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The concept of afterlife in greek culture
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The ancient Greek idea of afterlife beliefs and the ceremonies associated with death and funerary rites were already time-honoured by the sixth century B.C. Homer, in his Odyssey, describes the Underworld as deep beneath the earth, near its very core, where Hades, the brother of Zeus and Poseidon along with his wife, Persephone, reigned over the masses of shadows of all who had died. It was not a happy scene. The ghost of the great hero Achilles told Odysseus that he would rather be a poor slave on earth than lord of all the dead souls in the Underworld (Odyssey, 11.489–91). The ancient Greeks believed that with the onset of death, the psyche, or soul or spirit of the departed person, left the body as a breath or puff of air. The deceased …show more content…
Ancient sources highlight the need for a proper burial and refer to the omission of burial rites as an insult to the dignity of humankind (Iliad, 23.71). Relatives of the deceased person, mainly women, conducted the elaborate burial rituals that were usually of three parts: the prothesis (laying out of the body), the ekphora (funerary procession), and the entombment of the body or cremation of the remains of the deceased. The body was first washed and anointed with oil, and then dressed for the funeral and laid out on a tall bed within the house. During the prothesis, relatives and friends came pay their respects. Lamentation of the dead is depicted in early Greek art, as early as the Geometric period, where vases were carefully painted with scenes showing the deceased person surrounded by mourners. After the prothesis, the deceased was brought in a ceremonial procession to the cemetery, the ekphora, which took place just before dawn. Very few objects …show more content…
These were a liquid offering poured over the grave, frequently right into the soil, because it was believed that running down into the dirt, it would reach the underworld. This custom is depicted on many vases, where the individuals are shown pouring a mixture (usually a combination of wine, honey, water and blood) onto the grave stone. Greek libations were normally done only once a year, and were often done by priests who were paid to perform the duty. The outsourcing of the practise to a third party with no personal relations to the dead, has much to say for the colloquial approach the ancient Greeks had towards the practice of feeding the dead; it was more of a familial duty than a
The mourner’s role is expressed by his pose; he leans forward as if trying to communicate with the deceased. The mourning man is positioned so that the viewer will see him three-dimensionally, with his shoulders foreshortened so that his left shoulder is hidden from our eyes. The majority of the pigment on the White-Ground Lekythos has either flaked off or faded away over time. However, there remains a faint gray stain on the white-ground where detailed patterns previously existed. The man shown on the White-Ground Lekythos has been drawn as an outline, with details like his muscles and the outer borders of his clothing. This outline was created with a black pigment, which was also fired onto the vase. The stillness and calm body language of the man depict the ancient Greek values of restraint and
Through the means of commemorating and remembering those of prestige and importance, tombs and sarcophagi are produced of these individuals. This funerary manner and distinctive burial practice was initiated Etruscan culture and it developed through the means of cremation and inhumation in earns. The concept of placing the remains of individuals in elaborate, thought out spaces was a valuable attribute of these people. The Etruscan objective of creating the best possible outcome in the afterlife dictated the way in which individuals ornamented and became portrayed in their tombs. Presen...
When someone dies their bones are burned and crushed into ash and consumed by the relatives. It puts a persons soul at peace to find a resting place within their family, it would be an abomination to bury them in the ground. Once this ceremony is finished the person is gone. Their name or person is never to be mentioned again.
In The Odyssey, Odysseus rejects the offer of immortality from the goddess Calypso long after he discovers the true nature of the afterlife after travelling to Hades. In Hades he meets Achilles who tells him “I’d rather slave on earth for another man. than rule down here over all the breathless dead’ (“Odyssey”, 265). Given such strong words from someone who has experienced the afterlife first hand, all of horrifying sights of the underworld, and the fact that Odysseus himself flees the underworld; one would be lead to believe that Odysseus would take up any offer that would him to dodge a fate in the underworld. Along with these reasons, Odysseus has endured many trials and tribulations over the course of his travels that might convince him to accept the offer of immortality.
The vision of the underworld portrayed in Dante’s Inferno and The Odyssey share many similarities. Both Dante and Odysseus confidently travel to the underworld because a woman, with whom they have had an intimate instructs them to. In The Odyssey, Circe instructs Odysseus to “make [his] own wa...
The corpse mutilated and eaten by carrion-birds and by dogs" (Sophocles). Herein lies the dilemma; in Greek culture, the spirit of a body that is not buried by sundown on the day that it died cannot find rest but is doomed to walk the earth.
It is clear that tombs and burial rituals were a key element in the Egyptian society and their way of life as it ties into almost all things they did on a daily basis. Whatever a person’s status was when they were alive followed them into the afterlife. Food and luxury goods were buried with a person so that they could have it in the afterlife. The tombs became a person’s new house after they died. Therefore, making it as nice as possible was really important. Art work and clay models were added to a person’s tomb as material goods needed for the afterlife. They were also seen as decorations that kept the tombs looking nice. Throughout the years, Egyptian artworks on the inner parts of the tombs and on the coffins show a development in the Egyptian customs. Each new development was created to better preserve the bodies and comfort of the dead.
The ancient Greeks portrayed the underworld as a place for all the dead and clearly visualized it in their myths and legends. The underworld in Greek mythology was not a lively place, for it was where all the dead souls went. When a person dies, the soul is sent to Hades, a more formal name for the underworld. The dead would go to Hades because there was no annihilation in the Greek mythology. The dead are dead because they have a flavorless and unhappy existence".
The grandeur with which Egyptians regarded their funerary customs does not come without explanation. They delighted in tying the occurrences of the natural world with supernatural dogma, and their burial practices exemplified this deluge of religion. A special deity was even attributed to cemeteries and embalmers: Anubis (Fiero, 46). Due to this deep sense of religion, a fixation with the afterlife developed within their culture. The Egyptian afterlife, however, is not synonymous of heave, but, rather, of The Field of Reeds, a continuation of one’s life in Egypt meant “to secure and perpetuate in the afterlife the ‘good life’ enjoyed on earth” (Mark 1; “Life in Ancient Egypt” 1). The pursuit of this sacred rest-place prompted the arousal of intricate Egyptian funeral rituals.
However, most people do not want to know details beyond cost or think about the actual embalming process. Funeral embalming preserves a corpse from decomposition so it can be displayed with dignity in funer...
Ancient Greek Religion There are many topics to be explored in Ancient Greek mythology. This unique polytheistic religion was based upon myths about anthropomorphic gods and goddesses. It impacted every facet of Grecian life, from law and ritual to culture and art. The individual as well as society both influenced the characteristics of the religion and were influenced by the religion itself. The Cambridge Illustrated History of Ancient Greece explains a variety of ways in which the Greeks were influenced by their religion.
The Greek and Trojan societies believe that a soul remains restless and can not enter Hades until proper funeral rites are conferred. Funeral rites were paramount for those who had been killed in battle. An example of their determination to ensure a proper funeral can be found after the duel between the powerful Greek Aias and the Trojan commander Hector in Book VII. After Aias and Hector reach a stalemate in their battle, they agree to "make no battle" the next day so they can respectively "bring in our dead." Their cooperative neutrality to honor the dead demonstrated their respect for one another's fallen comrades.
Guarding the gates of the underworld there is a violent creature by the name of Cerberus. Cerberus is a three headed dog. At the beginning of the river of Styx there is a person named Charon. Charon, is responsible for the transportation of the living to the underworld across the river. Charon requires the dead to pay a coin for a right of passage to the underworld. If the dead are unable to pay they may wonder at the gates for hundreds of years. Because of Charon’s fee for the right of passage to the underworld; the Greeks had to develop a tradition to burry their dead with either two coins that go in each of the eyes or one coin that goes into the mouth so that their loved ones would not be required to wonder around for hundreds of years.
To the early Greeks, death was dark and mysterious. Early myth about the underworld and life after death is very vague, and it is likely that the Greeks just did not understand death or the underworld. In Homer’s myths the underworld, Erebus, was the child of Chaos along with Night. The early Greeks, according to Hamilton, believed that
in the spiritual and moral life of the ancient Greeks, where in the same place