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A close reading of a very old man with enormous wings
A close reading of a very old man with enormous wings
A very old man with enormous wings literary devices
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A Very Cruel Town with No Wings: A Tale for Analysts Humanity or the human race has inspired many people, with both their good and bad qualities, to interpret their behaviors into works of art such as literature. The tale A Very Old Man with Enormous Wings by Gabriel Garcia Marquez is no different in expressing views on humanity now. Marquez expresses his views by using fictitious writing to symbolize his beliefs. Gabriel Marquez’s story involves a very old man with wings who stumbles into a very religious town looking like a train wreck. But instead of accepting the old man, who the town believes to be an angel, the town treats the old man harshly by caging him, abusing him, and judging him in a highly negative light. In the end, the old …show more content…
man eventually heals and flies away from the town, but even after the old man caused the town no harm they still believed the old man was an annoyance on their life. Through this story Gabriel Garcia Marquez is trying to show his readers what he perceives humanity to be. Marquez uses the supernatural to expose various problems in the humanity of the town that leaves his readers with the overwhelming perception that humanity is cruel. Marquez’s first clue to humanity’s cruelty is through the town’s negative reactions to foreignness. In the story the town receives a visit from a supernatural creature known as the old man with wings but instead of accepting the creature whom they believe to be an angel they reject him because he isn’t what they imagined an angel to be. One example of this is when the family who finds the old man puts him into a cage (Marquez 218). This shows cruelty because they degraded the old man by treating him like worthless animal rather than treating the old man like a human being. Also, since the town is religious by treating this old man, that they believe to be is an angel, in a harsh manner shows that they go against their morals and are very disrespectful not only to the old man but to their higher power. Another example of negative reactions to foreignness was when the community regularly abused the old man while he was injured and could not protect himself. Marquez’s use of metaphors illustrates this perfectly when he says that, “they found the whole neighborhood in front of the chicken coop having fun with the angel, without the slightest reverence, tossing him things to eat through the openings in the wire as if he weren't a supernatural creature but a circus animal," (Marquez 218-219). This shows just how cruel the community is because they did not have the slightest respect for this old man because if the community did they would have notice how their actions caused the old man severe pain. Also, the town’s barbarity is made clear with Marquez’s comparison of the old man to a circus animal because readers can see the way the town treated hurting him as a game rather than an act of violence. These examples show that Marquez’s perception of humanity is right because humans react negatively to the unknown. A common theme found throughout Marquez’s story is selfishness, which he portrays through various characters in the town.
One example of a selfish behavior seen throughout the story is exploiting others for personal gain. This is shown when Elisenda, the mother of the family who found the angel, formulates the idea to charge people five cents in order to see the angel. In one scene, Elisenda is shamelessly exploiting the angel in order to make a profit knowing that the people who are visiting mainly come to abuse the angel (Marquez 220). This shows selfishness because Elisenda did not care about the old man’s well being at all. The only thing she cared about was how she could gain from what she refers to as, “an annoyance on her life,” (Marquez 225). Furthermore, Elisenda conveys selfishness through how unappreciative she is. Elisenda not once exhibits appreciation towards the old man who did nothing but make improvements on her life. For example, Elisenda makes an extensive amount of compensation off of the old man while he receives the short end of the stick. Yet Elisenda showed no signs of gratitude towards the old man in both her actions and her words. Marquez portrays this by saying, ”With the money they saved they built a two-story mansion with balconies and gardens...Elisenda bought some satin pumps with high heels and many dresses of iridescent silk…The chicken coop was the only thing that didn’t receive any attention,” (Marquez 223). This shows how selfish Elisenda …show more content…
is through her actions because that old man is the reason her family even got money in the first place and yet she does not even think of repaying him. Instead she uses her money for herself and her family and does not spend a dime or even takes the time to clean the cage for the old man. Also in words Elisenda expresses how unappreciative she is when she is watching the old man fly away and the narrative says this, “she kept on watching until it was no longer possible for her to see him, because then he was no longer an annoyance in her life but an imaginary dot on the horizon of the sea," (Marquez 225). This shows ingratitude because Elisenda still calls the old man an annoyance in her life even after the numerous hardships the old man endured that created opportunities for the family to have a better life. Thus proving Marquez’s perception that humanity is in fact cruel because human nature at heart is selfish. Lastly, Marquez uses his text and characters, the town’s people, to portray his point of view on humanity by making the readers’ view of the town highly negative.
In the story there is no sense of closure on the old man for the readers. The readers are left with so many unanswered questions like why the old man came, where did the old man come from, why did the old man leave, is the old man an angel or just a man with wings, and so much more. And the person to blame for all these unanswered questions is none other than the town’s members. This is because the community did not handle the situation properly by treating the old man unfairly and by not giving communicating with the old man in a civil manner a true shot. Thus resulting in the readers not getting any sense of closure for the mysterious old man with wings, which leave the readers very frustrated with the town’s people. Also Marquez’s text leaves his readers with the impression that the town is the antagonist while the supernatural creature, the old man, is the protagonist in this tale. This is highly ironic because in most supernatural tales the supernatural creature is seen as the antagonist because they are far more powerful than a regular human. But this just further proves Marquez’s view on humanity because even when the town is compared to a creature very capable of overpowering them, the town is still viewed as the antagonist of the story. That is because in the story, the old man only loses his calm
demeanor when he is branded, jumps up, and flaps his wings causing a very powerful gust of wind to appear. Marquez narrates the community’s reaction by saying, “Although many thought that his reaction had been one not of rage but of pain, from then on they were careful not to annoy him, because the majority understood that his passivity was not that of a hero taking his ease but that of a cataclysm in repose," (Marquez 221). This shows just how uncompassionate the community is because the old man chose not to hurt the community even when treated horribly and given the power to do so. While the community had no reason to act violently towards the old man and yet that is exactly what the town did. Thus proving that humanity is in fact cruel like Marquez perceives it to be because of the contrast between the old man’s actions and the town’s actions. All in all, not everything turns out the way people imagine it. The town got a huge dose of this when they were confronted with the old man who was nothing like how they perceived an angel to be. But if people can take the good out of what they are given then they will never be handed a bad situation. This was the community’s downfall because they let their worst character traits come out during a time of chaos thus exposing that harsh side of humanity. If the community took a different approach to the old man’s arrival maybe they would have gotten a different outcome. But even with the overwhelming perception that humanity is cruel in this book Marquez does give his readers a sliver of hope for humanity. The author’s one silver lining to his perception of humanity was the old man. The old man was dealt bad card after bad card and yet he never took it out on the people around him. The community continually abused him and yet he simply ignored them showing a great deal of patience and perseverance. Gabriel Garcia Marquez shows his readers that humanity may be cruel but there will always be at least one person to give people hope that humanity may have a chance at becoming compassionate. Gandhi put it best when he said, “You must not lose faith in humanity. Humanity is an ocean; if a few drops of the ocean are dirty, the ocean does not become dirty.”
Gabriela Quintanilla Mrs. Allen A.P English 12 12 March 2014 The House on Mango Street Sandra Cisneros once said “'Hispanic' is English for a person of Latino origin who wants to be accepted by the white status quo. ’ Latino' is the word we have always used for ourselves.” In the novel I read, The House on Mango Street, by Sandra Cisneros, the main character, a twelve-year-old Chicana (Mexican-American girl), Esperanza, saw self-definition as a struggle, this was a major theme in the novel through Esperanza’s actions and the ones around her. Esperanza tries to find identity in herself as a woman as well as an artist throughout the novel through her encounters.
Gabriel Garcia Marquez’s story “A Very Old Man with Enormous Wings” exposes the greed and selfishness of humans. Marquez expresses Elisenda and Pelayo’s hatred for people on their land who want to catch a glimpse of the angel when he says “Her spine twisted from sweeping up so much market trash, then got the idea of fencing in the yard and charging five cents admission to see the angel.” The inconveniences that the angel has caused drove them to use him and make money off of him by turning him into a giant spectacle. Despite the fact that the angel is not unusual the townspeople treat him as if he was a zoo animal as they “Burned his side with a hot iron.” This sends a message that people often ignore the fact that their actions have the power to create miserable situations for others.
The question, “What do you want to be when you grow up?” is often asked by teachers, parents, friends, and family addressing younger children. It would seem that most Americans have within them the sense that dreams do have the potential to become reality. People often choose to see the “bright futures” of children in order to reassure them they can be anything they want to be. It seems as though there are no barriers to reach a goal if enough hard work is applied. Does this truth transcend cultural divides? Do people of minority in the United States have the same hope about their futures as the majority does? Sandra Cisneros depicts the unique dreams of Mexican-American women despite cultural depression in her story The House on Mango Street.
Pelayo is politer to the old man than his wife and the villagers, in the since of trying to care about his health. He decides to shelter him in the chicken coop, which would keep him out of the rain and mud. This just goes to show that Pelayo has heart and is caring. He has no part in trying to get him up like the villagers did. “even the most merciful threw stones at him, trying to get him to rise so they could see him standing”(Mays#). Besides that, Pelayo and Elisenda took material advantage of him, by charging all the villagers and folks an admission to see the old man. “…then got the idea of fencing in the yard and charging five cents admission to see the angel”(Mays#). That just goes to show that people will take advantage of anything they can to just better themselves. Another example is Pelayo and Elisenda built them a brand new house with the money they collected from the spectators, and left the chicken coop for the old man to live in. “With the money they saved they built a two-story mansion with balconies and gardens and high netting so that crabs wouldn't get in during the winter, and with iron bars on the windows so that angels wouldn't get in.” and “The chicken coop was the only thing that didn't receive any
Style: The typical Magical- Realistic story of García Márquez placed in a familiar environment where supernatural things take place as if they were everyday occurrences. Main use of long and simple sentences with quite a lot of detail. "There were only a few faded hairs left on his bald skull and very few teeth in his mouth, and his pitiful condition of a drenched great-grandfather took away and sense of grandeur he might have had" (589).
In Gabriel Garcia Marquez's "A Very Old Man with Enormous Wings" an angel symbolizes the unfamiliar. The angel is not just a celestial body, but a foreign body-someone who stands out as being different from the rest of society. Consequently, the angel draws attention to civilized society's reaction, ergo the community's reaction within the story when it confronts him. Using the angel as a symbol, Marquez shows how ignorance reveals the vulnerability of human nature often leading to uncivilized behaviour.
In A Very Old Man With Enormous Wings, an old man in need of help undergoes horrible torture by those that cannot see him as human. Because he cannot talk to them and cannot fight against them, he holds no status in their eyes. Marquez tries to make the reader understand that even if someone is different, whether by their ideas, physical appearance, love interests or communication abilities, they are no less human than anyone
When they first find the old man, the villagers claim that “he’s an angel” (Marquez 1). There is no denying the man’s divinity but he seems to represents much more than your average angel. In fact, the old man doesn’t resemble the typical image of an angel at all. Rather than being a young and pure angel, he is “much too human” with his “unbearable smell”. His angelic wings are even “strewn with parasites” with mistreated feathers (2). This contrasting imagery, however, doesn’t completely undermine the old man’s divinity; rather it draws attention to his lackluster appearance. The disappointments we feel towards the old man along with his particular characteristics make him remarkably similar to the one of bible’s tragic heroes; he is th...
In essence, it is the nastier side of humanity that powers "A Very Old Man with Enormous Wings". The callousness, fickleness, and cruelty are the very drive behind how the old man is abused, forgotten, and otherwise treated unfairly. After all, Pelayo ignores the old mans suffering as soon as profit can be sought, the pilgrims burn him with a branding iron when they can get away with it, and all but his captors forget him for a new curiosity. The forces at play here are clear, and the only thing I ask upon closing, is that you limit their influence on your
"A Very Old Man with Enormous Wings" is an elaborate short story based on an old man most people believe is an angel. The story is about a Colombian family visited by an aged winged man who has fallen to earth. Though the story revolves mostly around this character, the story's true focus is not on the angel, but on the actions of the curious people that involve themselves with this man. The author illustrates in the story how humans can be abusive, ignorant and cruel to individuals who are different than others. The story describes how the mysterious Old Man is judged, sold, and mistreated until he is finally strong enough to fly away.
Throughout history, many people have witnessed events that they cannot explain. People want to believe the supernatural and the unknown but perhaps they have never encountered something odd or strange themselves. The old man with wings, the main character in "A Very Old Man With Enormous Wings," written by Gabriel Garcia Marquez, was a misunderstood individual throughout his time on earth. The author uses details of the old man's persona and describes several strange events that occur to demonstrate the difference between natural and supernatural.
There are many similarities between “A Very Old Man with Enormous Wings” by Gabriel García Mȧrquez and “The Metamorphosis” by Franz Kafka. Both show many negative aspects of human nature through the use of magic realism, while also demonstrating many valuable lessons. Some of these lessons are help showing up in unforeseen and unrecognized places and how easily humans are distracted by superficial components of life. One message from the two stories is help appearing in unexpected, roundabout ways.
When one sees a person who is concerned with the well-being of others without expecting anything in return they are witnessing altruism. In order to possess altruistic values ones must be selfless. To be selfless one must have more concern about another person than themselves. Throughout John Steinbeck’s Tortilla Flat, a group of paisano friends show this altruism. The paisanos express their selflessness in the altruistic actions of aiding the Caporal in the health of his son, assisting the Pirate with his goals, and helping Senora Teresina Cortez provide food for her children.
Garcia used the topics such as religion to express and show how things were in his original locale tying in to “The Violence.” The title itself has its own meaning whereas, “A Very Old Man With Enormous Wings” the word “enormous” refers to the situation of “The Violence” occurring during that time. This short story intrigued me because of the fact that Marquez ties this short story to the time of “the Violence” era and explains what was occurring during his time. Marquez doesn’t just create this boring story
To begin with the chosen poem is the street written by Octavio Paz in 1963. The poem style is written in free verse consisting of 14 stanzas, the poem does not consist of rhyme patterns or many literary devises. The meaning behind The Street by Octavio is about how Octavio is not sure what he wants exactly sure out of life, After Octavio resigned from being Mexico’s’ ambassador he was not sure if he made the right choice or if what he is going to do now. Although By the end of the poem he is trying to come to terms with his decision so he finally confronts "nobody." The street, by Octavio Paz uses an extended metaphor and imagery to convey the struggle which he has inside of himself. In his poem, “The Street”, Octavio Paz uses the literary devise of an extended metaphor, and imagery, and a mysterious, foreshadowing almost tone to capture the reader’s attention.