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Negro american poetry
Concerns of langston hughes
The Harlem Renaissance contribution
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Recommended: Negro american poetry
After slavery ended African Americans began to migrate north in efforts to escape the increasingly violent times in the south. White supremacy and Jim Crow laws made it all but impossible for a person of color to be anything close to equal to whites. During World War I many people were forced to serve leaving many American factories with a shortage of workers. African Americans took this opportunity to move to the North in efforts to have a better life. Harlem became the home of many artists, writers, and musicians. Those who found outlets in group expressions and self-determination as a means of achieving equality and civil rights. This time has been considered as the rebirth of the new negro, a term made popular by Alain Leroy Locke in his publication in 1925. Well known writer and artists such as County Cullen, James Johnson, Augusta Savage thrived in these times. But none were more prominent than Langston Hughes. He was the leading voice of the Harlem Renaissance and was one of the early writers who showed the …show more content…
Hughes didn't feel close to either parent and often felt unloved by them. Because of his childhood, he often felt lonely and occupied himself with books. At one point, he even said he wrote "mostly because, when I felt bad, writing kept me from feeling worse." After graduating high school, he wrote his first nationally published work The Negro Speaks Rivers, while on the train to Mexico to be with his estranged father. The poem was published a year later in W.E.B Dubois Crisis magazine. At the time, it was the first poem that celebrated and dignified Africa in American literature. The Negro Speaks Rivers
I’ve known rivers:
I’ve known rivers ancient as the world and older than the flow of human blood in human veins.
My soul has grown deep like the rivers.
I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to
The "New Negro," the Black writers in 1920/30, tried to get out of the dominant white assimilation and practice their own tradition and identity in autonomous and active attitude. In virtue of their activities, the Harlem Renaissance became the time of sprouting the blackness. It offered the life of the black as the criterion to judge how well the democracy practices in America and to weigh the measure of the dream of America. Their vitality and artistic spirit, and dreams were so impressive that the Harlem of the 1920s has never been eluded out from the memory of American (Helbling 2).
Like most, the stories we hear as children leave lasting impacts in our heads and stay with us for lifetimes. Hughes was greatly influenced by the stories told by his grandmother as they instilled a sense of racial pride that would become a recurring theme in his works as well as become a staple in the Harlem Renaissance movement. During Hughes’ prominence in the 20’s, America was as prejudiced as ever and the African-American sense of pride and identity throughout the U.S. was at an all time low. Hughes took note of this and made it a common theme to put “the everyday black man” in most of his stories as well as using traditional “negro dialect” to better represent his African-American brethren. Also, at this time Hughes had major disagreements with members of the black middle class, such as W.E.B. DuBois for trying to assimilate and promote more european values and culture, whereas Hughes believed in holding fast to the traditions of the African-American people and avoid having their heritage be whitewashed by black intellectuals.
During the Harlem Renaissance period, Alain Locke considers African Americans as transforming into someone “new.” He describes how African Americans migrated from the south to the north and were given new opportunities. The old Negro was being taken away from constantly being scrutinized by the public and whites. The Negros transformed into stronger intellectuals which was significant because before they weren’t allowed to do so. For example, “Similarly the mind of the Negro slipped from under the tyranny of social intimidation and to be shaking off the imitation and implied inferiority.” The “new” Negro strived for equal rights. Alain Locke describes other factors that pushed African Americans to move north to discover a “rebirth.” The “new” Negro went north to obtain the opportunity to move up from the bottom, to get away from the Ku Klux Klan, and to get away from the pressure of having to many poor crops. For instance, he says “The wash and rush of this human tide on the beach line of the northern city centers is to be explained primarily in terms of a new vision of opportunity, of social and economic freedom, of a spirit to seize, even in the face of an extortionate and heavy toll, a chance for the improvement of conditions.” By moving North the African Americans had a chance to live a better life and were set free of depending on the whites to take care of them in exchange for their labor. He also believes that the Negro began to experience something “new” by the way they began to understand and accept the Negro race. For example, Locke says, “With this renewed self- respect and self-dependence, the life of the negro community is bound to enter a new dynamic phase, the buoyancy from within compensating for whatever pressure there may be conditions from without.” The “new” then recognized the ability to become independent, which was a significant role of the “new” Negro because by gaining independence they then discover a life for themselves.
Langston Hughes paint a picture of himself, as he goes on to thirteen in church but finds himself directly reflecting on mans own instinctive behavior for obedience. A congregation who wants him to go up and get saved, gives into obedience and goes to the altar as if he has seen the light of the Holy Spirit itself. "won't you come? Wont you come to jesus? Young lambs, wont you come?" As the preacher stilling there with open arms, girls crying, kids standing that they have felt the power force of the holy spirit through there body. There, Langston, sits not feeling anything but himself sitting in a hot church waiting for this unknown pheumona to come and touch his inner soul only to find out that the Holy Spirit isn't coming for him at all.
For the first time, African American writers, musicians, poets, and intellectuals were renowned for their contributions to world culture with hopes to achieve equality and civil rights ("Harlem Renaissance." History.com). Works produced during the Harlem Renaissance appealed not just to blacks, but crossed over to white audiences as well, seemingly the beginning of racial integration. In its fullest sense the Harlem Renaissance was a multilayered movement. Built off of this, and centered in Harlem, was the organizational, ideological, and political expression of the mass movement, proclaiming the existence of a world-embracing black identity. Finally, resting on top was the literary and artistic movement, centered in Harlem, which gave black identity a cultural form. The new outlook of “New Negroism” that working-class migrants brought with them from the South, attempted to capture the essence of the “New Negro,” but no one captured the spirit of the renaissance better than the leading contemporary commentator of that time, Alain Locke, remembered as the “father of the New Negro” (Stuart, Andrea). He expressed that at the root the New Negro was the “migrating peasant” who moved from medieval America to modern America, or in other words from the agricultural South to the industrial North. He
Langston Hughes was one of the first black men to express the spirit of blues and jazz
“Poetry, like jazz, is one of those dazzling diamonds of creative industry that help human beings make sense out of the comedies and tragedies that contextualize our lives” This was said by Aberjhani in the book Journey through the Power of the Rainbow: Quotation from a Life Made Out of Poetry. Poetry during the Harlem Renaissance was the way that African Americans made sense out of everything, good or bad, that “contextualized” their lives. The Harlem Renaissance, also known as the Black Renaissance or New Negro Movement, was a cultural movement among African Americans. It began roughly after the end of World War 1 in 1918. Blacks were considered second class citizens and were treated as such. Frustrated, African Americans moved North to escape Jim Crow laws and for more opportunities. This was known as the Great Migration. They migrated to East St. Louis, Illinois, Chicago 's south side, and Washington, D.C., but another place they migrated to and the main place they focused on in the renaissance is Harlem. The Harlem Renaissance created two goals. “The first was that black authors tried to point out the injustices of racism in American life. The second was to promote a more unified and positive culture among African Americans"(Charles Scribner 's Sons). The Harlem Renaissance is a period
James Langston Hughes was born February 1, 1902, in Joplin , Missouri . His parents divorced when he was a small child, and his father moved to Mexico . He was raised by his grandmother until he was thirteen, when he moved to Lincoln , Illinois , to live with his mother and her husband, before the family eventually settled in Cleveland , Ohio . It was in Lincoln , Illinois , that Hughes began writing poetry. Following graduation, he spent a year in Mexico and a year at Columbia University . During these years, he held odd jobs as an assistant cook, launderer, and a busboy, and travelled to Africa and Europe working as a seaman. In November 1924, he moved to Washington , D.C. Hughes's first book of poetry, The Weary Blues, was published by Alfred A. Knopf in 1926. He finished his college education at Lincoln University in Pennsylvania three years later. In 1930 his first novel, Not Without Laughter, won the Harmon gold medal for literature.
In the early 19th century, Hubert Harrison and Matthew Kotleski founded the militant "New Negro Movement," which is also known as the Harlem Renaissance, that came into focus during the years following Great Migration and World War 1.This movement insisted on self-definition, self-expression, and self-determination. The “New Negro” term that was popularised by Alain LeRoy Locke during the Harlem Renaissance, gave paramount importance to ideologies that were related to the factors of Great migration like race-conscious demands such as political equality, an end to segregation and lynching, as well as calls for armed self-defense when necessary. The strong emphasis on race pride, solidarity and self help had been a significant part of literary and political self-expression, and economic and moral improvement among African-Americans . The black experience during the Great Migration became an important theme in this artistic movement which had an enormous impact on the culture of the era. The many debates during these years regarding art and propaganda, representation and identity, assimilation and militancy have enriched the perspectives on issues of art, culture, politics, and
The Harlem Renaissance, originally known as “the New Negro Movement”, was a cultural, social, and artistic movement during the 1920’s that took place in Harlem. This movement occurred after the World War I and drew in many African Americans who wanted to escape from the South to the North where they could freely express their artistic abilities. This movement was known as The Great Migration. During the 1920’s, many black writers, singers, musicians, artists, and poets gained success including Zora Neale Hurston, Langston Hughes, Marcus Garvey, and W.E.B. Du Bois. These creative black artists made an influence to society in the 1920’s and an impact on the Harlem Renaissance.
During the 1920's, many African Americans migrated to Harlem, New York City in search of a better life a life which would later be better than what they had in the South. This movement became known as the Harlem Renaissance. It was originally called the New Negro Movement. Black literature during this era began to prosper in Harlem. The major writers of the Harlem Renaissance were many, such as, Sterling A. Brown, James Weldon Johnson, Countee Cullen, Langston Hughes, Claude McKay, Zora Neale Hurston and others. The main person, however, was a scholar named Alain Locke. Locke would later be known by many authors and artists as the “father of the Harlem renaissance.”
Both of Hughes’ paternal great-grandmothers were African American and both of his paternal great-grandfathers were white slave owners of Kentucky. Langston Hughes was the second child of schoolteacher Carrie (Caroline) Mercer Langston and James Nathaniel Hughes. He grew up in a series of Midwestern small towns in Missouri. Hughes's father left his family and later divorced Carrie, going to Cuba, and then Mexico, seeking to escape the enduring racism in the United States (“Biography of Langston Hughes”). His grandmother raised him until he was thirteen (as his father had left him and his mother at a young age) when he moved to Lincoln, Illinois, to live with his mother and her husband. They, later, settled in Cleveland, Ohio. Hughes started writing poetry when he was in Lincoln (“Langston Hughes”).
Langston Hughes was a large influence on the African-American population of America. Some of the ways he did this was how his poetry influenced Martin Luther King Jr. and the Harlem Renaissance. These caused the civil rights movement that resulted in African-Americans getting the rights that they deserved in the United States. Hughes was born in 1902 in Joplin, Missouri. His parents divorced when he was young and his grandmother raised him. She got him into literature and education; she was one of the most important influences on him. He moved around a lot when he was young, due to his parents divorce, but remained a good student and graduated high school. After this he traveled the world and worked in different places, all the things he saw in his travels influenced him. In 1924 he settled down in Harlem where he became one of the important figures in the Harlem Renaissance. He enjoyed listening to blues and jazz in clubs while he wrote his poetry. The music that he enjoyed greatly influenced the style and rhythm of his poetry. The poem “Dream Variations” by Hughes is about an average African-American who dreams of a world where African-Americans are not looked at or treated differently and they can rest peacefully. Yet in real life this was not so, black people and white people were not equal. And the world was not as forgiving and nice as in their dream. This poem is a good example of Hughes writing because it is typical of three things. The first is the common theme of the average life of an African-American and their struggles. Secondly, the style of his writing which is based on the rhythm of jazz and blues- he uses a lot of imagery and similes. Lastly, his influences which are his lonely childhood and growing up as an Afric...
The Harlem Renaissance was a period of great rebirth for African American people and according to the online encyclopedia Wikipedia, the “Harlem Renaissance was a cultural movement that spanned the 1920s and 1930s.” Wikipedia also indicates that it was also known as the “Negro Movement, named after the 1925 Anthology by Alan Locke.” Blacks from all over America and the Caribbean and flocked to Harlem, New York. Harlem became a sort of “melting pot” for Black America. Writers, artists, poets, musicians and dancers converged there spanning a renaissance. The Harlem Renaissance was also one of the most important chapters in the era of African American literature. This literary period gave way to a new type of writing style. This style is known as “creative literature.” Creative literature enabled writers to express their thoughts and feelings about various issues that were of importance to African Americans. These issues include racism, gender and identity, and others that we...
Langston Hughes is a key figure in the vision of the American dream. In his writings his African-American perspective gives an accurate vision of what the American dream means to a less fortunate minority. His poetry is very loud and emotional in conveying his idea of the African-American dream. Most of his poetry either states how the black man is being surpressed or is a wish, a plea for equality. He does not want the black man to be better than everyone else, but just to be treated equal. Able to meet their dream with the same level of success and failure as everyone else.