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Effects of rape on individuals
Effects of rape on individuals
Effects of rape on individuals
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Alice Sebold is able to survive the trauma of her rape because of personality traits and past experiences. In a sense, Sebold is indeed lucky; lucky that she survives a traumatic experience in a way that few others can or do. Throughout her memoir, Lucky, Sebold demonstrates her determination to move past her rape. This determination allows her to focus on the present and not dwell on her experience or struggle with self-pity. The rape provides to Sebold a purpose; to move past her rape and not let it defeat her. Sebold’s past with her emotionally inept family made her independent; this also allows her to recognize that she cannot rely on others. Her wit is a trait that she uses throughout her memoir to test herself, her friends, and her family. …show more content…
This trait helps her survive by providing a way for her to see, by the reaction to a joke or comment, if those around her are still the same after her rape. Luck follows Sebold as well as any of these traits or past experiences. It is a factor that gives Sebold new ways to survive her ordeal and does so in various ways; from encouraging her resolve to providing to her an outlet to express her emotions. Alice Sebold, in her memoir, Lucky, exhibits a trait that proves to be vital: wit. It is a trait that Sebold utilizes in an effort to maintain a grasp on her life. Sebold writes of her wit, “It was the first thing from my old life that I recognized on the other side” (17). Sebold’s wit is a trait she believes to be part of who she is as a person and her ability to maintain her wit proves to her that she has, in at least one way, survived her rape. The characteristic of wit is not exceedingly common, and is even less so after such a traumatic experience. The ability to maintain her wit and to use it to help her is lucky. Sebold uses her wit to prove to her family that she had indeed survived her rape; to prove that she is still who she was before her rape. Sebold writes of that encounter that “ to the outsider this might sound awful; to my father, standing in the doorway of the kitchen, and to my mother, who was fussing with our bags, it both shocked them and meant only one thing: The kid they knew was still there” (51). Sebold does so with the intent that her life, and by extension her family, remain intact; she utilizes wit in a way to achieve this end. Wit is not simply the ability to make jokes, though, it is, by definition, smart. In a way it is her test, for herself, and for her friends or family; in fact, she utilizes her wit every time she sees someone close to her after her rape. Throughout her memoir, Sebold uses her wit to find herself, mentally, on the other side of her rape and to determine if her friends and family have also stayed the same. The reassurance she gains from this allows her to maintain a grasp on her life which helps her survive her rape. Alice Sebold exhibits a level of realism and independence that allows her to handle her situation in a very direct manner.
Sebold holds no illusion that people around her are going to carry her to recovery. Indeed, Sebold writes that “No one can pull anyone back from anywhere. You save yourself or you remain unsaved” (61). The recognition of this fact is vital to Sebold because it allows her to survive when, indeed, no one is there to pull her back. Instead, Sebold is largely forced to pull others back despite her belief. Sebold writes that “What you have after that is a family. Your sister has a dorm room for you to see. Your mother has a panic attack to attend. Your father, well, he’s being ignorant, and you can should the burden of educating him” (55). Sebold’s family is scattered and panicking in the face of her rape which leaves Sebold to deal with their collapse. Taking care of her family is a common theme for Sebold, in fact, it is because of this that Sebold is able to see things through such a lens. She writes that “As Mary grew less and less sympathetic, I compensated and became the emotional overlord…” (40). Sebold is not naïve or dependent, rather, she has taken care of her family from a young age because of which she sees everything going on around her. It is because of this that Sebold seems to have maturity beyond her years. Sebold is asked “… How old are you, young lady? You look a lot like your mother, you know that” (49). Sebold is not simply her mother’s …show more content…
daughter. She is a caregiver, indeed, an “emotional overlord,” that has had to become independent. It is clear that her family relies on her far too much to take her weight on too. Sebold acknowledges this fact when she says that “I was certain that my rape would destroy her [Jane Sebold]” (19). Sebold’s family members were not the only ones who failed to support her. Sebold writes that “But I was learning that no one- females included- knew what to do with a rape victim” (78). Sebold recognizes, and shows within the text, that she is not going to be saved by those around her and that she must do so herself. This recognition allows Sebold to face her survival rather than expecting support that would not come. Alice Sebold’s finds a purpose from her rape. She refuses to allow her rapist to take anything more from her. She is unwavering in her determined pursuit of moving past her rape. Sebold writes “I was not going to let him take anything more. If I returned home and lived in my bedroom, I would never know what my life would have been like” (92). This is Sebold’s personal call to action. Her return to Syracuse is defiance in the face of overwhelming odds stacked against a return being successful. Sebold refuses to allow her opportunities to be taken from her. Still, she recognizes the risks of return writing “That’s not to say I wasn’t scared. I was” (92). This determination to succeed in the face of her trauma is perhaps the most important factor in Sebold’s survival after her rape. It is not simply that she is literally surviving but it is her preserving her own way of life; she seeks to continue to recognize things from her “old life.” Sebold writes “Both of my parents knew the one thing I cared about was words” (92). Sebold is determined to not allow her rape to change her, instead she uses her determination to do even more with her passions. This allows Sebold to face her rapist for the first time, indirectly, through her poetry (100). Indeed, it is ironic, lucky in fact, that her rape pushed her to truly pursue writing and to immerse herself in it. The purpose Sebold finds in her rape is the determination to not suffer the fate of never knowing what could have been. Sebold fights her rape, finding, on the other side, herself, her friends, and her passions. She finds that she, as well as those around her, have survived this ordeal. Culminating in all of her traits is Alice Sebold’s ever present luck.
It takes a very particular type of person to overcome such a horrific event. Sebold’s father says “if it had to happen to one of you, I’m glad it happened to you and not your sister” (57). This statement extends beyond the contrast of Sebold and her sister. Few people have the combination of traits that would allow them to survive a trauma such as rape. In a sense, it is lucky that, for once, a rape victim is able, even well equipped, to survive and move beyond what happened to them. Even more so, it is astronomical luck that put Sebold, and her rapist face to face (103). This encounter allowed Sebold to provide more detail about her rapist, as well as further driving her determination to pursue his conviction. Sebold writes “He was laughing because he had gotten away with it, because he had raped before me, and because he would rape again” (103). This encounter is lucky not just in its sheer unlikeliness but in it further motivating Sebold to survive for the sake of others that could be harmed by her rapist. Sebold is also lucky to have received a professor like Tess Galagher, and to be driven towards writing as a result of her rape (98). Sebold’s return is not dismal, it is filled with experiences that push her forward. In fact, it is through Galagher that Sebold has her first meaningful conversation about her rape and pursues writing about it (98). This encounter is lucky for the sole reason that the
reaction Sebold received could have very well been similar to the one she received from Dr. Graham (78). Instead, as a result of her rape and determination to return, Sebold finds a supportive and lasting friend that helps her express her feelings and encourages her passion towards writing (100). These are only a portion of the ways in which Sebold is lucky, but they are nonetheless meaningful and vital to Sebold’s drive to survive and move beyond her rape. It is Alice Sebold’s past experiences and traits that enable her to survive an ordeal that others could not face in the same way. She is, as well, in many ways, lucky. It is through Sebold’s wit that she begins to find herself on the other side of her rape. She also utilizes her wit that Sebold is reassured that her friends and family have remained the same after her rape; they have not been destroyed as she feared. Her seemingly unfortunate background has provided to her a perspective rare to people her age. Her past showed her that she could not rely on others to save her and, because of this, she knew that she had to save herself. Sebold’s determination, her utter refusal to allow her rape to control and determine the rest of her life, is crucial to her survival. Indeed, it is through this trait that Sebold finds her purpose and is able to confront her rape. Sebold is never short of luck. While rape is a horror no one should endure it is because of her rape that Sebold makes several life defining choices. Her rape pushes her to truly pursue writing, a passion that she had held for a long time. It is through all of this that Sebold is able to survive her rape. Without any one of those traits it is easy to see where she might have fallen apart or faltered in her resolve. Despite the odds against her, Sebold does not falter or fail; she overcomes those odds and survives in all ways conceivable.
Brian Moore, and Margaret Laurence’s concern for the plight of the individual and their position in society is clearly self-evident in their novels The Luck of Ginger Coffey and The Stone Angel. Finding one’s place in society is a major dilemma many people face every day. Once people find their place in society they understand who they are, what is expected by them and what their roles are. Once a person has found their place in society they understand their life and which direction it is going.
For the past few weeks, we have been reading the book Speak, by Laurie Halse Anderson. The book is about a girl named Melinda Sordino, who for the most part refused to speak or interact with others after being raped at a end-of-the-summer party before the start of her freshman year in highschool. Ever since she was raped, she completely changed. However, I think she shows signs of improvement during the second half of the year.
In the novel Speak by Laurie Halse Anderson, the protagonist, Melinda, suffers with depression. Melinda’s depression began because of an event that occurred one night at a high school party. On that night, Melinda was raped while under the influence of alcohol. She felt as if she was unable to talk about what happened and decided to isolate herself throughout the summer. Due to the way she handled things after being assaulted, Melinda realizes her actions cause her to lose her friends. Many victims of sexual assault tend to isolate themselves, which is why Melinda can connect to many victims that have gone through this experience. After being raped, Melinda develops social anxiety and begins to socially and physically harm herself, just as millions of other survivors of
She puts comments in the passage like, “if you are reading this and looking at your own life, you may be experiencing uneasiness and even sudden fear. She continues if you start to cry you might be in denial and been the victim of incest. This passage isn’t supposed to convince people that they were victims but try and help those who were actual victims and I don’t think Sue Blume does a very good job of it, she undermines those who are trying to help and kind of makes it seem as if their lives are over, and I don’t agree with
The women had to experience being raped while they were still virgins which must have been a horrible moment in their lives. It was made worse by the fact that it happened multiple times in the case of the old woman. Cunegonde’s response was to scream, struggle, bite, claw and try to scratch the Bulgar soldier’s eyes out(Voltaire, 31). Cunegonde tried to resist being raped but was overpowered and stabbed which is what would be expected in that kind of a situation. From the way She retold the events to Candide one can see how strong she is in being able to move past it, then again she didn’t have much time to dwell on it as events around her forced her to move on from it. The old woman wasn’t too descriptive on what occurred when she was raped but she did say that “The Princess of Palestrina and I certainly needed all our strength to withstand everything we underwent...(Voltaire 40)” From this we can assume that the women were raped many times over the course of the trip. from what we read after that however, one can tell it must have required a great deal of strength to continue on even though there were times she thought of committing suicide. The women were strong and had a good ability to adapt to the situations they found themselves in a little better than the
can also fall victim to this awful crime. In the time that it takes a person to read this essay two people in the U.S alone will have been raped. In the novel Speak, by Laurie Halse Anderson, the main protagonist is a 9th grade girl named Melinda Sordino. During the summer of 8th grade, she is at a party and gets raped. She calls the cops but the rapist doesn't get into trouble, only the other kids do. Then during the school year the other kids hate
And since that day, our voices have only grown louder. I tell my story, not because it is unique, but because it is not. It is the story of many girls.” She realized opportunity through this trial would give her if she spoke up about what happened to her, she understood if she gave up the voices of many girls would be unheard, she knew that is was up to her to be the voice of those who can not voice their stories.
Photographs capture the essence of a moment because the truth shown in an image cannot be questioned. In her novel, The Lovely Bones, Alice Sebold uses the language of rhetoric to liberate Abigail from the façade of being a mother and spouse in a picture taken by her daughter, Susie. On the morning of her eleventh birthday, Susie, awake before the rest of the family, discovers her unwrapped birthday present, an instamatic camera, and finds her mother alone in the backyard. The significance of this scene is that it starts the author’s challenge of the false utopia of suburbia in the novel, particularly, the role of women in it.
Looking back on the death of Larissa’s son, Zebedee Breeze, Lorraine examines Larissa’s response to the passing of her child. Lorraine says, “I never saw her cry that day or any other. She never mentioned her sons.” (Senior 311). This statement from Lorraine shows how even though Larissa was devastated by the news of her son’s passing, she had to keep going. Women in Larissa’s position did not have the luxury of stopping everything to grieve. While someone in Lorraine’s position could take time to grieve and recover from the loss of a loved one, Larissa was expected to keep working despite the grief she felt. One of the saddest things about Zebedee’s passing, was that Larissa had to leave him and was not able to stay with her family because she had to take care of other families. Not only did Larissa have the strength to move on and keep working after her son’s passing, Larissa and other women like her also had no choice but to leave their families in order to find a way to support them. As a child, Lorraine did not understand the strength Larissa must have had to leave her family to take care of someone else’s
Searles, Patricia and Berger, Ronald. Rape and Society: reading on problem of sexual assault. Westview Press, 1995
Nicole Johnson*, a 22-year-old senior at an area university looks back at her college experience as graduation approaches, generally happy with how everything turned out, however, a dark cloud still looms over her freshman year when she was raped.
In the short story, “Adventure”, Alice Hindman lives a life full of illusions and loneliness. Alice is a very quiet person on the exterior while a passion boils underneath. Alice Hindman is limited by life denying truths and guilty of allowing them to run her life. She believes in love and tradition absolutely. Alice’s blindness to the changing social mores limits her capacity to progress forward in life. She become consumed instead by the idea of herself and her memories. “It is not going to come to me. I will never find happiness. Why do I tell myself lies?” (Anderson 117). If she cannot have Ned, she will have no other.
Shannon Moroney's book, Through the Glass, is a biography about her experience and personal victimization. Shannon at age 30 had been married to her husband ,Jason, for one month and was away at a school guidance counslors conference when her world would forever change. She was notified by a police officer that her husband was arrested for sexual assault. Shannon was needed by the police back in Peterborough to answer some questions with mixed emotions and shock she was unable to driver herself so she informed her parents who would take her there. Thoughts like just talking to Jason thirty minutes before he made the call to the police to turn hinmself in and not noticing any change in him. And her telling him that she might be pregnant crossed
The book immediately catches the reader’s attention by starting off with the rape and murder of fourteen year old, Susie Salmon. The book is written in Susie’s point of view as she watches from heaven as her friend’s and family’s lives change in an attempt to cope with their loss. The story takes place in 1973, in a town in Pennsylvania. This is the type of town where nothing bad seems to happen and everyone seems to be happy with their lives. This all changes after Susie is brutally murdered by her neighbor Mr. Harvey, that is the true moment that the towns happy persona is shattered. In a hopeless attempt to deny what has happened to her. Susie refuses to let go of her family, friends, and her life back on earth, which makes her after life very difficult. For a long time, her body remains undiscovered, and her murderer 's identity is a mystery, which pains her even more, because she wants her murderer to be found and punished. The pain of losing her daughter becomes too much for Susie’s mother, so she leaves her family. Her father, Jack, refuses to accept Susie’s death, because he is wants to know what happened to Susie, so he continues to search for answers and question each of his neighbors. Eventually both Jack and Susie’s sister, Lindsey, have become suspicious over their neighbor Mr. Harvey. Upon realizing this Mr. Harvey makes a run for it, he escapes to a nearby town and tries to hide from anyone that could want revenge for Susie. In the end, Susie gets her revenge when Mr. Harvey has a large chunk of ice fall and hit him in the head, causing him to die. This book definitely fits the criteria of a Sebold novel. From the murder and rape of Susie to the tense mystery mixed in to the novel, the entire story screams tragedy. When Sebold was raped there was definitely a chance that she could have been murdered that night. The traumatic events that took place in Sebold’s life, changed her whole perspective on life and has opened
Eden’s realization encourages young readers, especially rape survivors to analyze their coping mechanisms in situations like this. For instance, reaching out to a close friend, a parent, or the authorities. A second major theme in this novel is the overcoming of trauma. After Eden’s sexual assault, she was told to believe that her words had no validity. When her family and friends began to notice her destructive behavior Eden confessed the details of the assault. The character was able to speak about her abuse and obtain the help she needed.