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Essays on psycho film
Movie analysis of Psycho
Movie analysis of Psycho
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Psycho It was one of those long, dreary school days where I did not want to be in class, especially not my boring Fine Arts class. We were learning about films and their cinematography. My teacher started off the class by showing us the famous 1960 film “Psycho” by Alfred Hitchcock. When the black and white film came up on the screen, I thought that it was going to be tedious and hopelessly long, but I was wrong. Psycho is a great movie for any individual that enjoys horror films. The setting, the plot, and the cinematography are just a few things that make Psycho a great horror film. One reason why “Psycho” is a great horror film is because of the setting. Most of the suspenseful scenes occur at a motel that is owned by Norman Bates and his mother, Mrs. Bates. The motel is set off an old highway in California. The famous shower scene took place inside the motel. This scene is very famous because after Marion, one of the main characters, gets stabbed after showering, many people become afraid of taking showers. …show more content…
Alfred Hitchcock manipulated the lighting throughout the movie to create shadows. The shadows in the movie created more suspense for the audience. For example, in the shower scene, the audience could not see who the killer was. The only thing that the audience could see was the killer’s shadow and the victim being stabbed. The 1960 film was shot in black and white. The audience grew fear of the killer after seeing the blood go down the shower drain. Many individuals considered that part of the scene to be bloody and gruesome. Also, Alfred Hitchcock made the audience feel horrified in the scene where Mrs.Bates finally shows up. The audience can only see Mrs. Bates’ back until her face is revealed. In this scene, Hitchcock builds up suspense by zooming the camera into Mrs. Bates’ horrifying dead
Psycho is a suspense-horror film written by Joseph Stefano and directed by Alfred Hitchcock. This film was loosely adapted from Robert Bloch’s 1959 suspense novel, Psycho. A majority of the movie was filmed in 1960 at Universal Studios in Los Angeles. Psycho is about Marion Crane (Janet Leigh), a secretary from Arizona who steals $40,000 from her employer’s client. She takes that money and drives off to California to meet her lover Sam Loomis (John Gavin) in order to start a new life. After a long drive, she pulls off the main highway and ends up taking refuge at an isolated motel owned and managed by a deranged Norman Bates (Anthony Perkins). In Alfred Hitchcock’s film, Psycho, symbols, character and point of view are three literary aspects used in the film to manipulate the audience’s emotions and to build suspense in the film.
Though complex and brilliantly written for its time, the plot of Alfred Hitchcock’s film, Vertigo, is only half of the genius behind it. Alfred Hitchcock’s unique presence as an auteur is truly what sets his films apart. There is symmetry to his shots that give the film an artistic feel, as if each frame were a painting. Many times, within this symmetry, Hitchcock places the characters in the center of the frame; or if not centered, then balanced by whatever else is adding density to the shot. For example, as Madeline sits and looks at the painting in the museum, there is a balance within the frame. To counter-act her position to the right of the painting, Hitchcock puts a chair and another painting on the left side, which is visually pleasing to the eye of the audience. The use of red and green not only adds a visual effect as well, but later serves as a clue that Madeline is not actually dead, when the women who looks like her is wearing a green dress.
Alfred Hitchcock's Psycho Alfred Hitchcock's "Psycho"-the movie the world recognised-was first premiered in the home town of New York on the 16th June 1960.The film follows the life and strife of a young beautiful woman Marion Crane, played by the Janet Leigh, who is on the run from the police after stealing $40.000, she manages to find refuge at the Bates motel where she makes her worst mistake possible. During and after the film production of "Psycho" Alfred Hitchcock had his aids buy as many copies as possible of the novel "Psycho"-written by Robert Bloch. Why? To conceal the ending form the public's eye so when the film was shown in cinemas the audience would'nt know the ending. When people found out the title of the movie Hitchcock said it was based on a greek love story "Psyche".
lored, there have been hundreds more, and hence 'Psycho' is considered to be the beginning of a new genre. Many of the techniques were either new or not even considered to be used in that context. Even before the film was released, the audience were in suspense as to what it was about. There were no previews, no launch campaigns or reviews. When the film was finally released, people were only allowed to watch it from the very beginning.
Suspense is only one of Hitchcock’s many techniques and themes. His themes range from the obvious violence, to the depths of human interaction and sex. From Rear Window to Psycho, Hitchcock’s unique themes are present and evident. Rear Window starts with something we all do at times, which is nosing in and stalking on others business, and turns it into a mysterious investigation leaving the viewer second guessing their neighbors at home. Psycho on the other hand, drags
One major attribute in Hitchcock films is how creatively Hitchcock tricks the audience about the fate of the characters and the sequence of events. Many people argue that it is a tactic by Hitchcock to surprise his audience in order to increase the suspense of the movie. For example, in Shadow of a Doubt, the audience assumes that young Charlie is an innocent young girl who loves her uncle dearly. However as the movie progresses, Young Charlie is not as innocent as the audience suspects. Young Charlie, once a guiltless child, ends up killing her evil uncle. In Vertigo, the same Hitchcock trickery takes place. In the beginning, the audience has the impression that the Blond women is possessed by another woman who is trying to kill her. The audience also has the notion that the detective is a happy man who will solve the murder case correctly. Just before the movie ends, the audience realizes that the detective was specifically hired by a man to kill his wife. The detective, in the end, seems to be the hopeless, sad victim.
The 1960s brought about what some have argued is the first slasher film Alfred Hitchcock’s Psycho. Hitchcock was able to cast major Hollywood stars to actor in his thriller. He cast a young, handsome Anthony Perkins in the lead and a major star in Janet Leigh, whom Hitchcock kills in the beginning of the movie. In that day it was unheard of now it’s done in movies such as Wes Cravens 1996 movie Scream killing off a major star such as Drew Barrymore. According to FilmmakerIQ.com Psycho “shocked audiences into believing horror could be more than B-Film Fare (14)”.
Psycho is successful in sustaining that eerie, creepy feeling throughout the film. Although it does not start off scary at all really, the fact that
The film, Vertigo (1958) directed by Alfred Hitchcock, is classified as a genre combination of mystery, romance, suspense and thriller about psychological obsession and murder. Filmed on location in San Francisco and on the Paramount lot in Hollywood, California in 1957, the cultural features of the late 1950’s America were depicted in the films mise en scène by costume and set designs current for that time period. The film was produced at the end of the golden age of Hollywood when the studio system was still in place. At the time Vertigo was produced, Hollywood studios were still very much in control of film production and of actor’s contracts. Hitchcock’s groundbreaking cinematic language and camera techniques has had great impact on film and American popular culture and created a cult following of his films to this day.
Perhaps no other film changed so drastically Hollywood's perception of the horror film as did PSYCHO. More surprising is the fact that this still unnerving horror classic was directed by Alfred Hitchcock, a filmmaker who never relied upon shock values until this film. Here Hitchcock indulged in nudity, bloodbaths, necrophilia, transvestism, schizophrenia, and a host of other taboos and got away with it, simply because he was Hitchcock.
PSYCHO is a unique film because it is a black and white film in the
Cinematography of Hitchcocks Psycho Alfred Hitchcock is renown as a master cinematographer (and editor), notwithstanding his overall brilliance in the craft of film. His choice of black and white film for 1960 was regarded within the film industry as unconventional since color was perhaps at least five years the new standard. But this worked tremendously well. After all, despite the typical filmgoer’s dislike for black and white film, Psycho is popularly heralded among film buffs as his finest cinematic achievement; so much so, that the man, a big
Norman Bates is arguably the most unforgettable character in the horror genre. His movements, voice and aura at first radiate a shy young man but transform into something more sinister as the movie Psycho (Hitchcock, USA, 1960) progresses. How has the director, Alfred Hitchcock, achieved this? Norman Bates was a careful construct: the casting, body language, lighting and even the subtle use of sound and mise-en-scène created the character.
The movie Psycho, is one of the most influential movie in Cinema history to date. The director Alfred Hitchcock, wanted to test many of the conventions of movie making that was common at that time. Alfred Hitchcock movie broke many cultural taboos and challenged the censors. Alfred Hitchcock showed a whole bunch of at the time absurd scene, for example: Marion Crane (Janet Leigh) dying naked while taking a shower, Norman Bates with split personality disorder, and the first ever flushing toilet shown in a movie. Because from the late 1920's to the late 1950's, movies were made usually go around the story, and usually with a lot dialogue. This movie gives the audience an experience that was much more emotional and intuitive. The viewers were caught up in a roller coaster of shock, surprise and suspense based on image, editing and sound.
In the article, “Psycho at Fifty: Pure Cinema or Invitation to an Orgy?” by John A. Bertolini, he describes how the images and scenes throughout the whole movie and its more arguable parts are what made the film stick with the imagination of Hitchcock’s audience. He goes on to give an explanation of how Hitchcock is as well one of few directors who is able to mix a little humor to go along with his vicious plot. Bertolini speculates that the audience was thrown off by savagery depicted in this film and more concerned with the emotions that were created by Hitchcock’s movie. He also outlines how much controversy the film created Psycho by stating how it, “reflected the changes at work in the larger society, especially the increasing insiste...