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Affect of colonial slavery
Affect of colonial slavery
Cultural ethnocentrism
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African Diaspora
The study of cultures in the African Diaspora is relatively
young. Slavery and the trans-Atlantic slave trade brought numerous
Africans, under forced and brutal conditions, to the New World. Of
particular interest to many recent historians and Africanists is the
extent to which Africans were able to transfer, retain, modify or
transform their cultures under the conditions of their new
environments. Three main schools of thought have emerged in scholarly
discussion and research on this topic. Some argue that there are no
significant connections between Africans and African American
communities in the Americas. Others argue that Africans retained
significant aspects of their cultures. Similar to this argument, some
have argued that Africans, responding to their new environments,
retained and transformed African cultures into new African-American
ethnic units.
Detailed research done on slave communities in Surinam, South
Carolina and Louisiana allow us to look deeper into the stated
arguments. Having recently addressed the same issues using Colonial
South Carolina as a case study, I will focus largely on some of the
arguments and conclusions drawn from this study. The evidence from
South Carolina, Louisiana and Surinam supports the second and third
arguments much more than the first. The third argument, that of
cultural transformation, is the argument I find to be most valid.
John Thornton's analysis of this issue is extremely helpful.
He addresses the "no connections" arguments in chapters 6, 7 and 8. He
outlines the claims made by scholars Franklin Frazier, Stanley Elkins,
Sidney Mintz and Richard Price. Frazier and Mintz believe that the
extreme trauma and disruption experienced by Africans during the
process of enslavement and the middle passage minimized the
possibility that they maintained aspects of their cultures in the new
world. They argue that this process "had the effect of traumatizing
and marginalizing them, so that they would became cultural receptacles
rather than donors" (152).
Mintz and Price have argued the slave trade had the effect of
"permanently breaking numerous social bonds that had tied Africans
together..." (153). Another element of the "no connections" argument
claims that Africans did not receive enough associational time with
each othe...
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... capacity. The use of poison as a form of rebellion is
visible in both the examples from Colonial South Carolina and Jamaica.
Cases of death by poison in Colonial South Carolina leading up to the
Stono Rebellion led to its inclusion in the Negro Act of 1740. The Act made poisoning a felony punishable by death.
In conclusion, both significant African retentions and
transformations took place in the early European settlement of the
Americas. More recently, there has been a tendency to overemphasize or
even romanticize the "Africanisms." While acknowledging "Africanisms"
did make their way into the Americas, I find the evidence from
accounts of early slave cultures and the Anthropological background
provided by Thornton on cultural transformation and change persuasive
in suggesting the formation of Afro- American rather than
"Afro-centric" communities. This approach to the slavery and the slave
era is relatively young and will have to be developed. A conclusion
that is clear after studying works of Peter Wood, Gwendolyn Hall and
Richard Price, is that the early arguments suggesting no connection of
African heritage to the Americas are entirely invalid.
In America today, there is a large and diverse African-American population. Within this population, there are several ethnic groups. The other ethnic group similar to Afro-Americans is Dominicans. Not only are they both minorities, but they also look similar as well. Both Dominicans and Afro-Americans are originally from Africa, but their slave masters separated them into two different cultures. African-Americans was African slaves of Americans, and Dominicans were African slaves of the Spanish. Hevesi of the New York Times says, "Dominican and Afro-Americans culture was formed from one ethnicity, Africans" (Hevesi 86). As a person of these two ethnic groups, I have two perceptions of my dual ethnicity. Among Afro-Americans’ and Dominicans’ culture, language, history and values, there are large differences, but there are also several similarities. I will compare and contrast these two ethnic groups which are within me.
Like most, the stories we hear as children leave lasting impacts in our heads and stay with us for lifetimes. Hughes was greatly influenced by the stories told by his grandmother as they instilled a sense of racial pride that would become a recurring theme in his works as well as become a staple in the Harlem Renaissance movement. During Hughes’ prominence in the 20’s, America was as prejudiced as ever and the African-American sense of pride and identity throughout the U.S. was at an all time low. Hughes took note of this and made it a common theme to put “the everyday black man” in most of his stories as well as using traditional “negro dialect” to better represent his African-American brethren. Also, at this time Hughes had major disagreements with members of the black middle class, such as W.E.B. DuBois for trying to assimilate and promote more european values and culture, whereas Hughes believed in holding fast to the traditions of the African-American people and avoid having their heritage be whitewashed by black intellectuals.
There are currently 150 million Afro-descendants in Latin America who make up nearly 30 percent of the region’s population (Congressional Research Service, 2005). Out of the fifteen Latin American nations that have recently adapted some sort of multicultural reform, only three give recognize Afro-Latino communities and give them the same rights as indigenous groups (Hooker, 2005). Indigenous groups are more successful than afro-descendent groups in gaining collective rights and development aid from international NGO’s. Collective rights important because are closely related to land rights and can become a tool to fight descrimination .I will attempt to uncover the causes for the discrepancy. This study relies heavily on ethnographic research on post-colonial ideas of race in Latin America and I will attempt to connect race and power structures in environmental decision-making by interviews with national decision-makers, NGO representatives and both black and indigenous communities .
The civil rights movement may have technically ended in the nineteen sixties, but America is still feeling the adverse effects of this dark time in history today. African Americans were the group of people most affected by the Civil Rights Act and continue to be today. Great pain and suffering, though, usually amounts to great literature. This period in American history was no exception. Langston Hughes was a prolific writer before, during, and after the Civil Rights Act and produced many classic poems for African American literature. Hughes uses theme, point of view, and historical context in his poems “I, Too” and “Theme for English B” to expand the views on African American culture to his audience members.
Slave’s masters consistently tried to erase African culture from their slave’s memories. They insisted that slavery had rescued blacks form the barbarians from Africa and introduced them to the “superior” white civilization. Some slaves came to believe this propaganda, but the continued influence of African culture in the slave community added slave resistance to the modification of African culture. Some slaves, for example, answered to English name in the fields but use African names in their quarters. The slave’s lives were filled with surviving traits of African culture, and their artwork, music, and other differences reflected this influence.
The African Blood Brotherhood for African Liberation and Redemption (ABB) was a militant black liberation group founded in 1919 by West Indian journalist Cyril Briggs. Cyril Briggs, a West Indian-born radical of mixed racial parentage living in New York. Briggs was a staunch exponent of the theory of racial separatism. The ABB was a revolutionary secret organization whose purpose and program was the liberation of African people and the redemption of the African race. It was a propaganda organization built on the model of the secret fraternity, organized in "posts." It was centered in Harlem, the ABB established local branches throughout the country.
For many years, African Americans were forced to live without a voice and many accepted the fact that they were seen as inferior to the white race. Although they were excluded from being a part of society, built up emotions constructed beautiful pieces of poetry that have become important aspects of today’s literature. Langston Hughes’, “ I Too, Sing America” and Claude Mckay’s, “The White House” will be looked at closely to determine how each poem portrays emotional discontent and conflicted emotional states.
This country, especially the southern United States, was built using African slave labor. Africa slaves were not allowed to be educated. All most every African slave could not read or write because it was against the law to educate slaves for over 200 years. The master/slave relationship caused assimilation to be very difficult. Values and convictions were formed during those years and are still evident to this day (Parrillo, 2009).
... a recurring theme of the dream of equality. Hughes composed many poems and plays during the Harlem Renaissance and the Civil Rights Era, and his legacy continues to be evident throughout American culture. His words inspired many, and showcased the plight of African-Americans in that era. Hughes’ impact was memorable because he lead African-Americans into writing, much like other distinguished African-American authors of the Harlem Renaissance period. His voice was heard above most other authors of the 1920’s and 30’s, and he expressed his wishes for improved treatment of the black race and the eradication of segregation in the United States with lyrical, thought-provoking poetry and symbolic dramas. Hughes inspired many writers and social activists after him, and continues to be a prominent figure in the general and literary achievements in African-American history.
Through many Langston Hughes and Richard Wright’s literary works, both authors sought to build up his community of African-Americans by instilling in them a sense of pride and triumph. This theme was frequently applied to their works as they wrote to encourage their readers to fight the skirmish against racism. They had hopes that their writings would somehow make a difference, a difference in which the world could change from its biased ways.
One of the advantages of how he wrote his poetry is that it can take hold of people by exemplifying his accounts of the everyday life that the disenfranchised experience. Hughes took on the injustices that other dared no to speak of. He wrote about how the African-American people of the 1920’s suffered the plight of racial inequality. In many cases I believe that Hughes used his writing as an instrument of change. In “Come to the Waldorf-Astoria” (506) Hughes tackles the drastic disparity between wealthy whites and the African Americans of the 1930’s. This piece displays an unconventional style for a poem; using satire to capture the reader’s attention. By using this satiric form of poetry Hughes is able to play on the emotions of the white reader, while at the same time inspiring the black readers. Hughes is constantly comparing the luxuries of the Waldorf-Astoria to the hardships that the African American people were experiencing. “It's cold as he...
The four poems by Langston Hughes, “Negro,” “Harlem,” “The Negro Speaks of Rivers,” and “Theme for English B” are all powerful poems and moving poems! Taken all together they speak to the very founding of relations of whites and blacks all the way down through history. The speaker in the poem the, “Negro” and also, “The Negro Speaks of Rivers,” tells the tale of freedom and enslavement that his people have endured, and it heralds their wisdom and strength. The poems “Harlem” and “Theme for English B” speaks to the continuous unfair treatment that the blacks have received at the hands of white people throughout the years.
In 1960, the American sociologist Paul Goodman published his seminal work, Growing Up Absurd: Problems of Youth in the Organized Society. Having observed that, since World War II, there had been an increasing rise in juvenile delinquency – especially amongst white, middle-class, educated males – Goodman set out to study both the source and forms of delinquency. Simply put, he wanted to understand why and how young men were rebelling not just from the previous generation but from society as a whole. Goodman ultimately posited that having been frustrated by an increasingly bureaucratic and corporate culture, the only way for these young men to begin forging their personal identities was to reject the very middle-class culture and values from which they had emerged. Goodman then discovered that many of these young men began to find solace and freedom, to quote Allen Ginsberg, “by dragging themselves through negro hipster streets.” These middle-class young men – or what Goodman would ultimately label as “the white negroes” – found for themselves an entirely new cultural frontier by embracing what they felt to be the only free space available: within the bosom of black culture. The fact middle-class, white males listening to “black music” would hardly raise an eyebrow today only serves as a testament to the enduring power of blackness as a cultural trope. Whether it be jazz in the 1950s or hip-hop at the turn of the century, white youth have continued to find avenues of self-expression and self-formation through what Toni Morrison calls an Africanist presence.
Within the works of Langston Hughes the theme of prejudiceness is portrayed in many pieces (Ed 2). Growing up as an African American boy there were situations where people prejudged him just because of his skin tone, of course the situations were hurtful, but it later on helped build a powerful story or poem (Ed 2). For this reason, Langston Hughes often narrowed in on the African American working class (Williams 2). Coupled with the African American working class, an individual 's race created a separation between people (Sundquist 2). The separation of individuals for no other reason but their skin tone infuriated Hughes and he took it to pen and paper to express the differences and opposing treatment of civilians (Sundquist 2). When it came to Langston Hughes the achievement of being the best was not his goal, rather it was to get his words across and let people relate or realize what he is telling. Along with the process of seeking awareness, Hughes worked with the categories “racial insights and national attitudes” (Emanuel 119). In addition to the way African Americans were treated, the chances of working and education were also unequal. The opening for a job tended to be much easier for a white citizen to get when being compared to someone with darker skin (MacNicholas 318). White citizens also believed they were superior and that African Americans were outsiders, therefore African Americans education wasn’t taken as seriously or wasn’t available to them (MacNicholas 318). Keeping the focus of racial prejudiceness in mind, Langston Hughes’ works pinpointed mainly cities and when being interviewed about what his goal in his writings is “Hughes replied “I explain and illuminate the Negro working condition in America. This applies to 90 percent of my work” (Emanuel 68-69). Langston Hughes, being an African
“I have a dream that my four children will one day live in a nation where they will not be judged by the color of their skin, but by the content of their character” (Martin Luther King Jr., “I had a dream speech”). Racism, a strong weapon used against equality. Langston Hughes portrayed his view of societal racism in poetry and songs. Quite a strong soldier in the war against prejudice, his train of thought was precisely what society needs, yet fears. Racism should be distinguished, but is as strong as ever. The end of its reign would enhance the ability of minorities in terms of jobs, societal acceptance, and life in general. Langston Hughes communicates his theme of racism and overcoming it through his use of Symbolism, Tone, and Anthropomorphism.