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Alfred Hitchcock’s movie “Vertigo” was released in 1959. This movie falls under a Psychological thriller movie genre. Alfred Hitchcock produced and directed the movie. He based his story line on a 1954 novel by the name “D’entre les morts”, meaning “From Among the Dead” by Boileau Narcejac. Alec Coppel and Samuel A. Taylor wrote the screenplay of the movie. In this paper, evaluation of the film was conducted about the theme of cyclicality: the returning past was given an in depth analysis.
“Vertigo”(1958), is one of the best films by Alfred Hitchcock. This film begin with the main character Scottie who just retired from his job as a San Francisco detective. He is motivated to retire after the death of one of his work mates who he fails to save
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First, the story is about Scottie who has a strong obsession towards the past. In the first part of the movie, Scottie falls in love, but the object to whom he directs his affection is “dead”. All through the second part of the movie, he thus tries to reform Judy as his “dead” lover. His attempt is to bring back the beautiful past. In the scene where Judy come to the hotel with her hair looking like Madeleine’s, Scottie’s point of view is clearly outlined as he stares at the corridor indicating his excitement. The scene hence expresses his desire of returning the past by making us sympathize with his feelings. This is also an evident by the fact that he is only satisfied when Judy looks like Madeleine. When Judy comes and he realize the hair doesn’t look like Madeleine’s, he is disappointed. He is fully disconnected with the present and lost in the illusions of “Madeleine” who according to him had already died. Second, Madeleine creates an imaginary obsession towards her late great grandmother. This makes us think about the effect the past can possess on a person. In Scottie’s perspective, we are questioning ourselves on how our present life is based on the memories of our past. Moreover, the story further reflect the life of Gavin’s wife who is an important character and we see her only once in the movie. According to the local historian, Gavin’s wife’s great grandmother Carlotta Valdes was a woman thrown away by his husband. This indicates the repetition of the past by Gavin’s wife going through the same situation. This connection brings us to another nostalgic element of the movie. Where San Francisco was a city symbolizing freedom and men in old days would throw their wives away. Gavin returns the past as a man of power and does the same to his wife. Finally, Scottie’s acrophobia from the conversation with Midge seems to be from the past. This was before his fellow
Scene: Janie’s loneliness, desire for marriage and naive nature leads her to an ill-advised, and as a result brief, marriage to an older man named Logan Killicks. This demonstrates both her love longing and her lack of experience with love. Still, terrible as the marriage is, it is a learning experience.
In the beginning years of Janie’s life, there were two people who she is dependent on. Her grandmother is Nanny, and her first husband is named Logan Killicks. In Their Eyes Were Watching God, “Janie, an attractive woman with long hair, born without benefit of clergy, is her heroine” (Forrest). Janie’s grandmother felt that Janie needs someone to depend on before she dies and Janie could no longer depend on her. In the beginning, Janie is very against the marriage. Nanny replied with, “’Tain’t Logan Killicks Ah wants you to have, baby, its protection. ...He done spared me...a few days longer till Ah see you safe in life” (Hurston 18). Nanny is sure to remind Janie that she needs a man in her life for safety, thus making Janie go through life with that thought process.
...her silent thoughts and how they pulled her away from her love for Logan and Jody, now those same silent thoughts preserve Tea Cake for her in perpetuity. And in Seraph on the Suwanee, Jim’s departure allows Arvay to realize the chasm between her and her past, and in so doing, realize that her struggles portray a woman destined to be a caregiver. For both Janie and Arvay, inner turmoil is quelled into a role that reconciles both themselves and their relationship with their men. And, perhaps most remarkably, this idealization of their partners persists despite – indeed, is even enhanced by – the fact that both women see their former love interests, those who came before Tea Cake and Jim, as now standing on cracked or even shattered pedestals. Both Janie and Arvay in the end take comfort in their new-found roles and those men who best compel them to adopt these roles.
In Cold Sassy GA, the town is filled with gossip surrounding the town’s newest newlyweds. Will Tweedy finds himself eyewitness to it all. Grandpa E Rucker Blakeslee has ‘tied the knot’ with the young milliner, Miss Love Simpson. With it being only three weeks after the death of his last wife, the family and town alike are shocked. Confused but curious about it all, Will observes what it means to be husband and wife and what it really means to love. Puzzled by the secrets shared between the two, he tries to figure out just why Grandpa Blakeslee asked Miss Love for her hand in marriage and why she even agreed. While Grandpa Blakeslee is experiencing his second adolescence, Will is trying to make it through his first. When Will gets hit by a train and is still alive to tell about it, Grandpa Blakeslee gives him a lesson on God’s Will. And Will starts to realize not everyone interprets things the same way. When the mill child, Lightfoot crosses Will’s path his heart skips a beat. With all Will’s new found attractions and desires he decided to try his luck with the girls. That’s when he experiences his first kiss, and also his first heartbreak. After the innocent Uncle Camp kill’s himself due to Aunt Loma’s constant criticism, Will starts to question how he treats people. He starts to wonder if maybe he helped his uncle pull the trigger. Soon after that Grandpa Blakeslee’s store isn’t doing all that well. Two unidentified strangers come and rob Grandpa Blakeslee blind, in the process beating him up ‘something awful’. With his weakness effecting his immune system, he catches a bad case of pneumonia and soon passes away. But not before Miss Love could tell him what he had been waiting to hear his whole life…. He would soon have a son to carry on the family name. Not at all scared of death or the unknown, Grandpa Blakeslee orders a letter to be read concerning his funeral and remains. But to everyone’s surprise he orders the cheapest and lowest class funeral and orders himself nothing, but a wooden box. Wanting no one to mourn over him and everyone to know that he was dead...
Though complex and brilliantly written for its time, the plot of Alfred Hitchcock’s film, Vertigo, is only half of the genius behind it. Alfred Hitchcock’s unique presence as an auteur is truly what sets his films apart. There is symmetry to his shots that give the film an artistic feel, as if each frame were a painting. Many times, within this symmetry, Hitchcock places the characters in the center of the frame; or if not centered, then balanced by whatever else is adding density to the shot. For example, as Madeline sits and looks at the painting in the museum, there is a balance within the frame. To counter-act her position to the right of the painting, Hitchcock puts a chair and another painting on the left side, which is visually pleasing to the eye of the audience. The use of red and green not only adds a visual effect as well, but later serves as a clue that Madeline is not actually dead, when the women who looks like her is wearing a green dress.
Thus placing the film fully emersed in the old, mysterious, dreamlike settings of the city, they are equally balanced with modern technology and the collective past gives viewers a sense of definite decay, with no sure centre for future (Spotto 277). Through Hitchcock’s films Americans could reminiscence and ruminate about their past-a kind of nostalgia and longingness is created. When Scottie meets Gavin Elster (Tom Helmore) in the shipbuilders’ office at the Embarcadero, what he says is striking: “The things that spell San Francisco to me are disappearing fast,” Elster complains quietly and referring to the old maps and woodcuts in his office he continues, “I should have liked to have lived here then-colour, excitement, power, freedom” (qtd in Spoto 280-281/qtd from the film). Here his speech echoes urbanisation that has gripped America and he also expresses a typical American sentiment of longingness for the past well expressed. And the sadness of the old things “disappearing past” is deliberately introduced to effect in Scottie and in us who are urged to identify with him, a nostalgia for bygone era (Spoto 281). Hitchcock has taken the film keeping in mind the viewers of postwar America who were nostalgic. Artist should be able to read the mind of the people. Taine has already pointed out the importance of ‘the man, milieu and
...ormation of novel to film, sees Hitchcock’s responsibility as auteur. Suggesting Hitchcock as ‘creator’, attributes to Vertigo’s “perfection” (Wood, p.129) as Wood argues. Stylistic features known classically to Alfred Hitchcock movies is also what defines Hitchcock as a classic auteur, his style generates a cinematic effect which mixes effectively with his use of suspense. In returning to Cook’s discussion, she references Andrew Sarris, who argues that the “history of American cinema could be written in terms of its great directors,” (Cook, p. 411) showing the legitimacy of authorship in popular American cinema. Ultimately Cook goes on to address the changes in authorship from the 1950’s until today, featuring developments in authorship within Cinema. Overall, both Cook and Wood presented a balanced discussion on the legitimacy of Alfred Hitchcock’s auteur status.
Being essential to the characteristics of a few of the main characters, Evelyn Couch, Ruth Jamison, and Idgie Threadgoode. While during one of Evelyn’s usual nursing home visits, she happens to strike a conversation with an old kind card of a woman (Ninny Threadgoode) who happens to brighten her day with the telling of stories from the past. As she begins Ninny recounts tales of her sister-in-law Idgie a young free spirited girl who always seemed a cut above the rest, but however, differed from others in the sense that after her older brother Buddy’s untimely death she began to close herself off to others around her. While before then was always different as she was a girl who enjoyed rough, noisy activities traditionally associated with
Janie's outlook on life stems from the system of beliefs that her grandmother, Nanny instills in her during life. These beliefs include how women should act in a society and in a marriage. Nanny and her daughter, Janie's mother, were both raped and left with bastard children, this experience is the catalyst for Nanny’s desire to see Janie be married of to a well-to-do gentleman. She desires to see Janie married off to a well to do gentleman because she wants to see that Janie is well cared for throughout her life.
Janie’s first attempt at love does not turn out quite like she hopes. Her grandmother forces her into marrying Logan Killicks. As the year passes, Janie grows unhappy and miserable. By pure fate, Janie meets Joe Starks and immediately lusts after him. With the knowledge of being wrong and expecting to be ridiculed, she leaves Logan and runs off with Joe to start a new marriage. This is the first time that Janie does what she wants in her search of happiness: “Even if Joe was not waiting for her, the change was bound to do her good…From now on until death she was going to have flower dust and springtime sprinkled over everything” (32). Janie’s new outlook on life, although somewhat shadowed by blind love, will keep her satisfied momentarily, but soon she will return to the loneliness she is running from.
Janie's Grandmother is the first bud on her tree. She raised Janie since she was a little girl. Her grandmother is in some respects a gardener pruning and shaping the future for her granddaughter. She tries to instill a strong belief in marriage. To her marriage is the only way that Janie will survive in life. What Nanny does not realize is that Janie has the potential to make her own path in the walk of life. This blinds nanny, because she is a victim of the horrible effects of slavery. She really tries to convey to Janie that she has her own voice but she forces her into a position where that voice is silenced and there for condemning all hopes of her Granddaughter become the woman that she is capable of being.
The flashback commences by recounting the years leading to Janie’s childhood through alluding to Nanny and Janie’s mother Leafy’s, life difficulties. Nanny is raised in slavery and was raped by her slave master, which led to Leafy’s birth. She had to flee in the night and hide in swamps during the war to protect her daughter. They go to live with a white family; the Washburn’s who are very accommodating. Once Leafy is older, she is raped by her white schoolteacher, leading to Janie’s birth. Leafy is absent through Janie’s life, so Nanny becomes her caregiver. Due to the abandonment of her parents, Janie is uncertain about her character and is lacking parental influence. Nanny raises Janie vicariously, so she will not encounter the same obstacles. Under a pear tree one day, Janie observes a bee pollinating a flower. She determines that this is how love is supposed to look. Love is passionate and never selfish or demanding. One day she kisses a boy named Johnny Taylor, whom Nanny does not approve. Nanny’s beliefs and authority on Janie’s life cause Janie’s abrupt marriage, before she can discover her true identity and spirit.
As the story develops, Scottie gets admitted to a psychiatric unit. His mental and emotional confusion is illustrated by chaotic music. When he meets a young woman named Judy Barton, who bears a striking resemblance to the late Madeleine, Hitch really takes advantage of color in a scene in Judy's apartment. Fog, typical to San Francisco, combined with green light coming from a neon sign in the street, give the scene a remarkable, almost divine effect. In order for Scottie to overcome the trauma he suffered when he lost Madeleine, he drives Judy to the same church and asks her to run up the stairs in an attempt to reproduce the sequence of events leading up to Madeleine's death. Shockingly, Judy really jumps off the roof, thus abruptly ending the story.
Alfred Hitchcock's Vertigo is a film which functions on multiple levels simultaneously. On a literal level it is a mystery-suspense story of a man hoodwinked into acting as an accomplice in a murder, his discovery of the hoax, and the unraveling of the threads of the murder plot. On a psychological level the film traces the twisted, circuitous routes of a psyche burdened down with guilt, desperately searching for an object on which to concentrate its repressed energy. Finally, on an allegorical or figurative level, it is a retelling of the immemorial tale of a man who has lost his love to death and in hope of redeeming her descends into the underworld.
The narrator describes the scene when she feels the weight of George jilting her and how she all most collapsed “there was the freshly polished floor with the green rug on it” (Porter 81). Green symbolizes inexperience. Granny has never felt pain like this until this day and becomes unsure on how to deal with it. Granny never faces her memories so she has inexperience with coping with them. The narrator explains her feelings more about being jilted “she put on the white veil and set out the white cake…” (Porter 79). White symbolizes innocence. Granny first wedding day represents the last time she had her innocence. The unfortunate circumstance that Granny faces turn her to into a feisty old women and this new attitude becomes a way for Granny to feel better about the past. The narrator remembers a time about John “John’s eyes very black when they should have been blue” (Porter 81). Black symbolizes death. John’s death brings back memory of hardship in Granny’s life and her not fully understanding why bad events keep happening in her life. The death, John hurts Granny so she keeps busy with her kids and housework to forget about