Absolute Power In One Flew Over The Cuckoo's Nest

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Power, and its irrefutable ability to deprave those who wield it, is a central theme in Ken Kesey’s One Flew Over The Cuckoo’s Nest and Kurt Vonnegut’s Slaughterhouse Five, which both explicitly examine the consequences of absolute power and the moral corruption that later ensues. Both authors assert that absolute power ultimately results in a blind acceptance of the actions of governing forces. Whilst Slaughterhouse Five exposes the horror of wars incited by almighty governments, One Flew Over The Cuckoo’s Nest presents the dangers of dictatorial control and ethical corruption in mental institutions. The emergence of Christ-like figures in each novel can also be attested to the unquestionable power exercised by omnipotent groups in both texts. …show more content…

Slaughterhouse Five is subtitled “The Children’s Crusade: A Duty-Dance with Death”, a stylistic choice by Vonnegut that highlights the omnipresence of young men enlisted in World War II, who satirically likens the war with a holy “Crusade”. Historically, the real Children’s Crusade involved young boys lured by Christian monks into believing “they were going to [fight in] Palestine”, but in reality, “half of the [children] were sold to North Africa”. Vonnegut compares this mass martyrdom of the 13th century with the indiscriminate bloodshed of the 1940s, juxtaposing “foolish virgins…right at the end of childhood” with the carnage and devastation of the Dresden firebombing. These “boys” were mislead by romanticised depictions of war and powerful figures in society, who utilised their absolute power to expose young boys to the savagery of man. Similarly, the establishment of Billy Pilgrim as an anti-hero serves to deprive war of its heroic status, and unveil the reality of wars incited by autarchic governments. Billy, a “tall and weak…funny-looking child” is characterised in the war as being “powerless to harm the enemy or help his friends”, a soldier who “bore no arms…had no helmet, no weapon and no boots”. He constantly “wanted to quit…he was hungry, embarrassed, incompetent”, and …show more content…

Chief Bromden, the narrator of Kesey’s text, is a “six-feet seven inches…Columbia Indian” afflicted with schizophrenia. Bromden immediately explains that the events of the novel are “the truth even if [they] didn’t happen”, positioning readers to question his reliability as a narrator. Bromden begins by stating, “They [the aides] are out there…a hum of black machinery, humming hate and death and other hospital secrets”. Bromden’s paranoia and schizophrenic tendencies are hinted at through his impeding visions of Ratched and her despotic ward, all of which are littered with mechanical “devices” and “instruments”. Furthermore, Bromden sees Nurse Ratched “blow up big as a tractor…so big [he] can smell the machinery inside”. Nevertheless, Bromden believes he too is a “machine”, but “with flaws that can’t be fixed”, as his life has been filled with instances where the power exercised has been absolute. For instance, his mother’s tyrannical dominance over his father led to the loss of his ancestral land, his conscription in WW2 exposed him to the atrocities of war, and his reputed “200 electro-shock treatments” all culminated in schizophrenia. Bromden is now forced to hide in hallucinatory “green fog”, something he believes he “can slip into and feel safe”. In striking

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