Released in 2010, the motion picture Inception is a science fiction/heist film directed by acclaimed director Christopher Nolan (who also directed the Batman Begins trilogy, among other films) that follows Dom Cobb, a professional thief who infiltrates the minds of his victims via their dreams. Cobb, portrayed by Leonardo DiCaprio, is on the run after the death of his wife, Mal, leaves him a suspect. Trying to get back to his children, he accepts a job from Mr. Saito who says that he can get Cobb back into the country. In Saito’s job, Cobb has to force the CEO of one of Saito’s rival companies to disband his enterprise. The CEO in question, Robert Fischer’s, portrayed by Cillian Murphy, father had just passed away, where about sprung …show more content…
Inception is a movie in which an atmosphere must be successfully executed by the author in order to be seen as valid. Through his directing style, he creates an atmosphere where this amount of uncertainty and ambiguity can thrive. In the dream sequences and in the “awake” sequences alike, there is an amount of the world that you have to question. One scene in the beginning of the film where Cobb meets Ariadne for the first time; the scene begins in mid-conversation at a café, and the viewer does not question if it is real or not. And then in conversation, Cobb reveals that they are in fact dreaming, as produce flies in the air and the streets and buildings fold on top of each other. Another example is the ending when Cobb is reunited with his children; one has to ask, “Is this real?” In this film, reality is …show more content…
Simply put, it’s interesting to us. As humans, we have a curiosity for the things in which we do not know, which is why we like ghost stories and the mystery of the unknown. This is the reason why science fiction movies are so popular; we love watching a story unfamiliar to us and one we cannot replicate in actuality. This compulsion can be attributed to movies of the like of Avatar, Star Wars: The Force Awakens, and Jurassic World (the first, third, and fourth highest-grossing films of all time, unadjusted for inflation). In order to create a successful film, the author must create an interesting world which resonate with us based on our primal, human
dreams; who looks inside, awakes.” This quote by Carl Jung provides a brilliant overview of his concept
The article Why We Crave Horror Movies by Stephen King distinguishes why we truly do crave horror movies. Stephen King goes into depth on the many reasons on why we, as humans, find horror movies intriguing and how we all have some sort of insanity within us. He does this by using different rhetorical techniques and appealing to the audience through ways such as experience, emotion and logic. Apart from that he also relates a numerous amount of aspects on why we crave horror movies to our lives. Throughout this essay I will be evaluating the authors arguments and points on why society finds horror movies so desirable and captivating.
...is that isn’t always the case. Often, we either became the prey or the predator. Another reason is that we need to reassure ourselves our lives could be worse. We have this idea that what happens in movies only happens in movies and therefore we watch these films to guarantee our worst fears will never become our reality, regardless of how realistic it may seem. Lastly, we watch the genre of film that best matches our current mood or events that previously took place that day. Our emotions are key; if we’re depressed, we may be more likely to watch a horror film.
Have you ever experienced a dream or a nightmare that seemed like reality? Most people in the world today would say that they have. Although this realistic dream experience does not occur often, when it does, clear distinctions are hard to make between the dream and reality. Theories exist that explain dreams as our subconscious
Although reality involves a vast supply of details and you can not select them all. Many writers, directors, and artists, emphasis with this information and diminish other information in order to make the novels, movies, plays and etc. more vivid to our imagination.
In the movie, The Matrix there are many similarities with the book, Do Androids Dream of Electric Sheep? One similarity is that of the matrices in both works. The movie has a matrix of dreams. According to the movie, humans are dreaming. Dreaming means that the reality humans think of, is not reality. The reality humans think of, is a dream. Confusing, isn t? An easier way of understanding this matrix is to think of human dreams. When humans experience dreams, it is not perceived as a dream until the dream ends. The movie exemplifies humans in the dream state of mind, similar to the dreaming stage. Neo is exposed to his real matrix. The matrix outside of his perceptual reality. He is able to perform with an incredible flexibility and high speed thinking. He is no longer dreaming, or as Neo called it, living. Neo has waken up. The book shares this matrix as well.
...ey are still dreaming. Once people begin to notice irregularities and they realized they a dreaming, “At that point many people temp to panic about it, others that already know about lucid dreaming may continue the dream”. (McNamara 1-2). In the short story “An occurrence at Owl Creek Bridge” the idea of Dream and Reality is exemplify in a different way. Peyton Farquhar has a dream in the last minutes of his life. At that moment he sees himself escaping from death, but he could not avoid reality. (Bierce 203)
Once audiences under why they watch horror movies they will gain a better understanding of themselves. An understanding of how we watch horror movies to control and conquer our nightmares. Also an understanding for the reason why we follow society's rules is due to feeding our dark sides. Along with feeding our dark sides, audiences will gain an understanding that we watch horror movies to take a break from our daily lives.
Because when we look for the hidden meanings in the tales that seem similar to our circumstances we can look at the meanings we uncover from the story to help recover the buried memories or instincts. Certainly we all have parts of ourselves that we hide away from the world and even from ourselves, because as we all know sometimes it is easier to forget them rather than facing the fact we are not living the life we wish. Though we habitually bury them so deep that even our consciousness itself is unaware, however, they are always present in the unconscious and this effects the decisions we make along with the feelings or thoughts that appear and we are unable to explain them to ourselves until we begin to remember and set ourselves free (Radulescu,
The setting and atmosphere bring true emotion to the reader that allows people to possibly get a glimpse of what that kind of life might be like. Survival is a consistent theme that is shown throughout the novel. The conflicts each character faces brings inspiration to the reader and reminds you that maybe what we are going through right now might not be so bad. Works Cited Donoghue, Emma. A great idea.
The unconscious has a huge part in shaping human behavior, yet many overlook the idea behind it. This is an idea that maybe these unconscious behaviors can be used to alter the future or the past mistakes or anything in between for that matter. Everyone dreams at some point in their life and what many people don’t realize is that dreams usually develop from past experiences or from actual occurrences and thoughts. This means that if someone happened to see a guy wearing a cowboy hat with a feather in it, in one of their dreams, they most likely saw this person at some point in their life and may not have even realized it. It is impossible to create a new face in a dream. In Inception (2009), Christopher Nolan portrays Dom Cobb as a special operative whose life mirrors a Freudian psychological reality in which his repressed guilt leads to self-destructive behavior.
In horror film, the filmmaker relies on the plot of the story to introduce curiosity to viewers. The filmmakers want the audience to anticipate things like the villains backstory, or which characters they believe will survive. The filmmakers then introduce grotesque images over the plot to increase the feelings the audience associates with the characters and their stories. Ebiri writes that “the idea of revulsion, not just in terms of gore but also in terms of emotion and state of mind, lies at the heart of the genre.” (pp. 1). Horror films grow more grotesque with each year, and this is thought to continue. In a world where one can turn the news on and see that a mother killed her child, or that a mass shooting has occurred at a church, it forces filmmakers to explore imagery extreme enough to evoke curiosity in an
You’re asleep and falling into a dream, a dream that seems to be blended with reality, details of it so vivid that it seems to be real. First, you’re running freely through a field full of wild flowers with a gentle breeze blowing through your hair and then all of a sudden the sun moves away, dark gray clouds start to cluster together. BOOM! Thunder comes along, suddenly it becomes your worst nightmare with you running away from something, crying, sweating, screaming then BLINK, you open your eyes to see that you are safe in your own bed hugging your pillow and what you just experienced was the works of your mere mind.
Visual connection in both Inception and Metamorphoses signals trauma. Cobb’s primary look through the window reflects Orpheus’s glance backwards which causes Eurydice to die a second time. In the flashback scene, Mal closes her eyes when Cobb shouts to her, “Look at me!” The closing of her eyes reverses the Orpheus and Eurydice myth. Here, Mal’s refusal to look toward Cobb causes her death. We see the action through reverse shots between the point of view of Cobb and Mal, heightening the scene’s traumatic nature. However, the camera stays with Cobb’s point of view for longer in scenes where both character interact, especially true when Mal falls from the window ledge as the camera tracks her progress down, mimicking Cobb’s line of sight. Just
Though inconclusive, many people believe that the main reason horror is so popular is because people actually like being scared. Mark Olsen, of the L.A. Times, believes the reason it is so fun to be scared is because in real life, it isn’t fun (Olsen). Horror provides a safe place where the viewer can explore the dark side of imagination and human psyche. Because the movie ends, even if the ending is not happy, the audience can return to his or her reality unharmed (Olsen). Gina...