Further, African American publications of the time were not unanimous in their criticism of Confederate mythology, especially in the public realm. While the African American newspaper The Dallas Express, often relayed cynical and somber news of Confederate heritage, another African American periodical of Texas, The Houston Informer, spoke of Confederate Veterans in the same heroic light as did many white Southern publications. Writing on the Arlington Cemetery, the Informer noted Confederates were placed by, “the most splendid monument to the heroic dead ever erected by any nation,” and “one could not wish to lie down to final rest in more beautiful surroundings.” Mostly, though, African American periodicals of the time seemed to ignore the …show more content…
This is no more so true than with Confederate Veterans, and the racial and political motivations that have, in some way, lived through the decades. Though the sesquicentennial over the conflict has just recently passed, many issues of contention and struggles over Confederate iconography in the American public still dominate certain realms within the historical discourse. Groups such as the Sons of Confederate Veterans still exist in some meaningful number in modern times, and still fight for what they view is the protection of their heritage. Memory – particularly when it comes to war – is a peculiar thing. The impact of this sort of historical memory seems deepened by the intense personal nature of civil rebellion, and widened by the physical access to so much of the history in lands, documents and artifacts. It is, indeed, a curiously American idea to -- in many places -- honor those who sought to break away from the nation. It is likely that these questions and observations cannot be fully answered by the historical record alone. Much of it, admittedly, is victim to interpretation, and the roles culture, upbringing and regionalism play in the way Americans recognize their heritage. That alone is a concept worth its own study. However, it seems true that Southern heritage cannot ever truly escape the racial and political problems of its past, if it is forthright in its presentation. Gregory P. Downs, writing on the way American’s memory of war is shaped, mentioned this in perfect summary. He wrote, “By severing the war’s conflict from the Reconstruction that followed, it drains meaning from the Civil War and turns it into a family feud, a fight that ended with regional reconciliation. It
Newman, Ralph G. "Gallant Symbol of the Confederacy." Chicago Daily Tribune (1923-1963), Sep 15, 1957. 1, http://search.proquest.com/docview/180274550?accountid=12085.
As I gazed across the book isles and leaned over carefully to pick one up out of the old dusty vaults of the library, a familiar object caught my eye in the poetry section. A picture in time stood still on this book, of two African American men both holding guitars. I immediately was attracted to this book of poems. For the Confederate Dead, by Kevin Young, is what it read on the front in cursive lettering. I turned to the back of the book and “Jazz“, and “blues” popped out of the paper back book and into my brain. Sometimes you can judge a book by it’s cover, I thought. Kevin Young’s For the Confederate Dead is a book of poems influenced by blues and jazz in the deep rural parts of the south.
...more overpowering and overwhelming than any general feeling of Southern pride. America has obtained a reputation to be an accepting and open minded country, welcoming all of any race, couture and religion. The Preamble states clearly that America will establish justice and insure domestic tranquility for all. Neither of these entities are accomplished in America as long as the Confederate flag remains raised. Our nation is furthermore divided by racism through a flag that is possibly being used as a degradation tool. This battle with racism has become far too large for American citizens and anything that is viewed as racist in such a manner as the Confederate flag is, should be censored from society, in only a helpful practice. A state flag should be capable of uniting its citizens, instead of dividing them. The Confederate flag should be lowered immediately.
In James McPherson’s novel, What They Fought For, a variety of Civil War soldier documents are examined to show the diverse personal beliefs and motives for being involved in the war. McPherson’s sample, “is biased toward genuine fighting soldiers” (McPherson, 17) meaning he discusses what the ordinary soldier fought for. The Confederacy was often viewed as the favorable side because their life style relied on the war; Confederates surrounded their lives with practices like slavery and agriculture, and these practices were at stake during the war. On the other hand, Northerners fought to keep the country together. Although the Civil War was brutal, McPherson presents his research to show the dedication and patriotism of the soldiers that fought and died for a cause.
The book, “Confederates in the Attic” has various themes, but a few major ones can easily be pointed out. First, it would be how the civil war seems to have an impact on every single person in the south in some way. Which ultimately shows how people like to feel as if they’re unique in some way, or special, hence why many southerners like to point out their famous ancestors in the Civil War. The other running theme in the book is the need to escape the fast pace reality of the modern world. The people who like to reenact, known as “reenactors”, and their obsession with being “hardcore” is the main example of this strong need for escape, as the simple life of the Civil War era can provide such escape. It 's like a hobby for them, but I doubt
In Southern Horrors and Other Writings three pamphlets written by Ida B. Wells are highlighted. These pamphlets showed that Wells used muckraking/ investigative reporting to describe what was going on in the south. Wells saw the corruption that was occurring in the South, and wanted to make it known to the public. Wells also uses persuasive writing to get the support of the African American community and she had hoped to create change. Wells’ writings are finally a historically effective text, not just because they are primary source documents, but because she served as a voice to the African American people.
David W. Blight's book Beyond the Battlefield: Race, Memory and the American Civil War, is an intriguing look back into the Civil War era which is very heavily studied but misunderstood according to Blight. Blight focuses on how memory shapes history Blight feels, while the Civil War accomplished it goal of abolishing slavery, it fell short of its ultimate potential to pave the way for equality. Blight attempts to prove that the Civil War does little to bring equality to blacks. This book is a composite of twelve essays which are spilt into three parts. The Preludes describe blacks during the era before the Civil War and their struggle to over come slavery and describes the causes, course and consequences of the war. Problems in Civil War memory describes black history and deals with how during and after the war Americans seemed to forget the true meaning of the war which was race. And the postludes describes some for the leaders of black society and how they are attempting to keep the memory and the real meaning of the Civil War alive and explains the purpose of studying historical memory.
Imagine standing in front of the defaced statue of Confederate General Robert E. Lee only to hear two sides of people curse, hurt each other. This situation is too familiar for people who visit Charlottesville, VA, the formerly peaceful town. The controversy between Confederate memorials never ends. Many people argue that Confederate monuments should be taken down because they become the flashpoints of unrest and violence. As far as I am concerned, confederate memorials should remain as these memorials are the legacy of history; history is value-neutral and innocent.
“The Confederate Flag: Controversy and Culture.” David Sarratt American Studies University of Virginia. Web. 22 Feb. 2014
His family connection to the Civil War gave him a sense of pride. Modern Americans should remember and memorialize the Civil War by knowing that the event determined what kind of nation the United States would be. The Civil War is the most significant conflict in American history; it had a revolutionary, social, and political impact that continues to be felt today. We were taught the civil war was primarily fought because of slavery but in truth “there were many causes of the civil war, including differences between northern and southern states on the idea of slavery, as well as trade, tariffs, and states rights.”
The article, “The Negro’s Civil War in Tennessee, 1861-1865” by Bobby L. Lovett, can be found in "The Journal of Negro History. Lovett's article relates the importance of the contributions the black soldiers of Tennessee made during the Civil War. He portraits to the reader the determination of these black Tennesseans fight to gain their freedom under some extremely violent and racial conditions.
D.H. Hill, a friend of Longstreet published LAND WE LOVE, a magazine devoted to Literature, Military History and Agriculture. In 1869 Hill sold out to a Baltimore periodical, NEW ECLECTIC, which in the same year became the SOUTHERN MAGAZINE, official organ of the SOUTHERN HISTORICAL ASSOCIATION. In 1871 it changed its name to the SOUTHERN MAGAZINE and together with a later periodical, SOUTHERN BIVOUAC kept the memory of the War alive and fresh in the public mind. Filled with poems and stories of loyalty to the LOST CAUSE sent in by veterans. Hill was Stonewall Jackson's brother in law and he filled the magazine with stories, anecdotes and poems of the now legendary general. Other Confederate heroes received their share of attention from a flood of material supplied by readers commemorating Southern dead and using religion to explain the defeat. Book - writing was prolific in the '70s & '80s mainly from veterans but much on the romanticism of the Cause from women.
Africanisms in America are a highly surveyed topic for the black community. Joseph E. Holloway describes Africanisms as “those elements of culture found in the New World that are traceable to an African origin” (Holloway 2). I believe, that africanisms are the traditions and cultural behaviors of African Americans that resemble the some of the same traditions and cultures in Africa. Which makes you ponder about what current elements does our culture use that ties back to Africa. Which in fact there are several africanisms that still exist. African Americans have retained an essence of Africa in their speech, hair care, clothing, preparation of foods, and music by over centuries of separation from the Dark Continent.
The Civil War was partly about slavery. Therefore, many use the flag as a symbol of hatred towards people of different descent, especially African Americans. The idea that “negro is not equal to the white man,” or white supremacy, has caused many racist attacks (Coates, 2015). Most of these attacks have involved the presence of a Confederate flag. Recently, Dylann Roof committed a gruesome attack on nine African American congregants at their local church during a bible study (Henderson, 2015). He claimed to have been motivated by the Confederate flag. Sadly, this violent attack provides a perfect example of the racism symbolically presented by the Confederate flag.
Everyone is raised within a culture with a set of customs and morals handed down by those generations before us. As individuals, we view and experience heritage in different ways. During history, different ethnic groups have struggled with finding their place within society. In the 1950s and 60s African Americans faced a great deal of political and social discrimination based on the tone of their skin. After the Civil Rights Movement in the 1960s, many African Americans no longer wanted to be identified by their African American lifestyle, so they began to practice African culture by taking on "Afro hairdos, African-influenced clothing, and adoption of African names" (101). By turning away from their roots, many African Americans embraced a culture that was not inherited, thus putting behind the unique and significant characteristics of their own inherited culture. In "Everyday Use" written by Alice Walker, the family's contrasting views convey that the honest and most truthful way to honor one's heritage is by treating it not as superficial but rather as practical. Mama represents the practical way of honoring heritage by appreciating the items that were obtained from other generations and putting them to everyday use. Dee, on the other hand, honors the superficial way of heritage by being concerned with the materialistic values of her African American heritage. Mama and Dee's individuality contribute to their conflicting views of how to respect heritage.