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Historical black hair disparities in america
Essays on black hair history
Essays on black hair history
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African Dread and Nubian Locks Malcolm X wrote of his “conk”: “This was my first really big step toward self degradation: when I endured all of that pain, literally burning my flesh to have it look like a white man’s hair. I had joined that multitude of Negro men and women in America who are brainwashed into believing that black people are ‘inferior’ –and white people ‘superior’ –that they will even violate and mutilate their God created bodies to try to look ‘pretty by white standards” (X 356). Many black men and the majority of black women have diverted themselves from the wearing of unprocessed (natural) hairstyles from the fear of losing approval from whites and fellow blacks as well. Today there are different styles of locks around the world worn by both blacks and whites. Next to the Afro, Dreadlocks are the second most common natural hairstyle of blacks in America. History shows that a form of locks dated back to the time of the Old Testament. The books of Leviticus (21:5) and Numbers (6:5) both talk about not making baldness on or touching a razor to one’s head. Thus the name African locks comes into place in today’s society. Popularizing the style known as dreadlocks are a group of people known as Rastas. These societies of people are the founders of an Afro-Caribbean politically orientated religion known as Rastafarianism. Rastafarianism is more of a way of life than a religion, although several religious beliefs of Christianity are strongly followed. Rastas outlawed the cutting or combing of their hair citing the aforementioned scriptures from the Bible. The style was copied from photographs of Masai warriors from East Africa and is a defiant assertion of their Africaness. The name dreadlocks was... ... middle of paper ... ...ors and the extraordinary leaders that came before them. In these cases, they refer to their locks as Nubian Locks (“Nubian” referring to the black man’s history in Africa and their greatness as patriarchal kings). These are the locks that I desire to grow and wear proudly. I like to smoke fine hand made cigars, not marijuana. I like to play tennis, as oppose to standing on a street corner. I have a beautiful family, well paying job and I am a full time college student. However, should I have to comprise my spiritual and cultural transformation in order to be accepted by the status quo? I will not. Bibliography: hooks, bell. “Straightening our Hair.” Identities. Ed. Ann Raimes. Boston: Houghton Mifflin Company, 1996. X, Malcolm. “Hair.” Multitude. Ed. Chitra Divakaruni. New York: Mc Graw-Hill, Inc., 1993.
In the Moorish Science Temple of America. The Turban is predominantly worn by Women. According to text, “To the Moslems of the west, it represents purity and is consider a crown. It is truly a symbol of Modesty and respect for self” . Additionally, turban patterns or cloth determined social status. Men weren’t allowed to shave their beards and had to wear red fezzes. According to the MST website, “The Fez represents a Pyramid without a capstone; it is a storehouse of knowledge . The Fez is the extension of a man who knows himself thus making a man complete. The Fez is the National Headdress of the Asiatic Moorish Nation of North, South and Central Americas, including the adjoin Islands. It’s literary symbolic of power, authority, knowledge, wisdom, and understanding. When one views the Fez from the inside, one sees circles of 360 degrees. This is the unseen. Viewing it from the outside, one sees only 2 circles. This is the seen. The unseen is the spiritual side that rules the physical, the seen is the manifested . Each cord represents the laws of Allah that man has to live by and in some cases the battles that he has
Hair is interpersonal because it allows for people to connect in ways they necessarily wouldn’t have connected other wise. Jefferson describes an encounter she has at a shore while she buying hair products. During the encounter, the cashier assumes that Jefferson isn’t Black and doesn’t understand Black hair, so he tries to reassure her that she is making the right purchase. Jefferson then goes on to say a series of cultural specific things to confirm her racial identity. She said that she must, “ articulate what we both know to be the chasm that divides ‘curly hair’” and “provide precision since his skin is black-brown and mine is cream-brown” and she ends by stating firmly, “I am African American”(1). I found it interesting that though they were both Black, Jefferson was the one who felt the pressure to have to “prove” her racial identity. She does this through talking a lot more then she should but hair gives her the avenue to have the conversation. In a final act to affirm her identity, Jefferson, while talking about her hair dresser, states, he “understands the mechanics of hair that goes from curly to frizzy to… nappy” (1). And with that single word they were able to connect and share laughs over hair struggles that only the “in” group, another vernacular aspect, understands. Jefferson was also to confirm her identity and establish a relationship though simply talking
Black women have been the essence of style, originality all while receiving nothing but bad response from critics who secretly envy them. Natural hair tends to be another widespread trend. I think that some do the natural so they can connect with their African roots while I think others just like the look, or maybe it’s easier. No matter what grade of hair society has one marked term for black hair which is “nappy”. Besides pertaining to actions, the word ghetto is used to describe just about every aspect of a black girl's life. "Girl your hair look ghetto" and "You talk/sound ghetto" are two common phrases used around school. Colored hair, weaves, extensions, dyes and relaxers/perms are all things black girls have encountered. If your hair looks "too" nice, it's assumed that you're wearing weave or that you've gotten a fresh
Hair Care is another popular africanism present in America for African americans. For african american woman going for a natural hairstyle is quite common. Dating back to pre-colonial africa a natural afro hair style defined status and identity. Different styles indicated certain qualitie...
She states, “Individual preferences (whether rooted in self hate or not) cannot negate the reality that our collective obsession with straightening black hair reflects the psychology of oppression and the impact of racist colonization” (Hooks 540).
In Hair Story (2002), the authors write about some of black hair style, include the West African manner of wearing their hair in braid or wrap to the current and most popular hair styles: weaves, natural hair and chemical hair straightening by black people- a style considered as imitating "white" hairstyles. Byrd and Tharps (2010)
Rastafari is, before it is anything else, a way of life. It offers approaches and answers to real problems black people face in daily living; it promotes spiritual resilience in the face of oppressive poverty and underdevelopment. It produces art, music and cultural forms, which can be universally recognized and appreciated. More important, Rastafari provides a positive self-image, an alternative to people who need and cannot find or accept one elsewhere. Even with its black foundation and orientation, Rastafarianism is open to anyone, of any race, who chooses to discover and is able to accept it.
“Hollywood is an industry that gravitates toward trends, but the natural hair movement has gone unnoticed and unaddressed on small screens all across the country” (Gordon, 2015, para. 4). Recently, the shows that are rated high, black women are wearing weaves and wigs instead of their natural, unprocessed hair. When analyzing Olivia Pope from scandal or Gabrielle Union from Being Mary Jane we all see that they obviously wear weaves and wigs. Even though natural hair is missing from hit TV shows, some stars, such as Lupita Nyong’o, the 12 Years a Slave star has strutted the red carpet with their natural hair on display. Only time will tell when more roles will feature women like Tracee Ellis Ross; starring in ABC’s new comedy Black–ish, sporting the big natural hairstyles that more and more Black women have been embracing. I believe actresses have fear of being limited by their natural hairstyles and that’s why weaves and wigs continue to dominate the
This paper will argue that to be a Black woman with natural hair, is deviant in the eyes of white culture. Natural hair is regarded as unkempt, unclean, and unprofessional (Thompson 2009). American society seeks to demonize the hair of Black women because natural hair disregards Eurocentric beauty standards (Robinson 2011). To rebel and wear one’s hair naturally comes with a price - especially in the workplace and school environment - because there are discriminatory dress-codes that prevent Black women from meeting institutional requirements (Klein 2013). Black women face discrimination for their natural hair due to the power imbalance of white men in work and educational structures.
The often pushed their male spouses into voting and standing up for their rights as citizens of the United States, and with the “Black is Beautiful” movement making headway through the late 1960s onward Black women were finally able to take control of their femaleness back to their African roots, most notably through their roots. In Hair Story, Ayana Byrd and Lori Tharps write “Blacks and Whites came to believe that the way Black people wore their hair said something about their politics. Hair came to symbolize either a continued move toward integration in in the American political system or a growing cry for Black power and nationalism.” Up until the “Black is Beautiful movement” black women wore their hair as straight as possible. With the advent of the hot comb and hair relaxer (aka “creamy crack”) Black women, and men alike would put themselves thorough rigorous processes to straighten, and make their hair look as white as possible by means of very literally burning their hair and scalps. Malcom X said “We hated our African characteristics. We hated our hair. We hated the shape of our nose, and the shape of our lips, the color of our skin. That is how [Whites] imprisoned us.” That is how white Americans normalized the popular
Imagine having the flexibility of wearing your hair loose and flowing. . .maybe pulled back in a simple rubber band, or allowing your long locks to swing expressively in front of your face. It's a natural feeling and style, that epitomizes your love for individualism, they are your Dreadlocks. The art of dreadlocks can be traced back to the Ancient Caribbean islands such as Jamaica where they were fine tuned to perfection by Rastafarians. Here at Syracuse University, students give a new meaning to what it is like to be a part of the dreadlock society without having to be a Rastafarian, a black radicalist, or politically correct. In fact, being able to be different and sculpt the hair away from the average trends on campus creates this off beat group--The Dreadlocks Society.
Just because a person watches the media and sees a few black women with dreadlocks and afros sternly speaking their mind or even being destructive, an individual should not assume all black women with an afro or dreadlocks behave the same way. Honestly, it is sad that any person with a unique hair texture has to conform to a European hair style (straight) to look professional.
During an interview with Channel 4, Chimamanda Ngozi Adichie said that “hair is a political thing”. Indeed, the way people wear their hair tell something about them. As the author said, if a black woman wears braids, people will have a certain image of her, as a radical, an artist, a traditional African woman and so on. It opens the debate on what society consider as beautiful. Most of the time, straight hair would be considered as beautiful and professional. In Americanah, Ifemelu has an
The headscarf has a role in Islam. It derives its significance from the Qur’an. Qur’an is God’s command to Muslims and the word taught to Prophet Mohammad by Allah. Muslim women wear headscarves to cover themselves. It’s a kind of modesty, and a way that women cover their beauty. They should not display their beauty except to their husbands, their fathers, their husbands ‘fathers, their sons, their husbands’ sons, their brothers, or their brothers’ sons or their sisters’ sons, or their women or the servants whom their right hand possess, or male servants free of physical needs, or small children who have no senses of the shame of sex and that they should not strike their feet in order to draw attention to their hidden ornaments.
Beyond legal and formal issues, restrictions from strict dress codes have the ability to create dissatisfaction in students about their qualities. In South Africa, natural hair is not considered acceptable in many schools despite the African population being ten times that of the white population (which makes up about 8% of the country’s demographics). 13-year-old Zulaikha Patel received discipline at several schools for wearing her hair in an afro style; she has since changed schools three times as a result of the issue (Chutel). In terms of the lack of acceptance and leniency of such strict dress code, the matter can easily be viewed as an occasion where Caucasian culture gained superiority without necessarily requiring a population majority;