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Essays about greek beliefs
Similarities between ancient greek beliefs
D concept of afterlife in Greek culture
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The Greeks and Romans collectively shared beliefs that reached out to certain religious practices, as well as respectful deeds when death arrived. This can be seen in the writings of both Homer and Virgil. For example, there are significant problems in both pieces that arise when there is a lack of proper uniformed burial. In F.P. Retief’s article, “Burial Customs, The Afterlife, and The Pollution of Death in Ancient Greece” says that “in the mid-eighth century BC, the Greeks belief system suggests that there was a requirement for burial based partly on what happened when the deceased were not buried properly” (Retrief) The same follows for the Romans; in Paul Burke Jr.’s article “Roman Rites For The Dead And Aeneid 6” he says, that “Aeneas …show more content…
Shortly thereafter, we encounter Aeneas’ friend who happens to be improperly buried, Palinurus. He then asks to be buried so that he may “rest in a quiet place” (Adams) Paul Burke’s article “Roman Rites for The Dead” says that “Since the main majority of Roman methods of burial was in fact cremation, there needed to be at least one offering from the body, which represented the body in its entire form, to be buried” (Burke 224). Burke also says that “If the dead were correctly laid to rest in a respectful manner, they would then descend into the underworld to join the rest of the dead” (Burke 224) Expanding on Burke’s argument, this means if the dead were not buried correctly then they would not be allowed to enter the underworld. There is an example of this in Homer’s work, The Iliad. We observe that Patroklus comes from the underworld in order to confront Achilles in hopes that he will properly bury him. “He states that he will never return from the underworld once he was given his rite of fire” (Adams) Given the scene with Patroklus, perhaps there is a Greek idea that believe in order for the Greeks to have a peaceful afterlife, then one must be buried correctly in a respectful
Antigone also had the gods on her side. It was an unwritten rule of ancient Greek society that the dead must be buried, otherwise bad things may happen. This rule, because it was unwritten and therefore innate, was protected by the gods, specifically Hades, the god of the underworld and family.
Afterlife to the Greeks back then was far more important and sacred than living life itself. Everything they did while they were alive was to please the many gods they worshipped. They built temples for their Gods, made statues to symbolize their Gods, and had a different God to explain things that we now say are an act of mother nature. It may seem rather foolish to us when we study their beliefs and compare them to modern day beliefs. I am sure the Greeks would have considered us to be heathens and put us to death for our ways and beliefs.
One such comrade Aeneas encounters in the underworld is Palinurus who was also duty bound, a helmsman on Aeneas' ship and a faithful servant who falls overboard and drowns, failing to finish his duties. He now suffers and begs Aeneas for a "quiet haven", a proper burial in his death. He says to Aeneas, "deliver me from captivity, Unconquered friend! Throw earth on me-you can-Put in to Velia port! Or if there be Some way to do it, if your goddess mother Shows a way-¡.."Book VI Lines 493-500. This conversation is not only significant in helping Aeneas to realize the costs of authority when your duties to your people and country are not carried out thoroughly ( as seen by Palinurus being held captive in the underworld without a proper burial), but in helping Aeneas realize even more that the gods, including Aeneas' mother, are powerful in determining the fate of an individual during life of duty as well as after life in the underworld. The need of a proper burial in the underworld is essential in attaining some feelings of gratification for carrying out duty to his people and country. Aeneas can now realize what it means to be "Roman" and carry out his duties as destiny prescribed to avoid the chance of an overlooked and proper burial. Virgil uses Aeneas to personify the spirit of the Roman Empire by encompassing the scope of both Iliad and Odyssey. By allowing the underworld to open many aspects of Greek history, Aeneas is able to understand the importance of his family values, striving to fulfill his duty, or his mission, even though Dido almost prevented it.
The crux of the play, the causal factor to all the following events is how the new King Creon deals with the dead traitor Polynices, brother of Antigone. The decree not to bury the corpse must be considered from the viewpoint of a 5th Century Athenian, watching this play. The Antigone was written during a time of great strife for the city of Athens and they were in the middle of their conflict with the Spartans. At a time such as this , concern for the city was foremost in a citizen's mind. Creon's decree not to bury him at this stage then is right. Essentially not burying a body, any body, is an offence to the gods, and the persons spirit will not be able to go down to the underworld and cross the River Styx and Archeron. However, the Greeks believed that for some the sentence was deserved. The sentence of non-burial is appropriate in this case, as the Greeks believed that "those convicted of sa...
Through the means of commemorating and remembering those of prestige and importance, tombs and sarcophagi are produced of these individuals. This funerary manner and distinctive burial practice was initiated Etruscan culture and it developed through the means of cremation and inhumation in earns. The concept of placing the remains of individuals in elaborate, thought out spaces was a valuable attribute of these people. The Etruscan objective of creating the best possible outcome in the afterlife dictated the way in which individuals ornamented and became portrayed in their tombs. Presen...
Marriage in Classical Athens was inevitable. It was a part of life. Everyone had to get married, just as everyone had to someday face death. Although most people would not see a connection between marriage and death, the Greeks did. Both define an irreversible physical change—the loss of virginity and the loss of life. This idea of loss, rebirth, and renewal are present in both wedding and funeral. This is evident in the way wedding and funeral ceremonies complement each other in character and content. Both ceremonies are interwoven with ritual meaning and overlapping rites.
While many people today seem to be scared to die, and make great strides to avoid an early death, this is not a new human concern. In fact, Dr. Peter J. Brand did some extensive research on how people in Ancient Mesopotamia viewed death and the afterlife. He believes death was extremely scary to people of this region. In his article titled: Dying: Death and the Afterlife, Brand states, “Like all human cultures, the people of Ancient Egypt and Mesopotamia were greatly troubled by death.” (Brand pg. 1) Apparently, it death was even more dreadful in the minds of the Mesopotamians. “Mesopotamian views of death were more pessimistic, resulting in less elaborate preparations for death.” (Brand pg.1) On the contrary, it seems that there would have been a lot of preparation involved, since the journey to the underworld alone was a perilous feat. This tells us that there was nothing glorified about death, and nothing exciting about traveling to the underworld. However, it reveals that there was a lot of confusion surrounding death, and confusion how to deal with it. Dr. Brand goes on to talk about how the underworld was a ...
The corpse mutilated and eaten by carrion-birds and by dogs" (Sophocles). Herein lies the dilemma; in Greek culture, the spirit of a body that is not buried by sundown on the day that it died cannot find rest but is doomed to walk the earth.
The ancient Greeks portrayed the underworld as a place for all the dead and clearly visualized it in their myths and legends. The underworld in Greek mythology was not a lively place, for it was where all the dead souls went. When a person dies, the soul is sent to Hades, a more formal name for the underworld. The dead would go to Hades because there was no annihilation in the Greek mythology. The dead are dead because they have a flavorless and unhappy existence".
I believe that the ending of the Aeneid shows that Aeneas is very heroic. According to Webster’s New Dictionary, “a man of distinguished bravery” and “admired for his exploits.” Aeneas is very brave when he fights Turnus, especially because it is known that the gods are on his side. He successfully killed Turnus, which is an achievement that calls for admiration.
This play is ultimately concerned with one person defying another person and paying the price. Antigone went against the law of the land, set by the newly crowned King Creon. Antigone was passionate about doing right by her brother and burying him according to her religious beliefs even though Creon deemed him a traitor and ordered him to be left for the animals to devour. Creon was passionate about being king and making his mark from his new throne. Although they differed in their views, the passion Creon and Antigone shared for those opinions was the same, they were equally passionate about their opposing views. Creon would have found it very difficult to see that he had anything in common with Antigone however as he appears to be in conflict with everyone, in his mind he has to stand alone in his views in order to set himself apart as king. Before he took to the throne Creon took advice from the prophet Tiresias who had so often had been his spiritual and moral compass, and yet in this matter concerning Antigone he will take advice from no one, not from the elders of Thebes, or even his own son Haemon.
The grandeur with which Egyptians regarded their funerary customs does not come without explanation. They delighted in tying the occurrences of the natural world with supernatural dogma, and their burial practices exemplified this deluge of religion. A special deity was even attributed to cemeteries and embalmers: Anubis (Fiero, 46). Due to this deep sense of religion, a fixation with the afterlife developed within their culture. The Egyptian afterlife, however, is not synonymous of heave, but, rather, of The Field of Reeds, a continuation of one’s life in Egypt meant “to secure and perpetuate in the afterlife the ‘good life’ enjoyed on earth” (Mark 1; “Life in Ancient Egypt” 1). The pursuit of this sacred rest-place prompted the arousal of intricate Egyptian funeral rituals.
Aeneis's first contact with a soul in the purgatory of the Underworld is Palinurus, who died after falling from one of Aeneis's ships. Aeneis is at the mouth of the river that flows through hell with his guide the goddess Diephobe and Charon the ferryman. Palinurus is waiting to be ferried to his place in the Underworld, so he can begin his thousand-year purge. He pleads with Aeneis's party to take him along, but Deiphobe scolds him: "Shalt thou, unburied, see the Stygian flood, / The Furies stream, or reach the bank unbid?" (107). In Vergil's Underworld one must have had a proper burial to gain a position. This serves as a warning to Romans to give their deceased a proper funeral, less they remain in hell longer.
The Greek and Trojan societies believe that a soul remains restless and can not enter Hades until proper funeral rites are conferred. Funeral rites were paramount for those who had been killed in battle. An example of their determination to ensure a proper funeral can be found after the duel between the powerful Greek Aias and the Trojan commander Hector in Book VII. After Aias and Hector reach a stalemate in their battle, they agree to "make no battle" the next day so they can respectively "bring in our dead." Their cooperative neutrality to honor the dead demonstrated their respect for one another's fallen comrades.
To the early Greeks, death was dark and mysterious. Early myth about the underworld and life after death is very vague, and it is likely that the Greeks just did not understand death or the underworld. In Homer’s myths the underworld, Erebus, was the child of Chaos along with Night. The early Greeks, according to Hamilton, believed that