Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Dante's inferno research paper
Dante's inferno research paper
Dante's inferno research paper
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Dante's inferno research paper
Every famous author has something that makes them “special” or “unique.” Some are great at personifying inanimate objects. While others, find strength in their use of metaphors. Through studying Dante Alighieri, there is one particular writing tool he utilizes often. The tool that he uses throughout the entire Divine Comedy is allegory. The Merriam-Webster Dictionary defines it as: “a story in which the characters and events are symbols that stand for ideas about human life or for a political or historical situation” (Merriam-Webster, 2013) The ways in which he uses allegory is inherent throughout the entire tale. In his book, The Inferno he describes Dante the Pilgrim’s descent into Hell and the different things he sees. There are a variety of sins and punishments that are outlined in his book. Out of the many descriptions that are portrayed in Alighieri’s The Inferno, the punishments of the flatterers, the fortune tellers, and the traitors to God are the most allegorical.
First of all, the punishment of the flatterers that is included in Alighieri’s The Inferno helps to portray the pure definition of allegory. In Canto 18, Alighieri introduces the beginning bolgias, or sub-topics. The second bolgia in this canto is directed to flatterers. Seward defines flatterers as: “The punishment for being a flatterer is that they are sunk in their own excrement. They are sunk in the filth (flattery) that they excreted in life. They were full of it, and now they are to be sunk in it. One of the sinners down here is a prostitute named Thais, who falsely praises her ‘lover’.” (Seward, 2013) The common, censored, term for these people is “crap-talkers”, or “BS-ers.” This is a favorite punishment for people because it is a common sin to this ...
... middle of paper ...
...BR/Italian/DantInf29to34.htm#_Toc64099425>. This gave insight into
Dante's Inferno.
Mahfood, Sebastian. "Inferno: Canto 20." Blogspot. Blogspot, 29 Jan. 2005. Web.
8 Dec. 2013. . This gave information about the Inferno.
Merriam-Webster. Merriam-Webster Dictionary. N.p.: n.p., n.d. Print. This gave a great definition of allegory.
Pinsky, Robert. "The Personal Was Political." New York Times. New York Times, 29
July 2001. Web. 8 Dec. 2013. the-personal-was-political.html?pagewanted=1>. This talked about Dante's impact on literature.
Seward. "Dante's Inferno." Connect Seward. Connect Seward, 2013. Web. 8 Dec.
2013.
dante/circle8.html>. This gave information about Dante's Inferno.
For centuries humans have been drawing parallels to help explain or understand different concepts. These parallels, or allegories, tell a simple story and their purpose is to use another point of view to help guide individuals into the correct line of thought. “The only stable element in a literary work is its words, which if one knows the language in which it is written, have a meaning. The significance of that meaning is what may be called allegory.”(Bloomfield) As Bloomfield stated, it is only how we interpret the words in an allegory that matters, each person can interpreted it in a slightly different way and allegories are most often personalized by a reader. Dante’s Inferno allegory is present throughout the entire poem. From the dark wood to the depths of Dante’s hell he presents the different crimes committed in life as they could be punished in death.
Alghieri, Dante. "The Divine Comedy: Inferno." The Norton Anthology of World Masterpieces: Expanded Edition In One Volume. Gen. Ed. Maynard Mack. New York, NY: W.W. Norton & Company, 1997. 1032-1036.
Moreover, Dante, the narrator of the Inferno, has succeeded in not only telling the frightening story of the Inferno, but also pointing out the importance of the relationship between human’s sins and God’s retribution, using the monsters as the symbols for each kind of sin and its punishment throughout the progress of the story, which teaches his readers to be well aware of their sins through the literature – a part of humanities; the disciplines that teach a man to be a human.
Throughout Dante Alighieri's poem, Inferno and William Shakespeare's tragedy King Lear, the common theme of justice plays a critical role throughout both pieces of literature. Often depicting just and ironic punishments to fit the crime, both pieces focus on the eventual consequences of ones actions towards others, resulting in the death of the person or the eternal damnation in which waits. Throughout King Lear, the arrogance of King Lear to not recognize Cordelias unconditional love leads to his abrupt death. Throughout Inferno Alighieri alludes to the somewhat ironic and just forms of punishment by punishing the souls of Hell such as twisting the head of people who predicted the future so then they only see what is behind them. The eventual realization of Lear and Dante both depicts the self-realization in which both protagonists perceive. Though Dante ultimately can change the outcome of his current spiritual righteousness, the repented King Lear only can watch as the actions he demonstrated results in the ultimate destruction of his idyllic scheme.
Inferno is the story of Dante's journey through Hell on his way to heaven to see Beatrice. There is the recurring theme throughout the text. Dante loves her so he is willing to go through the perilous and difficult journey to get to her. Dante was a rather religious individual and it shows throughout his writing. “The time was the beginning of the morning; the sun was rising now in fellowship with the same stars that had escorted it when Divine Love first moved those things of beauty; so that the hour and the gentle season gave me good cause for hopefulness on seeing that b...
“If you would not be forgotten as soon as you are dead and rotten, either write things worth reading or do things worth writing.” This maxim applies to the poet Dante Alighieri, writer of The Inferno in the 1300s, because it asserts the need to establish oneself as a contributor to society. Indeed, Dante’s work contributes much to Renaissance Italy as his work is the first of its scope and size to be written in the vernacular. Due to its readability and availability, The Inferno is a nationalistic symbol. With this widespread availability also comes a certain social responsibility; even though Dante’s audience would have been familiar with the religious dogma, he assumes the didactic role of illustrating his own version of Christian justice and emphasizes the need for a personal understanding of divine wisdom and contrapasso, the idea of the perfect punishment for the crime. Dante acts as both author and narrator, completing a physical and spiritual journey into the underworld with Virgil as his guide and mentor. The journey from darkness into light is an allegory full of symbolism, much like that of Plato’s Allegory of the Cave, which shows a philosopher’s journey towards truth. Therefore, Dante would also agree with the maxim, “Wise men learn by others’ harms; fools scarcely by their own,” because on the road to gaining knowledge and spiritual enlightenment, characters who learn valuable lessons from the misfortunes of others strengthen their own paradigms. Nonetheless, the only true way to gain knowledge is to experience it first hand. Dante’s character finds truth by way of his own personal quest.
Alighieri, Dante. The Divine Comedy of Dante Alighieri: Inferno. Trans. Allen Mandelbaum. Notes Allen Mandelbaum and Gabriel Marruzzo. New York: Bantam Books, 1980
Dante Alighieri’s Divine Comedy is said to be the single greatest epic poem of all time. The opening story of the character of Dante the Pilgrim is told in the first of the three divisions: The Inferno. The Inferno is a description of Dante’s journey down through Hell and of the several degrees of suffering and many mythical creatures that he encounters on the way. Throughout his travel Dante displays many different feelings and actions but the emotion that summarizes the entire poem is fear. While some of his character traits change as his mind matures and acknowledges the justice being carried out, from the very beginning until the final Canto, his fear does not subside. This does well to reinforce the symbolism of Dante as Everyman and serves to direct the reader to the moral purpose of Divine Comedy, because of the humility and dependence upon God that fear produces. In the first Canto, which serves as an introduction to the entire comedy, Dante encounters the three beasts which impede his progress out of the dark woods. Coming upon the She-Wolf he writes: "This last beast brought my spirit down so low / with fear that seized me at the sight of her, / lost all hope of going up the hill" (I.52-54). Dante is so shaken by the appearances of the three beasts that he rushes headlong into the dark woods he has just come out of. This is only the first obstacle Dante encounters, but it proves an insurmountable one.
In addition, another allegory that Dante describes deal with the Fortune Tellers sent to Hell. Their sin is reversed upon them ...
Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 have an analogous historical or mythological figure used to illustrate and exemplify the sin.
Inferno is the first and most famous of a three part series by Dante Alighieri known as the Divine Comedy that describes his journey to God through the levels of Hell, Purgatory, and Paradise written in the early fourteenth century. Scholars spanning over nearly seven centuries have praised its beauty and complexity, unmatched by any other medieval poem. Patrick Hunt’s review, “On the Inferno,” states, “Dante’s extensive use of symbolism and prolific use of allegory— even in incredible anatomical detail—have been often plumbed as scholars have explored the gamut of his work’s classical, biblical, historical, and contemporary political significance” (9). In the story, each of the three main characters, Dante, Virgil, and Beatrice, represent
Alighieri, Dante. The Inferno of Dante. Trans. Robert Pinskey. New York: Farrar, Straus, and Giroux, 1994. Print.
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Well I feel that for Mister Alighieri that he wrote to inform, and spread his ideas, his beliefs. Like some people, sometimes it just feels nice to see your own thoughts in the written word. Well, Dante wrote down these thoughts into these two works, how he felt about others at the time, how he felt about himself, what he believed about Catholicism, and the church at the time, what he believed hell would be like, and how he felt about sin, which is in fact the main subjects of his two works. So this brings us back to, Why did Dante write the Inferno? Because, he wanted to put his own thoughts down into paper In the form of a story, to let all read what he was thinking and feeling about everything is his life at the moment, as well as to in
Seeing as this work was written by Dante, and the journey is taken by Dante, he has a unique opportunity to judge his fellow man and decide how they will be punished. He also gets to place his enemies in hell, forever besmirching their names for generations to remember. Perhaps unknowing to Dante, that is worse than any of the punishments that he placed his enemies in. The reality of The Inferno is unlikely and therefore these punishments are nothing but a fictiona...