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Traditional african art works
Traditional african art works
African art for essay
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Africa is home to a great and thriving art culture. Until recently, African art hasn’t had enough attention, due to scholars’ and art collectors’ emphasis on traditional art, while being part of the most diverse legacies on Earth. Although some people consider African art ‘traditional’, the art actually consists of hundreds of different people groups, cultures, and civilizations. The artwork favors abstraction rather than naturalistic representation because the artwork represents objects or ideas rather than depict them. Each part of Africa had their own unique style. In Botswana, the tribal women has excellent weaving basket skills. In Cote D’Ivoire (Ivory Coast) the Senufo and Dan peoples were skilled at carving wooden masks with a wide variety. Enormous …show more content…
The study of African Art, by artists at the beginning of the 20th century helped the explosion of interest in the abstraction, organization, and reorganization of forms. During the 1900’s aesthetics of traditional African sculpture had a powerful influence on European artists such as, Henri Matisse, Pablo Picasso, and their School of Paris friends. They blended together the highly stylized treatment of the human figure with painting styles derived from the post-Impressionist works of Cezanne and Gauguin. Artists in Germany between the two world wars, worked widely with African devices that represented their anxiety, dislocation, and utopian fantasies of interwar German society. Art in Ancient Africa used a wide variety of materials (mediums) including sculpting, pottery, painting, rock art, textiles, masks, jewelry, and personal decoration. Sculpting was a very important medium and was sculpted with many different materials including bronze, terracotta, and ivory. Masks held religious importance and used in dance to create performance art. Masks were made from wood and decorated with ivory, gems, paint, and animal
Another form of art that the Egyptians used back then was painting. The Wooden Chest of Tutankhamun is a great example. Again,
Think of the last time you saw a painting that featured African Americans in it. Were they the main focus? Did the painting have only African Americans or did it include white Americans too? Now think about the artist, were they an African American? The average person who knows little to nothing about art most likely does not know any African American artists or does not know many artworks that involve only black people in a non-historical context. Kerry James Marshall’s exhibition Mastry is exactly that. It is made up of multiple artworks which only show black people in both historical and non-historical contexts. This exhibition helps to counter this issue of the lack of artworks where only black people are portrayed how white people would
Mercier, Jacques. Art That Heals: the Image as Medicine in Ethiopia. New York: Prestel Books and the Museum for African Art, 1997.
Njami, S. 2003. Looking Both Ways: Art of the Contrmporary African Diaspora – The Diaspora as object. Musuem for African Art, New York. Snioeck Publishers. pg 145-152.
In the textbook, African American Art and Artists, which was written by Samella Lewis, described the biography of African artists and introduced the changing roles of them. There are three aspects changing between them, their status in America, their expression of African culture, and their technique of creating arts.
Sieber, Roy, and Frank Herreman. "HAIR In African Art And Culture." African Arts 33.3 (2000): 54. Humanities International Complete. Web. 17 Nov. 2013.
For this essay, we had to visit the Harn Museum and examine some of the pieces in the Africa Collection. Of the options we were given, we then had to take a picture and write an essay on the meaning of the piece and our reaction towards the artwork.
West Africa’s culture is greatly influenced by the art, music and history of the country. To this day they still practice these traditions and it is still a large part of their heritage. These traditions and practices have made West Africa the colonization it is to this day.
African art creates one of the most diverse legacies on earth. Though many casual observers usually generalize "traditional" African art, the continent consists of a wide diversity of people, each with a special visual culture (Boundless). Most African sculpture was historically in wood and other organic materials that have not survived from earlier than at most a few centuries ago. Elder pottery figures are found from a number of areas, usually northern Africa. Masks are important elements in the art of many peoples, along with human figures, often highly stylized. The human figure has always been the key subject matter for most African art, and this importance even had an impact on certain European traditions. For example, in the fifteenth century Portugal traded with the Sapi, culture close to Côte d 'Ivoire in West Africa, who created decorative ivory saltcellars that were hybrids of African and European designs. Additionally, the African art of dance was performed at many spiritual ceremonies, celebrations, and performances. It is mistaken that the Greeks were the first philosophers, but in fact it was Africans. The African continent has two major divisions, North Africa and Sub-Saharan Africa, with very different political and cultural philosophies. North African philosophers made significant contributions to Greek, Jewish, Islamic, and Christian
The largest religion in Africa is Islam, followed by Christianity. Religion in Africa is multifaceted and has been a significant influence on art, culture, and philosophy. All spiritual systems practiced traditionally by Africans, whether native or mainstream, are organized religions. The rituals of Voodoo, Orisha, Serer, etc are all highly organized and
The paleolithic era is an essential time in history that most people tend to overlook. Everything came about during the “Stone Age," from paintings to the sculptures that were created, this is the time when art emerged and created a path for many other artworks to come. The people during this time were faced with a variety of challenges that certainly affected their lives, the most important being survival. The paintings and sculptures is a way to signify their daily events, experiences, and memories that occurred, giving us the impression of what life was like during this era. Although these were primitive people they had a strong sense of art and a way of creating it that is still used today. Much of their lives are told through their
In the early Paleolithic Age most art was in the form of painting on walls mainly of animals, the animals weren’t realistic instead were drawn to show all the animals features to pass down knowledge of the animals. As human life changed and people began to settle in the Neolithic Age, art also change to display humans and human life events necessary to survive for example hunting. Once societies develop further and religion and governments were form, art change to represent deities, gods, and historic events like the Victory Stele of
The Yoruba were very artistic individuals. The Yoruba are joint by religious beliefs, language and a common tradition passed along from through generation to generation. There were numerous types of art that they took part in whether it would be sculptures, masks, or even pottery. Throughout the culture of the Yoruba people many great works of art were created and created based upon spiritual principles, and because of that art and spirituality are often intertwined. Their creation of art puts into play a visible display of their devotion and to raise devotion of others to those spiritual beliefs in their society. The carvings, in particular the carved figurines of the Yoruba people, are accountable for one of the finest artistic traditions in the history Africa.
the tradition of primitive tribes. “In many cases the painting was only used to decorate
in West Africa. These statues and figures that consisted of distorted human statues and masks are widely speculated to have inspired Picasso 's experiments with Cubism. The Yoruba people of Ife also influenced lost-wax cast metal art, also known as Benin Art, after the people of Benin City that perfected the art of cast metals to the highest quality. Village craft workers in Benin had extensive knowledge of pottery and metalworking temperature changes that prevented the materials from cracking during the casting process. The guild workers forged, then cast clay and metal in wax casts that were shaped into pots, masks, and statues. After the metal was set, artisans hammered and embellished them with one-of-a-kind designs. In the late 1800s, a curator at the Berlin Museum für Völkerkunde