Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Women in the house on mango street essays
Traditional gender roles in the house on mango street
Essay on feminism in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Women in the house on mango street essays
RSE PARAGRAPH 2
There are a couple different stereotypes presented in this text. One of the more prominent stereotypes throughout the book is the reliance of women on men. In the vignette “Marin”, there is a young girl who is waiting to get married to her boyfriend in Puerto Rico. She thinks being young and beautiful will solve all her problems. In the last paragraph of the vignette, Esperanza says about Marin "Marin... Is waiting for a car to stop, a star to fall, someone to change her life." This shows both how Marin, by waiting for a man, is losing her already limited possibilities and, she is relying on a man in order to make her life better. The second stereotype I found within this text was also connected to gender roles. In Alicia
…show more content…
who Sees Mice, all Alicia wants to is get educated and avoid being a stereotype, but her father doubts her and says “Anyway, a woman's place is sleeping so she can wake up early with a tortilla star.” In this vignette, her father stereotypes her as a woman whose only job is to care after the men and take care of the children, so basically be a housewife. The third stereotype is about men. Something that I noticed throughout the book was almost all the men in the story are creepy and more or less “bad” men. Emphasizing this point, there is a quote that says: “But Sally doesn't tell about the time he hit her with his hands just like a dog, she said, like if I was an animal. He thinks I'm going to run away like his sisters who made the family ashamed. Just because I'm a daughter, and then she doesn't say.” While sometimes men can be not the greatest people, there is the stereotype within this book that shows that most to all men are bad. RSE Paragraph 3 In the House on Mango Street, Sandra Cisneros writes in a very fluid and poetic manner.
For example, when esperanza wants to describe what it’s like having to tote around her annoying sister, she sums up her loneliness by saying "Until then I am a red balloon, a balloon tied to an anchor". By using such fluid and poetic writing, Sandra gives us a great mental image of how Esperanza is feeling. This helps us understand Esperanza more as a character and it once again sums up Esperanza’s feelings of loneliness. Sandra Cisneros writes in a very short and choppy way that makes reading her book very easy but still contains the same power in her sentences. For example, “There was a family. All were little. Their arms were little, and their hands were little, and their height was not tall, and their feet very small.” This quote is short and choppy, but still gets the point across. It helps us to understand what this family looks like and makes the sentences easy to read and understand. Also, Sandra’s writing style as in writing vignettes makes the book more powerful. The reader only knows certain points throughout the character life, and mostly those that change the character or effect them in some way. This makes it easier to see how the character changes throughout the book and which things affect the character the most. Esperanza's mom tells her to not "lay her [her neck] on the threshold waiting for the ball and chain" of marriage. This is a sample of a vignette and poses as a good example of a powerful sentence the author uses to give you a good mental
image.
Moreover, she feels that the "U.S society is gendered and racialized: it expects certain behavior from women, certain bearings from men, certain comportment from queer mujeres, certain demeanor from queer hombres, certain conduct from disabled, and so on"(65 Anzaldua).
Rather, it criticizes this culture through its portrayal of women. The narrative is focused on a male and is told by a male, which reflects the male-centered society it is set in. However, when we compare how the narrator views these women to who they really are, the discrepancies act as a critique on the Dominican culture. Yunior, who represents the typical Dominican male, sees women as objects, conquests, when in fact their actions show their resistance to be categorized as such. Beli, whose childhood was filled with male domination by Trujillo and the family she worked for, attempts to gain power through sexuality, the avenue the culture pushes women toward. This backfires, creating a critique of the limited opportunities available for women. La Inca portrays a different side to this, working quietly but in ways that are not socially acceptable through self-employment. Society attempts to cage these women, but they continue to fight against it. Diaz, in an interview, quoted James Baldwin, stating, “Not everything that is faced can be changed, but nothing can be changed until it is faced" (Fassler). He exhibits the misogyny in the system but does not support it, rather critiques it through strong female characters. By drawing attention to the problem, the novel advocates for change. Diaz writes, at the end of part 1, “Nothing more exhilarating… than saving yourself by the simple act of waking”
Many are confined in a marriage in which they are unhappy with, and are reductant to make a change. Some are committed to make a change for themselves. Esperanza ponders each one of these women's lives. Through each role model Esperanza gains crucial life lessons on how to overcome different life hardships. Through some women like her great-grandmother and Ruthie, Esperanza learns she must take control her fate, to avoid marrying young, and not let a male figure dictate her future. Other women like Alicia, Esperanza learns to keep pursuing goals in life and to take control of her destiny no matter what obstruction may lay ahead. From Esperanza’s role models, the moral lesson that can be taken away is to be proactive about your life and to shape your own future. Everyone is a role model to somebody in their life. Strive to leave a positive message behind for the ones shadowing in your
At the other end of the spectrum, the novel is a series of vignettes. "I would affirm that, although some of the narratives of Mango Street are 'short stories,' most are vignettes, that is, literary sketches, like small illustrations nonetheless..." says critic Julian Olivares (145). Cisneros has stated that she wants a reader to be able to pick up the novel and understand its meaning from any point within; therefore, the novel is told in a series of vignettes, each of which makes it own point. The vignettes are combined to create a larger story (Olivares 145). "Chanclas" is an example of Cisneros's sound prose vignettes. "Meanwhile that boy who is my cousin... asks me to dance and I can't" (Cisneros 47).This chapter is a literary sketch which illustrates Esperanza's insecurity about being poor.
Throughout The House on Mango Street Esperanza learns to resist the gender norms that are deeply imbedded in her community. The majority of the other female characters in the novel have internalized the male viewpoint and they believe that it is their husbands or fathers responsibility to care for them and make any crucial decisions for them. However, despite the influence of other female characters that are “immasculated”, according to Judith Fetterley, Esperanza’s experiences lead her to become a “resisting reader” in Fettereley’s terminology because she does not want to become like the women that she observes, stuck under a man’s authority. She desires to leave Mango Street and have a “home of her own” so that she will never be forced to depend on a man (Cisneros 108). During the course of the novel Esperanza eventually realizes that it is also her duty to go back to Mango Street “For the ones that cannot out”, or the women who do not challenge the norms (110). Esperanza eventually turns to her writing as a way to escape from her situation without having to marry a man that she would be forced to rely on like some of her friends do.
In the society that Esperanza and her friends live in, love takes a back seat
She is influenced by her society to grow up and be a wife to a husband, while her mother tells her how she has to look saying that her, “dusty hair will settle” and that her “blouse will learn to stay clean”(88). However that’s not what she wants. From all of the times of people telling her what to do she realizes she doesn’t want to be like how the world wants her to act. Esperanza states, “I have begun my own quiet war. Simple. Sure. I am the one who leaves the table like a man, without putting back the chair or picking up the plate.”(89) She acts this way to prove she’s her own person, that she doesn’t want to be like everyone else, and that she has her own values. She values being independent and that she can make her own decisions. Esperanza has built up a defiance towards all that she’s been told to do.
At first, Esperanza is young, insecure, and immature. Her immaturity is apparent when she talks about her mom holding her, saying it is, “sweet to put your nose into when she is holding you and you feel safe” (Cisneros 6-7). This shows Esperanza’s insecurity because her mom is still a big comfort source to her. She feels a false sense of comfort because her mom is there and will protect her. In addition, Esperanza’s immaturity is shown through her dislike for outsiders of the neighborhood when she says, “They are stupid people who are lost and got here by mistake” (Cisneros 28). This indicates how defensive and protective Esperanza is towards her barrio by calling outsiders stupid for reacting the way they do, even though she dislikes Mango Street....
Judith Ortiz Cofer, a professor of english and creative writing, tackles gender roles as well as cultural stereotypes in “ The Myth of the Latin Woman” and challenges them by attempting to replace the stereotypes with the realities. In “The Myth of the Latin Woman” Cofer discusses her life in America as a Puerto Rican woman. She also shares her stories of when she was stereotyped and how gender roles play a role in how Latinos are viewed. Stereotypes will follow you around because of your appearance and how the media portrays Latinas.
According to the oxford dictionary a stereotype is; a widely held but fixed and oversimplified image or idea of a particular type of person or thing. In the text there are two female stereotypes that are depicted. These stereotypes are, that the girls are sex objects and are only there for the males pleasure and use. The other is, that the older women are typical stay at home mothers, not having a job or a life. The first stereotype is what the play has been written about, the most predominant example is the gang rape of Tracy. This example shows exactly how the boys think of the girls as objects; another example is how Ricko only talks to Tiffany so he can have sex with her. Through
The idea of the alienated artist is very common in feminist works. Esperanza, the protagonist, is alienated from the rest of society in many ways. Her Latino neighborhood seems to be excluded from the rest of the world, while Esperanza is also separated from the other members of her community. Members of other cultures are afraid to enter the neighborhood because they believe it is dangerous. Esperanza seems to be the only one who refuses to just accept Mango Street, and she dreams of someday leaving it behind. She is considered an artist because she has an extremely creative imagination which creates a conflict with the type of liberal individuality she seeks. This creative "genius survives even under the most adverse conditions..." (Gagnier 137). To escape the pain of this division, Esperanza turns to writing. She says, "I put it down on paper and then the ghost does not ache so much" (Cisneros 110). Gagnier sees a "distinction of the writer who nonetheless sees herself as somehow different, separate..." (137).
In the Book women are looked upon as objects by men whether they are boyfriends, friends fathers or husbands. The girls in the novel grow up with the mentality that looks and appearance are the most important things to a woman. Cisneros also shows how Latino women are expected to be loyal to their husbands, and that a husband should have complete control of the relationship. Yet on the other hand, Cisneros describes the character Esperanza as being different. Even though she is born and raised in the same culture as the women around her, she is not happy with it, and knows that someday she will break free from its ties, because she is mentally strong and has a talent for telling stories. She comes back through her stories by showing the women that they can be independent and live their own lives. In a way this is Cinceros' way of coming back and giving back to the women in her community.
For a first example of stereotypes, In “The Myth of the Latin Woman,” Judith Ortiz Cofer writes about the many stereotypes that she, as a Puerto Rican woman, has endured. She opens with a tale of how she had been publicly serenaded—on a London bus, of all places—by, as Cofer puts it, “a young man, obviously fresh from a pub” (187). Later on, she mentions a second random serenade of sorts, this time from a older man in a classy metropolitan hotel. The young man sang “Maria” from West Side Story, the older man first chose a song from Evita, then encored with a crudely-worded song to the tune of “La Bamba.” In both situations, whether it was their intention or not, their actions resulted in alienation of the author, singling her out and thrusting the stereotypes of her lineage in her face. The men may have meant well; they may have felt that what they were doing was good-hearted fun. They may have even been trying to...
Esperanza’s rebel role model, Marin, is a clear example of a woman accepting their role in society, depending on a man. Marin teaches Esperanza things so Esperanza sees Marin as a source for her everyday needs: “I like Marin. She is older and knows lots of things. She is the one who told us how Davey the Baby’s sister got pregnant and what cream
Esperanza illustrates that she is a bad role model through her actions and words. She is afraid of white communities and of her future. Whenever she looks at things she cannot have or people mock her lifestyle, she feels ashamed. Her inconsistency in decisions also makes her a bad role model. The immigrant from Mexico appears shy and terrified because inside she truly has reasons to feel that way. Esperanza must learn to overcome her fears, past prejudices, and low expectations to become successful in all aspects of her life. Only then, will she become a positive role model.