What could a deeply religious, devout Christian nobleman and an existential, indifferent common man separated by roughly four hundred years have in common? Furthermore, what could Sir Thomas More, an eventual saintly martyr as portrayed in Robert Bolt’s A Man For All Seasons, and Albert Camus’ Meursault from The Outsider, an apparent murderer who does not believe in God, possibly have in common? For starters, both men have led similar lives in a search for the truth, and have very strong personal belief systems. It is for this that they are persecuted and “who, without any heroic pretensions, agree...to die for the truth'; (The Outsider, Camus, p. 119). Both characters, More and Meursault refuse to compromise their beliefs and as a result society condemns them.
Despite their obvious differences More and Meursault were similar men in many ways. Both men led routine lifestyles. More is a very devout Christian and as such is immersed in repetitious behaviour. Throughout the play More is often found praying, even during the arrival of the King at his home. More enters the scene just in the nick of time wearing a cassock, just as the King is nearly upon him, and knowingly risks disfavour with his liege because his prayer is that important to him. Norfolk is indignant at this behaviour, “What sort of fooling is this? Does the king visit you every day'; (A Man For All Seasons, Robert Bolt, Act One, p. 26). Also, according to his Steward “Sir Thomas rises at six ... and prays for an hour and a half';, “During Lent ... he lived entirely on bread and water'; and “He goes to confession twice a week'; (A Man For All Seasons, Bolt, I, p. 23). It is in this way that More endeavours in a search for truth about life, he looks to God for the answers. Meursault is also immersed in routine, but his is a routine of a simple lifestyle. His week is made up of breakfast at Celeste’s and his nine to five day job and he “used to wait for Saturdays to embrace Marie’s body'; (The Outsider, Albert Camus, p. 75). Meursault also had found his truth, but as Camus states in his after word, “This truth is as yet a negative one, a truth born of living and feeling'; (The Outsider, Camus, p. 119). It is this truth that results in Meursault’s very strong beliefs.
relate to this due to the use of nouns such as "sick bay" and adverbs
In Night by Elie Wiesel and Welcome to Hard Times by E.L. Doctorow, the reader witnesses the purpose of hope in one’s life. Wiesel and Doctorow fabricate their works around the trials and tribulations one suffers and what causes one to persevere to continue living. Elie and Blue, characters in the works, experience a life full of suffering and destruction. Even through this, they both live on with a purpose unknown to the reader, and perhaps unknown to themselves. Elie and Blue live on, but to no avail it seems, as both authors end their works with an ultimate destruction of the lives of their characters. However, Wiesel and Doctorow express that Elie and Blue persevere through their lives entirely as a result of hope. These authors suggest that suffering will exist in everyone’s life, and amidst this suffering one often searches for meaning. As Elie and Blue demonstrate, hope determines one’s meaning and purpose in life. Wiesel and Doctorow prove that one’s hope defines one’s existence; however, that hope only masks the futility of life, through the presentation of Elie and Blue’s construction of hope, destruction of hope, and adaptation of hope.
In Into the Wild by Jon Krakauer, and The Road Not Taken by Robert Frost, Shares the same message behind the concepts of Choices, Dreams and Tragedy. First, both literature shares the same theme known as Choices. The poem by Robert Frost, Narrator said “Two roads diverged in a wood, and I- I took the one less traveled by,” As the reader can see this poem centers with the choices. The path in this poem can seen as just ordinary road, however Frost actually represents these roads as the life choices. And he decided to take the one less traveled by. Same goes for Christopher McCandless. He didn’t choose the ordinary road just like other else. And rather, he chose the less traveled path to “experiences, the memories, the great triumphant joy of living to the fullest extent in which real meaning is found.” (page 37) Second, both written works
The chaos and destruction that the Nazi’s are causing are not changing the lives of only Jews, but also the lives of citizens in other countries. Between Night by Elie Wiesel and The Hiding Place by Corrie ten Boom, comradeship, faith, strength, and people of visions are crucial to the survival of principle characters. Ironically, in both stories there is a foreseen future, that both seemed to be ignored.
There are many factors that lead to the development of an individual’s identity. Franz Kafka’s “The Metamorphosis” illustrates an extreme change in Gregor Samsa’s external identity and the overall outward effect it has on the development of his family. While James Baldwin’s “Sonny’s Blues” illustrates a young man struggling to find his identity while being pushed around by what society and his family wants him to be. Both of these characters exhibit an underlying struggle of alienation but both also demonstrate a craving for belongingness. This conflict of trying to belong to something as well as satisfying the needs of society, has directly impacted their own individuality and the lives of the people around them.
The most significant journeys are always the ones that transform us, from which we emerge changed in some way. In Paulo Coelho’s modern classic novel The Alchemist, and Robert Frost’s poem The Road Not Taken, the journey that is undertaken by the central exponents leaves both with enlightening knowledge that alters their lives irrevocably. In stark contradiction to this, Ivan Lalic’s poem Of Eurydice , delves into the disruptive and negative force of knowledge, in contrast to The Alchemist which details an antithesis of this point relative to knowledge. In all journeys, the eventuality of knowledge is a transformative one.
Meursault is a fairly average individual who is distinctive more in his apathy and passive pessimism than in anything else. He rarely talks because he generally has nothing to say, and he does what is requested of him because he feels that resisting commands is more of a bother than it is worth. Meursault never did anything notable or distinctive in his life: a fact which makes the events of the book all the more intriguing.
Stephen Crane’s short story, “The Open Boat” speaks directly to Jack London’s own story, “To Build A Fire” in their applications of naturalism and views on humanity. Both writers are pessimistic in their views of humanity and are acutely aware of the natural world. The representations of their characters show humans who believe that they are strong and can ably survive, but these characters many times overestimate themselves which can lead to an understanding of their own mortality as they face down death.
The time and way people are brought up in society makes a huge difference on how they will climb up the social scale in life. In the classic novel House of Mirth, by Edith Wharton and Call it Sleep, by Henry Roth the main characters experience totally different upbringings into society. While Lily Bart is brought up into a high class society, David is born into an immigrant family in a part of the city, which has similar people as his own country. The two characters in the novels both have different and some similar views on how to climb up on the social scale. Although they would give different advice to each other on how to climb the social scale, and have different views on life, one thing that would be common would be to have money.
Life is not always fair. There is no real explanation for this. In almost all constitutions people are created equal but very rarely are all of them treated this way. But before the French revolution happened very few people even had these rights. Then when WW II came around the Jewish people were targeted by the Nazis. They were stripped of all their rights and basically became slaves to the Nazis party. The Nazis tried to rid Europe of the Jewish people and if they had their way eventually the whole world would be free of this religious group. The character that people show through times of adversity can define them individually and as an entire group. In “Night” Eli Wiesel faces life and death everyday in the Nazis concentration camp. While in “A tale of two cities” by Charles Dickens, Carton saves Darnay’s life twice once during a trial and another at the guillotine even though Carton resents Darnay shows mans true potential.
The two stories I chose are A&P by John Updike and Araby by James Joyce. Both stories tell a tale of social and philosophical differences of middle class adolescent boys, when compared to the adults in the stories.
The men of Reserve Police Battalion 101 were just ordinary men, from a variety of backgrounds, education, and age. It would appear that they were not selected by any force other than random chance. Their backgrounds and upbringing, however, did little to prepare these men for the horrors they were to witness and participate in.
Flannery O’Connor and Raymond Carver wrote the short stories, “A Good Man is Hard to Find” and “The Cathedral,” which both showcase personas of conflictedness in two different time frames. Although one can draw many interpretations from these two stories, written in 1953 and 1983, respectively, one might refute many impracticalities associated with the nostalgic state of many of these characters, who possess characteristics that would be considered archaic and imbecilic. Racists and discriminatory viewpoints circumnavigate the minds of several characters, who can’t seem to come to terms with modern ideologues. The prevailing tendencies of these characters could very possibly cause some anguish to the readers, who would struggle to make sense of the ignorance displayed in these two stories. Many critics have suggested their own interpretations of the stories, and what they reveal to us about human nature.
The book that I read was called The Stranger written by Albert Camus. The book is globally famous and was translated to many different languages and texts. The original was called L’Étranger which was written in French in 1942. The plot of this story involved a man in his late twenties or early thirties. The man's name is Meursault. In the beginning of the novel, Meursault is notified that his mother had passed away in the nursing home that he occupied her to. Meursault’s income could not afford to take care of his mother any longer; therefore, he put her in a nursing home. Meursault took off of work and went to the nursing home where she passed away to pay his respects and attend the funeral ceremonies. When he arrived at the nursing home, the funeral director brought Meursault to his mother’s coffin. The director asked if he wanted to see her and he quickly replied to keep the coffin shut. Meursault sat in the room and nearly went through an entire pack of cigarettes while blankly watching his mother’s coffin. At the actual funeral, Meursault shows no signs of normal emotion which would normally be induced at such an event.
Camus writes in a simple, direct, and uncomplicated style. The choice of language serves well to convey the thoughts of Meursault. The story is told in the first person and traces the development of the narrator's attitude toward himself and the rest of the world. Through this sort of simple grammatical structure, Camus gives the reader the opportunity to become part of the awareness of Meursault. In Part I, what Meursault decides to mention are just concrete facts. He describes objects and people, but makes no attempt to analyze them. Since he makes no effort to analyze things around him, that job is given to the reader. The reader therefore creates his own meaning for Meursault's actions. When he is forced to confront his past and reflect on his experiences, he attempts to understand the reasons for existence. At first, Meursault makes references to his inability to understand what's happening around him, but often what he tells us seems the result of his own indifference or detachment. He is frequently inattentive to his surroundings. His mind wanders in the middle of conversations. Rarely does he make judgments or express opinions about what he or other characters are doing. Meursault walks through life largely unaware of the effect of his actions on others.