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T.s. eliots use of symbolism
Essay on poetic literary devices
Literary devices and their use
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Journey of the Magi Seeing the light while in the tunnel is something we all hope for. Likewise, the “modern poets,” or wise men, were longing for the same thing. T.S. Eliot in “The Journey of the Magi,” finds the light at the end of the tunnel. By the use of imagery, symbols, and allusions we will see the Magi, Eliot, find his faith. This will not be a physical journey, but this was his life journey. The wise men, in the Bible, went out to find Jesus, their savior. Eliot goes to find hope and savior also; this poem in its entirety is an allusion to the Christmas story. He was empty with no hope after the war; it was “The very dead of winter.” (5) Winter was a symbol of where he was emotionally in his life. Identically, He then reflects …show more content…
In 2 Corinthians 5:17 the Bible says, “Therefore, if anyone is in Christ, he is a new creation. The old has passed away; behold, the new has come.” When a Christian is saved the old them dies, not a physical death but a spiritual one. Then a new creation is formed. That is exactly what Eliot was confirming when he was questioning “Birth or Death?” (36) Then he says, “But no longer at ease here, in the old dispensation, / With an alien people clutching their gods. / I should be glad of another death.” (41-43). His dispensation has been changed on this journey. He has a new view on life because of all these things that he has seen. Many people will still be going in their dark, depressing ways but not him. He was glad of his spiritual death; the old him died and a new Eliot was arising. Eliot’s useless life was transformed by an encounter with the King. Jesus was his light at the end of the tunnel. The entire poem was an allusion to the Christmas Story, but there were many more allusions, symbols, and imagery that helped us see him transform from hopelessness to hopefulness. Jesus was not in the manger. He already was baptized, put on a tree, made the white horse run
Eliot found himself opening up again both to love and to the divine. Out of this
The Bible is a sustained allusion throughout the course of East of Eden, paralleling with the eternal story of Cain and Abel. According to the Bible, Cain is the "tiller of the ground" (Genesis 4:2). Caleb Trask, a farmer at heart, made a vast amount of money by selling beans. Upon presenting Adam with his present of fifteen thousand dollars, Adam not only discarded the gift, but caused Cal pain by comparing him to his godly brother, Aron, who graduated high school and started college at an early age. Adam wished that Cal could have given him something to be proud of-something momentous. Adam's reaction induced Cal with excessive wrath out of rejection. In the Bible, the Lord "had regard for Abel and his offering, but for Cain and his offering he had no regard. So Cain was very angry, and his countenance fell. The Lord said to Cain, 'Why are you angry, and why has your countenance fallen? If you do well, will you not be accepted?'" (Genesis 4:4-7).
These memories become his "key" to awken the rest of us who are still pretending. The reader is left with two choices at the end of the poem. S/he can either forget about the poem, and go back to living in a waste land, or s/he can stop repressing pain and feeling and leave the waste land. Eliot ends the poem with a man (maybe himself?) sitting on a shore, "[f]ishing, with the arid plain behind me" and asking, "Shall I at least set my lands in order?" (425-36) The man here, by facing his pain, has left the waste land, and is able to move ahead.
... once ferried African-American slaves; the presidential figure is a time mark for the reader. Another analytical reference from Eliot’s essay would be “the poem must be very conscious of the main current, which does not at all flow invariably through the most distinguished reputations”; the speaker refers back to the Slave Tradition and makes a clear statement about the south, using Abe Lincoln as a time period.
Next, Thomas creates the picture using of scenarios using men of different characters to show his father he, too, can find a reason not to give up. Thomas’ two interchangeable rhyming sentences, necessary for this villanelle poem, ending with night and light show the reader “Wise men… know dark is right” (4). Yet, as death approaches “their words had forked no lightning” (5). Therefore, just as they know death is a part of life and they accept this, when it is their turn they choose to put up a fight.
In conclusion, after exploring the theme of this poem and reading it for myself, Eliot has created this persona, in industrialised England or somewhere else. A man of low self-esteem, you embark on his journey as he struggles with a rational fear of being rejected by a woman.
The poem “The Love Song of J. Alfred Prufrock” written by T.S. Eliot is a depiction of sadness and a disillusioned narrator. While reading this poem, one senses that the narrator is disturbed and has maybe given up hope, and that he feels he is just an actor in a tedious drama At the very beginning of the poem, Eliot uses a quote from Dante’s “Inferno”, preparing the poem’s reader to expect a vision of hell. This device seems to ask the reader to accept that what they are about to be told by the poem’s narrator was not supposed to be revealed to the living world, as Dante was exposed to horrors in the Inferno that were not supposed to be revealed to the world of the living. This comparison is frightening and intriguing, and casts a shadow on the poem and its narrator before it has even begun. J. Alfred Prufrock is anxious, self-concsious, and depressed.
I know that my view of the piece is not the only true way to go but I also know that this is poetry and it is meant to be looked at from different angles. I wouldn't be surprised if someone took the angle of saying that Frost was drunk and couldn't find his way home. There is no real answer to what this poem is about and I'm just taking the realist approach and saying that "The Road Not Taken," is not about life's ultimate choice but rather simply about a walk in the park.
At the end of the poem, the regret hangs over the travelers’ head. He realizes that at the end of his life, “somewhere ages and ages hence” (line 17), He will have regrets about having never gone back and traveling down the road he did not take. Yet he remains proud of his decision, and he recognizes that it was this path that he chose that made him turn out the way he did. “I took the road less traveled by and that has made all the difference” (line 19-20). To this man, what really made the difference is that he did what he wanted, even if it meant taking the road less traveled.
suggests that heaven is not real. Another way Eliot makes us think. life is futile is that we feel nothing for the hollow men, they are. emotionally detached from us and we don't care about them or their lives and this suggests that one in the distant future will even know of our existence as many of us make no impression on the world.
Alfred Prufrock, ample details about the settings are described to reflect the speaker’s emotions. For instance, the first stanza paints the scene that an innocent and unconfident middle age man hesitates to propose to a woman. For one thing, the speaker of the poem is afraid that time will go wasted. On the other side, he feels powerless to the reality. Apparently, Eliot directly tells the reader the internal conflict of the speaker of the poem, who is greedy of love but fears for the responsibility that comes with it. What this setting in the poem reflects is the emptiness and weakness of folks in modern
Nonetheless, there are numerous ways to interpret the concept of “The Road Not Taken”. First of all, it is liable to say that the narrator in the poem was essentially Frost. This can be concluded since the narrator decided to take the path “less traveled by” and for the use of various
T.S. Eliot’s The Waste Land is an elaborate and mysterious montage of lines from other works, fleeting observations, conversations, scenery, and even languages. Though this approach seems to render the poem needlessly oblique, this style allows the poem to achieve multi-layered significance impossible in a more straightforward poetic style. Eliot’s use of fragmentation in The Waste Land operates on three levels: first, to parallel the broken society and relationships the poem portrays; second, to deconstruct the reader’s familiar context, creating an individualized sense of disconnection; and third, to challenge the reader to seek meaning in mere fragments, in this enigmatic poem as well as in a fractious world.
This Christmas poem is about the Epiphany and was created the very year of Eliot’s conversion to Christianity (Fleisner, 66). Therefore the theme of religion is an important one if we are to analyse the poem correctly. In the book of Ephesians in the Bible, Paul describes the rebirth of the world upon Christ’s death, emphasising the Ephesians’ new life (2:4-5). This theme of death and rebirth is present in the poem Journey of the Magi, which, I will argue, is structurally and internally divided into three stages; corresponding to the Sacrament of Penance: contrition (guilt), confession and satisfaction.
The main theme of the poem that Frost attempts to convey is how important the decisions that one makes can be, and how they affect one’s future. In lines 2-3, he expresses the emotions of doubt and confusion by saying, “And sorry I could not travel/ And be one traveler, long I stood”, which explains how the speaker contemplated their decision of which road to take. In the closing, line 20 of the poem further reestablishes the theme when it states, “that has made all the difference”, meaning that making the decision of which road to take for themselves is the important key for a successful future. Frost helps to express this theme by using symbolism to portray a road as one’s journey of life. Using symbolism, Frost suggests that the speaker of this poem is taking the harder of the two roads presented before them, because the road the speaker chooses, “leaves no step had trodden black” (12...