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Existential themes in the stranger
The stranger as an absurdist novel
Existential themes in the stranger
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The Stranger by Albert Camus focuses largely on the concept of absurdism. Camus uses family and personal relationships, or the lack of it thereof, to show the isolation that the main character, Meursault, undergoes in the novel and it’s effect on him overall. Camus utilizes the protagonists’ character development as a tool to further his plot of the novel. The absence of family and personal relationships tied in with the particular recurring topics of the novel are crucial in both the development of the protagonists’ characters as well as the plot as it affects the portrayal of the main character.
Towards the beginning, Camus introduces the absence of family, thereby beginning the character development of the protagonists in their respective novels. In The Stranger, Camus begins the novel with “Maman died today. Or yesterday maybe, I don’t know” (Camus 3). This is the first instance that the reader is being introduced to Meursault, the main character of the novel. The reader learns that Maman, Meursault’s mother, is the only family member that Meursault has in the entire novel. Furthermore, Camus uses Meursault’s response to this tragedy not only to get the reader a first glimpse of the protagonist, but as a way to introduce the topic of absurdism that the novel is building up towards. As the funeral proceedings continue, Meursault feels like smoking, but is first hesitant in doing so because he “didn’t know if [he] could do it with Maman right there” (Camus 8). However, Meursault soon follows this up with “I thought about it; it didn’t matter. I offered the caretaker a cigarette and we smoked” (Camus 8). This at first shows us a sense of hesitancy as he pauses for a moment to think whether what he is doing is acceptable. Howeve...
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... to accept the absurdist tenets and embraces the indifference, opening up to it and thinking that life itself lacks meaning and understanding. The absence of family and personal relationships in The Stranger by Albert Camus drive the protagonists’ character development. Camus begins showing the effect of the absence of family and personal relationships from the very beginning. He uses this as a way to utilize character development, as well as preparing the reader for the developing plot. The absence of family and personal relationships tied in with the isolation that takes place in each scenario are crucial in both the development of the protagonists’ characters as well as the plot, as this affects the portrayal of the main character in the novels.
Works Cited
Camus, Albert. The Stranger. Trans. Matthew Ward. New York: Vintage International, 1989. Print.
The Stranger by Albert Camus is a story of a sequence of events in one man's life that cause him to question the nature of the universe and his position in it. The book is written in two parts and each part seems to reflect in large degree the actions occurring in the other. There are curious parallels throughout the two parts that seem to indicate the emotional state of Meursault, the protagonist, and his view of the world.
The Stranger written by Albert Camus is an absurdist novel revolving around the protagonist, Meursault. A major motif in the novel is violence. There are various places where violence takes place and they lead to the major violent act, which relates directly to the theme of the book. The major violent act of killing an Arab committed by Meursault leads to the complete metamorphosis of his character and he realizes the absurdity of life.
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
In the experimental novel The Stranger by Albert Camus, he explores the concept of existentialism and the idea that humans are born into nothing and descend into nothingness after death. The novel takes place in the French colony of Algiers where the French-Algerians working-class colonists live in an urban setting where simple life pleasures are of the upmost importance in the lives of working class people like the protagonist of the novel Meursault. What is fascinating about this novel is that it opens up with a scene of perpetual misfortune for him through the death of his mother although he seems to express otherwise. The reader perceives this nonchalance as a lack of care. Maman’s death and its impact on Meursault appear in both the very beginning and very end of the two-part novel, suggesting a cyclical pattern in the structure. This cyclical pattern suggests not a change in the moral beliefs of Meursault but rather his registering society’s systems and beliefs and craft meaning in his own life despite the fact that he meets his demise in the end. Camus uses Maman’s funeral to characterise both Meursault and the society and customs created by the society Meursault lives in in order to contrast the two while at the same time reveal how while society changes, Meursault does not. Rather, Maman’s funeral becomes of unprecedented importance in Meursault’s life and allows him to find that nothing means anything in his meaningless world at the time of his death. He finds peace in that.
opinion on existential nihilism. Existential nihilism is the philosophy that life has no intrinsic meaning, and rejects all religious and moral conformity. The main character meursault, displays all of these traits throughout the book. Camus gives the reader an alternative outlook on the life and how there is no right or wrong way of living because in the end, whether that be sooner or later everyone is going to have the same end fate. Camus demonstrated his belief of existential nihilism through the external and internal
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
French playwright Albert Camus once said, “Nobody realizes that some people expend tremendous energy merely to be normal.” In The Stranger and The Guest the overarching theme that those who do not conform to typical societal values and do not adequately relate to others are appraised as a threat to society as a whole. In both works the protagonists isolate themselves, and society isolates them because of their non-conforming beliefs.
Right away as you begin The Stranger, already you notice the unique writing style Camus decides to use throughout the book. He states, “I like milk in my coffee, so I said yes, and he came back a few minutes later with a tray.
“The Stranger” is an appropriate title for the novel’s main character because when you think of a stranger you think of avoiding them because of safety concerns. Meursault is a type of person that you’d avoid if you saw him randomly in the streets. He’s always looking up at the sun and is very socially awkward. When Meursault is asked if he’d been traveling for a long time after discovering he had been leaning against a soldier on the bus while asleep he simply says “‘yes’… so [he] wouldn’t have to say anything else” (Camus 4).
Camus was born in a small town in eastern Algiers on November 7, 1913. His father (Lucien August Camus) died in 1914 after being shot in the Battle of Marne in W.W.I. Camus was raised by his mother (Catherine Helene Sintes Camus) until he was seventeen, in a working-class section of town. "Sintes," his mother's maiden name was also Raymond Sintes' last name in the novel The Stranger. She was illiterate and became partially deaf after she was widowed. Her husband's body was never returned to her, but a fragment of the shell that killed him along with a picture of him was displayed in the apartment where they lived (Todd 4-6).
French author and playwright Albert Camus once said, “He who despairs over an event is a coward, but he who holds hope for the human condition is a fool.” In the The Stranger and The Guest this philosophy is expanded on by demonstrating how those who do not conform to society are isolated, and portrayed as a threat to society because of their unique beliefs.
An absurdist tends to discover meaning despite living in a meaningless world and are unable to fully accept and understand that every life ultimately ends. Depending on a person’s ethics and morals, some indications can be made on how someone’s life may transpire with each differing and playing a role. These people often partake in unethical and immoral actions, aware of it or not, in order to achieve some type of meaning in their absurdist life. In the novel The Fall, by Albert Camus is about an Absurdist man who used to be a judge penitent in Paris before he moves to Amsterdam. While living in Paris, Clamence lives a life full of lies as he views himself superior, as he tends to help the least fortunate. In reality, his motives are flawed
In Albert Camus’s novel, The Stranger, the author employs symbolism and foreshadowing through the weather- especially the sun- in order to represent Mersault’s compulsive and detached attitude. Camus’ novel tells a story of a man named Mersault who believes that the world is absurd and who searches some meaning in life.
The word "absurd" or "absurdity" is very peculiar in that there is no clear definition for the term. Merriam-Webster’s Online Dictionary gave its definition of "absurd" as "having no rational or orderly relationship to human life: meaningless, also: lacking order or value." Many existential philosophers have defined it in their own manner. Soren Kierkegarrd, a pre-World War II German philosopher, defined absurd as "that quality of Christian faith which runs counter to all reasonable human expectation" (Woelfel 40). Jean-Paul Sartre a post-WW II French philosopher, felt that absurd was "the sheer contingency or ‘thereness’ or gratuitousness of the world" (Woelfel 41). Both of these definitions are hard to interpret and for the most part are not how Camus viewed the word absurd. Camus gives his interpretation of absurd in his book The Myth of Sisyphus, which is the point at which man realizes that all the struggles that we put forth in a repeated daily cycle are in all actuality completely meaningless (Woelfel 44).
Albert Camus wrote The Stranger during the Existentialist movement, which explains why the main character in the novel, Meursault, is characterized as detached and emotionless, two of the aspects of existentialism. In Meursault, Camus creates a character he intends his readers to relate to, because he creates characters placed in realistic situations. He wants the reader to form a changing, ambiguous opinion of Meursault. From what Meursault narrates to the reader in the novel, the reader can understand why he attempts to find order and understanding in a confused and mystifying world.