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Interrogator tactics used against prisoners
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It never occurred to the interrogators that they were torturing a little boy. The only child of the most-wanted terrorist on the planet, he wasn’t a boy at all. He was an opportunity for promotion. His crime was being born outside the system, to a father whose legacy of violence and bloodshed permeated the lives of ordinary people. The people of Thalassinus turned to their respective governments for guidance and support, longing for an end to the bombings, liberation from the constant threat of death. No one knew when the boy’s father would strike next. For the boy, none of this made any sense. He heard words like “terrorist” and “murderer”, but what he knew of such things didn’t align with what he knew about his father. He remembered the man working with sickly strangers–rarely sleeping, rarely eating, pausing only to stand by the window and light a cigarette, blowing smoke into the cool, endless winter air. It was true that his father was often gone, leaving him in the care of men with and women with strange, twisted faces, but his absence was not on account of blowing up retirement homes. People who murmured apologies to lab rats didn’t do things like that. They didn’t build an army of incendiary drones to terrorize the Emperor of Terasu’s annual picnic and didn’t release lethal bacteria in schools. He’d had never even seen his father angry with anyone. Before she died, his mother had occasionally berated the man, but he always accepted the criticism. The boy remembered knocking something over in his father’s lab, paralyzed by the raw terror of knowing he’d done something wrong. He’d stood there like a shivering statue, bleeding from jagged shards of glass impaled in his skin, furious with himself. It wasn’t long before he w... ... middle of paper ... ...ind, like deep gouges left by the progression of glacial ice. A star like ours doesn’t die the way most people expect it to. There’s no gradual weakening–a steady decrease in light, a growing absence of warmth. It doesn’t fade back into the depths of space, calmly retreating to the womb. Instead, as the last of its resources are consumed, it burns bigger and brighter, swelling like an infected gash, incinerating planets nurtured from their inception. It’s the final, desperate act of a diseased mother. So you see, if it’s close enough to a dying star–a red giant–a planet will get warmer before it gets cold. That’s how I know something’s not right. Everything we’ve been told is a lie. Kuroda knelt beside him, slipping a hand through the bars to graze the back of a sow, “The Emperor is a bit of a brat when it comes to people like that. He finds other uses for them.”
...olent incidences contrast in specific details and their fathers personas, both children lose their innocence and gain the experience and knowledge to question life and make logical decisions.
In “A Long Way Gone”, we follow a twelve-year-old African boy, Ishmael Beah, who was in the midst, let alone survived a civil war in Sierra Leone, that turned his world upside down. Ishmael was a kind and innocent boy, who lived in a village where everybody knew each other and happiness was clearly vibrant amongst all the villagers. Throughout the novel, he describes the horrific scenes he encounters that would seem unreal and traumatizing to any reader. The main key to his survival is family, who swap out from being related to becoming non-blood related people who he journeys with and meets along his journey by chance.
Nothing hurts more than being betrayed by a loved one, Christopher’s father has no trust in Christopher and tells him that his “Mother died 2 years ago”(22) and Christopher thinks his mother died of a heart attack. When Christopher finds out his father lied, he runs away to live with his mother and his father despritally looks for him and while looking for him realizes the importance of telling the truth. When someone betrays one’s trust, they can feel morally violated. Once Christopher finds his mother, she begins to realize how unfit her living conditions are for Christopher and brings him back to his father, bring him “[..] home in Swindon”(207) Christopher feels incredibly hurt and distressed he does not want to see his father. Whether a relationship can be repaired depends entirely on whether trust can or cannot be restored. Christopher’s father works very hard to regain his trust, he tells his son “[..] I don’t know about you, but this...this just hurts too much”, Christopher’s father is dealing with the result of being dishonest with his son and himself.
...acters, an unidentified apocalypse, and specks of detail, allowing readers to imagine a desolated setting on a blank canvas. Its two main characters, who symbolize the last strength for the human race, are forced onto a road that stretches to the coastal shores. The absent presence of everyday humans, plants, and wildlife generally fits the science fiction genre. Conversations between both father and son are limited to plain words that the child may only comprehend to. As a result, all responses produce disheartening lines of gloom and obscurity, though the child remains innocent during the days of darkness. He is also an icon of hope that the father holds onto, endlessly tending to the child’s living. Overall, this novel presents the terrible apocalypse in the modern times of before, to the aftermath between two characters who will soon meet their fate.
...a fresh positive mind which helps them to survive. The boy is young and it’s hard for any child his age to understand the reality of life in certain situations that is why the man consistently attempts to help the boy understand what they are going through and what it is going to take to survive.
I perceive the value of human life as invaluable. Your text enables me to envision how life would be without the comfort and security of civilization. The man’s views on life are judged by his experiences and his sole objective is to keep him and the boy alive. The father repeatedly promises himself and the boy that he would do anything for him. “My job is to take care of you. I was appointed to do that by God. I will kill anyone who touches you.” (pg 80).The boy returns the act of concern that the man has for him. The boy puts a large emphasis on that the man also must eat and drink ‘you to’. His compassion and willingness to help others in need brings conflict between him and his father. “Cant we help him? Papa? No. We cant help him.” (pg 51) The difference of the father’s practicability and the boy’s compassion is predominant. The text reinforces the idea that all life is sacred and important.
Published in 2005, Jonathan Foer's fiction novel Extremely Loud and Incredibly Close takes it's readers on an intriguing journey into the life of a boy named Oskar Schell. The novel follows the nine-year old as he travels around all of New York City in search of secrets behind a mysterious key and the connection it has to his father, Thomas Schell, who died in the September 11 terrorist attacks on the World Trade Center. On his journey, Oskar accumulates many friends who aid Oskar’s grief as he aids them with theirs. As Oskar’s story blossoms, so do those of his Grandfather and Grandmother, who co-narrate the story with their grandson. These three narrations come together to introduce and develop a theme of grief. All characters within the novel grieve over something. They grieve of the loss of a father, a son, a sister; they are grieving over a marriage that lacks love; they are grieving for solutions that can never be resolved. Foer uses an assortment of characters to acknowledge a theme of grief that is slowly eliminated by Oskar’s uplifting spirit.
The fictional life and death of a twelve year old little boy named Robert is vividly articulated in this moving tale by Thomas Wolfe. The reader learns of the boy’s life through four well developed points of view. The reader’s first glimpse into Robert’s character is expressed through a third person narrative. This section takes place on a particularly important afternoon in the boy’s life. The second and third views are memories of the child, through the eyes of his mother and sister. His mother paints the picture of an extraordinary child whom she loved dearly and his sister illustrates the love that the boy had for others. Finally, an account from the narrator is given in the ending. It is in the last section of this work that the narrator attempts to regain his own memories of his lost brother.
Early in the film , a psychologist is called in to treat the troubled child :and she calmed the mother with a statement to the effect that, “ These things come and go but they are unexplainable”. This juncture of the film is a starting point for one of the central themes of the film which is : how a fragile family unit is besieged by unusual forces both natural and supernatural which breaks and possesses and unites with the morally challenged father while the mother and the child through their innocence, love, and honesty triumph over these forces.
Shadows prowled the streets looking for an opportunity to strike their prey. How am I supposed to live here? Not after what happened four years ago”This place looks like a war zone. As he walked down the street people flew in the shadows like ghosts looking for someone to possess.”They know what I did!” He wailed. Jack was 12 years old about 5’2” 90 lbs. His mahogany hair hung down to about his shoulders and curled up at the end. His rusty eyes seemed to match his pupils forming an endless pit of brown.
Nonetheless, this really is a tale of compelling love between the boy and his father. The actions of the boy throughout the story indicate that he really does love his father and seems very torn between his mother expectations and his father’s light heartedness. Many adults and children know this family circumstance so well that one can easily see the characters’ identities without the author even giving the boy and his father a name. Even without other surrounding verification of their lives, the plot, characters, and narrative have meshed together quite well.
At the end of The Road, the boy, who is now a bit older, is greeted by a stranger. This stranger seems friendly enough; he tells the boy that he is one of the good guys, and he does not make the boy feel uncomfortable. He even gives him enough time to say goodbye to his father. The boy asks the stranger, “are you carrying the fire? (McCarthy 283), but the man is not quite sure how to respond to him. When the man sees that talking about the fire calms down the boy a bit, he agrees to it. He also allows the boy to confide in him by telling him that he has a son, daughter, and wife who only wants to help him rather than hurt him. Although the boy is not as much of a Romanticist as his father was, his response to this friendly stranger shows that his father’s determination to keep travelling, even when they felt they could not any longer, has given him the strength and courage he needs to continue on. His father never stopped showing him kindness because he only wanted the best for his
James Garbarino (1999) discusses the boys who are lost and ways that they can learn to see again in his book Lost Boys: Why Our Sons Turn Violent and How We Can Save Them. He takes an in depth look at what he calls the "epidemic of youth violence" in America in order to determine its causes and origins. By gaining an understanding of the problem, Garbarino hopes to be able to ascertain some sort of solution. He provides useful advice and insight about steps we as a society can take to ensure our boys do not become lost. In order to develop Garbarino’s ideas in my mind, I thought it would be interesting to apply some of his points he makes in his book to a case. I chose to write on the two main characters, Derek and Danny, in the movie American History X. I will provide a brief summary of the movie, followed by an extensive examination of the characters, using Lost Boys as a critical lens. First I will discuss the importance of viewing the boys lives in their entirety rather that isolating one incident. I will then look at the risk factors and the racial implications involved in Derek and Danny’s life. The next two sections will focus on the lack of a father figure and the powerful influence Derek has as a result of the absence of a father. Then I devote a short section to Garbarino’s idea of affirmation instead of discrimination and how this could have helped Derek and Danny. Before concluding, I take into account psychologist James Gilligan’s ideas on violence and how they apply to this case. In my conclusion, I look at Garbarin...
When first beginning to read this novel the reader may think Jacob Portman and his grandfather live perfectly normal lives, when in actuality they have quite a strange background. The story begins with Jacob’s grandfather telling him stories about his childhood during the World War II period. Jacob’s grandfather tells him how he lived in a home for children during this time, most of the children having bizarre talents. As Jacob got older, he stopped believing the stories, until his grandfather was suddenly killed in the woods behind his home. Not long after his grandfather’s death, Jacob’s parents sent him to a therapist, Doctor Golan, to help him stop agonizing over his grandfather’s death.