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Films under gender roles
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All About My Mother is a Spanish film that captures a variety of individualized women whose lives end up intertwining. Not only does this film emphasize on women but also transgender women. The director repeatedly steps outside of the social norms and margins (what is acceptable and what is not). The stories behind the characters allowed me to make connections as well as discrepancies to the material we have learned throughout the semester. The movie starts off by with the main character, Manuela, who is a single mother raising a 17-year old son in Madrid. This character relates to the material presented in week 5 as she goes against society’s patriarchy expectations. In the movie we learn that she decided to flee and leave her husband (Lola a transvestite) when she became pregnant. Her character shows she was perfectly capable of attaining a good job (transplant coordinator) and raise her son without the help of a man. The way Manuela lives her life goes against ‘The Problem That Has No Name’. Pressure is put on women to become idealistic wives and homemakers, however Manuela did not follow this idea and did not remarry or become dependent on a man.
One of the main things we see throughout this film is a significant emphasis on gender. The director approaches important points not only about gender but also about identity, and body image. One of the main characters is Agrado, a transvestite who is very open about her gender identity. In a scene where she takes the stage after announcing the cancelation of a play, she demonstrates her pride in her body by entertaining the audience with the description of the cosmetic work she’s had done. Agrado talks about each surgery she has put herself through to look the way that she does. S...
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...aughter, feeling empty and dead inside. Offred feels she could die from lack of love. In this film, when Manuela looses her son she feels the same way, as if there is nothing else for her to live for, but she finds herself surrounded by the companion and love of the other women. The novel describes a government that controls women completely, but there is a sense of sisterhood and unity in the birthing room. The handmaids and midwives are there to support the women giving birth. All About My Mother is essentially about the everlasting power of female companionship and sisterhood. In conclusion, the director did an astounding job in showing strong, hard working, independent women that do not need men to support them. Most importantly this film shows a variety of characters that stand outside conventional life, which is what we have learned our society is against.
Sandra Cisneros “Never Marry a Mexican” and Junot Diaz’s The Brief Wondrous Life of Oscar Wao are stories that reflect on the cultures in which the characters grew up in. In Never Marry, Clemencia, the narrator, reflects on her past sexual relations as well as her childhood. She speaks of her parents’ marriage and then transitions into her relationship with college professor and his son. In Oscar Wao, Yunior, the narrator, gives a second-hand retelling of Oscar’s experiences in New Jersey growing up as well as in the Dominican Republic. A person’s identity is largely influenced by their culture, this is especially the case in Hispanic cultures. The social constraints that these cultures place on social class, sexuality, and gender norms can be very detrimental to a person’s self-esteem.
Relating to Alvarez and her struggle is very easy and well known in every generation. Society puts a ridiculous high standard on outer appearances, especially for girls and women. Women grasp the perspective of the standards that are set and put them into drive. Women become stressed, emotional, and nutcases because they want to please others instead of pleasing themselves. In some cases, women have died trying to live up to these customaries, if not becoming dangerously ill. As a young lady, knowing what could happen, frightens but doesn’t phase me. Wi...
Grande introduces to the audience various characters that cross Juana 's path to either alter or assist her on her journey to find her father. Through those individuals, Grande offers a strong comparison of female characters who follow the norms, versus those that challenge gender roles that
Junot Diaz’s novel The Brief Wondrous Life of Oscar Wao is focused on the hyper-masculine culture of the Dominican, and many argue that his portrayal of the slew of women in the novel is misogynistic because they are often silenced by the plot and kept out of the narration (Matsui). However, Diaz crafts strong women, and it is society that views them as objects. The novel recognizes the masculine lens of the culture while still examining the lives of resilient women. In this way, the novel showcases a feminist stance and critiques the misogynist culture it is set in by showcasing the strength and depth of these women that help to shape the narrative while acknowledging that it is the limits society places on them because of their sexuality
In Josefina Lopez’s play Real Women Have Curves, a group of Hispanic women discuss their sex appeal in terms of their body image. They judge their psychological aspect of sex appeal based on how well their physiological aspect of body image agrees with society’s ideals. In Michel Foucault’s Discipline and Punish, he explains that society is an amplified Panopticon that causes its members to observe one another and themselves. This theory explains these women’s compulsion to peruse their bodies to make sure that they fit within society’s standards of sexiness. Although these women are described in a collective manner, Lopez delineates each woman’s character distinctively. Their differing characters are greatly influenced by the opposing cultural values of Latinas working in sweatshops and that of White-American feminists. According to Patricia Hill Collins’ Black Feminist Thought, these conflicting cultural values develop oppositional knowledge in these women, which alters their perception of the female sex appeal. Hill Collins also explains that when individuals communicate their diverse ideas in a unified manner, it precipitates a unanimous definition to a society. This theory supports why the Latinas in Lopez’s play demonstrate a progression towards similar ideologies. In summary, using Foucault to explain the idea of self-surveillance, and Hill Collins to explain oppositional knowledge developed by contrasting the cultural values of White-American feminists and Latinas working in sweatshops, it is possible to describe the social phenomena of defining female sex appeal in terms of body image in Lopez’s play.
To understand fully the implicit meaning and cultural challenges the film presents, a general knowledge of the film’s contents must be presented. The protagonist, Tita, suffers from typical Hispanic cultural oppression. The family rule, a common rule in this culture, was that the youngest daughter is to remain unwed for the duration of her mother’s life, and remain home to care for her. Mama Elena offers her daughter, Tita’s older sister Rosaura, to wed a man named Pedro, who is unknowingly in mutual love with Tita. Tita is forced to bake the cake for the wedding, which contains many tears that she cried during the process. Tita’s bitter tears cause all the wedding guests to become ill after consuming the cake, and Tita discovers she can influence others through her cooking. Throughout the film, Tita’s cooking plays an important role in all the events that transpire.
The novel Gabi, a Girl in Pieces, written by Isabel Quintero, portrays the extreme pressure women from traditional/cultural households encounter in order to be seen as “picture perfect.” Women have to be and act accordingly to the expectations of their family and community in order to be respected and valued as a “lady.” One mistake is all it takes to become known as “a mala mujer” which is why women are anticipated to protect their body as they would their life.
One of the issues that was raised is the idea of the relationship between femininty, technology and sexuality. The relationship between all of these qualities converse in one character, Maria. The real Maria has many roles thoughout the movie, including one who cares for the workers children, a preacher of peace for the workers, and one who loves Freder. The machi...
She is the one that refuses to oblige to societal orders. She is the “Shadow-Beast” (38) with “Chicana identity grounded in the Indian woman’s history of resistance” (43). Although alienated physically, Anzaldua is “immobilized” (43) mentally the more confined she becomes in a culture engulfed in pure oppression. She claims her “shadow-beast” as the depiction of her highly wanted independence as an individual human being, which eventually forces her to leave her family behind to find herself separately from the “intrinsic nature buried under the personality that had been imposed” (38) for people like Anzaldua for many years. Her push for rebellion sets a voice for the silenced anger and pure resistance against the ostracism of herself, her family, culture, and the white-washed society she has been born into. To be the only Chicana, lesbian, and rebellious woman in her family is considered sinful, as women, according to Anzaldua, in Mexico only have “three directions she could turn: to the church as a nun, to the streets as a prostitute, or to the home as a mother” (39). Noticing that women are culturally restricted to these roles, Anzaldua creates the opposite role for herself claiming to take the “fourth choice” by “entering the world by way of education and career and becoming self-autonomous persons,” (39), which she uses to her advantage to transform the prolonged oppression into her long awaited freedom to live as an openly queer woman
In conclusion, todays cinematic evolvement through being more accepting of sexual themes as well as representation of different sexual orientations, in both characters and audience alike, contributes to further objectifying people in an erotic sense to please different kind of spectators. Furthermore, it enables male characters to be subjected to erotic objectification and is therefore not a portrayal exclusive in portraying females. However, this remodels the way male and female characters are depicted as it in a sense equalizes them through the same kind of degrading portrayal as sexual objects.
...t we already know about female subjec- tivity under patriarchy, but also the film is as aesthetically ludicrous as the cake (which is why it’s often funny) and is en- tirely complicit in the production of its own symptomatology. Behind the spoonfed clichés is the specter of male narcis- sism, which is willing to take any form or do anything to seek satisfaction and prevent injury to itself (including dressing in drag and stuffing a bulimic with cake). Nothing is achieved by this film other than its own climax and it’s in this sense that it’s “autoerotic.” I don’t mean at all that it’s intended to titillate—the film satisfies itself in this regard and, in the process, leaves us as cold as the dirty old man on the subway or Duchamp’s perpetually grinding Machine Célibataire. Nina is nothing but the stain to be cleared up at the end.
...tyle that alludes to the multitude of constantly changing and sometimes even contradictory elements in each characters journey to racially and sexually define themselves. Audre, Miguel and Leticia hold multiple racial and sexual identities in a fluid constant that change depending on their location and social context. Instead of serving as a bridge for their families, these characters break free of their place of origin and connect the multiple elements that inform their realities in order to adapt them to their present. Race and sexuality are inextricably linked. To believe in one true sexual or racial identity allows for a feeling of safety, as the aim is then find a definable, core sense of self; however, these three texts illustrate that a singular form of identity is insufficient at defining the complexity of human racial and sexual experiences.
Eva’s lack of value for motherhood shaped the lives of her family as well as her own. Because of her negative feelings toward motherhood, many of the people surrounding her have similar values. Eva reflects her community’s negative perception of motherhood by being straightforward about it and passing it down through her family
In the story "Woman Hollering Creek" Sandra Cisneros discusses the issues of living life as a married woman through a character named Cleofilas; a character who is married to a man who abuses her physically and mentally .Cisneros reveals the way the culture puts a difference between a male and a female, men above women. Cisneros has been famous about writing stories about the latino culture and how women are treated; she explain what they go through as a child, teen and when they are married; always dominated by men because of how the culture has been adapted. "Woman Hollering Creek" is one of the best examples. A character who grows up without a mother and who has no one to guid and give her advise about life.
One's dream and aspirations to supersede in life must be stronger and greater than limitations set forth by others. The experience that were bestowed to me during my short life has elevated me to the woman I am today. Please walk with me as I give you the opportunity to see the world from my eyes: