, obviously the culture and general
behaviour was very different, and this has a significant effect on the
way the story is acted out by the characters.
Today, we expect children and teenagers to debate arguments, make
decisions for themselves, and be rebellious to their parents and
authority in general. But, in the 1500s this was far from normal
behaviour. The parents in traditional rich families would control the
children in their everyday activities – although the sons were
controlled to a lesser extent. Children and daughters especially,
would be treated like objects. Children were just obedient, there was
no real culture urged to rebel, argue or disobey with their parents.
Marriages in these families would also be initiated by the parents,
mainly for the daughters though. In fact Juliet in the play is from a
very early scene, arranged to marry Paris with Juliet herself, having
very little say. This arrangement was done in cases that would often
secure a good life for the daughter. Marrying an accomplished and
wealthy man would make life a lot better for the daughter.
The subject of love in plays previous to Romeo and Juliet had nearly
always been based around comedy. Never before had this subject of love
been seen as serious or tragic. Therefore, the creating of this new
way to look at love’s emotions was a dramatic device in its...
... middle of paper ...
...ew in the play. Going down onto knees before
your elders was seen as a mark of respect and was practised throughout
society. As the audience may be swinging in the direction of Capulet’s
view (seeing Juliet as a “disobedient wretch”) the stage direction
hesitates this. It shows to the audience that Juliet is not all bad.
She may seem disobedient, but she has respect for her parents. It
prompts the audience to see Juliet as a matured young woman who can
make her own decisions in life.
Overall the play offers a very unusual character in Juliet. Throughout
the play we can see her rebelliousness to her parents in
conversations, and the ambiguity she shows throughout these. This all
adds to an effective play that was years ahead of its current
audience, in terms of how characters act and behave around each other.
Romeo and Juliet is set in an Italian city named Verona. Romeo is the son of of Montague, a powerful family patriarch, and Juliet is the daughter of Capulet, another powerful patriarch. There’s one problem with this. Capulet and Montague hate each other. There’s another problem. The story was set in a time where men were thought of as superior to women. It was not unusual for a father to marry his daughter to another man just for the political status. This makes it impossible for Romeo to marry Juliet peacefully. In today’s world, Capulet’s actions would not be regarded as good parenting, so that is why, in our eyes, Capulet seems like a bad father, but there is more to his bad side. He tried to marry Juliet off to a kinsman of the prince just for the political status, but his bad parenting also harmed Juliet in another way. He let his anger get the best of him in most cases, and by doing this, it made Juliet keep secret from him. So, by being stubborn, self-absorbed, and hot-tempered, he influenced Romeo and Juliet to kill themselves.
Although disobedient maybe true from Capulets point of view, it doesn't mean it is a bad thing if it is. he's in the wrong. I think Juliet should be felt sorry for as she has no one to turn to, her mother says. "Talk not to me, for I'll not speak a word" and the nurse just leaves her on her own. As for Lord Capulet he is just being selfish and trying to control Juliet to protect his
In an attempt to push away from medieval love conventions and her father's authority, Shakespeare's Juliet asserts sovereignty over her sexuality. She removes it from her father's domain and uses it to capture Romeo's love. Critic Mary Bly argues that sexual puns color Juliet's language. These innuendoes were common in Renaissance literature and would have been recognized by an Elizabethan audience. Arguably, Juliet uses sexual terms when speaking to Romeo in order to make him aware of her sexuality. When he comes to her balcony, she asks him, "What satisfaction canst thou have tonight?" (2.1.167). Bly asserts that "satisfaction in her hands, becomes a demure play on the sating of desire" (108). Following this pun, Juliet proposes marriage. She teases Romeo with sexual thoughts and then stipulates that marriage must precede the consummation of their love. Juliet uses "death" in a similar sense. She asks night to "Give me my Romeo, and when I shall die / Take him and cut him out in little stars" (3.2.21-22). Death holds a double meaning in these lines. It connotes both "ceasing to be and erotic ecstasy" (Bly 98). Based upon this double meaning, one can infer that "she sweetly asks 'civil night' to teach her how to lose the game of love she is about to play for her virginity" (Wells 921). She tells her nurse, "I'll to my wedding bed, / And death, not Romeo, take my maidenhead!" (3.2.136-137). Placing death opposite Romeo highlights the irony of the situation; both death and Romeo should claim her maidenhead together. These sexual puns reveal Juliet's awareness of her sexuality. She entices Romeo, forcing her sexuality to act as emotional currency.
Act 1 Scene 3, is the scene where we are introduced to Juliet when her Nurse and mother, Lady Capulet are introducing the idea of marriage and love. Juliet is portrayed as youthful, innocent and obedient, this is further emphasised when the Nurse makes constant references to Juliet’s childhood. When her mother bring up the idea of marriage, Juliet replies “It is an honour that I dream not of” when she states that she has given no thought to the idea of marriage, means even though she does not love Paris, if told to fall in love with Paris she would because she obeying her parents and only should care about their opinion on matter. This would have related to the Elizabethan audience because she was being loyal to her parents and at that time loyalty to your family was the most important agenda. Shakespeare uses the predictable behaviour at
“Don’t waste your love on someone who doesn’t value it.” In the play Romeo and Juliet, William Shakespeare exposes the life of two young lovers in the Renaissance period fighting for something they cannot live without; each other. Although fate takes its toll, the everlasting feud between two families, conditional love by parents, and the irresponsibility’s of father and mother like figure are the main causes in the death of Romeo and Juliet. The idea of love is something that is valued in this play from many different aspects of characters, lines, and scenes. Shakespeare leaves the minds of readers soaring over not why it happened, but who was at fault.
Juliet was born of a noble birth. Her parents were the Capulets, one of the most respected and popular families in Verona. Juliet was set up for greatness because of her high social ranking, and was desired by many, including Paris. She was beautiful, enticing, and innocent- as she was very young and inexperienced with boys. Her father didn’t want her to be involved with them. But Juliet disagrees and thinks that she’s old enough to find love and let her passion lead the way. Even though Juliet had these great qualities, they actually evolved into a massive issue over time.
In the play of Romeo and Juliet the way Romeo and Juliet act towards their parents is astoundingly rebellious and disobedient. Throughout the play both characters lie and disobey their parents. The way that Romeo acts towards both of his parents is so rebellious that it ends up getting him banished. Juliet disobeys her family and the nurse so much that none of them ever have the slightest clue of the plan which ends up killing her. If either character had thought out their actions through the entirety of the play and told a parent what is unfolding, both of them could have lived. The way that Romeo and Juliet both interact with their parents is a web of lies. The way both families feel toward their children is love
This is my daughter’s jointure, for no more can I demand.”(5, 3, 13-15)Here Lord Capulet is saying that he is sorry for what they’re fighting and loathing has brought to their families; Lord Capulet is extending his hand in friendship to stop the fighting. This shows that Juliet's father loved her enough to stop the fighting. Lord Montague also does his part in trying to right the wrongs that they committed, by saying “ But I can give thee more, For I will raise her statue in pure gold, That whiles Verona by that name is known, There shall no figure at such rate be set As that of true and faithful Juliet.”(5, 3, 314-318) In other words, he is saying that he will make sure that everyone will know how loyal and good Juliet was. By doing this he is showing that he holds no grudge against the Capulets and is being amenable.
At the start of Act 3 scene 5 Capulet begins with a soliloquy, in which he describes his feelings of pity and confusion ‘How now a conduit girl?’ As Juliet expresses her grief Capulet becomes frightened for her sake. By the time we get to this scene Juliet has already married her Romeo which Capulet does not know about, this produces even more tension because Juliet is trying not to look guilty although she is forbidden to marry Paris. Capulet creates a dramatic effect on the whole soliloquy in pleading her to halt her tears ‘It rains downright’ he is stating that his daughter has been crying, perhaps too much.
The audience’s first impression of Juliet however, is through her interaction with her mother (Lady Capulet) and the Nurse. From the Nurse’s remarks, the audience learns that Juliet is thirteen and “Come Lammas-eve at night shall [Juliet turn] fourteen” (Act I.3.18-9). As Juliet enters the presence of her mother and the Nurse, Shakespeare portrays Juliet as a very faithful daughter. When summoned by the Nurse, Juliet comes promptly then responds politely to her mother “Madam, I am here, what is your will?” (Act I.3.7). When Juliet refers to her mother as ‘madam” (Act I.3.7), the audience also gets the impression of Juliet being compliant to her elder’s wishes. This can be observed when her mothe...
Romeo and Juliet was first published around 1595. At this time in England the family was one of the most central and pivotal figures of social order. Children were expected to honor and obey their parents and seek their assistance in any decisions made. Especially in choices made concerning marriage. At this time children were finally able to take a more active role in choosing their husband/wife, but parents were essentially given the final decision (Amussen 94). Romeo and Juliet took it upon themselves to make such an important decision and hardly even considered their parents in the process. During the first half of the 17th century the average age for a woman to marry was 26 and for a man, 28 (Amussen 86). Shakespeare’s central characters are barely entering their teen years. As a son coming of age, and more importantly the singular male heir for the Montague family, Romeo should be entering University to prepare himself for handling the family fortune, not marrying in secret. This is merely the beginning of his show of irresponsibility towards his family and ultimately the role he is meant to play in society.
Pleasing their husbands, parents, and families were all things women should aspire to do. At the beginning of the play, Juliet follows gender conventions. She always obeyed her parents and did what they wanted her to do. After Juliet meets Romeo, things change dramatically. Juliet breaks gender conventions by denying her parents request for her to marry her suitor Paris, something that was unheard of in Elizabethan times. It is said that “Marriages were usually arranged by the families of the bride and the groom in order for both sides to benefit from one another” (Women's Rights in Romeo and Juliet 1). When Juliet's father finds out she does not want to marry Paris, her father says “Hang thee, young baggage, disobedient wretch!
The play Romeo and Juliet is a widely known tragedy written by Shakespeare. Romeo and Juliet features two rival families and their children. When a daughter of Capulet and son of Montague meet at a party, sparks immediately fly. However, because of their families rivalry, they marry in secret, and were happy. That is until things took a turn for the worst. After an unexpected accident, Romeo is forced to leave the city, and he may never return. Juliet’s not sure she’ll ever see him again and tries to plan a way to be with Romeo, but ends up making things worse. It is an extremely tragic story. Or that’s what everyone is led to believe. However, the play Romeo and Juliet is in actuality a comedy. Between the overabundance of hyperbole, Paris’
Parents' Roles in William Shakespeare's Romeo and Juliet Romeo and Juliet are set in Verona, where two families are enemies. they are enemies due to an ‘ancient grudge’ which has been powerful. enough to keep the two lovers apart. Montague’s’ son Romeo falls. in love with the Capulet’s daughter, Juliet.
Juliet’s arranged marriage with Paris, as well as the ancient feud between Capulets and Montagues, eventually contributed to the deaths of their children. In Act 1 Scene 2, Paris asks Capulet, ‘But now, my lord, what say you to my suit?’ which shows that Capulet and Paris are discussing Juliet’s possible marriage without consulting her, perhaps implying they think she is too nave to decide on her future. They are arranging her marriage for her, which implies that men are very controlling of women’s lives, especially those of their daughters. The scene establishes how Juliet is subject to parental influence, and how she is very constrained since her father can force her to marry whoever he wants. Juliet’s status as a woman leaves her with no power or choice in the decision of whom she should marry.