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Analysis aesop's fables
Analysis aesop's fables
Greek and roman literatureee
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Recommended: Analysis aesop's fables
Marjorie Luciano H.
Professor Elfers-Mabil
Masterpieces of Literature I
16 October 2015 Since we started class we have discussed about ancient Romans and Greeks literature. One out of ten people would be interested in learning these kinds literature. However, these past two weeks we’ve been reading Aesop Fables and Metamorphoses in which each story either teaches someone’s a lesson about life or somewhat changes their physical appearance. Aesop Fables are usually presented as children’s literature. These stories were to demonstrate a moral lesson to the adults in the 5th century B.C. but the themes and characters that were used in the short stories are animals that talked just like human at the same time as retaining their animal’s traits.
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This word means changes. Metamorphoses insinuate that people are often transformed in punishment for some misbehavior. Ovid wanted to write more then a traditional epic. Ovid said that his epic was not going to be like Virgil’s Aeneid or Homer’s Illiad. He wanted to create something unlike and new to the other poetries. He started Book I by telling the creation of the world. He describes it in a mixture of scientific and supernatural terms. The differences of the earth and heaven: sea and land. Then he talks about the creation of human beings. Ovid also involved gods, demigod, and mortals, all centering on moments of transformation from one physical state to another. The stories we’ve read in class are full of rapes, deceptions, murders, and unpredictable revenges of the gods. The gods will use their power to get what they want. Whoever that was against their words or actions they were going either be transform into an object or animal or destroyed. As what I have read in the Metamorphoses I can conclude that everything has to do with a beautiful woman who is trying to live as a virgin, free of all men, but chased or raped by a …show more content…
A beautiful girl name Io refuse to go along with Jupiter, he covers the earth with fogs and raped her. Juno (Zeus’s wife) notices something strange is going on and that her husband was in to something. She cleared the sky and went down to earth where Jove was. Jupiter transformed Io to a cow. He didn’t want Juno to see Io but she pretended she didn’t know what was going on so she decided to take the Io with her and have Argus (100 eyes watchman) to look over her. Jupiter order Mercury to kill Argus so he can take back Io to her father who is looking for her. Mercury pretended to be a shepherd and tried to make Argus to fall asleep by telling him the origin of an unusual instrument (reed pipe). He tells Argus the story about the nymph Syrinx, whom Pan loves though she wishes to be remain a virgin. Argus finally fell asleep and Mercury cut his head off. Juno was furious about it so she was trying to through a spelled to Io but it didn’t work. Jove convinced her to return her to human form. Juno took Argus’s eyes and set them into the tail feathers of her symbolic bird, the
In the 1930s, who would have perpetrated violent acts against women in the name of sexual gratification yet still hold expectations that women take care of them? By making men in general the placeholder for “you” in the poem, it creates a much stronger and universal statement about the sexual inequality women face. She relates to women who have had “a god for [a] guest” yet it seems ironic because she is criticising the way these women have been treated (10). It could be argued, instead, that it is not that she sees men as gods, but that it is the way they see themselves. Zeus was a god who ruled Olympus and felt entitled to any woman he wanted, immortal or otherwise.
Ovid's purpose for writing the creation story is geared more towards explaining creation as it happens, in his opinion, whereas the Bible stresses the fact that the God of the Hebrews is responsible for the world's existence today. Overall, Ovid is very detailed in explaining the formless mass, creation of the earth, waters and land metaphorically. The Biblical account seems to be more plain, simple, and organized; not spending time on intricate detail. There seems to be no specific time frame for creation in Ovid's writing, whereas, the Bible states that it takes God six ... ... middle of paper ... ...
This gives the readers a clue that what is to happen in the upcoming text is a
At the start of the story Jove seen healing the earth from the destruction, the merciful almighty (god of gods) almost endearing Jove to the readership. Ovid’s use of scenery does not go amiss (Parry, 1964)suggested ‘ Ovid remains as Herter insists a poet not a painter... a poem always is something more than a transcription from pictorial to literally’
The complex pagan religious system of the Romans mirrored that of the Greeks, but what Ovid sought to create was a solid (nearly Bible-like) account of the formation of the world and the source of the multifarious gods. Essentially, Ovid is seeking to rationalize and dogmatize the dozens of deities. Ovid believed that the relationship between the gods and man was reciprocal; they depended on each other for existence:
For example, in the Aeneid, Virgil wrote about the love affair between Dido and Aeneas and Dido’s eventual demise; this particular linear link served as a bridge between book IV and book V. Another example of this interconnection between books occurred in the foretelling of Aeneas’s eventual travels to the Cumae and it served as a link between book V and book VI. In much the same fashion, Ovid employed a similar tactic in the interconnections that occurred in the Metamorphoses, but unlike the storyline of Virgil’s singular character-driven epic poem, Ovid linked all sorts of individuals, Gods, and mythological stories into his creative masterpiece. What is more, Ovid often placed stories within stories that also spanned multiple books in his epic poem. A prime example of this powerful storytelling tool was the chronological progression of the story about Baccus. The tale of Baccus began in the book III story of Semele, was expounded upon in the story of Pentheus and Baccus, further explored in the book IV story of Pyramus and Thisbe, and referenced or included in various books and stories that followed. This is just one of the hundreds of individuals, Gods, and mythological stories Ovid included in his poem and a singular example of how
According to Ovid, Zeus "acted, however, with very little wisdom for the Father of Gods and Men..." (80) when he wraps the earth in darkness. Though Ovid implies that Zeus makes an illogical decision, Ovid's statement is subjective. Sure, because of the strange occurrence, Hera takes notice; but Zeus also buys time. Time is essential to think properly, and Zeus uses his time to conjure the brilliant idea of transforming Io into a heifer. Hera should have been fixated, almost mesmerized when she saw Io, as the cow is sacred to her. Zeus’ thought process is legitimate and cohesive, after all, Hera’s doubt should have been assuaged. Nonetheless, Hera still suspects infidelity. Even so, Zeus does not lose his cool and kept calm. He let Hera have her way and gave the heifer willingly. Later he craftily has Hermes free Io. Zeus is known for his rashness, but betrays that stereotype again by waiting patiently and using a vessel so that he would not be found guilty. Zeus really thinks his plan through, for he accounts for the consequences of being caught and or
This anti-epic certainly does not follow the adventurous theme of the epic. There is no protagonist hero to focus on unless you visualize the god's prey as the hero in his/her escape. The assembled writings seem to be more of a recording of the misdeeds of the gods. It appears that Ovid wanted to write about the desires of gods and people instead of a great adventure.
The difference between the way Homer and Ovid present the gods and their relation to human being is that in Homer, the gods are more tough on the humans than in The Metamorphoses. In The Iilad, some gods were focused on returning Odysseus home while some were trying to stop him in his tracks. This story also focuses more on environment and symbolism because of the way the story is written. In Metamorphoses, the gods seem to care more about human beings. They show stronger emotions towards them. You can see this through all of the theme changes that occur in the story. They penalized people who were wicked and reward those that were piety. Metamorphoses set the tone in Book I, when the gods punished Lycaon for trying to kill Jupiter in his
Ovid consciously wants his style to be different, however still contained in the epic form. So, Ovid purposely inserts himself within the epic tradition. First Ovid composes "Metamorphoses" in hexameters, which is "the right metre for epic," according to Aristotle (Ovid). The method of hexameters was considered to be the meter in which epic poems were composed in classical antiquity (Keith 236). Ovid knew how to convince the people of his day of his intende...
“Introduction to Aesop's Fables.” The Chesterton Review, Feb 6. May 2001 XXVII. 1&2 (2001): 17-20. Print.
There are consistent parallels created through descriptions of Ovid’s political status. Due to his ostracism, he is separated both from outside elements of society and ideals that exist in his own mind. In the opening paragraphs, Ovid describes his natural surroundings and the characteristics of the landscape, and ends with the statement:
In contrast, Ovid conceived a different purpose for his epic. He wrote fifteen books, compared to Virgil's twelve, with many of his stories originating from Greek and Roman myth, concerned with the transformations of shapes, from the creation of the world to Julius Caesar's death and deification. He focuses on entertaining the reader in a humorous fashion, and rather than establishing Rome's origins in history, he is more concerned with establishing his own fame, for the future ages. These different backgrounds of the two authors illustrate that they each had contrasting agendas for their books. Thus, the portrayal of the gods differs greatly-Virgil's are austere and purposeful, whereas, Ovid's are humorous, reflecting his neoteric style, and intentionally different from the Virgilian gods.
Aesop’s fables were written around 300 BCE, and originated from Greece (“Aesop par. 6). Although most of the fables are about animals, they display the characteristics of humans. Fables are usually short and easy to comprehend, and all fables have their own morals, however; some fables have more than one. Aesop’s fables may seem childish and pointless, but they were written to point out the flaws and strengths of human beings. Most fables have a central problem that the main character must solve, and have been very important to society as a whole.
Transformations from one shape or form into another are the central theme in Ovid's Metamorphoses. The popularity and timelessness of this work stems from the manner of story telling. Ovid takes stories relevant to his culture and time period, and weaves them together into one work with a connecting theme of transformation throughout. The thread of humor that runs through Metamorphoses is consistent with the satire and commentary of the work. The theme is presented in the opening lines of Metamorphoses, where the poet invokes the gods, who are responsible for the changes, to look favorably on his efforts to compose. The changes are of many kinds: from human to animal, animal to human, thing to human, human to thing. Some changes are reversed: human to animal to human. Sometimes the transformations are partial, and physical features and personal qualities of the earlier being are preserved in mutated form.