In 17th and 18th century France absolutism was a key element in baroque art. The expression of absolutism was demonstrated by the baroque style and highlighted things such as military strength and monarch power. It was the billboard for advertising and encouraging things like loyalty and assurance in the ruler, monarchs would use baroque art, sculptures and architecture to impress and represent themselves as god like people. Louis the XIV is famous for the huge displays he put on in his courtyards, and his portraits where he would depict himself as a godlike being, comparable to Apollo.
This brings me to the baroque artwork itself. The ominous style was used as a powerful vehicle for propaganda of the church and thrown, they used it to
represent and depict themselves in a certain way for the public to see them. Nobody was able to defy an absolute ruler, they had asserted their dominance, because of the lack of supervision from other powers the ruler was able to do whatever he pleased. this meant spending as he wished; building and buying anything his heart desired. As a result of this, they wanted things that could reflect their power and might, big, expensive, decorative, monumental even. The baroque style of art was a way to basically show his love of transcendency, using portraits to demonstrate their vain personalities, the baroque artwork was a way to impress others, assert your power, and make those in the presence of feel lesser than.
Louis XIV is considered the “perfect absolutist” and he has been said to have been one of the greatest rulers in France’s history. He came up with several different strategic plans to gain absolute
Absolutism was at its most popular in the 17th century. Monarchs Louis XIV who ruled France from 1643 to 1715, and Peter the Great who ruled Russia from 1682 to 1725 both secured absolute power in their kingdom. Peter the Great, however, managed to accomplish more during his reign than Louis XIV with politics and military. Peter was able to tax his nobles but still keep their loyalty and also change how his army was run by using Prussian organization and discipline.
The Baroque era was born out of the Roman Catholic Church’s Counter Reformation, during which the church made considerable efforts to strengthen the relationship between the secular world and the religious order. In an effort to engage the common people and create piety, the Catholic Church wanted art to appeal to human emotions. Gentileschi successfully accomplishes this in her painting, Judith Slaying Holofernes. By infusing the Apocryphal tale of Judith with dramatic techniques such as chiaroscuro and foreshortening, she created a deeply moving and realistic piece of art that engages the viewer physically and emotionally, which is quintessential to the Baroque style.
One of the most important elements of Versailles that affected Louis XIV’s reign was the use of propaganda. The Palace contained “paintings, statues, tapestries” (Page) and a general grandness that significantly promoted Louis’ name. Louis himself was a “prominent subject in the artwork” (Montclos 330) and was portrayed as handsome and god-like. Even in the aspects of the Palace where Louis wasn’t literally being represented, the grand nature of Versailles sent out a message that the King was living lavishly, and was therefore very powerful. Louis XIV used the grandiosity of his Palace and the art inside to promote himself to his people.
So, I read and reviewed five volumes that I found to be representative of the recent scholarship on Renaissance Imperial power structures in Italy, the works span a range of imperial topics from Italian Cardinals and the Papacy, to the absolutist rulers of Italian cities like Milan and Florence. The works themselves are of course: Jane Black’s Absolutism in Renaissance Milan: A Plenitude of Power under the Visconti and the Sforza 1329-1535, Charles Stinger’s The Renaissance in Rome, Gerard Noel’s The Renaissance Popes: Statesmen, Warriors, and the Great Borgia Myth, Margaret Ann Zaho’s Imago Triumphalis: The Function and Significance of Triumphal Imagery for Italian Renaissance Ruler’s, and finally K.J.P. Lowe’s Church and Politics
While the Flemish were proficient in oil painting, Italian Renaissance artists continued their predecessor’s use of tempera. Furthermore, the paintings were ultimately created for different purposes and separate viewers. Although both works are centered on the defining moment of the annunciation, The Merode Altarpiece incorporates this scene into a secular setting, therefore differing from Fra Angelico’s The Annunciation which was painted for a monastery. Finally, Flemish and Italian Renaissance paintings differ in levels of realism. Although the Flemish painters were skilled in portraying realism of physical forms, they lacked a full understanding of linear perspective. In contrast, the Italian Renaissance artists were well versed in linear perspective but lacked a complete grasp of the natural
The late sixteen-hundreds were a time of absolute monarchies, budding representative governments, and revolution (the Revolution in 1688 in particular). The people of this time, of course, had opinions about the ways things should be done and what kind of government should, and could, really work for the people. Even the idea of the government being a system that ultimately should work for the benefit of the people was a point of conflict in some circles. Two examples of men with strong opinions about absolutism were Bishop Jaques-Bénigne Bossuet, Louis XIV’s court preacher and tutor to Louis XIV’s son, and John Locke, arguably the most prominent English philosopher in his day. While Bossuet and Locke differed greatly in their views of what
The baroque has been called a theatrical style, one that deals in spectacle, grandeur, and dramatic contrast. Test these concepts in an essay that discusses the baroque as an expression of the Catholic Reformation, Protestant devotionalism, the Scientific Revolution, and the Age of Absolutism. Define your general statements with specific examples. The following essay will discuss the baroque period and how the Catholic Reformation, Protestant devotionalism, and the Scientific Revolution influenced it. The Baroque period generally refers to the years 1600 to1750. Classicism of the Renaissance has been replenished during the Baroque period. During the Baroque artistic period, the exploration of the fundamental components of human nature and the realm of senses and emotions were very crucial. The Baroque era was a very dynamic time that showed an abundance of radiance and color. Artists of this time were passionate and sensual. Their works were many times considered to have an overpowering emotional effect. The superficial form of light was fascinated during this period due to the thoughts of godlike sun or the truth of the Holy Spirit. The Baroque naturalism maintains the religious themes in content. The elements of perception in the Baroque art are how we perceived the natural human figures are in motion through space, time, and light. We present and analyze the extent of human actions and passions in all its degrees of lightness, darkness, and intensity. The scientific revolution also had a tremendous impact on art during this time. Scientists started to study the earth and it’s positioning in the universe. This was a time when the people started take more of an interest in astronomy and mathematical equations. During the time of the Catholic Reformation artists began to challenge all the rules that society has set for artistic design. Artist starting with Parmigianino, Tintoretto, and El Greco began to add a wide variety of colors into their paintings, challenging the way things have been done in the past. These artists also added abnormal figures or altered the proportions in paintings. This is displayed in Parmigianino’s painting, Madonna of the long neck. During this time the Catholic Church was in a transition period moving from their recent reputation and becoming a well-respected organization. During this reform, an autobiography written by Layola about Saint Teresa of Avila set a new tone for Catholics to follow. This influenced people to have a more spiritual outlook on life.
In the seventeenth century, both England and France were going through religious and political turmoil. The religious problems were associated with the religions protestant and Calvinists coming out and fighting to be accepted. One of the political turmoils was that both countries were being changed how they were being run, the amount of money had, spent and what was accepted. One of the biggest problems for England and France was the thirty years’ war, which began with conflicts between Catholics and Protestants within the Holy Roman Empire, it involved most European states. The war ended with many central European lands in ruins and the balance of power shifted toward France, England, and the Dutch Republic. France for years had to raise
The growth of European absolutism led to many different types of war and call for independence. One of the effects of absolutism was the European Civil War. This war, starting at 1642 and ending at 1649, was between the supporters of King Charles I and his opponents; he was an absolute monarch. An absolute monarch was a king or queen that had total control within their states' boundaries; this made him do whatever he wanted in England and it angered some people. King Charles had offended the Puritans by turning the kingdom to Anglicanism, and he offended the Parliament by putting them away from session because they bothered him about a petition he signed but ignored. All of those factor led to the English Civil War.
One of the characteristics of the Italian Baroque is the realistic depiction of human figures, vivid use of color and foreshadowing techniques, especially in the paintings. In addition, the figures of the paintings seem to emerge from the background, giving huge differences between light and dark. The Italian baroque structure has a sense of movement and that of energy when in static form. The sculptures make the observers to have multiple viewpoints. The Baroque architecture has characteristic domes, colonnades, giving an impression of volume and void.
During the late 17th and early 18th century, many European nations such as France and Russia were absolute monarchies. Even countries such as England had kings who at least attempted to implement absolutism. Indeed the concept of absolutism, where the monarch is the unquestionably highest authority and absolute ruler of every element in the realm, is certainly appealing to any sovereign. However, this unrestricted power was abused, and by the end of the 18th century, absolutism was gone. Absolutism failed because the monarchs' mistreatment of the population caused the people to revolt against their rule and policies. There are many factors which caused this discontent. For one, there was a great loss of human lives. Louis XIV of France participated in four wars, while Peter of Russia ruthlessly executed anyone who stood against his will. Secondly, monarchs attempted to change religious beliefs. This was notable in England where rulers such as James II desired to convert the Anglican nation into Catholicism. Finally, the burden of taxation was more than the population could support. France was brought into huge foreign debt, English kings constantly attempted to raise money, and Peter of Russia increased taxes by 550 percent. These are some of the key reasons why absolutism failed in Europe.
... the way that the artwork is resembled in the religious background of the gospel but reconstructed in to a celebrating impression. Throughout the fresco painting it depicts the myth of the Christ’s three fold temptations relating back to the article that “distinction between fresco and panel painting is sharp, and that painters are seen as competitors amongst themselves discriminating also, between the difference in genuine attempts in being better then the other.” Baxandall, “Conditions of Trade,” 26. in relation, the painting concerns the painter’s conscious response to picture trade, and the non-isolation in pictorial interests.
Peter Paul Ruben’s art is a combination of the traditional Flemish realism with the classicizing tendencies of the Italian Renaissance style. Peter Paul Rubens had the cunning ability to infuse his own incredible vigor into a potent and extravagant style that came to define Baroque art movement of the 17th century. “Baroque art characterized by violent movement, strong emotion, and dramatic lighting and coloring.” The figures in his paintings create a permeating sense of kinetic lifelike movement, while maintaining the appearance of being grand in stature yet composed.
As we covered the Enlightenment, Dr. Dowling made one thing very clear: the profits made from colonization and slavery abroad almost exclusively funded The Enlightenment. The age of colonization and imperialism caused many lasting effect on host countries, and the people who inhabited them, including allusions to The Enlightenment. Two contrasting political theories worked simultaneously in The Enlightenment that significantly shaped the practices of colonization and imperialist practices; liberalism and absolutism.