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Ee cummings as a romantic and modern poet
Ee cummings as a romantic and modern poet
Ee cummings as a romantic and modern poet
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Delight me, tickle my senses, I dare you! To be delighted-- isn’t that something we all wish to enjoy. Taking a walk in Edward E. Cummings’ poem, titled; “[S]omewhere i have never travelled,gladly beyond”, where he embraces his reader upon revealing a rainbow of “colour[ful]” techniques-- making my mind dance over hills of wild flowers (Cummings 742). With each new flower giving form to a jumble of abstract emotions, he conveys a more pronounced diction. And though I may color myself a portrait with perfect admirations of love, history has a funny way of telling me differently.
“[S]omewhere i have never travelled,gladly beyond/ any experience,your eyes have their silence: / in your most frail gesture are things which enclose me, / or which i cannot touch because they are too near” (Cummings 742). In the first verse Cummings presents meter, but discontinues this method in the next four verses. When metering the first verse, it sets it apart, --like an introduction to a story-- laying down a path to the rest of the poem. Reading from one verse to the next, we see Cummings’ love for another become unraveled piece by tantalizing piece. His thoughts begin to break down into open words on the page, but still remain embodied within a quatrain structure. Perhaps telling us his love is uncontrolled, but composed.
In the first verse, lines one and two are separate from lines three and four with a colon. A colon, in its most simple of ways, separates Cummings’ topics from his explanations. The first two lines of verse one, tells me of a place which he desires to travel, but has never been. The third and fourth lines in verse one describes that destination and why he must not go. In the fourth verse he entices me ...
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... and the depth in which he sees her, is his understanding.
So where does this leave me now? I have followed Cummings’ path from technique to technique. Even took a closer look through his use of words. Grasping ahold of an image I clearly see, but then questioning my thoughts when reading Cummings history during that time. One thing still remains clear to me; he has admirations of love for this person, and only the innocence behind it-- for me-- remains open for interpretation.
Works Cited
Cummings, Edward. “Somewhere i have never travelled,gladly beyond.” Literature An
Introduction to Fiction, Poetry, Drama, and Writing. Ed. Campion, Donna. United
States: Kennedy X. J., Dana Gioia, 2010, 2007, and 2005. 742. Print.
Reef, Catherine. “E. E. Cummings a poet’s life.” USA: Houghton Mifflin Company imprint,
2006. Print
Throughout history there have been many poets and some have succeeded while other didn’t have the same luck. But in history e.e. Cummings has stunned people with his creativity and exposure to the real world and not living in the fantasy people imagine they live in. Cummings was a great poet, and was able to make his own way of writing while he was also involved greatly in the modernist movement. But he demonstrates all his uniqueness in all and every poem, delivering people with knowledge and making them see the world with different eyes as in the poem “Since feeling is first”.
...ttachment or emotion. Again, Heaney repeats the use of a discourse marker, to highlight how vividly he remembers the terrible time “Next morning, I went up into the room”. In contrast to the rest of the poem, Heaney finally writes more personally, beginning with the personal pronoun “I”. He describes his memory with an atmosphere that is soft and peaceful “Snowdrops and Candles soothed the bedside” as opposed to the harsh and angry adjectives previously used such as “stanched” and “crying”. With this, Heaney is becoming more and more intimate with his time alone with his brother’s body, and can finally get peace of mind about the death, but still finding the inevitable sadness one feels with the loss of a loved one “A four foot box, a foot for every year”, indirectly telling the reader how young his brother was, and describing that how unfortunate the death was.
From the very first word of the poem, there is a command coming from an unnamed speaker. This establishes a sense of authority and gives the speaker a dominant position where they are dictating the poem to the reader rather than a collaborative interacti...
E. Cummings creates a critical and intolerant tone. He uses his work to criticize “most people” and how they blindly follow others. Cummings intolerance arises from others critical opinion of not normal people, whom the townspeople of the writing do not acknowledge. The uniqueness of both the main characters in the writing and Cummings is shown by the distinctiveness, inconsistency, and incorrectness of the writing. This tone directly relates to the theme and how anyone and noone are compassionate, caring people who actually recognize the value of life ,but are surrounded by townspeople who just stumble through life without a care or emotion. Cummings uses the seasons, bells, his unique composition and the repetition of “Women and men” and “anyone” to create and emphasize the unfortunate cycle of life. The use of the seasons in lines three,eleven, and thirty-four emphasise the passing of time and the unchanging ways of the townspeople. “Women and men”, in lines five and thirty-three,are used to remind us of Cummings definition of “most people” and how people tend to blend in and follow. The bells in lines two and twenty-four are used to indicate a change in the character 's, the first bell is before love and the second bell is rang before death.These significant life transitions show how love and death are final. life The character “anyone” introduces a person, unlike any others in the town, between him and his
Gratitude is one of the positive emotions shown from research and clinical trials to enhance the general well being of human beings. Gratitude is defined by Emmons (2004) as “a sense of thankfulness and joy in response to receiving a gift, whether the gift be a tangible benefit from a specific other or a moment of peaceful bliss evoked by natural beauty. Emmons and McCullough also see gratitude as an attitude, a habit, a personality trait and a way of handling difficult situations response (Emmons & Stern, 2013).
Not so much in, "In Just-" but Cummings took his father's pastoral background and used it to preach in many of his other poems. In "you shall above all things be glad and young," Cummings preaches to the reader in verse telling them to love with naivete and innocence, rather than listen to the world and depend on their mind.
The first poetic device the speaker uses to convey his or her meaning in this poem is the unorthodox grammar and sentence structure. The poem starts with the lines “anyone lived in a pretty how town / (with up so floating many bells down)” (1 – 2). In this case, this improper grammar reinforces the point that is the story of “anyone” (1). As such, the “how town” (1) represents the fact that the name of the town does not need to be specified, as this happens to everyone in every town. The speaker therefore alludes that the events of this poem are natural and they happen to anyone anywhere. E.E. Cummings deliberately uses “anyone” (1) and “no one” (12) as pronouns with ambiguous antecedents to generalize the poem’s meaning to society and all people in it. In this way, the speaker uses these thoughts as social commentary.
Stanzas one and two of the poem are full of imagery. The first stanza sets the scene for the poem “in a kingdom by the sea” (Poe 609) which makes you feel as if the story is going to have a “romantic” (Overview) feel to it. Then Annabel Lee comes into the story with “no other thought than to love and be loved by me” (Poe 609); This sentence is full of imagery in the sense that it makes you feel the immense capacity of love Annabel Lee had for the speaker if that was her only thought. In the second stanza the imagery takes a turn that shifts from loving and inviting to pain; The love between Annabel and the speaker was so strong that
...number of visual effects in his poetry. He combined the lack of punctuation, capitalization, and creative spacing with his topics, such as the seasons, to convey his messages. Some readers find the visual effects in his poems disconcerting and feel that they are meaningless because of it. However, others find his visual effects helpful in gaining a deeper understanding of his poems and the messages he was trying to convey. Cummings' poems were definitely meant to be viewed rather than simply listened to so that the reader can benefit from the full effect of them. His poetry does not follow traditional rules and is very unpredictable. As a result, they leave more room for your imagination to soar.
Throughout the play, Hamlet demonstrates many performances and words of nobility in Acts 1 through 5. Hamlet proved to be loyal and respective to his parents, and disapproves the use of violence. In addition, other character such as Ophelia, Laertes, and Horatio declares Hamlet as “noble”. By the end of the play, Hamlet emerges as a young noble prince; albeit a tragic one.
E.E. Cummings' "You shall above all things be glad and young" is a poem written for a man in love. It is a praise of the joys that love can bring men and women, yet also a warning of what can go wrong if you let your mind get in the way. This poem jumps from three different shifts in the tone of the speaker. In the first and second stanza Cummings is telling the reader the beauty of love. The third and forth stanzas are informing the reader to be careful with letting thoughts fog the innocence of their feelings. And finally, the couplet to end the poem implores you to go out and live life with the same naivete that you should pursue love with.
The construction of the poem is in regular four-line stanzas, of which the first two stanzas provide the exposition, setting the scene; the next three stanzas encompass the major action; and the final two stanzas present the poet's reflection on the meaning of her experience.
This reader considers that the theme of the poem is the supremacy of emotions over reasoning. On the first line “since feeling is first" (Cummings, 1926, line 1). The one who pays attention to the meaning of things will never truly embrace life. “wholly to be a fool / while Spring is in the world” (Cummings, 1926, lines 5-6).The poem states that it is better to be a fool than to live by emotions while one is still young. Cummings also puts emphasis on his belief that emotions should not be logical in the third stanza of “since feeling is first,” stating, “my blood approves, / and kisses are a better fate / than wisdom” (Cummings, 1926, lines 7-9). Here, Cummings aims the reader to go with his gut feeling, and to let go of what he feels during a brief moment, for instance a kiss. He carries on his refusal to intellectualize emotion by saying “the best gesture of my brain is less than / your eyelids’ flutter” (Cummings, 1926, lines 11-12). Cummings wants the reader to center ...
He personifies both the daffodils and waves as he compares their beauty to each other. However, the flowers "out-did" the waves with their happiness, since waves do not bring as much joy as the yellow flowers. This comparison makes the daffodils seem even more beautiful and happy. Furthermore, the speaker uses more joyful connotations to describe the daffodils. The use of the word “jocund” instead of cheerful implies the complexity of the beauty of the flower. Both the comparison and the connotation reinforce the theme of happiness. Moreover, the speaker uses the repetition of the word “gaze”. By repeating the word, he indicates that he, consistently, looked at the flowers for a long time. Additionally, the speaker metaphorically compares the sight of the daffodils to “wealth”. The word "wealth" in this instance, is not a measure of material prosperity, but rather a measure of a permanent kind of happiness that results from simply the view of the
sense of closeness to the topic of his poem. In the very beginning of the poem we