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African dance essay
African dance essay
Importance of dance in culture
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Role of Culture and Community in African Dance
Africa is the world’s second largest continent and the most populous. There are 54 individual countries in Africa, which are located in either the western, eastern, southern, central or northern regions of the continent. Countries in Africa are well known for their different tradition and cultural practices that have been preserved for a very long time. Culture and tradition are important in African communities since members of different communities in Africa express themselves through their culture and traditions. One of the ways they express themselves is through their cultural dances.
Most African countries view dance as the best way to express themselves and, therefore, include movements that have true meaning in their dance routine. Among the movements included in African cultural dances are gestures, masks, costumes, body painting, and props (Wayne, 2010). By including these movements in their dance routines, dancers are able to communicate their messages to the audiences. Culture and community play a role in African dance are in Africa, “ dance is
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a means of marking life experiences, encouraging abundant crops, honoring kings and queens, celebrating weddings, marking rites of passage and other ceremonial occasions. Dance is also done purely for enjoyment (NewWorldEncyclopedia). In addition, through ritual dances, which include props such as masks, African communities are able to communicate to God. The most common instrument used in African dances is the African drum. The African drum is seen as essential among African communities because it expresses the dancers’ mood and evokes emotion. When talking about the significance of the African drum in African dancers, Wayne 2010 says, “The beat of the African drum is considered the ‘heartbeat of the community’ and its rhythm is what holds the dancers together.” However, the Masai tribe, a Nilotic ethnic group of semi-nomadic people who inhabit Kenya and Northern Tanzania, do not include the African drum as an instrument of their dance routine. This gives the tribal dance its uniqueness and it is why I chose to focus on the tribal dance. The unique Masai dance is usually called, “the jumping dance”.
In the jumping dance, “young man will jump as high as he can while the others stand in a circle and sing. The voices of the men get higher as the jumping increases. In the Masai language, this dancing competition is called the "adumu" (Kenya-advisor.com). Among the Masai tribe, the “adumu” is historically performed during the “Eunoto”, which is a ten-day ceremony of singing, feasting, dancing, feasting and ritual. This ceremony celebrates the rite of passage where the Masai boys are initiated to be true Masai warriors. In addition to the unique dance, the Masai have a unique look which includes, “long hair painted rusty with a mix of ochre and fat, red robes, and large, stiff, beaded collars”( Spavento, 2013). Their unique look works in their favor as it emphasizes the height and hangtime for their
jumping. While watching the Masai dance performance, I analyzed their unique look as part of a dance costume since it went well with the performance. I was fascinated at how even without the African drum, the dance routine conveyed a lot of passion from the dancers. The dance is done simultaneously with singing from the dancers. The adumu dance also includes movements of the head and neck. Kenya-davisor.com explains, “as the singers breathe out, the head is stuck out and then tipped farther back when they breathe in. This pattern creates a uniform "bobbing" of the Masai's heads as they sing. I liked this aspect of simultaneous singing and dance because it mixes two different types of art together. Normally, during dance performances, the dancers usually use music from a different song. The adumu dance is therefore unique to other types of dances that I have seen. In comparison to other non-ethnic dance forms, the adumu dance is similar to modern dance. This is due to the fact that similar to Martha Graham modern techniques, which has movements of high jumps, the adumu dance also has high jumps. This similarity is fascinating because the adumu is a traditional dance style that has existed among the Masai tribe for many years. It shows how modern dance also includes non-modern dances into their movements. I like the adumu dance mainly due to its uniqueness from other African dances and also due to the fact that the dance is meaningful and valued to the tribe. The dance routine influenced my own notion of dance by making me realize how a simple dance routine can play a role in influencing people’s culture and bringing happiness to them. Even though the adumu dance is different from my normal dance routine, I would like to learn the community dance. I would recommend my friends to watch the dance routine because I believe that they will enjoy it like I did. Work cite Wayne. "Music and Dance in African Culture." Africa Imports African Business Blog. 27 Jan. 2010. Web. 10 Dec. 2015. . "Traditions of the Masai: Dance and Music." Traditions of the Masai: Dance and Music. Web. 10 Dec. 2015. . Spavento, Stephanie. "Multicultural Minute: Adumu, The Masai Jumping Dance." The Perpetual Explorer. 18 Nov. 2013. Web. 10 Dec. 2015. .
“Who knows only his own generation remains always a child.” This quote from George Norlin echoes the edification that cultural exposure can offer. How does African dance relate to do modern dance? The two are so heterogeneous in their make-up that one would not think of them as having similarities. The truth, however, is that all dance forms are linked in some way or another; they all strengthen and sharpen each other. Modern dance has its roots in African dance with the emphasis placed on the connection of weight and gravity. Brenda Dixon Gottschild names five aesthetics that are present in African dance. A particular piece that draws attention to the relation of the five aesthetics to modern dance is “Split Sides”, choreographed by Merce Cunningham.
Every dance that is created by a choreographer has a meaning and or purpose behind it. The dance choreographed could be used to send a political, emotional, or a social message. Regardless of the message being sent, each dance created possesses a unique cultural and human significance. This essay will examine and analyze two dance works from history and give an insight into what each dance work provided to the society of its time.
Learning about Dance: Dance as an Art Form and Entertainment provides visions into the many features of dance and inspires scholars to keep an open mind and think critically about the stimulating, bold, ever-changing and active world of dance. Learning about Dance is particularly useful for those who do not have a wide and diverse dance contextual, such as students in a preliminary level or survey dance course. This book consists of twelve chapters. Chapter one dance as an art form focuses on the basic structures of dance. Dance is displayed through the human body, it has the control to communicate and induce reactions. Dance can be found in many different places, it enables the participants and seekers to touch and knowledge the joy of movement. Dance is discovered as being one of the oldest art forms worldwide. Dance existed in early cultures was recognized in a sequence of rock paintings portrayed dance. Since this discovery of rock paintings, several other forms of art have been found that depict dance. People used rituals in order to worship the gods and believed that the rituals held magical and spiritual powers. During the ancient period civilizations sentient decisions began to be made with regard to dance. Other periods that had an impact on dance were the medieval period, the renaissance period, and the contemporary period. Chapter two the choreographer, the choreographer is a person who comes up with the movements created into a dance routine. The choreographer expresses themselves through choreography because this is their way of communicating with the audience. In order to be a choreographer you must have a passion for dance. Each choreographer has their own approaches and ways of making up a routine. Choreographers ...
To conclude, one can say that dancing has been a true life saver for some of them because not only is it allowing them to express themselves but it also gives them another option than just being a gang member. Dancing also helps them express their passion for the art and it a form of spiritual connection, while connecting them to the African culture. They relieve all their stress and anger through dancing. Lastly, dancing give them a sense of pride and hope that life could get better with hard work and perseverance.
Before the Lindy-Hop became popular and long before tap dance was established in the United States, Black Bottom dance was popular among both Blacks and Whites in Harlem, New York. The dance craze, appropriated from the blacks in Harlem’s nightclubs, became a big rage when brought to the white community and put on stage. Black Bottom dance, also known as “Swanee Bottom” was an popular dance among lower class African Americans in the early 1900s. Beloved to be introduced by Alberta Hunter, a popular blues singer, Black Bottom was a dance that emerged from African American culture. Although Black Bottom is not a family recognizable dance today, the popularity of the dance at this time caused a great ripple in the dances that came later on down the line.
Considering descendants’ effort to bring this culture back in society, this entire dancing performance, masks, and the idea of interacting with the outside world must not have been merely correlated to their religious and spiritual ritual. It might have been their identity; a symbolic of their society which their ancestors had built and passed down to them.
Angeles, Los. (2009). African arts. Volume 28. Published by African Studies Center, University of California.
What is Malay Dance? As I know, Malay dance culture has been shaped by its long history and its diverse geography. Malay dance in today’s society traditionally portrays the culture and customs of the Malays. It depicts their way of life. Over the four days of Malay Dance workshop conducted by Madam Som Said, it has allowed me to achieve a basic understanding of Malay dance and it made me researched more about Malay dance to have a deeper understanding in the cultural and historical context of Malay Dance. This essay will discuss the historical context and analysis of the general dance elements in Malay dance in relation to space, time and dynamics.
There were six different dances in the performance, each one different in their own cultural way. Dances like “Oshun, Goddess of Love” were based on actual beliefs. Oshun is the goddess of the rivers, fertility, abundance, and love among the Yoruba people of Nigeria. The dance is a creative exploration of the meaning of Oshun as a force
Dance was also a big part in the music of West Africa. Dance was performed at ceremonies surrounding fertility, death, worship, adulthood, and other kind of certain concerns of the village.
Traditions are practices/beliefs that are passed down from generation to generation. In traditional African societies, a kinship ties people through birth or marriage. There are two kinds of relationships in customary African tradition; those bound by blood, which are called consanguine, and those constructed by marriage, called affilial. There are four key descents that determine inheritance and marriage. However, the most common descent is patrilineal, which traces ancestry through one's father. While in America, we are vary tolerant of tracing our descent from both parents.
African drumming has a long history, and the tradition of African drumming has spread throughout western cultures as many businesses, corporations and other groups see the team building value of playing music together. These tribal instruments still have importance throughout African culture but are also becoming more common in western societies.
(Introduction page VI) When discussing musical traits of West Africa, it is explained as- Music and dance are a whole that cannot be separated – actually, there is no separate word for the two in most African languages. Music is considered communal and participatory, an oral tradition, rhythm privileged over melody and harmony as well as wide variety of instruments, especially percussion (ppt). Africa being the second most populous and second largest continent their musical traditions are noticeable by an array that reveals ethnic, national, and regional diversities. Music is primarily based on the indigenous traditions.
The sun is out, the weather is hot, and there is a grand celebration taking place, like any other celebration in the world there is food, dance, and music. But this is not an ordinary celebration this is a celebration on the great plains of Africa where the beats of both high and low pitch drums stomp thru the air. The speed of the drums races against the speed of one’s dancing heart accelerating then reverting back to a deep steady thump. In Africa, drumming is a widely use instrument and form of music. Drums are usually the primary instrument used at celebrations in musical selections in Africa. African drums vary in different shapes, sounds, and pitches each with its own particular sound. Unlike here in the United States, where drums are
“Dance, the art of precise, expressive, and graceful human movement, traditionally, but not necessarily, performed in accord with musical accompaniment. Dancing developed as a natural expression of united feeling and action.”