Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essay on Alice munro
Alice munro in real life
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essay on Alice munro
Introduction: All of us have read or heard many stories. They may be funny, sad, interesting or the other perceptions of man. The main elements of a short story consist of plot, characterisation, narrative technique, theme, tone, language, setting and atmosphere. The short story in Canada really developed in the late 19th century. Making a slow start in the 1830s, it picked up in the mid-nineteenth century when newspapers and magazines gave a fillip to its publication. A question often asked is what makes a short story specifically Canadian? Margaret Atwood opines, “The definition of ‘Canadian short story’ like that ‘Canadian itself has a hard core with fuzzy edges. Canadian short story writers are eclectic in their approach like story writers elsewhere in the English-speaking world. The contemporary Canadian short story is a mosaic woven out of many strands. It left behind the sentimentality of romance and confronted life and society head on, Canadian short story is, more or less, no different from the short stories written the world over. Some of the important contemporary short story writers are -Margaret Atwood, Margaret Lawrence, Ken Mitchell, Alice Munro etc. So the range and variety in Canadian short story is also limitless. Alice Munro - Life and Works: Canadian writer Alice Munro, who won the Nobel Prize for Literature on Thursday (10-10-2013), is an admitted short story addict who has garnered international praise for her tales of struggles, loves and tragedies of women in small town and rural Canada. She became the second Canadian-born writer to win the prize, although she is the first winner with a distinct Canadian identity. Saul Bellow, who won the award in 1976, was born in Quebec, but raised in Chicago a... ... middle of paper ... ... condition. The Swedish Academy of Nobel Prize hailed Munro as master of the Contemporary Short Story, a genre rarely awarded. Several Critics referred to her as ‘Canadian Chekhov’, comparing her to Russian master story teller ‘Anton Chekhov’. After winning the Nobel Prize, Munro has said she writes about the “Underbelly of relationships”. The Swedish Academy’s permanent secretary, Peter Englaud, announces the Nobel Prize called Munro, “Master of the Contemporary Short Story”. Canadian Prime Minister, Stephen Harper congratulated Munro on Twitter “On behalf of all Canadians”. Works Cited 1. Hesse. M.G(ed): ‘Women in Canadian Literature’, Ottawa, Borealis Press, 1976 2. Manorama Trika (ed): ‘Canadian Short Stories’ New Delhi, Pencraft International, 1999. 3. Parameswari. D (ed): ‘Studies in Canadian Women’s Writing’, Chennai, emerald Publishers, 2008.
Last but not least, O’Connor confirms that even a short story is a multi-layer compound that on the surface may deter even the most enthusiastic reader, but when handled with more care, it conveys universal truths by means of straightforward or violent situations. She herself wished her message to appeal to the readers who, if careful enough, “(…)will come to see it as something more than an account of a family murdered on the way to Florida.”
"Unit 2: Reading & Writing About Short Fiction." ENGL200: Composition and Literature. New York: McGraw-Hill, 2011. 49-219. Web. 19 Apr. 2014.
May, C. E. (2012). Critical Survey of Short Fiction: World Writers (4th ed.). Ipswich: Salem Press.
Moss, John. Sex and Violence in the Canadian Novel. Toronto, Ontario: McClelland and Stewart, 1977.
(Sept. 1976): 35-39. Rpt. in Short Story Criticism. Ed. Carol T. Gaffke. Vol. 26. Detroit:
It has been said of Anton Chekhov, the renown Russian short-story writer, that in all of his “work, there is never exactly a point. Rather we see into someone’s hear – in just a few pages, the curtain concealing these lives has been drawn back, revealing them in all their helplessness and rage and rancor.” Alice Munro, too, falls into this category. Many of her short-stories, such as “Royal Beatings” focus more on character revelation rather than plot.
Thompson, John Herd, and Mark Paul Richard. "Canadian History in North American Context." In Canadian studies in the new millennium. Toronto: University of Toronto Press, 2008. 37-64.
Filewood, Alan. “National Battles: Canadian Monumental Drama and the Investiture of History.” In Modern Drama. 38. (Spring 1995) 71-86
Munro’s invention of an unnamed character symbolized the narrator’s lack of identity, compared to her younger brother, who was given the name Laird, which is a synonym for “Lord”. These names were given purposely by Munro to represent how at birth the male child was naturally considered superior to his sister.
“The Found Boat” by Alice Munro is a story about five teenagers that learn to explore and have a sense of freedom after finding a boat washed ashore after a flood. The boat becomes a common ground used between the characters to become closer friends and explore things in the world around them. This boat that they find gives these kids a new found form of freedom and they embrace that.
This author was born Katherine (Kate) O’Flaherty Chopin in February of 1850 to a father of Irish descent and a Creole (French settlers of the southern United States, esp. Louisiana) mother (Guilds 293). Chopin was a bicultural mixture of strength. Due to measures beyond her control, she grows up in a life surrounded by strong willed women. These ladies were passionate women Chopin loved and respected; her great-grandmother, grandmother, and mother. They each added their individual spice of life to a brew of pure womanhood. Thus, seasoning a woman that would become one of the most influential, controversial female authors in American history. Kate Chopin created genuine works exposing the innermost conflicts women of the late 1800’s were experiencing. The heroines of her fictional stories were strong, yet confused, women searching for a meaning behind the spirit that penetrated their very souls.
The young beautiful girl Nina is the intricate character that Alice Munro reviews in her short story “Wenlock Edge”. Nina living in a fantasy that one day she will live in a castle with her prince happily ever after. In this story, Nina turns some lives upside down with her adventures of following her dreams. Nina is the classic example of a girl that lives with Cinderella complex, where her emotional instability falling apart with her castle.
... Ed. W. Gordon West and Ruth Morris. Toronto, Canada: A Canadian Scholar? Press, 2000.
Lindberg, Laurie. "Wordsmith and Woman: Morag Gunn's Triumph Through Language." New Perspectives on Margaret Laurence: Poetic Narrative, Multiculturalism, and Feminism. Ed. Greta M. K. McCormick Coger. Westport, CT: Greenwood, 1996. 187-201.
Eileen Baldeshwiler’s “The Lyric Short Story” discusses the two different branches of short story—the “epical” and the “lyrical” (231). Baldeshwiler highlights the separate functions of the forms by focusing on their stylistic differences. The epical short story, according to Baldeshwiler, relies heavily on “external action” that is “fabricated mainly to forward plot, culminating in a decisive ending that sometimes affords a universal insight” (231). Further, the plot and characters are “expressed in the serviceably inconspicuous language of prose realism” (Baldeshwiler 231). In other words, the characters, plot, and overall tone of the piece adhere to reality. In opposition to this style, Baldeshwiler explains that the lyrical short story “concentrates o...