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Achilles. greek hero. tragic hero
Destiny fate homer's odyssey
Symbolism in odyssey
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This simile compares Achilles to a star, associating him with heavenly, majestic, and even god-like characteristics. This makes sense considering his Olympian lineage, with Zeus as his father. It also distinguishes Achilles from other humans in the poem, “surging over the plain … far outshining the countless stars in the night sky” (22.31 - 34). Yet, while Achilles is “brightest of all” (22.34) with strength unmatched by any other human character in the poem, “a fatal sign emblazoned on the heavens” (22.35) determines his destiny. This line still associates Achilles with the heavens and gods, but this time connotes his impending fated downfall “emblazoned on the heavens” (22.35) - even Achilles himself cannot prevent it. While most of this passage refers to the heavens, Homer pulls the reader back to Earth when he writes “rears at harvest” (22.32). …show more content…
This imagery reminds the reader that despite Achilles’ excellence, he is still mortal thus will succumb to a mortal fate. This is, in part, due to his rage. Earlier in the text, Homer uses fire as a simile to describe Achilles’ rage. This passage also includes verbs which conjure images of fire - like surging, flaming up, and blazing. These verbs remind the reader that although Achilles’ fate is to perish in battle, his rage is partly responsible for his downfall. This passage demonstrates the role of fate in Achilles’ life. While he comes from divine descent, Achilles himself is a mortal, and Zeus’ destiny for him is stronger than his own personal strength. Homer uses celestial imagery in Book 22 as the vehicle in his simile to emphasize Achilles’ divine lineage, but also his fate’s immovability. This Homeric simile contrasts Achilles with other characters in the poem and highlights both his strength and his
While Phoenix and Meleager seemed to have issues with their respective parents, Achilles has none of the same issues. Achilles has a loving mother as well as a father and Phoenix, a father figure. Achilles and Phoenix are so close that Phoenix claims, “I made you what you are, my godlike Achilles, And loved you from my heart” (Homer’s Iliad 9.498-499). In contrast, the relationships depicted through Phoenix’s story are filled with rage and promises of death. The importance of structuring symmetrical relationships when invoking an emotional argument is imperative, and this paradigm fails to pick appropriate examples. Though Achilles may feel pity, he isn’t able to wholeheartedly empathize with the narrative laid before him. Without empathy, there can be no universal bonds in which others can be held accountable for each other. The dearth of empathetic material in Phoenix’s speech is largely proportional to Achilles’ acute refusal as well as a broader representation of the tragedy of the Trojan war on the
The Odyssey of Homer was written during Homer’s lifetime during the eighth century BC. The Odyssey is classified as an epic and without a doubt is because it focuses on the main concerns of the genre. The creative form I chose to discuss that is constantly engaged by the Greeks was imagery within tragedy and the epic they have demonstrated their mastery of the device. Imagery within tragedy adds a necessary and otherwise unattainable sub-story to the epic. In this essay, three examples of the imagery of this epic will be examined and contrasted between an online scholar video of the Odyssey retold.
Similes are, in the broadest sense of the word, a way for writers to express a certain idea by comparing and connecting two elements in order to give the reader a better understanding of the situation. One can argue that no author uses this literary device better and with such artistry than the Greek poet Homer. The epic similes found in Homer’s Odyssey are so complex, that they introduce a level of sophistication to his poetry that still has us studying his work centuries later. More specifically, there are two pairs of similes that, when examined, have a close relationship with one another. These pairs can be found on pages 240 and 246, and on pages 122 and 360. Both of these pairs of similes can be bridged together by the messages they
The subject of Homer’s epic poem, the Iliad, is very clearly stated--it is “the rage of Peleus’ son Achilles.” The reader remains continually aware of the extent of Achilles’ rage, yet is never told the reason why Achilles remains angry and unreconciled. There is no definitive answer to this question. Achilles is not a static character. He is constantly changing; thus the question of why he remains angry solicits different answers at various stages throughout the poem. To find an answer, the reader must carefully examine Achilles’ ever-changing dilemma involving the concepts of mortality and honor. At its simplest, Achilles’ dilemma is that if he goes to war, he will die. But he will die with glory.
In the Iliad, Achilles is the main protagonist. He is a demi-god and is the son of the nymph Thetis and Peleus who was the King of the Myrmidons. He was a Greek hero of the Trojan War. He falls in love with a battle prize called Briseis. He is to portray, “as a brave, loyal, cocky, intelligent and even superhuman soldier. In Achilles ' case, the word "superhuman" is literal; he is the result of a union between a god and a mortal.”(Harvard 1)
Throughout the Iliad the warriors' dream of peace is projected over and over again in elaborate similes developed against a background of violence and death. Homer is able to balance the celebration of war's tragic, heroic values with scenes of battle and those creative values of civilized life that war destroys. The shield of Achilles symbolically represents the two poles of human condition, war and peace, with their corresponding aspects of human nature, the destructive and creative, which are implicit in every situation and statement of the poem and are put before us in something approaching abstract form; its emblem is an image of human life as a whole.
Homer's two central heroes, Odysseus and Achilles, are in many ways differing manifestations of the same themes. While Achilles' character is almost utterly consistent in his rage, pride, and near divinity, Odysseus' character is difficult to pin down to a single moral; though perhaps more human than Achilles, he remains more difficult to understand. Nevertheless, both heroes are defined not by their appearances, nor by the impressions they leave upon the minds of those around them, nor even so much by the words they speak, but almost entirely by their actions. Action is what drives the plot of both the Iliad and the Odyssey, and action is what holds the characters together. In this respect, the theme of humanity is revealed in both Odysseus and Achilles: man is a combination of his will, his actions, and his relationship to the divine. This blend allows Homer to divulge all that is human in his characters, and all that is a vehicle for the idyllic aspects of ancient Greek society. Accordingly, the apparent inconsistencies in the characterization of Odysseus can be accounted for by his spiritual distance from the god-like Achilles; Achilles is more coherent because he is the son of a god. This is not to say that Achilles is not at times petty or unimaginative, but that his standards of action are merely more continuous through time. Nevertheless, both of Homer's heroes embody important and admirable facets of ancient Greek culture, though they fracture in the ways they are represented.
Before one can understand the interactions between the Gods and mortals, one first has to understand the nature of the Gods. In Homer, the Olympian Gods are anthropomorphic; that is to say they have human characteristics. The Gods have both a human shape as well as human emotions and needs. It is very evident that the Gods behave much like the mortals they lord over. Another facet to the Olympians Gods is that they represent a facet of nature, such as fire, water, death, weather, love, anger, nature, and death. The duel nature of the Gods creates a paradox in which the Gods are both anthropomorphic, as well as abstract representations of nature. In Homer, the Gods alternate between each of these parts, and on occasion become one. It can be best said that while the Gods are anthropomorphic, they are also a personification of nature. There are numerous examples of this in both the Iliad and the Odyssey. In book 21 of the Iliad Achilles has to fight the river god Xanthus, but he is saved by the fire god Hephaestus. Hephaestus is portrayed both a fire God as well as the fire itself. Xanthus, who na...
Within the first book of the poem, we read that Achilles is considered by many to be "god-like". (King Agamemnon, Book 1, line 154) When so...
... was when the Greek armies were trying to seize the city of Troy without the help of Achilles , the fight was relentless. With the unfortunate death of Achilles beloved companion and friend Patrolcus, Achilles entered the war with the city of Troy only to wind up killing his enemy, Hector. In all of the fates predicted, Achilles knew ahead of time what the outcome could possibly be, with this in mind, Achilles has the freewill of whether to engage in the war and lose his life. However, fate had been reveal prior to the killing of Hector, Achilles engaged in war with revenge on his mind and fulfilled the prophecies.
Throughout the Iliad, heroic attributes are illustrated by both men. The “godlike runner Achilles” (337) was remembered for some of his heroic qualities such as his invincibility from the ankle up, his skilled fighting, and his yearn for battle. Unfortunately, each of these qualities illustrates his prideful and self-centered attitude, his l...
In his classic work "Poetics" Aristotle provided a model of the tragic hero. According to Aristotle, the tragic hero is more admirable than the average person. This results in the tragic hero being admired by the audience. For the audience to accept a tragic ending as just, it is crucial that the tragic hero be responsible for their undoing. At the same time though, they must remain admired and respected. This is achieved by the tragic hero having a fatal flaw that leads to their undoing. One of literature's examples of the tragic hero is Achilles from Homer's The Iliad. However, Achilles is different from the classic tragic hero in one major way - his story does not end tragically. Unlike the usual tragic hero, Achilles is able to change, reverse his downfall, and actually prove himself as a true hero.
The Iliad, the Greek epic documented by Homer that describes the battles and events of the ten year siege on Troy by the Greek army. Both Trojans and Greeks had their fair share of heroes and warriors, but none could match the skill and strength of the swift runner, Achilles. Achilles had the attributes of a perfect warrior with his god-like speed and combat abilities. However, even though he was Greek’s greatest warrior, he still possessed several flaws that made him fit the role of the Tragic Hero impeccably. Defined by Aristotle, a Tragic Hero is someone who possesses a high status of nobility and greatness, but must have imperfections so that mere mortals cannot relate to the hero. Lastly, the Tragic Hero’s downfall must be partially their own fault through personal choice rather than by an evil act, while also appearing to be not entirely deserved of their unfortunate fate. Achilles is a true Tragic Hero because he withholds all of these traits. Achilles proves to be a good man that puts his loved ones first, reveals his tragic flaws of pride and anger, shows dynamic qualities as a character when his flaws are challenged, and has a moment of clarity at the end of his rage. Achilles truly exemplifies the qualities of a Tragic Hero.
The fact that Homer never clears the hazy and supple relationships between these three unique beings can be seen as a way of pointing out the basic mysteriousness of life and its happenings. Homer surely did not have all the answers about how the universe works, and his masterpiece does not attempt to suggest that he does. It is clear that all men are fated to die, but the willingness of these men, such as Achilles, to do so for something bigger than themselves is what makes The Iliad appeal to the basic humanity and sense of heroics in all readers.
The Iliad may be seen as an account of the circumstances that irrevocably alter the life of one man: Achilles, one of the greatest warriors. Throughout the course of the poem Achilles goes through many ordeals that change his character immensely. Starting with his quarrel with Agamemnon and withdrawal from battle, to the death of Patroklos, and with the slaying of Hektor. Achilles emotions and actions decide the fate of many warriors on both sides. Achilles struggles with anger, honor, pride, loyalty and love make the poem more that just a gruesome war story.