Addendum to Independent Study in Sound Design and Sound System Component Operation
This past year (2000) I have been working in the sound booth for The John Lyman Center for the Performing Arts. Here at the John Lyman Center (JLC) we have been going through a time of transition. The former resident technical guru who had taken care of JLC's happenings had retired, leaving the JLC in a semi chaotic state. The dance school season was just about to start which happens to be our busiest time of the year. The administrative staff here at the JLC was franticly trying to find a replacement while interim Chris Hudacs fought his was through the perilous dance school season.
Finally, when all the hullabaloo was over David Starkey, formally serving as Technical Director of the Theatre Department at Southern Ct. State Univ. was named the new title of Events Manager. When David was still working in the theatre department I had approached him when it was pointed out that there was no one person on staff who knew how to fully operate the sound system. The idea I had come up with was to design an independent study which would allow me to be in the sound booth and empirically discover how to operate the sound system and all of its support components. He agreed that it was a good idea because Greg had never explained anything but remedial board operation. Since I first started working at the JLC I had wanted to work on the sound system, now I was being given the chance.
The independent study was written up as follows:
Independent Study in Sound Design and Sound System Component operation
Objectives:
-To demonstrate competence in properly operating the sound system and all its individual components in Lyman Auditorium. Which includes but is not limited to the following:
¨ Sound board
¨ Tape player
¨ DAT player
¨ Mini disk player
¨ Compact disk recorder
¨ Compact disk player
¨ Digital effects processors
¨ Patch bay
¨ Wireless microphones
¨ Digital synthesizer
-By the 8th week be prepared to work with the head sound designer in developing a sound design for the crescent players fall production of "three penny opera". The sound design should incorporate as many of the listed devices as possible to ensure that a high quality production is obtained.
The learning process I have been going through has included help from many people. I would sit and pick the brain of every sound engineer that came through here. Finding out what you did with an Omni DriveÒ or how to use the feedback detector and the graphic equalizer to get rid of feedback.
Ken Kesey appears to show disgust for people of power in his book One Flew Over The Cuckoo's Nest. Throughout the novel, Nurse Ratched, the lady within whom lays all the power of the staff in a mental institution, frequently sends people who she has behavioral problems with off to the disturbed wing, like she did Maxwell Taber. It is there that they experience the pain of either electroshock therapy, or a full frontal lobotomy. Nurse Ratched uses this and her natural dominance to inspire fear in her patients. She tends to agree with old school of thought that a healthy dose of fear makes people easier to control. Thus she was able to easily putdown any uprising against her totalitarian rule before Randle McMurphy. Nurse Ratched tries to use the power that has been given to her as head nurse to change the patients as she sees fit. As Bromden puts it, "Working alongside others... she is a veteran of adjusting things" (p. 30). But to do this she has created a living hell for them. McMurphy, one of the rare man that dares to vocalize his opinion, shows his negative sentiment towards Nurse Ratched when he tells Harding, "Hell with that; she's a bitch a ball cutter..." (p. 58). The entire ward can see how power has corrupted Nurse Ratched into the pseudo-megalomaniac/sadist she now is.
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Bal, S. (2008). An Introduction to Medical Malpractice in the United States. Clinical Orthopaedics and related research, 467(2), 339–347.doi: 10.1007/s11999-008-0636-2 Retrieved from http://www.ncbi.nlm.nih.gov/pmc/articles/PMC2628513/
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Ken Kesey introduces the novel with Nurse Ratched, who appears to be the figure with the power on the ward. Chief Bromden notices “practice had steadied and strengthened her until now she wields a sure power that extends in all directions,” (30). Nurse Ratched wants all the power she can get; and no other employee from the ward questions her about it. Chief tells McMurphy that “she’ll go on winning, just like the combine, because she has all the power of the combine behind her,” (65). Ever since McMurphy had entered the ward he wanted to take over Nurse Ratched’s power, and help the other patients get out of her manipulating schemes. But Chief ...
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