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Interrogation in Accidental death of an anarchist
Interrogation in Accidental death of an anarchist
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Recommended: Interrogation in Accidental death of an anarchist
Berkeley Repertory in conjunction with the Yale Repertory Theatre is presenting a wacky production of Dario Fo's 1970 Accidental Death of an Anarchist. Steven Epp has delighted Berkeley Rep audiences in the past with Figaro, The Miser and last year's The Doctor in Spite of Himself. The comic genius has outdone himself with this off the wall version of a classic.
Dario Fo's classic parody has been around for many years and has been presented in countries all over the world in many different versions. I have to say this is the wildest version I have ever seen.
Accidental Death of an Anarchist is based on a real event that took place in Milan in 1969 when a worker believed to be an anarchist and accused of a political terrorist act was held for questioning by the police. He fell to his death from the window of the police station. Later it was determined that the man was innocent. Did the police push him to his death or was his death accidental? You may ask how can this be a slapstick comedy—it is brilliant clowning comedy worthy of a Marx Brothers treatment.
Director Christopher Bayes and comic actor Steven Epp have come up with a production of a play about police corruption that is breathtakingly funny. The two hour and twenty minute production hauls the audience down to the station for a rollicking interrogation of our culture. An investigation is undertaken with an over-the-top maniac with a gift of impersonation. He masquerades as the official sleuth sent to cut through officialdom, police exploitation and political malfeasance with astounding energy and cleverness and tells the audience "I'm a freaking insanity genius." Steven Epp plays the maniac almost like the legendary Groucho Marks would play the role.
Epp does not just...
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...ted sets show imagination, giving the audience the feel of a hot West Indies setting. Cathleen Edwards' headdresses for the gods are boldly inspired while Pamila Z. Gray's lighting fills the stage with vivid color. William Liberatore leads a joyful six-member band who bring out the best of the engaging rhythms and melodies in the high energy score. Director Robert Kelley keeps the production going at an energetic pace.
Once on this Island plays through March 30th at the Lucie Stern Theatre, 1305 Middlefield Road, Palo Alto. For tickets call 650-463-1960 or visit www.theatreworks.org. Coming up next is a hilarious spoof of The Hound of the Baskervilles adapted by Steven Canny and John Nicholson. Following this will be Sondheim's Marry Me a Little opening On June 7th. Both will play at the Mountain View Center for the Performing Arts, 500 Castro Street, Mountain View.
The Dramatic Techniques J.B. Priestley Used to Create and Develop Tension in Act one of An Inspector Calls
This scene, of escalating argument, presents a different type of humor. While the first was a slapstick, exaggerated and dark humor, the argument is more sarcastic, intelligent and cutting.
Lowerison, Jean. “Theater Review: The Liar.” SDGLN. 02 Apr. 2014: 1. Web. 28 Apr. 2014.
The use of humor and satire is only effective when the reader identifies with the kernel of truth at the core of the joke. The entertaining story of Periquillo’s misadventures was not just a funny story but also contained a bitter commentary on the state of colonial rule. Serialized publication in the native language allowed for the story to reach the masses and kept the issues in the public eye by spoon feeding weekly accounts that built up public awareness and increased discontent with the status quo. De Lizardi’s unapologetic fictionalized first person account of life in New Spain exposed the corruption, injustice, prejudice and inequities in society caused by the colonial caste system and encouraged public support for a revolution.
In , one can see that the dramatic effect of the narrative collisions is the creation of contrasts which microcosm society and allows Beaumont to satirise. The principal feature of his Satire is the boundaries of society and theatre which he fragments to reflect there artificiality. The collision of Rafe and Jasper highlights the changes of ideology within society and the hidden agendas of different genres. The collision of George and Prologue questions the boundaries of the theatre, reflecting society at large. The collisions also serve to mould Rafe from a grocers apprentice to the harbinger of a social revolution. Thus showing us Beaumont’s desire to challenge societal boundaries.
Our second to last day in New York started like all the others. Breakfast. Shopping. Sites. Back to the hotel. However, upon returning to our rooms, my stepmother (who was escorting us on this journey) handed me three tickets. Across the top of them, it read: The Nederlander Theatre presents Jonathan Larson’s RENT. I was completely stunned and my ey...
In the Victorian Britain there was 88 minors were killed from the start of 1851 to the end of 1851 from many, many different things. I am talking about deaths in Victorian Britain and what I think the deaths mean is that the people who died, died cruelly. There may be some people who die of accidental deaths but most people die of a cruel death. The Victorians viewed death as a sad time because the deaths caused a great deal of sadness and pain to the person's family mates and friends.
According to the National Institute of Mental Health, one in 17 Americans suffer from a serious mental illness. That is roughly one person in an average high school classroom. These mentally ill people live a different life, and in some situations, they cannot fully comprehend what is happening around them. These people need a little more time and patience than the average person would need in any given situation. Because of this, they need to be handled differently by police officers when they come into contract. This is not happening and it is causing chaos. In “Police Confront Rising Number of Mentally Ill Suspects,” an article featured in The New York Times on April 1, 2014, writers Fernanda Santos and Erica Goode bring attention to the treatment of mentally ill suspects when being confronted by police officers. The article starts with the emotional story of James Boyd to capture the audience’s attention and to create distaste for the police, which is reinforced throughout the article. The authors then go on to have various professionals testify that in recent years the number of incidents between mentally ill people and police officers has risen dramatically. Santos and Goode describe the process of many police departments and compare them with Albuquerque’s, showing that their procedures when handling mentally ill suspects either is not used or there are no guidelines to follow. This article portrays the ignorance some people have when handling situations with mentally ill people and how that affects the lives of the mentally ill and could potentially affect the reader’s own life. Structural, material, and characterological coherence are evident in the article to effectively shed light on how police officers need to revise...
Bob Fosse’s dazzling adaptation of the plot is a key element that contributed greatly in making Chicago achieve the success it did. Set in the 1920’s, Chicago is based in the real-life murders trials of two women who were eventually exonerated of their alleged crimes. The film’s main characters are Roxie Hart, a housewife who often fantasizes about becoming a Vaudeville star, and Velma Kelly, a vaudeville queen b who desires far more fame than she already has. They both find themselves in the Cook County Jail on “murderesses row”. Crime and short-lived fame are the central themes of this movie. Murder and lies are sensationalized and glorified. It is no surprise that p...
The Usual Suspects is a film centered around a man named Roger “Verbal” Kint. In the movie, Verbal tells his story to U. S. Customs Officer Dave Kujan (Singer, 1995). The story is portrayed in flashbacks, and thus, the gruesome tale of five men and their journey of destruction which leads to all but one of their deaths unfolds in a police station office. The Usual Suspects has scenes, scenarios, and suspects that all can represent or dispute psychological principles.
Impetuous actions can dramatically alter the life of anybody in many ways. The lack of thinking things through and acting solely on one particular emotion can lead to unanticipated results. In William Shakespeare's Romeo and Juliet, Shakespeare shows how impetuous actions combined with the need for lust can lead to a tragic end. It wasn't fate but rather Romeo and Juliet's hasty actions that brought their untimely deaths.
Thomas Nagel’s discussion about death is very intriguing and contemplative. In trying to prod for answers, Nagel began his essay, by writing about common views of death held by different people. His main purpose of writing this paper is to incisively and contemplatively discuss if death is a bad or evil thing. Nagel discusses the some people’s thought about death being evil. They say this because it denies us of living “more life”. He noted that most people are of the view that life is good, despite the fact that some life experiences are unpleasant and tragic. He then adds that when these unpleasant experiences of life are set aside, life is positive, and not just simply "neutral" (10).
Styan, J. L. "The Drama: Reason in Madness." Theatre Journal 32 3 (1980): 371-85. Print.
Dehumanized Coping George Orwell’s essay, A Hanging, describes how he sees capital punishment inhumane to all parties. The essay is structured like a story to convey its point clearly in a way a regular essay cannot. The story follows the narrator as he finally sees a prisoner that he describes as inhumane to be someone that still has a will to live. In the story, the prisoners are often dehumanized by how they are treated while they wait for their hang. The beginning of the story starts with the narrator describing what the prisoner cells looked like with it in poor condition: We were waiting outside the condemned cells, a row of sheds fronted with double bars, like small animal cages.
...ro level forum. She revealed the layers in the plot that tend to get overlooked when viewing a Hollywood musical. Also, her Freudian insight of Linda Low’s character, in which she explains the ego formation and narcissism, mirrors Marchetti’s view of the white knight. Hollywood narrations have notoriously reflected the white male, who I perceive as a representation of American national identity, as a highly narcissistic character. He is portrayed as the hero with patriarchal discourse and male privilege. Overall, both essays dive into the role these films took in constructing a national identity under the veil of a romantic narrative. Both speak to a political subplot on an unconscious, rather than diegetic level. In providing such an in depth analysis, they uncloak the racial and national assimilation that these films depict in relation to the East and West.